England - Mixed Media

Abstract 1, Oil Pastel and Pencil on Paper Painting by Henry Cliffe Additional information: Medium: Oil pastel and pencil on paper 23 1/8 x 20 in 58.5 x 51 cm

Born in Buckinghamshire in 1976, Rachel Wickremer is a Canterbury based painter known for her colourful work. Exploring the relationship between the maker and the prefabricated, she ...

With pastel, gouache, and watercolour. Signed. Presented in a gilt frame. Title inscribed on the label verso. On paper.

In pastel and watercolour. Signed. Presented in a gilt frame. Title inscribed on the label verso. On paper.

Signed to the lower right. Presented in a light wooden frame. Titled on the label verso.

With watercolor and pastel. Titled to label verso. Presented in a gilt frame with a gilt slip. On paper.

This work was created by Tom Rooth in the Cambrian Mountains of Wales, where Tom lives, off-grid. Production process: Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing. Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame (the frame dictates the subject-matter). Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years, and prior to this Bonhams, Phillips and Sotheby's. Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...

Born in Persia Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Roe, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton...

This original female figure painting was created by building up layers of board, hessian fabric and paint. Each layer is individual, but also combines with the other layers to create...

Framed Size - 65 x 65 cm Born in Persia Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisat...

Peanut Butter & Tin Cans

Cast resin, vinyl filled with aluminium silicate, screenprint in two colours on acetate, deluxe edition of Claes Oldenburg: Multiples in Retrospect, cloth-covered portfolio box scree...

"Chinoike Jigoku" is an original mixed media painting, in which I've combined painting, photography, dried leaves, grain, sand and newsprint. The subject is an overhead view of the C...

Mark was born in Yorkshire and studied photography at Wolverhampton Polytechnic before moving to London in 1991. He initially worked as a photographer before focusing more on illustr...

Screenprint in colours on laminated vacuum formed vinyl, with felt, Plexiglas, and rayon cord, 1966, signed and numbered in pencil on the verso, from the edition of 125, published by...

Simon’s landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, thes...

Unapologetically bold, these mixed media artworks are uniquely embellished and finished with a bespoke spray paint frame. Bright and colourful limited edition with a hand embellishe...

A Package for a Pilgrim, Paper Collage Painting by Roy Turner Durrant 1925-1998, 1976 Additional information: Medium: Paper collage 9 1/2 x 10 1/8 ...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

Signed to the lower right. Inscribed with title and date verso. Presented in a contemporary box frame. On canvas.

Plastic-reinforced Paper, Resin/Polyester 17.32 x 17.32 x 6.69 in 44.0 x 44.0 x 17.0 cm Brand new with tags.

More a Lover than a Fighter II - smoke on paper, framed on a contemporary box frame - all archival materials. Artwork size: 30x22 inches Frame size: 35x27x2.5 inches Frame style: black wood box frame, UV glass, archival matboard The Smokes consist of images that are created by capturing smoke on paper as evidence of a transformation and preservation of the ephemeral. During the process, credit cards, gift cards, photos, and even slides of the artists’ artwork are burned to remove their growing presence in daily life, and explore the idea of transformation. In 2014, Rob was awarded the John Ringling...

JJ Adams 2015 collection, "The X-Ray Illuminated Light Box Series" was an illuminated light-box (original) followed by a limited edition digital print release...

John's artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and Gerhard Richter and like them John relishes the broad use o...

Two 3D wooden panels form the base for this exploratory artwork. Textured, distressed, tactile, rough, shiny and smooth. Colouration mainly focuses on the blues and golds. A intense,...

Original artwork - industrial paints on aluminium. The technique is extraordinary. Acid etch primer is applied, followed by multiple paint layers blown onto the surface and polished...

A Brown’s Finest Sporting sign Painted wood, with a modelled gun 28 ½ x 38 in. (72.4 x 96.5 cm.) Minor scuffs and surface dirt.

Abstract 2, Oil Pastel and Pencil on Paper Painting by Henry Cliffe Additional information: Medium: Oil pastel and pencil on paper 15 x 19 1/2 in 38 x 49.5 cm

Original artwork - industrial paints on aluminium. The technique is extraordinary. Acid etch primer is applied, followed by multiple paint layers blown onto the surface and polished...

Simon’s landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, thes...

The aesthetic appeal of the collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometric...

In Serengeti Dawn, a lone elephant moves steadily across the open plains, its two large tusks glinting softly in the filtered morning light. This solitary figure captures the quiet d...

Night Blossom, 2023 Signed Oil on Linen 47 1/2 x 60 1/2 in 121 x 153 cm "Simon McWilliams is a highly independent artist, whose work is shaped above all by his absorption in paint a...

Florentine 2 by Richard Smith, 1973 Additional information: Medium: lithograph on heavy wove paper, with carbon tracing paper and plastic strings 19 3/4 x 27 1/2 in 50 x 70 cm signed, dated and numbered 46/75 in pencil Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...

Hessian covered hardcover book Housed in hessian covered clamshell box Special limited edition, numbered 0646 of 1100 Signed by Christo 13 ½ x 10 inches Published by Taschen, 2010 T...

JJ Adams 2015 collection, "The X-Ray Illuminated Light Box Series" was an illuminated light-box (original) followed by a limited edition digital print release...

This embellished serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a ...

Tonal work in charcoal and chalk. Signed to the lower right and dated '06. Presented in a large contemporary frame with a crisp white mount. On paper.

Radiant Acrylic on Arches paper 31 1/2 x 31 1/2 in 80 x 80 cm Award winning artist Peter Monaghan was born in Ireland in 1955 and studied at the National College of Art and Design i...

spray paint - Cutting - Collage - print on Art paper - size 50*65 cm ( edition of 30 in this size and 7 on a bigger size. ) each one with a few differences as made by hand Numbe...

Experiencing the landscape as a woman exploring alone finding solace emotion and sence of self. :: Mixed Media :: Abstract :: This piece comes with an official certificate of authen...

This is an original painting of a male figure. It is heavily textured, built up with layers of type, texture paste and acrylic paint. The body is filled with printed words of poetry,...

Experiencing the landscape as a woman exploring alone finding solace emotion and sence of self. :: Mixed Media :: Abstract :: This piece comes with an official certificate of authen...

From a series of amphora and vases, exploring color and form. :: Mixed Media :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist ::...

This 'Building Block' is constructed using reclaimed scaffolding wood, resin and acrylics. Block is ready to hang and lies flush against the wall. This piece fully integrates the co...

Edgy Dawn by Jan Coutts. A glimpse of two Zebra in a moment as they journey through the Savannah during the wet season in Africa. The wet season for zebras is a time of migration, bi...

Venus E, smoke on paper, framed on a contemporary box frame - all archival materials. Artwork size: 40x30 inches Frame size: 48x37x2.5 inches Frame s...

Handwoven tapestry in three sections, with added embroidery over the surface. :: Mixed Media :: Contemporary :: This piece comes with an official certificate of authenticity signed b...

An original collage work by the acclaimed British photographer and artist Elsbeth Juda (1911-2014). Portrait of Rembrandt & Model in shades of brown. Pres...

From a series of amphora and vases, exploring color and form. :: Mixed Media :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist ::...

Simon’s landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, thes...

The main focus of my work is placed upon compilations of various pre-existing materials (in this artwork I used stamps) , which were collected from the surrounding environment and th...

Hand-woven tapestry, shaped and in layers, in wool, linen, cotton, metallic, rayon. Based on paper collage. :: Mixed Media :: Contemporary :: This piece comes with an official ce...

Handwoven tapestry with texture, materials wool, linen, cotton. :: Mixed Media :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist...

Simon’s landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, thes...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts...

Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautif...

Adele Moreau constructs sculpted books from a variety of found media mainly 19th Century encyclopaedias and Natural History books. By re appropri...

ANNE-VALÉRIE DUPOND (b. 1976, France) Anne-Valérie Dupond, born in 1976, studied at Marc Bloch University in Strasbourg, and obtained her Master’s degree in Fine Arts in 2000. Sinc...

A delightful study of fishing boats at low tide in oil with ink details. Signed to the lower right. Presented in a wooden frame with a cotton slip. On paper laid to board.