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Edouard BenedictusTulip Pochoir from Relais1930
1930
$345
£259.41
€301.24
CA$481.79
A$534.34
CHF 280.61
MX$6,562.02
NOK 3,552.22
SEK 3,349.79
DKK 2,247.59
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About the Item
Benedictus, Edouard.
Relais.
Plate 1.
Paris, Éditions Vincent, Fréal et Cie, 1930.
Original pochoir, printed by J. Saudé.
- Creator:Edouard Benedictus (1879 - 1930, French)
- Creation Year:1930
- Dimensions:Height: 18.75 in (47.63 cm)Width: 14.75 in (37.47 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:Seller: 930881stDibs: LU43835550391

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View AllPoppy Pochoir from Relais
By Edouard Benedictus
Located in New York, NY
Benedictus, Edouard.
"Relais."
Plate 14.
Paris, Éditions Vincent, Fréal et Cie, 1930.
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Relais.
Plate 1.
Paris, Éditions Vincent, Fréal et Cie, 1930.
Original pochoir, printed by J. Saudé.
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Plate 20 from "Formes et Couleurs"
Located in New York, NY
Plate 20 from "Formes et couleurs; vingt planches en couleurs contenant soixante-sept motifs décoratifs" by Auguste H. Thomas. Paris: A. Levy, Librarie Centrale des Beaux-Arts, circa...
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Pochoir print, Plate 15, from Relais by Edouard Benedictus. Printed by J. Saudé. Paris, Éditions Vincent, Fréal et Cie, 1930. Framed in a red-stained handmade wood frame with UV f...
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Located in New York, NY
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Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed.
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Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts.
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The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique.
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Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...
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