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Item Ships From: Continental US
The Lovers
By Peter Max
Located in Berlin, MD
Peter Max (German / American 1937 - Present) The Lovers. Abstract of two nude women on a bed in vibrant colors. The print is on thick woven paper and is...
Category
Late 20th Century Pop Art Continental US - Interior Prints
Materials
Lithograph
$1,250 Sale Price
24% Off
The Egyptian Book
By Lucian Freud
Located in New York, NY
Lucian Freud
The Egyptian Book
1994
Etching on T.H.S. Saunders paper
18 1/4 x 16 3/4 inches; 46 x 43 cm
Edition of 40
Initialed and numbered in graphite (lower recto)
Frame available upon request
Published by Matthew Marks...
Category
1990s Contemporary Continental US - Interior Prints
Materials
Etching
"Folding Linen III" - Limited Edition Lithograph, 20/75
Located in Soquel, CA
Beautiful figurative limited edition lithograph by Robert Baxter (American, b. 1933). Signed and numbered "R. Baxter 20/75" lower left. Displayed with wh...
Category
1980s Realist Continental US - Interior Prints
Materials
Paper, Lithograph
TWO FLOATING Signed Lithograph, Abstract Balloons, Pop Art, Red Pink Yellow Blue
By Peter Max
Located in Union City, NJ
TWO FLOATING is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1991 in an edition of 165, using traditional hand lithography techniques on archival Somerset paper, 100% acid free. TWO FLOATING is a dreamy, New Age style, upbeat abstract composition portraying a colorful, dandy man dressed in a blue striped jacket with yellow sleeves exiting from the left as a group of floating red, yellow, and light blue balloon shapes suspended in the air against a background of warm rosy pink; a white and yellow sphere resting on the ground. TWO FLOATING is an airy, transcendental, happy colored fantasy moment!
Print size - 28 x 22 inches. unframed, very good condition, hand signed by Peter Max
Image size - 23.5 x 19 inches
Edition size - 165
Year published - 1980
Printer - JK Fine Art Editions Co. NY
About the artist -
German/American artist: b. 1937, Peter Max spent his childhood in Shanghai. From China, the family went to Tibet for a year, and then on to Israel. Peter Max's family's odyssey continued to Paris, and finally, at the age of 16, Max arrived in the United States. Peter Max began his art studies in New York at the Art Student's League and continued at the Pratt Institute and School of Visual Arts. Peter Max, recognised throughout the world and a well-known name in America, is famous for his new age style, cosmic imagery and multi-colored blends. During the late 1960's and early 70's, Peter Max's colorful award winning art reached millions of people. Peter Max's paintings, drawings, sculpture and limited edition graphics have been exhibited in major museums throughout the world.
American icons, especially the Statue of Liberty, appear repeatedly in his art repertoire. Returning to the public art scene in the ‘80s...
Category
1980s Pop Art Continental US - Interior Prints
Materials
Lithograph
$1,056 Sale Price
42% Off
Reggia di Venaria Reale 8, Torino, Italy
By Massimo Listri
Located in New York City, NY
48 x 60 inches - edition of 5
Chromogenic Print – Unframed
Signed by the artist - Certificate of Authenticity
Free Shipping – Ask us foar custom framing options.
As a world-renowned...
Category
2010s Contemporary Continental US - Interior Prints
Materials
Archival Paper, C Print
VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES I - 1973
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely
Title: Profound Works I
Year: 1973
Not signed or numbered, as published
Dimensions: 12 in. by 12 in. Framed
Edition: From the Rare Limited Edition
Publisher: Editions du Griffon Neuchatel
Suite: Profound Works
Medium: 3D, Serigraph on Acitate Over Serigraph on Paper
Condition: Excellent
Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works.
Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface.
Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...
Category
1970s Op Art Continental US - Interior Prints
Materials
Screen
Red Flowers with Painting, Folk Art Lithograph by Guy Charon
By Guy Charon
Located in Long Island City, NY
Red Flowers with Painting
Guy Charon, French (1927)
Date: circa 1977
Lithograph, signed in pencil
Edition of 250, EA
Image Size: 19.75 x 25.5 inches
Size: 22 x 30 in. (55.88 x 76.2 cm)
Category
1970s Contemporary Continental US - Interior Prints
Materials
Lithograph
Antique French Copper Engraving - Doric Order Architectural Style
Located in Houston, TX
Beautifully-detailed antique copper engraving depicting a traditional building in the Doric Order architectural style from Recueil d'Architecture, 1780.
O...
Category
18th Century and Earlier Continental US - Interior Prints
Materials
Ink, Paper
Pomona Gallica, Muscat Rouge - Botanical Grape Print
Located in Soquel, CA
Pomona Gallica, Muscat Rouge - Botanical Grape Print
Botanical Print depicting a grape vine by Henri-Louis Duhamel du Monceau (French, 1700-1782). Red grapes hang from a vine, in fr...
Category
1760s Impressionist Continental US - Interior Prints
Materials
Paper, Ink
Teatro Microbiotico, Geometric Op Art Screenprint by Pedro Friedeberg
By Pedro Friedeberg
Located in Long Island City, NY
A serigraph print by Pedro Friedeberg from 1987. An optical abstract image of a surrealist interior.
Artist: Pedro Friedeberg, Mexican (1936 - )
Title: Teatro Microbiotico
Year: 1...
Category
1980s Op Art Continental US - Interior Prints
Materials
Screen
ANOTHER DAY Signed Woodcut, Modern Portrait, Black Couple, Brown, Blue, Beige
By Otto Neals
Located in Union City, NJ
ANOTHER DAY is an original limited edition woodcut by the American painter and sculptor, Otto Neals. The woodblock used to print ANOTHER DAY was hand carved by Otto Neals and printed in shades of brown, light blue, beige, and black on archival Rives BFK printmaking paper, 100% acid-free, enhanced with hand colored accents. ANOTHER DAY is a dramatic, contemporary black couple portrait portraying a man and woman standing back to back, the woman's arm raised up and pointing in front of her. She wears a stark white, bell-sleeved dress and large teardrop shaped dangle earrings and bangle bracelet, set against a dramatic natural wood grain patterned background, a large potted plant positioned on the table in the foreground. The man dressed in a warm brown colored suit, wearing white shirt and necktie, his dignified male profile looks straight ahead to the left of the composition adding visual interest and mystery.
Print size - 25 x 20 inches, unframed, mint condition, pencil signed and numbered by Otto Neals, Certificate of Authenticity provided (actual print number may vary from photo upon availability)
Image size - 19.75 x 15.75
Edition size - 100, plus proofs
Printer - JK Fine Art Editions Co. NJ
Publisher - Mojo...
Category
Early 2000s Contemporary Continental US - Interior Prints
Materials
Woodcut
Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
By Giovanni Battista Piranesi
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category
1760s Old Masters Continental US - Interior Prints
Materials
Etching
Thinking Aloud in the Museum of Modern Art, Hodgkin, abstract black and white
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Paper: 30 x 40 in. / 76.2 x 101.5 cm.
Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on yellowish grey Hodgkinson hand made paper. Signed by the artist, dated 70, and numbered 21/100 lower center in red crayon. Printed from the same plates as 'All Alone in the Museum of Modern Art'. While All Alone features dark pools of hand coloring, the lighter image field of Thinking Aloud reveals how Hodgkin used his entire hand to create lines and textures.
This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive brush marks and fingerprints in this print are an example of the artist’s movement in the late 70s towards pronounced gestures.
Howard Hodgkin was introduced to the etching technique used in Thinking Aloud in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Continental US - Interior Prints
Materials
Etching
France at her Furnaces
By James McBey
Located in Storrs, CT
1917. Etching. Hardie 175. 8 x 15 (sheet 10 1/8 x 16 15/16). Edition 76. Slight mat line; otherwise excellent condition. A rich impression printed on antique laid paper with full m...
Category
1910s Modern Continental US - Interior Prints
Materials
Drypoint, Etching
VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES - 1973
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely
Title: Profound Works
Year: 1973
Not signed or numbered, as published
Dimensions: 12 in. by 12 in. Framed
Edition: From the Rare Limited Edition
Publisher: Ed...
Category
1970s Op Art Continental US - Interior Prints
Materials
Screen
THE LAMP Vintage Lithograph Poster, 1st Printing 1984, Civil Rights, Justice
By Romare Bearden
Located in Union City, NJ
ROMARE BEARDEN 1970-1980
THE LAMP (after the 1984 collage on board by Bearden)
Vintage 1984 Commemorative Poster - Brown v. Board of Education 30 Years later: "The Politics of Excel...
Category
1980s Contemporary Continental US - Interior Prints
Materials
Offset
$319 Sale Price
20% Off
The Letter-Writer, Cairo, Egypt: Original 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Letter-Writer" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by...
Category
1840s Realist Continental US - Interior Prints
Materials
Lithograph
Julian Schnabel, Portraits, Nemo Librizzi
By Julian Schnabel
Located in New York, NY
Julian Schnabel
NEMO LIBRIZZI
1998
25-color silkscreen with poured resin
38 x 36 inches (97 x 91 cm)
Signed and numbered edition of 90
Suite of 3 Also available
Born in Brooklyn,...
Category
1990s Contemporary Continental US - Interior Prints
Materials
Screen
En passant (Passing by)
By Louis Legrand
Located in Fairlawn, OH
En passant (Passing by)
Drypoint, 1909
Unsigned (as issued in the deluxe portfolio)
From the album "Les Bars" (8 plates plus cover illustration)
Edition: 30, this state with remarque
Published by Gustav Pellet, Paris
A very rich impression wwith burr
Condition: Excellent
Image/Plate size: 9 7/8 x 6 3/8 inches
Reference: Arwas 391a (remarque)
Exteens 277 i/II
IFF 148 (portfolio)
Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906.
Life
Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops.
Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all."
Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine.
Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891.
In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes).
Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others.
He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur.
Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion.
Books illustrated
de Maupassant, Guy: Cinq Contes Parisiens, 1905.
Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...
Category
Early 1900s Art Nouveau Continental US - Interior Prints
Materials
Drypoint
Marquis de Marigny: An 18th C. Wille Engraved Portrait after a Tocque Painting
By Louis Tocqué
Located in Alamo, CA
This is a mid 18th century engraved portrait of Abel François Poisson de Vandières, Marquis de Marigny by Jean Georges Wille after a painting by Louis Tocque...
Category
Mid-18th Century Continental US - Interior Prints
Materials
Engraving
Dow and Frosini Framing, posters and prints
Located in Brooklyn, NY
This limited-edition silkscreen poster by Lance Hidy was created to promote Dow & Frosini, a framing store on Telegraph Avenue in Berkeley, California, next to UC Berkeley, which lat...
Category
1970s Contemporary Continental US - Interior Prints
Materials
Screen
THE DOOR OF JUSTICE Hand Signed Lithograph, Lawyer and Clients, Civil Rights
By Elizabeth Catlett
Located in Union City, NJ
THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor bes...
Category
Early 2000s Contemporary Continental US - Interior Prints
Materials
Lithograph
Howard Hodgkin hand-colored Early Evening in the Museum of Modern Art
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract.
Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique.
Part of a series of four prints reflecting on a visit to...
Category
Late 20th Century Abstract Continental US - Interior Prints
Materials
Gouache, Etching
Scene Galante au XVIII eme Siecle #1
By Antoine Calbet
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left.
About the artist.
Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert.
Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime.
Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration .
Selected museums and collections
Dallas , Dallas Museum of Art : Back woman...
Category
Mid-20th Century Realist Continental US - Interior Prints
Materials
Aquatint
Kumasaka Chōhan to Ushiwakamaru - One of a Diptych Original Woodcut Print
By Utagawa Kunisada (Toyokuni III)
Located in Soquel, CA
Kumasaka Chōhan to Ushiwakamaru is a Japanese Ukiyo-e print created between 1848 and 1854 by artist Utagawa Kunisada (Japanese, 1786-1864). The print is a Diptych, and is part of the...
Category
1850s Realist Continental US - Interior Prints
Materials
Printer's Ink, Rice Paper, Woodcut
VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES VIII - 1973
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely
Title: Profound Works VIII
Year: 1973
Not signed or numbered, as published
Dimensions: 12 in. by 12 in. Framed
Edition: From the Rare Limited Edition
Publisher: Editions du Griffon Neuchatel
Suite: Profound Works
Medium: 3D, Serigraph on Acitate Over Serigraph on Paper
Condition: Excellent
Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works.
Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface.
Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...
Category
1990s Op Art Continental US - Interior Prints
Materials
Screen
Original 'Penelope" vintage 1913 opera poster
Located in Spokane, WA
Original linen-backed stone lithograph opera poster for Penelope. Done in 1913 by the great lithographer Georges Rochengrosse who created several opera ...
Category
1910s Art Nouveau Continental US - Interior Prints
Materials
Lithograph
$599 Sale Price
20% Off
Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals"
By Utagawa Kunisada (Toyokuni III)
Located in Soquel, CA
Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals"
A Japanese Ukiyo-e woodcut print created circa 1862 by artist Utagawa Kunisada (Japanese, 1786-1864). ...
Category
1850s Realist Continental US - Interior Prints
Materials
Printer's Ink, Rice Paper, Woodcut
Basquiat- Hardware Store Vintage pop art
By Jean-Michel Basquiat
Located in Brooklyn, NY
This vintage blank notecard, published by te Neues Publishing, features artwork by Jean-Michel Basquiat and is a rare example of his painting titled "Hardware Store." Elegantly frame...
Category
Late 20th Century Pop Art Continental US - Interior Prints
Materials
Offset
$200 Sale Price
20% Off
Jar from Samarkland, Alice Neel
By Alice Neel
Located in Fairfield, CT
Artist: Alice Neel (1900-1984)
Title: Jar from Samarkland
Year: 1982
Medium: Lithograph on Arches paper
Edition: A.P. 24/25; 175, plus proofs
Size: 38 x 28 inches
Condition: Good
Ins...
Category
1980s Expressionist Continental US - Interior Prints
Materials
Lithograph
$11,600 Sale Price
20% Off
Here We Are Again by Thomas Nast 1878 Harpers Weekly centerfold
By Thomas Nast
Located in Paonia, CO
Here we go again is an original hand colored wood engraving from a January 1878 Harpers Weekly. Here we see Thomas Nast's ever enduring interpretation of Santa Clause modeled from Clement Moore's Visit from Saint Nicholas. Drawing inspiration from his native German Saint Nicholas, Nast helped the American people believe in a Santa Clause who kindness and generosity brought with it elves, reindeer pulling sleds, Santas workshop, using chimneys...
Category
1870s Continental US - Interior Prints
Materials
Woodcut
HONKY TONK Signed Lithograph, Black Musician, Collage Portrait, Blues Guitar
By James Denmark
Located in Union City, NJ
HONKY TONK is an original hand drawn, limited edition lithograph by the African American artist James Denmark printed using traditional hand lithography techniques on archival Somerset paper, 100% acid free. HONKY TONK is a colorful collage portrait depicting a seated black musician - a male guitar player wearing blue jeans and a brown slouchy cap playing his blues guitar. HONKY TONK is a warm interior scene printed in vivid shades of red orange, red, dark blue, light yellows, cream, tan, browns, and black creating an inviting honky-tonk music setting.
Print size - 38 x 23 inches, unframed, mint condition, hand signed and numbered by James Denmark, Certificate of Authenticity included
Edition size - 250, plus proofs
Year published - 1996
Publisher - Mojo Portfolio...
Category
1990s Contemporary Continental US - Interior Prints
Materials
Lithograph
Victor Vasarely "Ter UR 1989" Screenprint, Signed & numbered
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely, Hungarian (1908 - 1997)
Title: Ter-Ur
Year: circa 1980
Medium: Screenprint, signed and numbered in pencil
Edition: From the edition of 250
Image Size: 24.5...
Category
1980s Kinetic Continental US - Interior Prints
Materials
Screen
Paintbrushes in a Pitcher - Still Life Etching by Don Weygandt (#20/150)
Located in Soquel, CA
Paintbrushes in a Pitcher - Still Life Etching by Don Weygandt (#20/150)
Elegant lithograph of a pitcher holding paintbrushes by Don Weygandt (American, 1926-2018). This piece has a...
Category
1990s American Modern Continental US - Interior Prints
Materials
Paper, Ink, Etching
Dendera, Egypt, Dec 7th, 1838: David Roberts' 19th C. Duotone Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Dendera, Dec 7th, 1838" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in...
Category
1840s Realist Continental US - Interior Prints
Materials
Lithograph
PORTRAIT OF JOHN ROTHSCHILD Signed Lithograph Seated Man with Pipe, Sailor Shirt
By Alice Neel
Located in Union City, NJ
PORTRAIT OF JOHN ROTHSCHILD is an original hand drawn, limited edition lithograph by the American woman painter Alice Neel printed on archival Arches paper, 100% acid free, using tra...
Category
1980s Contemporary Continental US - Interior Prints
Materials
Lithograph
$3,680 Sale Price
20% Off
After the Party FS II.183 (Warhol estate stamped)
By Andy Warhol
Located in Aventura, FL
Screen print in colors on Arches 88 wove paper. Unsigned edition, lacking the pencil signature, but with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts,...
Category
1970s Pop Art Continental US - Interior Prints
Materials
Paper, Screen
Still Life with Goldfish
By Louis Comfort Tiffany
Located in Brooklyn, NY
This stunning exhibition poster was created for Louis Comfort Tiffany – Artist for the Ages, a show honoring the visionary craftsmanship of one of America’s most celebrated designers...
Category
Early 2000s American Modern Continental US - Interior Prints
Materials
Offset
THE BREAK OF DAY Signed Woodcut, Black Woman Reading Letter, Lavender Dress
By Otto Neals
Located in Union City, NJ
THE BREAK OF DAY is an original limited edition woodcut print by the African-American painter and sculptor, Otto Neals. The woodblock used to print THE BREAK OF DAY was hand-carved b...
Category
Early 2000s Contemporary Continental US - Interior Prints
Materials
Woodcut
William Hogarth's "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
By William Hogarth
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Mid-18th Century Old Masters Continental US - Interior Prints
Materials
Engraving, Etching
The Four Seasons: Spring Japanese Woodblock Triptych ink on Paper Tales of Genji
Located in Soquel, CA
The Four Seasons: Spring - Japanese Woodblock Triptych in Ink on Paper
Colorful kabuki scene by Utagawa Kuniteru (Japanese, active 1818-18...
Category
Early 19th Century Edo Continental US - Interior Prints
Materials
Paper, Ink, Woodcut
FLOWER BLOSSOMS, LIGHT BLUE VASE Signed Lithograph, Magenta, Pink, Red, Green
By Walasse Ting
Located in Union City, NJ
FLOWER BLOSSOMS, LIGHT BLUE VASE is an original hand drawn lithograph by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010) printed on archival Somers...
Category
1980s Contemporary Continental US - Interior Prints
Materials
Lithograph
The Sphinx & Pyramid, Giza, Egypt: Original 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Side View of the Great Sphinx" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published ...
Category
1840s Realist Continental US - Interior Prints
Materials
Lithograph
Massimo Listri - Hermitage Museum, St. Petersburg (Portrait of Interiors)
By Massimo Listri
Located in New York City, NY
MASSIMO LISTRI
Massimo Listri - Hermitage Museum, St. Petersburg (Portrait of Interiors), 2018
48 x 60 inches
120 x 150 cm
Edition of 5
Chromogenic ...
Category
2010s Post-Modern Continental US - Interior Prints
Materials
Photographic Paper, C Print
Reggia di Portici V, Naples, Italy
By Massimo Listri
Located in New York City, NY
Massimo Listri
Reggia di Portici V, Naples, Italy, 2013
40 x 47 inches
100 x 120 cm
Edition of 5
47 x 59 inches
120 x 150 cm
Edition of 5
71 x 88.5 inches
180 x 225 cm
Edition of ...
Category
2010s Post-Modern Continental US - Interior Prints
Materials
Photographic Paper, C Print
The Card Game: An Early 17th Century Engraving by A. Voet after Cornelis de Vos
By Alexander Voet
Located in Alamo, CA
A 17th century engraving entitled "The Card Game" by old master artist Alexander de Voet after a painting by Cornelis de Vos, created in 1632. The pain...
Category
1630s Old Masters Continental US - Interior Prints
Materials
Engraving
Shepard Fairey Third Eye Open Letterpress Screenprint Contemporary Street Art
By Shepard Fairey
Located in Draper, UT
The Third Eye Open letterpress incorporates the portrait I originally made for my Make Art Not War print back during the Iraq War. This print image also includes a third eye blooming like a flower, I believe that what the third eye represents: a dialogue with one’s inner self, higher consciousness...
Category
2010s Contemporary Continental US - Interior Prints
Materials
Screen
Four 19th Century Hand Colored Engravings Depicting English Royal Residences
By Charles Wild
Located in Alamo, CA
Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...
Category
1810s Academic Continental US - Interior Prints
Materials
Engraving
Tiberias from the Walls: David Roberts' 19th C. Hand-colored Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Tiberias from the Walls, Saffet (Safed) in the Distance" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1841. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered among the greatest lithographically illustrated works issued in the 19th century.
This page from Roberts' 19th century publication includes a half-folio hand-colored lithograph of a view of the town of Tiberias and with the town of Safed on the hill in the distance. They lie along the Sea of Galilee...
Category
1840s Realist Continental US - Interior Prints
Materials
Lithograph
Original Four Years in the Fight, The Women of France vintage WW1 poster
Located in Spokane, WA
Original "Four Years in the Fight: The Women of France, We Owe Them Houses of Cheer" vintage war poster. Archival linen backed, ready to frame. By Lucien Jonas. Excellent colors a...
Category
1910s American Realist Continental US - Interior Prints
Materials
Lithograph
Ceiling of the Paris Opera House
By Marc Chagall
Located in Boca Raton, FL
Ceiling of the Paris Opera House
This is a print made by Center Art Galleries-Hawaii, Inc. You can google their name to get a sense of the litigation surrounding this manufacturer,...
Category
20th Century Romantic Continental US - Interior Prints
Materials
Paper, Ink
"Allegory of Justice": A 17th Century Old Master Engraving by van Swanenburg
By Willem van Swanenburg
Located in Alamo, CA
This old master engraving entitled "Allegorie op de Rechtspraak" is by Willem van Swaanenburg after a painting by Joachim Wtewael, published by Ch...
Category
Early 1600s Old Masters Continental US - Interior Prints
Materials
Engraving
"Toy Horse Dance" Japanese Woodblock Triptych with Beauties and Mt Fuji
Located in Soquel, CA
"Toy Horse Dance" Japanese Woodblock Triptych with Beauties and Mt Fuji
Vibrant three-panel woodblock print by Utagawa Toyohiro (Japanese,...
Category
Early 20th Century Edo Continental US - Interior Prints
Materials
Ink, Rice Paper, Woodcut
CRUSADERS FOR JUSTICE Commemorative Art Poster, Thurgood Marshall, Civil Rights
By Elizabeth Catlett
Located in Union City, NJ
CRUSADERS FOR JUSTICE is a rare commemorative fine art poster designed by the renown woman artist, Elizabeth Catlett featuring a portrait of the iconic 20th century civil rights advo...
Category
Early 2000s Contemporary Continental US - Interior Prints
Materials
Linocut
Massimo Listri, Castello di Friedstein a Gotha, Germany
By Massimo Listri
Located in New York City, NY
MASSIMO LISTRI
Castello di Friedstein a Gotha, Germany, 1999
48 x 60 inches
120 x 150 cm
Edition of 5
Chromogenic Print
Signed, dated, and numbered on verso label
Unframed (Framin...
Category
2010s Post-Modern Continental US - Interior Prints
Materials
Photographic Paper, C Print
Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock
By Utagawa Kunisada (Toyokuni III)
Located in Soquel, CA
Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock
Rightmost panel a triptych, depicting monthly events for Wakamurasaki (Young Murasaki). This is the month of July. There appears to be a lesson taking place, possibly for writing or poetry.
Artist: Toyokuni III/Kunisada (1786 - 1864)
Publisher: Ebisu-ya Shoshichist
Presented in a new blue mat.
Mat size: 19"H x 13"W
Paper size: 14.5"H x 10"W
Commentary on the triptych:
In the Edo period, Tanabata was designated as one of the five seasonal festivals, and became an annual event for the imperial court, aristocrats, and samurai families, and gradually came to be celebrated by the general public. Its origins are said to be a combination of the Kikoden festival, which originated from the Chinese legend of Altair and the Weaver Girl, and Japan's ancient Tanabata women's faith. Ink is ground with dew that has accumulated on potato leaves, poems and wishes are written on five colored strips of paper, which are then hung on bamboo branches to celebrate the two stars that meet once a year. Although the illustration is a Genji painting...
Category
1850s Realist Continental US - Interior Prints
Materials
Printer's Ink, Rice Paper, Woodcut
Interior with Red Shawl (Young woman reads in this calm Vermeer-like interior)
Located in New Orleans, LA
Interior with a red shawl conveys a quite different mood and feeling: one of calm, and suspension of time. Here the suggestion is that the woman is waiting ...
Category
Early 20th Century Dutch School Continental US - Interior Prints
Materials
Mezzotint
Silver Liner
By Nicholas Krushenick
Located in Washington, DC
Artist: Nicholas Krushenick
Medium: Screenprint
Title: Silver Liner
Year: 1977
Edition: 103/200
Framed Size: 33 3/4" x 27 3/4"
Sheet Size: 34" x 26"
Signed: Hand signed in pencil
Category
1970s Continental US - Interior Prints
Materials
Screen
Stanwick Churchyard
By John Taylor Arms
Located in Middletown, NY
Etching on cream wove paper, 2 3/8 x 3/14 inches (61 x 83), full margins. Signed, dated and inscribed "IV" in the artist's hand. In very good condition. Fletcher states only two tria...
Category
Mid-20th Century American Modern Continental US - Interior Prints
Materials
Handmade Paper, Etching, Aquatint
Massimo Listri - Kunsthistoriches Museum III, Wien, Austria
By Massimo Listri
Located in New York City, NY
MASSIMO LISTRI
Kunsthistoriches Museum III, Wien, Austria, 2014
60 x 48 inches
150 x 120 cm
Edition of 5
Chromogenic Print
Signed, dated, and numbered on verso label
Unframed (Fra...
Category
2010s Post-Modern Continental US - Interior Prints
Materials
Photographic Paper, C Print
