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Continental US - Still-life Prints

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Item Ships From: Continental US
Four Reds, Sept 30 2002
By Donald Sultan
Located in Laguna Beach, CA
For more than thirty years, Donald Sultan has experimented with and expanded still life painting. He takes familiar objects such as flowers, fruits, playing cards, and factory sites,...
Category

Early 2000s Continental US - Still-life Prints

Materials

Screen

Sans titre, Derrière le miroir
By Alexander Calder
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 156, 1966. Published by Aimé Mae...
Category

1960s Modern Continental US - Still-life Prints

Materials

Lithograph

Andy Warhol FLOWERS Hand-Colored Screenprint
By Andy Warhol
Located in Lake Worth Beach, FL
Artist/Designer; Manufacturer: Andy Warhol (American, 1928-1987) Marking(s); notes: signed; ed. 236/250; 1974 Materials: screenprint hand-colored with Dr. Martin's aniline watercolor...
Category

1970s Pop Art Continental US - Still-life Prints

Materials

Screen

“Still Life of Flowers” Poster, Copyright 1969 New York Graphic Society
Located in Chesterfield, MI
JAN BRUEGHEL, THE ELDER (Flemish, 1568-1625). Poster/Print. Measures 38 x 29 in. Unframed. Copyright 1969 New York Graphic Society. Printed in USA. Fair/Mildly Distressed Condition- ...
Category

1960s Continental US - Still-life Prints

Materials

Screen

Sans titre, Derrière le miroir
By Alexander Calder
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 221, 1976. Published by Aimé Mae...
Category

1970s Modern Continental US - Still-life Prints

Materials

Lithograph

Yellowpop Neon Flowers lighted Wall Hanging/Sign - brand new in box
By Andy Warhol
Located in New York, NY
Yellowpop after Andy Warhol Neon Flowers lighted Wall Hanging/Sign, 2022 Neon flex material, consisting of PVC or Silicon piping with LED lights mounted on a recycled acrylic board Edition 258/500 (numbered on COA) Box is plate signed; accompanied by official numbered COA authorized by the Warhol Foundation...
Category

2010s Pop Art Continental US - Still-life Prints

Materials

Silicone, Mixed Media, Neon Light, Acrylic Polymer, PVC

Yellow Blossom (floral, still life, watercolor, bright colors, flowers)
Located in New York, NY
Watercolor on paper 32 x 25 inches framed
Category

2010s Contemporary Continental US - Still-life Prints

Materials

Paper, Watercolor

"Carrier Pigeon" Signed Limited Edition Black and White Silkscreen Print
Located in East Quogue, NY
“Carrier Pigeon,” 2012, Limited edition silkscreen print by Baltimore street artist Gaia. Three-color hand-pulled silkscreen on Coventry Rag, 100% Cotton Archival Paper. Edition 25/...
Category

2010s Contemporary Continental US - Still-life Prints

Materials

Archival Paper, Black and White, Archival Pigment

Matisse, Découpage, Société internationale d'art XXe siècle (after)
By Henri Matisse
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N°4 (double) ...
Category

1950s Fauvist Continental US - Still-life Prints

Materials

Lithograph

The First Word of Verse Arises from the Rilke Portfolio, lithograph by Ben Shahn
By Ben Shahn
Located in Long Island City, NY
Artist: Ben Shahn, American (1898 - 1969) Title: The First Word of Verse Arises from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Siz...
Category

1960s Modern Continental US - Still-life Prints

Materials

Lithograph

Flora ll - large format photograph of abstract floral and liquid cloud explosion
By Christian Stoll
Located in San Francisco, CA
large format photograph from a series of colorful floral explosions, flower power and liquid clouds captured in water FLORA lI by Christian Stoll 27 x 40 inches (68.5 x 102cm) sign...
Category

21st Century and Contemporary Contemporary Continental US - Still-life Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Midnight Magnolia Diptych (Two 24 x 18 inch cyanotypes)
Located in Oakland, CA
These are two 24 x 18-inch hand-printed photographs using the 170-year-old cyanotype process. They are actually negatives (a reversal of the dark and light tones) of the original pho...
Category

2010s Contemporary Continental US - Still-life Prints

Materials

Paper, Archival Paper, Rag Paper, Photogram

Truth
By Marc Dennis
Located in New York, NY
ABOUT THE ARTIST: Marc Dennis is an American artist renowned for his paintings of subtly staged and slightly voyeuristic images of contemporary American culture. Interested in the tr...
Category

2010s Continental US - Still-life Prints

Materials

Photographic Paper

Seibutsu (Still Life) A Vase and Apples
Located in Fairlawn, OH
Seibutsu (Still Life) A Vase and Apples Color woodcut, 1925 Signed on the mount (support sheet) From: Dojin zasshi, Hanga Magazine, Volume 8, No. 8 Condition: Excellent Image/Sheet ...
Category

1920s Showa Continental US - Still-life Prints

Materials

Woodcut

After the Party FS II.183 (Warhol estate stamped)
By Andy Warhol
Located in Aventura, FL
Screen print in colors on Arches 88 wove paper. Unsigned edition, lacking the pencil signature, but with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts,...
Category

1970s Pop Art Continental US - Still-life Prints

Materials

Paper, Screen

Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
By Frederick Mershimer
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...
Category

1990s Contemporary Continental US - Still-life Prints

Materials

Mezzotint, Aquatint

Jacob's Ladder
By Marc Dennis
Located in New York, NY
ABOUT THE ARTIST: Marc Dennis is an American artist renowned for his paintings of subtly staged and slightly voyeuristic images of contemporary American culture. Interested in the tr...
Category

2010s Continental US - Still-life Prints

Materials

Photographic Paper

L'aquarium sur la caisse, Une Aventure méthodique, Georges Braque
By Georges Braque
Located in Southampton, NY
Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...
Category

1950s Modern Continental US - Still-life Prints

Materials

Lithograph

Banana (original drawing on paper)
By David Hockney
Located in Aventura, FL
Original colored crayons and pastel drawing on paper. Hand signed and dated on front by David Hockney. Artwork size 16.75 x 14inches. Frame size approx 27 x 24 inches. Provenance: Annely Juda Fine Art; Richard Gray Gallery. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: David Hockney is one of the most influential British artists of the 20th century. Perhaps best known for his serial paintings of swimming pools, portraits of friends, and verdant landscapes, the artist’s oeuvre ranges from collaged photography and opera posters to Cubist-inspired abstractions and plein-air paintings of the English countryside. Often returning to a certain motif again and again, he probes the manifold ways one can see an image or a space. Hockney’s exploration of photography’s effect on painting and everyday life is evinced in his hallmark work A Bigger Splash (1967). “In art, new ways of seeing mean new ways of feeling; you can't divorce the two, as, we are now aware, you cannot have time without space and space without time,” he has explained. Born on July 9, 1937 in Bradford, United Kingdom, Hockney attended the Royal College of Art in London alongside R.B. Kitaj. At school, he studied under both Francis Bacon and Peter Blake, but also credits Pablo Picasso and Henri Matisse for influencing his distinctive and varied style. In 1963, the artist traveled to Southern California for the first time and fell in love with the bright sunshine and easygoing lifestyle. Since then, he has alternated living and working between Yorkshire, United Kingdom, and Los Angeles, CA. In November 2018, his 1972 painting...
Category

1980s Pop Art Continental US - Still-life Prints

Materials

Paper, Crayon, Pastel

Brown Still Life from Chagall by Jacques Lassaigne
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall Medium: Lithograph Title: Brown Still Life Portfolio: Chagall by Jacques Lassaigne Year: 1957 Edition: 6,000 Framed Size: 13 3/4" x 15 1/2" Sheet Size: 9" x 7 3/...
Category

1950s Fauvist Continental US - Still-life Prints

Materials

Lithograph

Dufy, Bouquet, Vacances forcées (after)
By Raoul Dufy
Located in Fairfield, CT
Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...
Category

1970s Modern Continental US - Still-life Prints

Materials

Lithograph

Three Deer, Pop Art Screenprint by Hunt Slonem
By Hunt Slonem
Located in Long Island City, NY
Artist: Hunt Slonem, American (1951 - ) Title: Three Deer Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP 30 Image Size: 24 x 32 inches Size: 26 in. ...
Category

1980s Pop Art Continental US - Still-life Prints

Materials

Screen

Léger, Composition, L'Art Cubiste, Théories et Réalisations (after)
By Fernand Léger
Located in Southampton, NY
Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...
Category

1920s Cubist Continental US - Still-life Prints

Materials

Lithograph, Stencil

Yellow Flowers
By Donald Sultan
Located in Laguna Beach, CA
Sultan’s artworks are rich in color and texture. He is known for his iconic, abstract poppy flowers. The poppies are large in scale and overlay a minimal background, often made from ...
Category

21st Century and Contemporary Contemporary Continental US - Still-life Prints

Materials

Mixed Media, Screen

New York Stock Exchange (Symbolic icon of Wall St.'s vast power and wealth)
By Frederick Mershimer
Located in New Orleans, LA
This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...
Category

21st Century and Contemporary Contemporary Continental US - Still-life Prints

Materials

Mezzotint, Aquatint

Matisse, Végétaux (Duthuit 139), Verve: Revue Artistique (after)
By Henri Matisse
Located in Southampton, NY
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...
Category

1950s Modern Continental US - Still-life Prints

Materials

Lithograph

Picasso, Composition, L'Art Cubiste, Theories et Realistions (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...
Category

1920s Cubist Continental US - Still-life Prints

Materials

Lithograph, Stencil

Calder, Composition, Musée National d'Art Moderne, Paris (after)
By Alexander Calder
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Calder. Published and printed by Musée National d'A...
Category

1960s Modern Continental US - Still-life Prints

Materials

Lithograph

PARROTS AND FLOWERS Signed Lithograph, Flowers Blue Vase Tropical Parrots, Plums
By Walasse Ting
Located in Union City, NJ
PARROTS AND FLOWERS is an original hand drawn lithograph by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010) printed on archival Somerset printmakin...
Category

1980s Contemporary Continental US - Still-life Prints

Materials

Lithograph

Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Matricaria Flore Simplici, Matricaria Flore Pleno, depicting flowering Feverfew and Double-flowered Feverfew plants, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. The feverfew plant is also known as featherfew, featherfoil, or bachelor’s buttons...
Category

1640s Academic Continental US - Still-life Prints

Materials

Engraving

French Modernist Mourlot Lithograph Vintage Air France Poster Roger Bezombes
By Roger Bezombes
Located in Surfside, FL
Vintage French Travel Poster, Air france Roger Bezombes (1913-1994) French Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts...
Category

1980s Modern Continental US - Still-life Prints

Materials

Lithograph

Calder, Composition, Derrière le miroir (after)
By Alexander Calder
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 113, published by Aimé Maeg...
Category

1950s Modern Continental US - Still-life Prints

Materials

Lithograph

Monmousseau Votre Vin original sparkling Champagne vintage poster
Located in Spokane, WA
Original vintage French poster: MONMOUSSEAU VOTRE VIN. Anonymous artist. Methode Champenoise. Produced in the same manner as Champaign. Archival linen backed, ready to frame. In fine condition. This fine sparkling wine comes from J. M. Monmousseau in Montrichard, France. (Is a French town and former commune in the Loir-et-Cher department, Centre-Val de Loire.) Original Champagne posters or French methode Champenoise posters are now difficult to find because everyone wants one for their bar. Here is your chance to own a very fine condition original antique French stone lithograph. Champagne-style posters are one of the most popular of the vintage liquor posters...
Category

Mid-20th Century Art Deco Continental US - Still-life Prints

Materials

Lithograph

30x40 "Jaws" VHS Photo Photography Pop Art Exhibition Archival Poster
By Destro
Located in Los Angeles, CA
"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...
Category

21st Century and Contemporary American Modern Continental US - Still-life Prints

Materials

Archival Pigment

"State Ave. Stretch" – Oil on Wood Panel, Urban Realism Scene
By Brad Davis
Located in Denver, CO
Brad Davis’s "State Ave. Stretch" is an oil painting executed on wood panel, measuring 30 x 30 inches unframed and 32 x 32 inches framed. It is framed and ready to hang. This visuall...
Category

2010s Realist Continental US - Still-life Prints

Materials

Oil, Wood Panel

TREMOR Signed Mini Lithograph, Surreal Landscape Multicolor Sewing Thread Spools
By Fanny Brennan
Located in Union City, NJ
TREMOR is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches pa...
Category

1990s Surrealist Continental US - Still-life Prints

Materials

Lithograph

Reliquary L'Abbe, Modern Lithograph by Karl Kasten
Located in Long Island City, NY
Karl Kasten, American (1916 - 2010) - Reliquary L'Abbe, Year: circa 1968, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 6/20, Size: 30 x 22 in. (76.2 x 55...
Category

1960s Modern Continental US - Still-life Prints

Materials

Lithograph

Leaf
By Christine Ravaux
Located in New Orleans, LA
This image is #17 of an edition of 35 Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see more . . . th...
Category

1990s Contemporary Continental US - Still-life Prints

Materials

Mezzotint

Leaf
Leaf
$78 Sale Price
35% Off
Papier collé, Société internationale d'art XXe siècle
By Alberto Magnelli
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 6...
Category

1950s Cubist Continental US - Still-life Prints

Materials

Lithograph

Seven Blues, Jan 24, 2024
By Donald Sultan
Located in Calabasas, CA
Artist: Donald Sultan Title: Seven Blues, Jan 24, 2024 Year: 2024 Medium: Silkscreen in colors with enamel inks and tart like texture on 4-ply Museum Board Sheet: 58 x 58 in (147 × ...
Category

2010s Contemporary Continental US - Still-life Prints

Materials

Screen

Sans titre, Derrière le miroir
By Alexander Calder
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 156, 1966. Published by Aimé Mae...
Category

1960s Modern Continental US - Still-life Prints

Materials

Lithograph

Léger, Composition, L'Art Cubiste, Théories et Réalisations (after)
By Fernand Léger
Located in Southampton, NY
Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...
Category

1920s Cubist Continental US - Still-life Prints

Materials

Lithograph, Stencil

Frogs and Toad, Signed lithograph (AP), from Conspiracy: The Artist as Witness
By Jack Beal
Located in New York, NY
Jack Beal Frogs and Toad, 1971 Hand signed in pencil by Jack Beal, annotated AP One-color lithograph proofed by hand and pulled by machine from a zinc plate on Arches buff paper with deckled edges at the Shorewood Bank Street Atelier Stamped, hand numbered AP, aside from the regular edition of 150 Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears blind stamp 18 × 24 inches Unframed 18 x 24 inches Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears distinctive blind stamp of publisher (shown) Publisher: David Godine, Center for Constitutional Rights, Washington, D.C. Jack Beal's "Frogs and Toads" is a classic example of protest art from the early 1970s - the most influential era until today. This historic graphic was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. (The eighth activist, Bobby Seale, was severed from the case and sentenced to four years for contempt after being handcuffed, shackled to a chair and gagged.) Although Abbie Hoffman would later joke that these radicals couldn't even agree on lunch, the jury convicted them of conspiracy, with one juror proclaiming the demonstrators "should have been shot down by the police." All of the convictions were ultimately overturned by the 7th Circuit Court of Appeals. This lithograph has fine provenance: it comes directly from the original Portfolio: "Conspiracy The Artist as Witness" which also featured works by Alexander Calder, Nancy Spero and Leon Golub, Romare Bearden Sol Lewitt, Robert Morris, Claes Oldenburg, Larry Poons, Peter Saul, Raphael Soyer and Frank Stella - as well as this one by Jack Beal. It was originally housed in an elegant cloth case, accompanied by a colophon page. This is the first time since 1971 that this important work has been removed from the original portfolio case for sale. It is becoming increasingly scarce because so many from this edition are in the permanent collections of major museums and institutions worldwide. Jack Beal wrote a special message about this work on the Portfolio's colophon page. It says, "In 1956, shortly after Sondra and I moved to New York, two friends were arrested and jailed for protesting air-raid drills. From them and their friends came our education. This work is dedicated to them and their families. "In Memory of Patricia McClure Daw and AL Uhrie" - This print was made for their children. Jack Beal Biography: Early in his career Walter Henry “Jack” Beal Jr. painted abstract expressionist canvases, because he believed it was “the only valid way to paint.” By the early 1960s he totally altered his approach and fully repudiated abstraction. Turning to representation, he painted narrative and figurative subjects, often enhanced by bright colors and dramatic perspectives. Beal was born in Richmond, Virginia, and from 1950 to 1953 he attended the Norfolk Division of William and Mary College Polytechnic Institute, (now Old Dominion University) where he studied biology and anatomy. Shifting gears, he sought art training at the School of the Art Institute of Chicago where he focused on drawing, and met his wife, artist Sondra Freckelton. His art history instructor encouraged her students to paint in the manner of established artists, and to that end he frequented the Institute’s galleries. For Beal this was significant: “Until I saw pictures of real quality I had tended to think of painting as just so much self-indulgent smearing around, but when I saw masterpieces by Cézanne and Matisse, and other painters of similar stature, I was bowled over; suddenly I realized the force of art.” After spending three years (1953–1956) at the Art Institute, Beal concluded his studies there without getting a terminal degree, thinking it was only useful if he wanted to teach, which, at the time, he did not. He also took courses at the University of Chicago in 1955 and 1956. During this period he married Freckelton, a fellow student and sculptor who began her career working in wood and plastic. Together they moved to New York’s SoHo District before its transformation from a wasteland of sweatshops and small factories into an arts district. They were active with the Artist Tenants Association which was instrumental in getting zoning laws changed so that artists could live and work in the well-lit lofts. Embracing what came to be called “New Realism,” Beal initially painted an occasional landscape as well as earthy-toned still lifes which consisted of jumbled collections filled with personal objects. His signature style started with a series of female nudes—all modeled by Freckelton—based on Greek mythology. These were large canvases with flat paint surfaces, dramatic foreshortening, and unusual perspectives. He further enlivened them with vivid colors, stark lighting, and dynamic patterns derived from textiles and overstuffed furniture. He stopped painting nudes after two episodes. The first came as he was loading a canvas of his naked wife onto a truck in lower Manhattan; several laborers walked by and started to fondle and kiss the painting. On the one hand he felt his wife had been violated, while on the other he was pleased that his realism was so convincing. The second occurred after a solo exhibition in Chicago at which the reception had been sponsored by Playboy magazine. A few days later he was approached by a publicist and asked if Playboy bunnies could be photographed in front of his paintings. He refused. Some portrait commissions came Beal’s way, but he preferred only portraying friends. More significant were four large murals on the History of Labor in America, the 20th Century: Technology (1975), which he undertook for the headquarters of the United States Department of Labor in Washington. Following a historical timeline, the themes were: colonization, settlement, nineteenth century industry, and twentieth century technology. The unveiling ceremony was attended by government officials and Joan Mondale, an arts advocate and wife of the vice-president. The reviewer for the Washington Post wrote enthusiastically: “They’re heartfelt and they’re big (each is 12 feet square). Their many costumed actors (the Indian, the trapper, the scientist, the hardhat, the capitalist in striped pants, the union maid, etc.) strike dramatic poses in dramatic settings (a seaside wood at dawn, an outdoor blacksmith’s forge, a 19th-century mill, a 20th-century lab). The lighting is theatrical. Beal’s compositions, with their swooping curves and bunched diagonals, are as complicated as his interwoven plots.” To accomplish the murals Beal assembled a team of assistants and models, much in the manner of Renaissance masters, which included artist friends and Freckelton. who by then was painting brightly colorful still lifes. A second mural commission ensued from New York City’s Metropolitan Transit Authority for two twenty-foot long installations for the Times Square Interborough Rapid Transit Company subway station. Beal’s designs for The Return of Spring (installed in 2001, three days after the terrorist attacks in New York, Washington, DC and Philadelphia) and The Onset of Winter (installed in 2005), Beal captured the appearance of his models in an oil painting made to the scale of the intended mosaic. A collaboration with Miotto Mosaics, the canvases were shipped to the Travisanutto Workshop, in Spilimbergo, Italy, where craftsmen fabricated the design to glass mosaics. The Return of Spring depicted construction workers and other New Yorkers in front of a subway kiosk and an outdoor produce market and in The Onset of Winter, a crowd watches a film crew recording a woman entering the subway as snow falls against the city’s skyline. Harkening back to some of his early nudes based on Greek myth, Persephone, goddess of fertility and wife of Hades, appears in both. The symbolism is pertinent, since she spent six months each year below ground. Although he disparaged teaching early on, Beal and Freckelton offered four summertime workshops on their farm in Oneonta, New York. He was an instructor at the New York Academy of Art, a graduate art school he helped to establish in 1982. Returning to Virginia, he taught at Hollins College...
Category

1970s Realist Continental US - Still-life Prints

Materials

Lithograph

"La Mer VE 1/8" Intaglio, hand colored, seashell motif
By Katie VanVliet
Located in Philadelphia, PA
This piece titled "La Mer VE 1/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category

21st Century and Contemporary Contemporary Continental US - Still-life Prints

Materials

Archival Paper, Color, Etching, Intaglio, Drypoint, Aquatint

Vaquero, by Frank Romero
By Frank Romero
Located in Palm Springs, CA
Signed and numbered from the edition of 60. Image of a cowboy with an oversized hat. Throughout his 40 year career as an artist, Frank Romero has bee...
Category

1990s Contemporary Continental US - Still-life Prints

Materials

Paint, Screen, Stencil

Singer I (Distorted perspective with shadows of an old Singer typewriter)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Singer I", shows a distorted view of an old Singer sewing machine. The artist created a convincing illusion of real mass, space and depth. Issued in an edit...
Category

1980s Contemporary Continental US - Still-life Prints

Materials

Mezzotint

Campbell's Soup I: Vegetable Soup (F&S II.48)
By Andy Warhol
Located in Palm Desert, CA
"Campbell's Soup I: Vegetable Soup" is a Post War screen print on paper by Andy Warhol in 1968. It is edition 198/250. The artwork is 40 x 28 1/2 inches and weighs less than 50 lbs. It is signed in ballpoint pen, verso, "Andy Warhol" and stamped verso, "198/250". With Campbell's Soup Can, Andy Warhol takes as his subject a ubiquitous staple food found in millions of American homes and turns it into high art. With the unique candor he displayed in the best of his early Pop art works...
Category

20th Century Post-War Continental US - Still-life Prints

Materials

Paper, Screen

Calla, by Mark Jenkins
By Mark Jenkins
Located in Palm Springs, CA
Signed and numbered from an edition of 25, this simple elegant image captures the grace of a single Calla Lilly against a black background. Based in San Francisco, Mark Jenkins has ...
Category

Early 2000s Contemporary Continental US - Still-life Prints

Materials

Digital Pigment

1971 Tamarind Print Landscape Lithograph Paul Sarkisian Photo Realist Americana
By Paul Sarkisian
Located in Surfside, FL
Paul Sarkisian (1928-) 1971 Brown Landscape Lithograph Silkscreen Print on calendred BFK Rives fine art paper. small edition of 15 from Tamarind print workshop with their blindstamp....
Category

1970s Continental US - Still-life Prints

Materials

Lithograph

"Coffee" the Perfect Meal - Menu - Beverages - Intaglio by Raymond Perez
Located in Soquel, CA
"Coffee" the Perfect Meal - Menu - Beverages - Intaglio by Raymond Perez The artwork "Second Course Fish" by Raymond Perez, created one of a group show at San Francisco State Univer...
Category

1980s American Modern Continental US - Still-life Prints

Materials

Watercolor, Laid Paper, Intaglio

Sans titre, Derrière le miroir
By Alexander Calder
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 141...
Category

1960s Modern Continental US - Still-life Prints

Materials

Lithograph

Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...
Category

Mid-18th Century Naturalistic Continental US - Still-life Prints

Materials

Engraving, Mezzotint

La chaise de jardin, Une Aventure méthodique, Georges Braque
By Georges Braque
Located in Southampton, NY
Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...
Category

1950s Modern Continental US - Still-life Prints

Materials

Lithograph

Tom Wesselmann, Still Life (Rosenthal Porcelain Object), 1988
By Tom Wesselmann
Located in Chatsworth, CA
Tom Wesselmann Still Life, 1988 Rosenthal Porcelain Object Measures 13 x 14 3/4 x 1/2 inches. Signed in lower right corner From the edition of 299, within the accompanying certificat...
Category

1980s Pop Art Continental US - Still-life Prints

Materials

Porcelain

Sneezewort, Poppy, Strawflower: 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Ptarmica Vulgaris (Sneezewort), Papaver Spinosum (Mexican Poppy), Chrysocame Peregrina (Seaside Strawflower)", depicting flowering Sneezewort, Mexican Poppy and Seaside Strawberry plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. The left margin is thinner than the others and the left edge is somewhat irregular where the engraving was previously bound in the original publication. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 20" high and 16.38" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

1640s Academic Continental US - Still-life Prints

Materials

Engraving

Celadon Agapanthus (16 x 12 inch hand-printed cyanotype)
Located in Oakland, CA
Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...
Category

2010s Contemporary Continental US - Still-life Prints

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

Original Italian Emidio di Nola Italian Macaroni original vintage food poster
Located in Spokane, WA
Emidio di Nola, original Italian pasta poster. Size 19" x 25.5". Professional acid-free archival linen-backed; in excellent condition; ready to frame....
Category

1950s Aesthetic Movement Continental US - Still-life Prints

Materials

Lithograph

California Still Life #40
By Gary Bukovnik
Located in Brooklyn, NY
In 1990, the Cleveland Institute of Music commissioned artist Gary Bukovnik to create a poster featuring his work "California Still Life #40." Bu...
Category

1980s Contemporary Continental US - Still-life Prints

Materials

Offset

Herbin, Composition, L'Art Cubiste, Théories et Réalisations (after)
By Auguste Herbin
Located in Southampton, NY
Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...
Category

1920s Cubist Continental US - Still-life Prints

Materials

Lithograph, Stencil

CHINESE VASE Signed Lithograph, Tony Bennett, Still Life, Flowers, Orange Lilies
By Tony Bennett
Located in Union City, NJ
CHINESE VASE is a hand drawn limited edition lithograph by the renowned American jazz and traditional pop singer Tony Bennett. CHINESE VASE, an interior still life scene depicting lilies in a round glass vase and a figurative Chinese porcelain vase, was printed using hand lithography techniques on archival Arches printmaking paper. Eye-appealing colors of orange, yellow, green, brown, blue, dark gray, touches of black and white. Print size - 9.75 x 10.75 in., unframed, pristine condition, dedicated Printers Proof hand signed in pencil "Benedetto" by Tony Bennett on lower margin Image size - 8.5 x 7.5 in. Printer - JK Fine Art Editions Co. Publisher - Eleanor Ettinger Gallery NY Anthony Dominick “Tony” Benedetto (1926-2023), Tony Bennett, a world-renowned singer and performer, was also an accomplished visual artist whose subjects span nearly every topic. Working under his birth name of Anthony Benedetto, he utilized watercolors, oil paints, charcoal, or whatever else was handy to depict his chosen theme. Benedetto's artistic career began at the age of five with sidewalk chalk drawings outside his childhood home in Astoria Queens...
Category

1990s Contemporary Continental US - Still-life Prints

Materials

Lithograph

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