Continental US - Ceramics

A Japanese very nicely decorated Imari plate with beautiful green and gold accents. It looks like it’s never been used.

A Japanese Cloisonne vase and cover, Meiji period finely decorated in silver and copper wire and a variety of coloured enamels with six panels, the body and cover with bands of lapp...

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

Circa 1860 lozenge shaped Imari Charger, central medallion with birds surrounded by alternating panels with an ancient tortoise & groups of cranes. The reverse well painted. Base rim...

These lovely Imari cake dishes have fine coloring and are in great condition.

Blue and white Annamese porcelain brush washer encircled by a parrot. Recovered from the wreck of a 15th century ship off the coast of Hoi An, among a group of sunken porcelain known as the Hoi An Hoard, found 230 feet below the surface of the water. Typical of the Hoi An pieces, the brush washer has a zoomorphic form, decorated with pale cobalt blue and exhibits the signature chalky, slightly ivory white body with a fine glaze. Through very few strokes, the painter evokes a very large personality for a small bird, exhibiting an almost child-like delightfulness. The bird is sharp-eyed and retains a vaguely bemused expression as its hooked beak pushes in the edge of the bowl. The designs on its wing are free, direct and supple. In good condition besides the fading characteristic of shipwreck porcelain...

Highly decorated Tang Dynasty Chinese Magristrate figure. This large 25" H ceramic sculpture is an impressive piece with a serious expression. It is in excellent condition. The me...

Chinese porcelain sculpture of ripe, red peaches - symbolizing immortality - each crafted with great detail, stacked high in a green dish as an abundant tri...

Ceramic made Chinese character with artists stamp. He may be one of the Chinese immortals but research could further descibe who this character may in fact be. Great size for decorat...

Original signed box. About the artist: Nakashima Katsunori (1963-2014) was born in Seto City, near the industrial city of Nagoya. He graduated from the Aichi prefectural School of Ceramics in 1983, and shortly thereafter moved to Mexico, where he taught at Toluca. He returned to Japan five years later to work with Koie Ryoji...

the base that is shown in the pictures is not included with this vase; 6in(D) x 6in(W) x 11in(H) are the dimensions of the vase without the base

Pair of sevres- Type ormolu mounted pictorial cache-pots, 19th century, Measures: 7.5 inches high 6.5 diameter.

Pair of small Ming Dynasty (1364-1644) terracotta polychrome figures, in excellent condition. Here's a cute little couple, looking very spry for their age. Both figures are wearing...

A shield-shaped architectural detail from Thailand, Late 18th Century. Reclaimed from old constructions and preserved in time, these architectural details are a decorative staple in...

This unusual squat vessel would have been kept near a Kang platform to warm one's blankets before bed. Much like a hot water bottle, the ceramic vessel was filled with hot water thro...

This unusual squat vessel would have been kept near a Kang platform to warm one's blankets before bed. Much like a hot water bottle, the ceramic vessel was filled with hot water thro...

This unusual squat vessel would have been kept near a kang platform to warm one's blankets before bed. Much like a hot water bottle, the ceramic vessel was filled with hot water thro...

This unusual squat vessel would have been kept near a kang platform to warm one's blankets before bed. Much like a hot water bottle, the ceramic vessel was filled with hot water thro...

Small and compact incense / joss stick holder. Unknown age and similar in style to antique Chinese holders. Single, one-piece unit with large opening at top and (6) smaller holes for...

This large tapered vase reinterprets the classic curves of traditional Chinese ceramics with simplified lines and a bright, persimmon-orange glaze. Sculpted by artisans in China's Zh...

Set of 8, Glazed Porcelain

This ceramic vessel was handcrafted in the Jiangxi region of China in the spirit of ancient temple jars. The style and glaze is reminiscent of Han dynasty burial vessels designed to ...

A pair of "butterfly" Satsuma earthenware vases, Meiji period finely decorated in enamels and gilt with scenes of Samurai and retainers and high ranking female members of the househ...

Ionized red areas on leaf shaped cobalt blue Bonsai tray.

Pair of Japanese Imari chargers showing cranes and Mount Fuji.

An original Asian clay container made into a table lamp. The vase has a basket weave motif throughout and has two big black crabs and a small black conch as ornaments. There is an un...

No breaks, cracks or fractures. Beautifully detailed.

Three Antique Japanese Works of Art An oribe "morikage" (for the display of seasonal fruits), classic green drip glaze with spontaneous ink pain...

A pair of late 19th century French gilt bronze-mounted Chinese Canton porcelain lamps Painted interior scenes with many people, each separated by floral designs, the neck with gilded monkeys and lizards, and sitting on a bronze base. Measures: Height Vase...

Miniature 17th century blue and white mallet-shaped vase. This miniature vase was part of a hoard recovered by Captain Michael Hatcher from the wreck of a ship that sunk in the Sou...

A Cloisonne Dish Meiji period (1868-1912) decorated with a lively Falcon reserved on a light pink ground diameter 11 3/4 inches

Japanese ceramic flower vase in basket weave form Signed on vase and storage box: Kuraku.

18th Century miniature blue and white vase with celadon base and cafe au lait band, Qianlong period (1736 - 1795). Small and elegant, wit...

Japanese Satsuma style censer and cover Late 19th century The bulbous body supported by four feet and set with two shishi han...

Beautiful trio of pulled handle, handmade, hand thrown porcelain pitchers each with a face motif atop the handle with hand-painted floral glaze of purple, orange and gold.

Pair Antique Chinese ceramic porcelain lanterns made into lamps, Circa 1890-1900.

A fine pair of Chinese blue and white wide mouth hand-painted flower decorated flared top vases. Dimensions: 10" W x 10" D x 21.5" H.

12th century terracotta head of a woman, Song Dynasty (from 960 to 1279). This small, delicately molded head of a woman wearing an elaborate headdress is mounted on a cube-shaped...

Fuji and Clouds, Showa Period (1926-1945) Kyotoware dish that is an ode to Mt. Fuji with clouds and a poem. Cloud design around the edges, and feet on the bottom. Poem loosely transl...

Pair antique Imari Porcelain fluted design vases, Circa 1880.

1960s Cambodian ceramic head.

This hexagonal shaped pot is a classic item. Each of the six sides illustrates a segment of an Ancient Chinese story.

Handsome 19th century Chinese jar converted into lamp.

This taller, dark blue gourd vase is handmade and has a ceramic glaze.

Pair of chic, black, ribbed Chinese vases with Foo Dog lids.

A curved ceramic urn, crafted in Morroco.

Chinese blue and white vase mounted as lamp, Kang Hsi, circa 1720.

A glazed ceramic tea bowl (chawan) by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). The hand-built bowl is covered with a striking matte glaze in mustard yellow w...

This three-legged Chinese ceramic bowl was dipped in a muted Chartreuse, fired, and then was hand-painted with beautiful white flowers and plants.

A Highly Rare Pair of Monumental Qing Dynasty Rouleau Porcelain "Dragon" Vases A Masterful Display of 19th Century Chinese Artistry: The mid-19th century Qing Dynasty marked a period of artistic innovation and imperial grandeur, as exemplified by this rare and monumental pair of Rouleau vases. These exceptional porcelain works, notable for their commanding size and vibrant palette, are a testament to the unparalleled craftsmanship that flourished during this era. Embellished with a dynamic tableau of dragons rendered in bold hues of red, green, blue, brown, and yellow, these vases embody both artistic brilliance and the deep cultural symbolism woven into Chinese decorative arts. Artistic Excellence and Symbolism: At the heart of these magnificent vases lies a visual narrative that channels the power and mystique of the dragon, a central motif in Chinese culture symbolizing imperial authority, strength, and cosmic energy. The intricate depiction of dragons in motion, intertwined amidst stylized ocean waves, conveys a sense of fluidity and dynamic movement. Each color used—the crimson reds, verdant greens, striking blues, earthy browns, and golden yellows—has been meticulously applied, reflecting a mastery of the high-fired, polychrome enameling techniques perfected during the Qing Dynasty. The Rouleau form, with its cylindrical body, short neck, and slightly flared mouth, was a favored shape for large-scale vases in the 18th and 19th centuries. The form’s structured elegance allowed for expansive decorative panels, serving as an ideal canvas for intricate, multi-layered designs. This pair demonstrates how artisans skillfully balanced the flowing movement of the dragons with the rhythmic motifs of waves, resulting in a harmonious composition that engages the viewer from every angle. Craftsmanship and Technique: These vases represent the pinnacle of porcelain artistry achieved under the Qing Dynasty, showcasing techniques that reflect centuries of refined craftsmanship. The precision in the application of overglaze enamels and the expert manipulation of kiln temperatures to achieve vibrant and consistent coloration are indicative of the expertise within the imperial kilns. The dragons' scales, rendered with remarkable detail, create a textured effect that contrasts beautifully with the smooth, undulating waves, enhancing the three-dimensional quality of the design. The depth of color and the crisp delineation of each element point to a rigorous and time-intensive process. These qualities signify the involvement of highly skilled artisans who adhered to the imperial standards set by the royal court, ensuring that each piece was a fitting representation of the empire’s wealth and cultural prowess. Historical and Cultural Significance: Vases of this caliber were not merely decorative; they were imbued with profound symbolic meaning and often commissioned for imperial use or gifted as prestigious diplomatic offerings. The dragon motif, deeply embedded in Chinese folklore and philosophy, was associated with the emperor himself—known as the "Son of Heaven"—and symbolized his divine right to rule. These vases also reflect the Qing Dynasty's flourishing export trade and the global fascination with Chinese porcelain during the 19th century. European collectors and royal patrons prized such pieces for their artistry and the exoticism they represented, contributing to a legacy that elevated Chinese porcelain to a revered status in the annals of decorative art history. Provenance and Collectability: The extraordinary scale, exceptional craftsmanship, and rarity of this pair establish them as museum-quality works. Such vases would have held a place of honor in a palace or wealthy estate, reflecting not only the owner’s status but also an appreciation for the profound cultural and artistic traditions of China. Their provenance—potentially tied to an imperial commission or significant historical collection—underscores their importance as objects of study and admiration. Provenance: Private American Collection, acquired in London, circa 1905. Thence by descent to the current owners Solomon Treasure...

Born of the collaboration between a Parisian antiques dealer and a rural Vietnamese artists' community, these impressive monumental urns are a testam...