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Item Ships From: Continental US
Original "The Ships Are Coming" vintage American poster with an Eagle.
By James Henry Daugherty
Located in Spokane, WA
Original: THE SHIPS ARE COMING vintage poster. Artist: James H. Daugherty (1889-1974) Publisher: U.S. Shipping Board, Emergency Fleet Corporation, Publication Section, Philadelphia, 1917. Poster showing a giant eagle...
Category

1910s American Modern Continental US - Animal Prints

Materials

Lithograph

Back Of The River, American Western Art Lithograph by Duane Bryers
By Duane Bryers
Located in Long Island City, NY
Duane Bryers, American (1911 - 2012) - Back Of The River, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 17 x 22 in., Size: 21 in. ...
Category

1970s American Realist Continental US - Animal Prints

Materials

Lithograph

36x48 Tiger Photography Wildlife Art Photograph "Tiger Portrait" Unsigned Print
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of a Tiger by Shane Russeck. Printed on archival paper using archival inks Shane Russeck is a modern day photographer, adventurer, and explorer. ...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

Lion Défendant sa Proie (Lion Defending Its Prey) — Atelier 17
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Lion Défendant sa Proie (Lion Defending Its Prey)', engraving, 1931, edition 50, Tonneau-Ryckelynck & Plumart 215. Signed and numbered '18/50' in pencil. A fine impres...
Category

1930s Modern Continental US - Animal Prints

Materials

Engraving

Paintings Drawings Collages Prints at Kent State University
By Roy Lichtenstein
Located in New York, NY
Roy Lichtenstein (after) Paintings Drawings Collages Prints at Kent State University, 1976 Historic Offset Lithograph Poster Unsigned 21 × 15 3/4 inches Unframed Vintage Roy Lichtenstein poster. It was acquired from the estate of Ohio artist Joseph O' Sickey, a personal friend of Roy Lichtenstein, who was involved with the creation of the show. Very few of these posters remain, and in fact the only other one we have seen in recent years also came from O'Sickey's estate. "Lichtenstein", 1976, exhibition invite/poster, Kent State University School of Art, January 4-23-1976, lithograph on paper. This image is a 2 color version of Lichtenstein's 1972 work "still life with goldfish bowl and painting of a golf ball", which was inspired by Henri Matisses's 1912 work "goldfish." In very good condition with original folds, as issued Over the course of his career, Roy Lichtenstein designed 70 posters...
Category

1970s Pop Art Continental US - Animal Prints

Materials

Offset

Veillot's Crested Fireback Birds: 19th C. Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a remarkable hand-colored folio sized lithograph entitled "Euplocomus Vielloti" (Viellot's Crested Fireback) by John Gould from his monograph "The Birds of Great Asia", publi...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

Lait Pur de la Vingeanne Stérilisé, Young Girl, Cats, Vintage French Advertising
By Théophile Alexandre Steinlen
Located in Union City, NJ
Lait Pur de la Vingeanne Stérilisé is an offset lithographic print reproduced after the original 1894-95 Belle Epoque advertising poster created by Théophile Steinlen, printed using 4-color offset lithography on heavyweight archival paper. Lait Pur de la Vingeanne Stérilisé depicts a seated rosy cheeked young girl (the artist's daughter) wearing a long red dress sipping milk from a bowl as a group of envious animal friends - 3 cats...
Category

1980s Art Nouveau Continental US - Animal Prints

Materials

Lithograph

Horsemen
By William Gropper
Located in San Francisco, CA
This artwork titled "The Horsemen" 1935, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hand signed in pencil by the artist. The artwork (image) size is 9.5 x 12.75 inches, framed size is 17.5 x 20.40 inches. Published by Associated American Artists, New York, printed by George Miller. Referenced and pictured in the artist catalogue raisonne by Steinberg, page 246 and Windisch and Cole, plate #602. Custom framed in a black metal frame, with off white matting. It is in excellent condition, the frame have very minor scratches. An example of this particular artwork is held at the Metropolitan Museum of Art, New York. and at the Portland Museum, Portland. About the artist: William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art. At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses, The New York Post, The New Yorker and Vanity Fair. By the late 1920s Gropper was an established cartoonist and draughtsman. He sympathized with the labor movement and was a champion of peace and personal liberty. Gropper began to paint seriously, but privately, on these themes in 1921. Gropper's first exhibition of monotypes was held in 1921 at the Washington Square Book Shop in New York. At this time, he also began to do illustrations for books. Gropper took his first sketching trip in 1924 to the West with Morris Pass. By 1930 Gropper began to receive recognition as a fine artist. In 1934, he received two mural commissions from the Schenley Corporation in New York City. In 1935, he was commissioned to paint a mural for the Hotel Taft in New York City. In 1936, Gropper received several public mural commissions: one was for the Freeport, Long Island Post Office, which was completed in 1938 and followed by another mural for the Northwestern Postal Station, Detroit, Michigan. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior in Washington, DC. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...
Category

Mid-20th Century American Realist Continental US - Animal Prints

Materials

Lithograph

“The Winter Ball” 1988
Located in Austin, TX
Poster Size: 23.5 x 16.5 in. Vintage Gold Leaf Frame Size: 23.5 x 16.5 in. Signed and inscribed in gold marker, bottom right A poster for "The Winter Ball 1988" in Houston, Texas, p...
Category

1980s Pop Art Continental US - Animal Prints

Materials

Paper, Lithograph, Offset

Gummy Bear Yellow
By Kendyll Hillegas
Located in New York, NY
ABOUT THIS PIECE: 23.5x19.6, edition of 15 — FACEMOUNTED TO PLEXI This piece is available face mounted to plexi glass giving a modern, durable, and sleek finish. Every print is fully authenticated with a signed and numbered Certificate of Authenticity. As a child, I was the flower girl in the wedding of a family friend. After much coaxing, I only agreed to walk down the aisle once I was promised gummy bears...
Category

2010s Continental US - Animal Prints

Materials

Plexiglass

White Swan, Psychedelic Screenprint by Max Epstein
By Max Epstein
Located in Long Island City, NY
White Swan Max Epstein, Canadian (1932–2002) Date: 1980 Screenprint, signed in pencil Edition of 99, AP Image Size: 19 x 28 inches Size: 23 in. x 35 in. (58...
Category

1980s Pop Art Continental US - Animal Prints

Materials

Screen

Gummy Bear Red
By Kendyll Hillegas
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: As a child, I was the flower girl in the wedding of a family friend. After much coaxing, I only agreed to walk down the aisle once I was promised gummy bears...
Category

2010s Continental US - Animal Prints

Materials

Plexiglass

Hunt Slonem "White Bunnies VI" Lithograph
By Hunt Slonem
Located in Boston, MA
Artist: Slonem, Hunt Title: White Bunnies VI Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" Signature: Sig...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Lithograph

Winter Wren
By John James Audubon
Located in Columbia, MO
John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...
Category

19th Century American Realist Continental US - Animal Prints

Materials

Lithograph

Flamingos Flock to the Trevi Fountain
By Hayley Sarno
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: The Trevi Fountain has so many romantic...
Category

2010s Continental US - Animal Prints

Materials

Plexiglass

Red Horse 1981 Signed Limited Edition Lithograph
By Walasse Ting
Located in Rochester Hills, MI
Walasse Ting Red Horse – 1981 Print – Lithograph on Arches Paper 17.5” x 23.5” Edition: H.C. signed Hors d'Commerce Walasse Ting was a Chinese-American vi...
Category

1980s Pop Art Continental US - Animal Prints

Materials

Lithograph

Blue Dog "Rodrigue New Orleans Studio 20th Anniversary - Signed Print
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of a Reflective Chrome Paper background with the wording and markings for the Rodrigue 20th Anniversary for the New Orleans Studio. There is a single blue...
Category

Early 2000s Pop Art Continental US - Animal Prints

Materials

Screen

The Passing Parade, 20th Century Lithograph, Southwestern Desert with Antelope
By Ila Mae McAfee
Located in Denver, CO
This stunning original lithograph, titled The Passing Parade, is a signed piece by renowned American artist Ila Mae McAfee (1897-1995). Created in the 20th century, the artwork depic...
Category

20th Century American Modern Continental US - Animal Prints

Materials

Lithograph

La Licorne (The Unicorn), Surrealist Lithograph by Salvador Dali
By Salvador Dalí­
Located in Long Island City, NY
A woman with flowing gold hair kneels before a unicorn. The horse theme was frequently used by Dali throughout his career. The horse is seen as a symbol of beauty and elegance as wel...
Category

1970s Surrealist Continental US - Animal Prints

Materials

Lithograph

Black-throated Diver: Original 1st Edition Hand Colored Audubon Bird Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Black-throated Diver", No. 96, Plate 477, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts three Black-throated Divers; an adult male (1), an adult female (2) and a young Diver (3). The male sits on the bank, while the young Diver floats in the water and the female watches...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

Sweet Like You
By George Rodrigue
Located in Pembroke Pines, FL
Artist: George Rodrigue Title: Sweet Like You Year: 2000 Dimensions: 20in. by 16in. Edition: from the rare limited edition of 150 Medium: Original serigraph on paper Condition: Excel...
Category

21st Century and Contemporary Pop Art Continental US - Animal Prints

Materials

Screen

Sweet Like You
$2,625 Sale Price
25% Off
NIGHT ANIMAL Signed Lithograph, Abstract Cat, Color Stripes Pink Yellow Red Blue
By Karel Appel
Located in Union City, NJ
NIGHT ANIMAL is an original limited edition lithograph by the Dutch artist Karel Appel on printed using traditional hand lithography techniques on archival printmaking paper, 100% ac...
Category

1970s Abstract Continental US - Animal Prints

Materials

Lithograph

Bob White Quails II, American Realist Lithograph by Chris Forrest
Located in Long Island City, NY
Chris Forrest, American (1946 - ) - Bob White Quails II, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 22 x 18 inches, Siz...
Category

1980s American Realist Continental US - Animal Prints

Materials

Lithograph

Untitled (Three Ducks Taking to Flight)
By Paul H. Winchell
Located in Fairlawn, OH
Untitled (Three Ducks Taking to Flight) Drypoint, c. 1940 Signed lower right Provenance: Estate of the Artist Winchell Heirs by descent Condition: Excellent Image/Plate size: 10 1/2 x 8 1/4 inches Sheet size: 12 1/2 x 10 5/16 inches Created while the artist was a commercial artist working in Minneapolis, after his tenure of being an instructor at the Minneapolis Institute of Art in the 1930's. Paul H. Winchell (1903 – 1971) was a printmaker, illustrator, teacher, and gilder according to Crump, 2009 (Minnesota Prints and Printmakers, 1900- 1945, Minnesota Historical Society Press). He was the son of Mrs. Looman Winchell of Shepherd Rd as noted in a 1937 newspaper article (Painsville, O. Telegraph). Winchell grew up in North Perry, Ohio and then studied and worked as an instructor at the Art Institute of Chicago. He studied with Leon Kroll (1884 – 1974), Boris Anisfeld...
Category

1940s American Realist Continental US - Animal Prints

Materials

Drypoint

"Dust and Horses" 45x60 Black and White Photography Wild Horses Mustangs Art
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary black and white photograph of North American Wild Horses Photography by Shane Russeck Printed on archival photographic paper Edition of 10 Signed and numbere...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

Love Dove, Signed Screenprint by Earl Klein
Located in Long Island City, NY
Love Dove Earl Klein American (1915–1993) Screenprint, signed, titled and numbered in pencil Edition of 40/75 Image Size: 18 x 22.5 inches Size: 24.5 x 29...
Category

1970s Folk Art Continental US - Animal Prints

Materials

Screen

"On the Go" 40x60 Wild Horses, Mustangs Unsigned Print Western Art Shane Russeck
By Shane Russeck
Located in Los Angeles, CA
Wild Mustangs just Carson Nevada 40x55 Printed on archival paper using archival inks Unsigned print Framing available. Inquire for rates. Shane Russeck is a modern day photograp...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

Casalinga
Located in New York, NY
ABOUT THIS PIECE: My artistic journey on Burano Island has been a captivating exploration of its vibrant character. While initially drawn to its clotheslines and colourful walls in search of inspiration for my next clothesline animal, I soon discovered that each whimsical house possessed its own unique personality. My work seeks to highlight and amplify these distinctive features, celebrating the island's charm beyond its iconic laundry, embracing the quirks and individuality of every little dwelling. ABOUT THIS ARTIST: Helga Stentzel...
Category

2010s Continental US - Animal Prints

Materials

Photographic Paper

Les Printemps D'Uranus Cheval (75% OFF LIST PRICE LIMITED TIME ONLY)
By Jean-marie Guiny
Located in Kansas City, MO
Jean-Marie Guiny "Les Printemps D'Uranus Cheval" Lithograph Signed and numbered by the artist Edition: H.C. Size: 19.5 x 25.75 inches COA provided *Condition: Good; no foxing, stain...
Category

Late 20th Century Contemporary Continental US - Animal Prints

Materials

Lithograph

Stork Family: A Framed Original 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Ciconia Alba” (A family of storks) by John Gould, from the supplement to his "Birds of Great Brit...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

Silvery Marmoset Amazon Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mico. Buff, Simia Argentata. Linn", which was drawn and engraved by Jean Baptiste Audebert...
Category

Late 18th Century Continental US - Animal Prints

Materials

Engraving

Tiger Photograph "Tiger Portrait" - 60x40 Photography Wildlife Art Unsigned
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of a Tiger by Shane Russeck. 60x40 Printed on archival paper using archival inks Unsigned print Shane Russeck is a modern day photographer, adve...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

'Mazeppa' — 19th-Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...
Category

1820s Romantic Continental US - Animal Prints

Materials

Lithograph

Peregrine, American Realist Lithograph by Chris Forrest
Located in Long Island City, NY
Chris Forrest, American (1946 - ) - Peregrine, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 23 x 1...
Category

1980s American Realist Continental US - Animal Prints

Materials

Lithograph

4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Continental US - Animal Prints

Materials

Watercolor, Engraving

Noah's Ark 1980 Large Signed Screen Print
Located in Rochester Hills, MI
Artist: Mark Sabin Title: Noah's Ark - 1980 Medium: Screenprint on Somerset Paper 34'' x 26'' Edition: Signed in pencil, titled, dated and marked 203/250 image size : 31" x 23.25" inches Mark Sabin is a fantasy painter, blending elements in a juxtaposition that surprises the audience. Sabin is quoted describing his work as "unconscious dictation." Sabin’s paintings are in various collections including the Museum of American Folk Art in New York City. His works have appeared on magazine covers, record jackets, and brochures. The artist is a graduate of the University of Michigan and Columbia University School of Law. He attended New York University...
Category

1980s Folk Art Continental US - Animal Prints

Materials

Screen

Picasso, L'Épervier, Histoire naturelle (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...
Category

1970s Modern Continental US - Animal Prints

Materials

Lithograph

"Old World" 60x40 Black & White Photography Bison Buffalo Unsigned Photograph
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of an American Bison. Printed on archival paper and using archival inks Framing available. Inquire for rates. Shane Russeck has built a reputati...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

THE CAT
By Will Barnet
Located in Portland, ME
Barnet, Will. THE CAT. Szoke 120, Cole 117, Johnson 100. Color Lithograph, 1956. Edition of 12, titled and signed in pencil. Printed on Rives paper by Barnet. Estate of the artist v...
Category

1950s Continental US - Animal Prints

Materials

Lithograph

Original "Less Dangerous than Careless Talk" vintage World War Two poster
Located in Spokane, WA
Original “Less Dangerous than Careless Talk” vintage World War Two poster. Archivally linen=backed in fine condition A-, ready to frame. Bright colors and excellent detail. Very clean. The images shown are the exact poster you will receive. A- "Less Dangerous than Careless Talk" is a World War II propaganda poster designed to caution against the dangers of loose lips...
Category

1940s American Realist Continental US - Animal Prints

Materials

Offset

Giant Panda, Pop Art Pin-Up Lithograph by Mel Ramos
By Mel Ramos
Located in Long Island City, NY
Artist: Mel Ramos, American (1935 - ) Title: Giant Panda Year: 2012 Medium: Lithograph, signed and numbered in pencil Edition: 199 Paper Size: 34.6 in. x 39.3 in. (87.88 cm x 99.82 cm)
Category

2010s Pop Art Continental US - Animal Prints

Materials

Lithograph

Eagle /// Antique Ornithology Bird Saverio Manetti Italian Watercolor Engraving
By Saverio Manetti
Located in Saint Augustine, FL
Artist: Saverio Manetti (Italian, 1723-1785) Title: "Eagle" (Plate V - 5) Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds) Year: 1767-1776 Medium: Original Hand-Colored Engraving on watermarked laid paper Limited edition: Unknown Printer: Unknown Publisher: heirs of Francesco Mouck (Vols. I-III), Gaetano Cambiagi (Vol. IV), Giuseppe Vanni (Vol. V), Florence, Italy Reference: Ayer/Zimmer page 241; Fine Bird Books page 120; McGill/Wood, page 450; Nissen IVB No. 588 Sheet size: 16.75" x 14.5" Platemark size: 13.63" x 10.88" Condition: Some minor surface marks mainly in margins. In excellent condition with strong colors Rare Notes: Provenance: private collection - Haarlem, Netherlands. Engraved and hand-colored by Italian artists Lorenzo Lorenzi (Active: 1750-1780) and Violante Vanni (1732-1776). Latin and Italian texts by Saverio Manetti. Comes from Manetti's monumental five volume "Storia Naturale Degli Uccelli (The Natural History of Birds)", (1767-1776), which consists of 600 hand-colored engravings. Unidentified watermark in very center of sheet. Comes with its accompanying information sheet. Eagle is the common name for many large birds of prey of the family Accipitridae. Eagles belong to several groups of genera, some of which are closely related. Most of the 60 species of eagle are from Eurasia and Africa. Manetti's extraordinary "Storia Naturale Degli Uccelli (The Natural History of Birds)", 1767-1776 was commissioned by Maria Luisa, the Grand Duchess of Tuscany. It is a massive 5 book volume set...
Category

1770s Old Masters Continental US - Animal Prints

Materials

Watercolor, Engraving, Handmade Paper, Laid Paper, Intaglio

American Bittern: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "American Bittern, 1. Male 2. Female", No. 73, Plate 365 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female American Bittern birds standing on the ground, each looking in opposite directions. There is high grass in the background. This original 1st octavo edition hand-colored Audubon American Bittern lithograph is in excellent condition, other than a few tiny spots, which appear most likely inclusions related to the paper manufacture. The sheet measures 6.5" high by 10.25" wide. The original text pages, 94-98, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

Virginian Rail: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Virginian Rail, 1. Male, 2. Female, 3. Young", No. 63, Plate 311 from Audubon's "Birds of Americ...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

Blue Dog "Hawaiian Blues - Remarqued" Signed Print
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of a blue dog on a tropical background of mountains, sea, sand, and palm trees. There are various colors of butterflies and a single dragonfly. The dog i...
Category

1990s Pop Art Continental US - Animal Prints

Materials

Screen

The Echo of Luck
By Fred Stonehouse
Located in Lyons, CO
Color lithograph, Ed. 25 The artist describes this project: “I have a long history of exploring the possibilities of animal and naturalist imagery to fabulist ends. These works ser...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Lithograph

Night Time in a Stable.
By Edmund Blampied
Located in Storrs, CT
Night Time in a Stable. 1927-28. Drypoint. Appleby 131. 10 1/8 x 12 1/8 (sheet 11 1/2 x 16 1/2). Edition 100. Illustrated: Print Collector's Quarterly 25 (1...
Category

Early 20th Century Modern Continental US - Animal Prints

Materials

Drypoint, Etching

Jonas Wood Plants and Animals Print Exposition Contemporary Street Art Dogs
By Jonas Wood
Located in Draper, UT
Produced on the occasion of Jonas Wood's 2022 exhibition, Plants and Animals, at David Kordansky Gallery, Los Angeles, CA. 24 x 28 inches. Jonas Wood (b. 1977, Boston) makes paintin...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Lithograph

Landscape with Horses.
By James Abbott McNeill Whistler
Located in Storrs, CT
Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...
Category

Mid-19th Century American Impressionist Continental US - Animal Prints

Materials

Drypoint, Etching

Alexander Calder Circus Reproduction Lithograph After a Drawing
By (after) Alexander Calder
Located in Surfside, FL
(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...
Category

1930s American Modern Continental US - Animal Prints

Materials

Lithograph

Exodus, Modern Hand-Colored Lithograph by Savo Radulović
Located in Long Island City, NY
Savo Radulović, Serbian American (1911 - 1991) - Exodus, Medium: Hand colored Lithograph, signed, titled and numbered in pencil, Edition: 20, Image Size: 9.5 x 14.25 inches, Size...
Category

1960s Modern Continental US - Animal Prints

Materials

Lithograph

Blue Dog "Tee George's Cabin"
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of a Blue Dog sitting to the right of an old wood cabin with a porch. Two black trees and a pathway lead away from the house. The dog has soulful yellow e...
Category

1990s Continental US - Animal Prints

Materials

Screen

"Belle Starr" 36x48 - Black & White Photography of Wild Horse Mustang Unsigned
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary black and white photograph of a American Wild Mustang. "They represent the ultimate expression of American freedom" 36 x 48 Printed using only archival paper...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

Toucans
By Robert Deyber
Located in Greenwich, CT
Toucans is a lithograph on paper, initialed lower right 'BD', 9 x 9" image size. From the edition of 395, numbered LI/C (there were also 275 Arabic and 20 AP), framed in a contempora...
Category

21st Century and Contemporary Contemporary Continental US - Animal Prints

Materials

Paper, Lithograph

Pair of 19th C. Hand-colored Lithographs of Ducks by John Gould
By John Gould
Located in Alamo, CA
A pair of hand-colored lithographs of ducks entitled "Tadorna Vulpanser" (Sheldrake Ducks) and "Mergus Umbellus' (Smew or Nun Ducks) from John Gould's publication "Birds of Great Br...
Category

1860s Naturalistic Continental US - Animal Prints

Materials

Lithograph

Tulip Pochoir from Relais
By Edouard Benedictus
Located in New York, NY
Benedictus, Edouard. Relais. Plate 1. Paris, Éditions Vincent, Fréal et Cie, 1930. Original pochoir, printed by J. Saudé.
Category

1930s Art Deco Continental US - Animal Prints

Materials

Paper

The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
By Pablo Picasso
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Continental US - Animal Prints

Materials

Drypoint, Aquatint

Randal Ford - Arctic Fox No. 2, Photography 2018, Printed After
By Randal Ford
Located in Greenwich, CT
Available Sizes: 32" x 32" Edition of 15 40" x 40" Edition of 10 48" x 48" Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, manki...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, C Print

L'Ouraboros, Surrealist Lithograph on Parchment by Salvador Dali
By Salvador Dalí­
Located in Long Island City, NY
Dalí's Ouroboros is more naturalistic than his other prints in Alchimie des Philosophes, and its features are similar to an eel or sea serpent. It is cut into many pieces, though the...
Category

1970s Surrealist Continental US - Animal Prints

Materials

Parchment Paper, Lithograph

Three Amigos - Signed Silkscreen Blue Dog Print
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of 3 animals sitting in a warm park scene of pink sky, blue bushes, black tree and green grass. The main animal is the blue dog with a gray cat on one side and a brown & white dog...
Category

2010s Pop Art Continental US - Animal Prints

Materials

Screen

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