Continental US - Paintings

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

Oil on canvas depicting a colorful floral bouquet with tulips, roses and other garden flowers in Dutch style. Some with dew drops and tiny insects. Presented in a custom paint decora...

A late 19th Century French School still life in the style of Fantin-Latour. A well-executed Impressionist style oil on canvas depicting detailed objects of an opulent household: a ceramic basket weave bowl of apples, a lady's fan propping open a small book, next to a gold lournette on a pink beaded chain. In the background is a tall pewter candlestick...

Pallet oil on canvas depicting a still life with a multi-colored floral bouquet in a vase on a red table top surface. Set against a molted background. Presented in a gilt frame, line...

Exquisite painting by prominent artist Fred Otnes, Jr of a figural woman in gold, orange and warm earth colors. This unique mixed media of oil and collage has diverse layers in the painting although to the touch the painting is smooth. This piece is painted on board and is found in a gilt leaf frame with a linen liner. Signed on the lower right corner as well as what appears to be on verso on the craft backing paper. From the personal collection of the artist. Image only is 29.25" high by 26.25" wide. Colors on the painting may vary due to room lighting and photography. Fred Otnes (1925-2015), was a prominent illustrator, painter and collage artist who embraced abstraction. “Fred Otnes brings to his collage paintings a classical refinement and control that makes poetry out of chance pictorial effects,” the artist and critic Maureen Mullarkey wrote in reviewing a retrospective in Manhattan in 2006 for The New York Sun...

CULLEN YATES American, 1866-1945 "Midsummer" Oil on canvas Signed lower right "Cullen Yates" exhibition label retained noting its title and "no. 6702 Item # 406KKL02P A bold an...

SAMUEL HENRY GORDON ALKEN British, 1810-1894 "At Covert" & "The End of the Run" Oil on canvas "The End of the Run" signed lower left "H. Alken" 16 7/8" H x 23" W x 1 7/8" D [fram...

Antique Watercolor on Paper of Niagara Falls Unsigned C1840. Measures - 22"H x 26"W x 2.25"D. This antique watercolor painting on paper depicting Niagara Falls, circa 1840. Th...

A large Martin Sumers painting.

Original oil on canvas painting of The Flight into Egypt with Mary and Christ child. Spanish School, Seville, 17th Century. Relined canvas. Age related craquelure throughout. Painti...

Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...

17th Century Large Old Master Battle Scene Painting. Flemish School, circa 1610 - 1680. Oil on canvas painting depicts a dynamic battle scene fi...

Edouard Cortes (French 1882-1969) oil on canvas in a fine gilt frame. From a fine Madison CT estate. Turn of the century. Guaranteed as authentic. 13 by 18 1/2" Unframed. Cortès was...

Italian Renaissance style still life of fruit with gold serving pieces displayed in front of a green drape in a gilt carved frame Condition: Good; Wear consistent with age and use

The Brendan Bass Estate Collection pays homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which they ...

S U P E R B ! MID CENTURY MODERN C I T Y S C A P E P A I N T I N G ! ICONIC HELLER MID CENTURY STYLE! OIL ON BOARD HUGE! Approx. 29 " x 53 " C I R ...

Large Floral Still Life Oil on Canvas. Soft pastels with blue and gray , pink and white. Flowers are hydrangeas and tulips. Housed in a silver gray gesso frame. Perfect romantic piec...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...

A nice pair of Chinese ancestor family group portraits, 19th century, on paper, framed in teak frames under glass. Twelve characters total in per...

Alfred Birdsey was a renowned English born Bermudian painter. Here is a watercolor representative of his confident loose style and familiar bayscape subjects. Signed in the lower rig...

A miniature hunt scene painting on board, 19th century. sight: 5 ½ by 4 inches frame: 8 by 6 ½ inches

Boldly painted in an expressionist palette that calls to mind the work of Edvard Munch and other Nordic painters who were in the artistic vanguard of the 20th century, this depiction...

Antique oil paint on tin, know as a retablo. The painting is of Mary, Mother of Jesus and is framed in a hand made shadow box frame.

Antique Oil Painting of Dogs by Bernard De Gempt

Well done original oil on canvas beautiful colors nice subject, circa 1980's, framed unsigned the frame its nice but shows some wear as shown.

Oil painting on canvas proudly signed C. G. Moody untraceable painter! It sits in a very nice and matching frame chosen by the artist. In this impressionist painting from the 196...

Late Edo period 19th century Japanese six-panel landscape screen featuring a cypress tree over a flowering hibiscus with a pair of hototogisu birds. Kano school painted with ink and ...

This painting is after Raphael which was one of the greatest artists of the Italian Renaissance. He was a meteoric success painting altar pieces and Por...

19th Cent print of a monumental Italian Renaissance classical urn in an ebonized and gilt frame

Copy of a painting of an Impressionist beach scene showing people in Victorian garb in chairs and walking by waters edge

Copy of a portrait painting titled "Mona Lisa"

A beautiful view of a street scene in Paris, France. This painting perfectly depicts life in Paris with its restaurants, busy streets, cafes, hotels, monuments, and wonderful archite...

Striking mid century Haitian acrylic painting on board of a jungle scene with animals, trees, flowers and fruit executed in a distinctive naive style, signed Michelet in the lower le...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Bark cloth or tapa cloth mounted on plywood and trimmed in mahogany. Bark cloth, or tapa, is not a woven material, but made from bark that has been softe...

Featured in the book A Savannah Experience, by Myrtle Jones, this large pastel painting is one of the artist's finest paintings. Acrylic on canv...

Perhaps the finest portrait we have ever offered, this depiction of a young jockey in 1941, his complexion warm and glowing and his blue eyes echoing the color of his shirt, was pain...

Oil on Canvas Painting Stone Bridge MCM Architectural Art Signed, hard to read appears as Oastruita. Vintage wear on wood frame. Original unrestored vintage condition. Please refer t...

Bring pastoral elegance and equestrian charm to your space with this vintage Boho oil painting on paper, featuring a stately horse and rider set against a sweeping countryside backdr...

Cuban-American Artist Geiler Gonzalez Oil Painting on Canvas, "Icaro" Signed L/R Offered for sale is an oil painting on canvas by Cuban-American artist Geiler Gonzalez titled "Icaro...

19th century Italian School oil on canvas of Madonna and child. Gilt frame.

A very fine Italian 18th century oil on canvas "Madonna and Child" after Giovanni Lanfranco (Italian, 1582-1647). The young Virgin Mary attending to...

A magnificent large traditional Indian gouache painting of a royal horse on silk. This Rajasthani piece is unique in that it is very large. We typically ...

French Victorian gilt framed oil painting of seated black and white terrier (signed DUBOUY, 1904).    

Reynolds Beal, Impressionist Oil Painting, USS Utah Rockport Mass, American, 1928 A fine impressionist oil on canvas by the well celebrated Reynolds Beal. Dated 1928 on verso and si...

Untitled, Large Abstract by Mandy Wilkinson, British B. 1970 Mandy Wilkinson, British 1970 Oil on canvas, 49 inches wide by 36 inches high Giltwood Fra...

GOTTFRIED SCHULTZ German, 1842-1919 Still-Life with Fruits and Wine on a Marble Surface with a Small Fly Oil on linen Signed upper left "G. Schultz" Item # 402UJE16Z An intricately painted still-life scene centered around a blown glass goblet of white wine centered on a marble table top. Red and white grapes spill across the surface with a sprig of the grape vine together with several large leaves resting on the top while peaches, a pear, two plums and an open apricot are laid out on the table. A single fly looks on at the table of sweet fruits and juices, its tiny body casting...

Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Cossack Warriors on Horseback" within an ornate giltwood frame, circa 1890 Born in 1850 in Linz (Austria) Stoiloff died in Vienna in 1924. According to a research of Russian literature, he studied in the 1880s at St. Petersburg Imperial Academy of Fine Arts. He was very well known for his Russian horse...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

An antique painting on porcelain of The Madonna And Child after Raphael, seated in cast brass ribbon form frame, 19th century. Measures - 5"h x 4"w x .75. A finely crafted...

Oversized Mid Century Modern Abstract Impressionist Oil on Canvas Painting Signed by Sharie Jones C1968 Measures - 30.5"H x 48.75"W x 1.75"D A striking oversized oil on canvas pain...

A Rare Parisian Gem: "Le Vert Galant" by Henri-Jean Pontoy This captivating oil painting by Henri-Jean Pontoy (1888-1968) offers a unique perspective on the famed Paris, France land...

Ferdinand Wagner II (German, 1847-1927) A very fine and charming triptych group of three oil on canvas laid on board titled "An Allegory to Spring" each panel depicting different playful and joyous scenes of putti and a cherubs reminiscent of spring, love and peace. The center panel depicting a seated putto, crowned with flowers, a standing putto behind him holding a sack of arrows and a seated cherub facing him next to a watchful peace dove on top resting of a flower bouquet. The left panel depicting a seated putto next to a standing putto with a freshly harvested apple. The right side panel depicting a standing cherub holding a fig branches with leaves. All three-in-one panels within individually carved giltwood frames. All panels signed at the lower left: Ferd. Wagner, circa 1890. Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr...

Eduardo DalBono, Portrait of a Lady Painting En Plein Aire, 1880's. Watercolour on card paper of a lady dressed in white in an artist’s folding chair seated with sketchbook and brush viewing the landscape, possibly seaside with soft brown dunes in the background and blue and green brush foliage in the foreground. An elegant subject softly rendered in original gilt carved floral frui frame. Eduardo DalBono was a Neapolitan pupil of Nicola Palizzi...

Signed lower left. A lovely pensive woman dressed in 19th c. style holding flowers. She looks to the left with fruits in an abstract composition on a tab...

this large scale painting depicting two hunting dogs engaged in a fight with a larger heron in a marshy landscape at dusk, with a duck at lower right and a frog lower left, in a rest...

A beautiful oil on canvas painting titled "Montmartre rue de l'Abreuvoir" signed by G. Denis. This very decorative work of art is painted in the manner of Edouard Cortes that delig...

Melbourne H Hardwick (b 1857-1916) a well recognized and active societal member of the Salmaguni Club, painted this exceptional portrait of a Boston terrier on the year of his death....

A Beautiful Italian Still Life oil painting on old canvas of a brass urn holding a bouquet of assorted flowers set on a ledge. 18th or ...

Original watercolor on board painting entitled "Diamond Head 1893", circa 1930s. The piece is in very good antique condition and measures 16.75" x 12.75". #2493 The piece came from the estate of a gentleman named Dr. Roger Dustin Mermod ("Poppy") who was born in Switzerland in 1888. Per the book, "Men of Hawaii", which is a biographical reference library, "complete and authentic, of men of note and substantial achievement in the Hawaiian Islands", Mermod came to Honolulu in 1917 to work at the Queen's Hospital as a physician and surgeon, eventually becoming Chief of Surgery. (Queen's Hosp., Honolulu, 1917-19; phys. and surg. Oahu Sug. Co., Waipahu, Oahu, Oct., 1919. to date. Member Med. Society of Hawaii, University Club...