Europe - Landscape Prints
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Item Ships From: Europe
Pembroke College, Oxford 1705 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Pembroke College, Oxford (1705)
Engraving
31 x 44 cm
Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Europe - Landscape Prints
Materials
Engraving
Winchester Palace, Southwark, London engraving after Samuel and Nathaniel Buck
By Samuel & Nathaniel Buck
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
after Samuel Buck (1696 - 1779) and Nathaniel Buck (active 1724 - 1759)
The East View of Winchester Palace (1733)
Engraving
20 x 37 cm
An engraved view of Winchester Palace, a bishop's palace built in the 12th century. It served as the London townhouse of the Bishops of Winchester and remained in use until around 1700, when it was divided up into tenements and warehouses. The building was largely destroyed by fire in 1814.
Samuel and Nathaniel Buck...
Category
1730s Europe - Landscape Prints
Materials
Engraving
John Harris After Thomas Badeslade - 18th Century Engraving, Deane House
By John Harris (painter)
Located in Corsham, GB
A delightful bird's eye view of Deane House Kent, engraved by John Harris after an original drawing by British illustrator Thomas Badeslade. The engraving shows a detailed view of th...
Category
Early 18th Century Europe - Landscape Prints
Materials
Engraving
The Berkeley Hunt hunting print by Lionel Edwards
By Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Lionel Edwards (1878 - 1966)
The Berkeley Hunt...
Category
1920s Europe - Landscape Prints
Materials
Lithograph
King's College, Cambridge linocut print by Walter Hoyle
By Walter Hoyle
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Walter Hoyle (1922 - 2000)
King's College, Cambridge (Cambridge Series 1956 - 66)
Linocut
46 x 56 cm
Signed, titled, and numbered 5/5 in pencil.
Hoyle's view of King's College, Cambridge, against a shadowy yellow sky.
Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country.
Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...
Category
1960s Modern Europe - Landscape Prints
Materials
Linocut
Paradise, Sophie Harden, Limited edition print, Contemporary art, Flamingo art
Located in Deddington, GB
Paradise by Sophie Harden
Limited edition print and hand signed by the artist
Giclée Print on Paper
Image Size: H:60cm x W:90cm
Complete size of mounted work: H:75cm x W:105cm x D:0.1cm
Please note that insitu images are purely an indication of how a piece may look
Large Limited Edition print...
Category
21st Century and Contemporary Contemporary Europe - Landscape Prints
Materials
Paper, Giclée
The Merry Beaglers engraving by John Harris after Harry Hall's 1845 painting
By John Harris the Younger
Located in London, GB
John Harris after Harry Hall
The Merry Beaglers
c. 1845
48x65cm
Aquatint with hand colouring
The most famous beagling print there is, after the 1845 pa...
Category
1840s Victorian Europe - Landscape Prints
Materials
Aquatint
Magdalene College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Magdalene College, Cambridge (1690)
Engraving
38 x 43 cm
Loggan's view of Magdalene from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Europe - Landscape Prints
Materials
Engraving
Mychael Barratt, Sweet Thames, Limited Edition Etching, Cityscape, London Art
By Mychael Barratt
Located in Deddington, GB
Sweet Thames, Mychael Barratt
Unframed Limited Edition Etching
Etching on Paper
Image Size: H 50cm x W 100cm
Paper Size: H 53cm x W 103cm
Signed and titled
Sweet Thames is a limited edition etching by Mychael Barratt.
An anecdotal and historical map
The title Sweet Thames is from the epic poem Prothalimion by Edmund Spencer...
Category
21st Century and Contemporary Contemporary Europe - Landscape Prints
Materials
Paper, Screen
The Divinity School, University of Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Europe - Landscape Prints
Materials
Engraving
St John's College Cambridge etching R Warwick c. 1920 print Chapel
By R Warwick
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...
Category
1920s Modern Europe - Landscape Prints
Materials
Etching
University College, Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
University College, Oxford (1675)
Engraving
29 x 40 cm
Loggan's view of Univ from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Europe - Landscape Prints
Materials
Engraving
Antwerp, St Pauls Church, G.C. Haverkamp (1872-1926), Original Etching
Located in Frome, Somerset
G.C. Haverkamp ( 1872-1926) View of Antwerp, Veemarkt with Saint Pauls Church , original signed etching circa 1914.
Fine detail etching in good condition .
Antique giltwood frame.
Category
1910s Realist Europe - Landscape Prints
Materials
Ink
King's College, Cambridge linocut print by Walter Hoyle
By Walter Hoyle
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Walter Hoyle (1922 - 2000)
King's College, Cambridge (Cambridge Series 1956 - 66)
Linocut
56 x 43 cm
Signed and inscribed A/P in pencil. Possibly unique.
Hoyle's view of King's College, Cambridge, with a slice of blue sky behind.
Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country.
Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...
Category
1960s Modern Europe - Landscape Prints
Materials
Linocut
Sun on the Scafells, Lake District, Linoprint, Contemporary Landscape Nature art
By Mark Pearce
Located in Deddington, GB
Sun on the Scafells is a limited edition print by Mark A Pearce, inspired by the Sea Fells in the Lake District.
ADDITIONAL INFORMATION:
Sun on the Scafells by Mark A Pearce
Limited...
Category
2010s Contemporary Europe - Landscape Prints
Materials
Paper, Linocut
After the Storm, Limited Edition Print, Landscape Etching Print in Greens
By Phil Greenwood
Located in Deddington, GB
After the Storm is a contemporary landscape print by Phil Greenwood. The serene combination of earthy green, blue and white tones gives the work a calming feel and Greenwood’s attent...
Category
2010s Contemporary Europe - Landscape Prints
Materials
Archival Paper, Etching, Aquatint
Louise Ibels: Castle Ruins - Etching and Aquatint
By Louise Ibels
Located in London, GB
To see our other prints and architectural views, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Louise Ibels (1891-1965)
Castle Ruins...
Category
Mid-20th Century Modern Europe - Landscape Prints
Materials
Etching, Aquatint
Bataille de la Moskwa - Etching by Pierre François Tardieu - 1837
Located in Roma, IT
Bataille de la Moskwa is an Etching realized by Pierre François Tardieu in 1837.
It represents one of the most famous battles of Napoleon.
Good conditions.
The artwork is realized...
Category
1830s Modern Europe - Landscape Prints
Materials
Lithograph
Venice - Etching by Giovanni Korompay - 1938
By Giovanni Korompay
Located in Roma, IT
Hand signed, dated and titled. Edition of 100 prints.
Category
1930s Modern Europe - Landscape Prints
Materials
Etching
The Fisherman's Village - Etching by Giovanni Omiccioli - 1970s
By Giovanni Omiccioli
Located in Roma, IT
The Fisherman's village is an artwork realized by Giovanni Omiccioli (February 25, 1901 – March 1, 1975).
Etching on cardboard.
Edition of 80.
The artist wants to define a well-b...
Category
1970s Modern Europe - Landscape Prints
Materials
Etching
Tim Southall, Lone Wolf, Black and White Handmade Print, Modern Landscape Art
By Tim Southall
Located in Deddington, GB
Lone Wolf [2022]
Signed by the artist
etching & aquatint
Edition number 75
Image size: H:20 cm x W:30 cm
Complete Size of Unframed Work: H:32 cm x W:42 cm x ...
Category
2010s Folk Art Europe - Landscape Prints
Materials
Paper, Etching, Aquatint
Michael Wallner, Grand Central Station New York, New York Art, Contemporary Art
By Michael Wallner
Located in Deddington, GB
Grand Central Station New York [2018]
Limited Edition
Architecture
Brushed aluminium
Edition number 25
Image size: H:61 cm x W:91 cm
Complete Size of Unframed Work: H:61 cm x W:91 cm x D:0.3cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
Grand Central Station - probably my favourite building in the world. The sheer scale of it’s beauty and design is breathtaking. Opened in 1913 it sums up everything I love about New York - the hustle and bustle, the colour and the stunning architecture. This piece is created from an original photograph and painstakingly coloured digitally by hand, including every person on the concourse and the exquisite ceiling. The image is printed directly onto a thin sheet of aluminium which gives it an etched appearance, picking out the beautiful details of the station. Grand Central Station is made to order. It can usually be created and delivered in around 10-14 days. An aluminium subframe on the back makes it easy to hang.
Michael has spent more than twenty years in the media industry working on entertainment programmes, talk shows, documentaries, animations and a children’s novel. But creating original and innovative art is his true passion. His latest work celebrates the beauty of the city through the shapes, outlines and colours that define its character. London, New York, Hong Kong, Singapore, Miami, Paris and Dubai all feature in Michael’s portfolio. The art is created by digitally manipulating and colouring his own photographs to produce unusual prints on aluminium, reclaimed wood, brass, even 1930’s copper-lite windows. He also creates neon, magnetic, and L.E.D installations. The metal pieces are printed on very thin sheets of brushed aluminium, giving the work an etched appearance. Michael works out of his studio at Wimbledon Art...
Category
21st Century and Contemporary Contemporary Europe - Landscape Prints
Materials
Metal
Hampton Court From the Fountain screenprint by Brendan Neiland
By Brendan Neiland
Located in London, GB
Brendan Neiland (b.1941) R.A. (Expelled)
Hampton Court (1984)
Screenprint
74 x 51 cm
Signed, dated, titled, and numbered 152/250 in pencil.
A print of one of Hampton Court's magnificent facades, reflected in its fountain. Reflected architecture is one of Neiland's most recurring themes.
The Fountain Court was designed by Sir Christopher Wren; he began remodelled the palace in the baroque style for William III and Mary II...
Category
1880s Europe - Landscape Prints
Materials
Screen
Theodoor Galle Martin de Vos 17th Century Engraving Jesus' Tomb Easter
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle...
Category
17th Century Realist Europe - Landscape Prints
Materials
Engraving
Deer in the Snow, Norfolk, Deer Print, Illustrative
By Joanna Padfield
Located in Deddington, GB
Deer in the Snow is a limited edition, multi block, linocut print of a Roe Deer standing in the snow. Surrounding the deer are deep red berries, Mistletoe and winter leaves. There ar...
Category
2010s Impressionist Europe - Landscape Prints
Materials
Linocut
Wadham College, Oxford, Garden Front lithograph by Dennis Flanders
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
20th Century Europe - Landscape Prints
Materials
Lithograph
Hamburg, Mild Atmosphere - German Expressionism Hamburg Harbour Maritime Scene
By Emil Nolde
Located in London, GB
This original drypoint is hand signed and dated in pencil by the artist "Emil Nolde" at the lower right margin.
It is one of at least 18 impressions printed on Van Gelder Zonen pape...
Category
1910s Expressionist Europe - Landscape Prints
Materials
Drypoint
Quiet Beauty and Sunflower in a Bottle diptych, Flowers in pots, Landscape
By Vicky Oldfield
Located in Deddington, GB
‘Quiet Beauty’ is a Limited edition hand coloured collograph print by Vicky Oldfield. Each print is individually painted, making every one unique. ‘Sunflower in a bottle’ is a Limit...
Category
2010s Contemporary Europe - Landscape Prints
Materials
Paper
Castle (University College, Durham) engraving after Samuel and Nathaniel Buck
By Samuel & Nathaniel Buck
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
after Samuel Buck (1696 - 1779) and Nathaniel Buck (active 1724 - 1759)
View of Durham Castle...
Category
Late 18th Century Europe - Landscape Prints
Materials
Engraving
1804 St George's Chapel Windsor Castle print
By Frederick Nash
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Meghan Markle; to see some ...
Category
Early 1800s Realist Europe - Landscape Prints
Materials
Etching, Aquatint
Autumn Collection, Limited edition art print, Floral, Flowers in pots, Landscape
By Vicky Oldfield
Located in Deddington, GB
Vicky Oldfield: 'Autumn Collection’ is a Limited edition hand coloured collagraph. Each print is hand printed and individually painted, making every one unique. This work is an Editi...
Category
2010s Contemporary Europe - Landscape Prints
Materials
Paper
Niels M. Lund (1863-1916) - Signed c. 1916 Etching, Killin, Perthshire
Located in Corsham, GB
A beautiful etching depicting a minimalistic riverside scene.
The artwork is signed by his daughter, Betty Lund, in the bottom right-hand corner.
In 1916 she released this work, an...
Category
20th Century Europe - Landscape Prints
Materials
Etching
Gifford Beal (1879-1956) - Framed c.1930 Etching, The Net Wagon
By Gifford Beal
Located in Corsham, GB
Gifford Beal (1879-1956) Original Pencil Signed Etching with Drypoint. Presented in a smart black frame. Signed below plate lines. On paper.
Category
Early 20th Century Europe - Landscape Prints
Materials
Etching
Rycote House, Oxfordshire engraving by Henry Winstanley
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Henry Winstanley (1644 - 1703)
Rycote House, Oxfordshire
Engraving
19 x 44 cm
...
Category
Early 17th Century Europe - Landscape Prints
Materials
Engraving
Katie Edwards, Best Mates, Limited Edition Contemporary Artwork, Landscape Print
By Katie Edwards
Located in Deddington, GB
Katie Edwards
Best Mates
Original Silkscreen print with hand painted layers
Mounted Size: H 40.5cm x W 50.8cm
Free Shipping
Please note that in situ images are purely an indication o...
Category
21st Century and Contemporary Contemporary Europe - Landscape Prints
Materials
Copper
Henry Scott Bridgwater after J. B. Corot - Early 20thC Mezzotint, River Foraging
Located in Corsham, GB
A fine impressionistic mezzotint landscape showing two figures foraging on the banks of a rover with their boat nearby. The mezzotint is after the original painting by the French art...
Category
20th Century Europe - Landscape Prints
Materials
Mezzotint
Ablaze with Blue - Colourful, Bright, Atmospheric, Tree, Nature, Digital Art
Located in London, GB
Mark was born in Yorkshire and studied photography at Wolverhampton Polytechnic before moving to London in 1991. He initially worked as a photographer before focusing more on illustr...
Category
2010s Contemporary Europe - Landscape Prints
Materials
Metal
Mark Pearce, Summer Wasdale, Limited Edition Linoprint, Landscape Art
By Mark Pearce
Located in Deddington, GB
Mark A Pearce
Summer Wasdale
Limited Edition Linoprint
Edition of 46
Image Size: H 44cm x W 71cm
Sheet Size: H 54cm x W 81cm
Signed
Sold Unframed
Summer Wasdale is a limited edition print by Mark Pearce.
At school I spent most of my time in the art department. I then went on to do a one year foundation course at Carlisle College of Art. It was here that I learnt the art of printmaking and then continued my studies at the Norwich School of Art doing a degree in graphic design. Keen to move to London I found my first job as a graphic designer with John Nash and Friends and my second with Michael Peters and Partners. I went on to win a D&AD (Design and Art Directors Club of Great Britain) silver award for the very first greeting stamps issued by the Royal Mail. These featured smiles from the likes of Dennis the Menace...
Category
21st Century and Contemporary Contemporary Europe - Landscape Prints
Materials
Paper, Linocut
Overlap, Katie Hallam, Contemporary Photography, Limited edition print for sale
Located in Deddington, GB
Overlap by Katie Hallam
Hand signed by the artist
Limited Edition Digital Photograph
Edition of 75
Size of Work: H 70cm x W 70cm x D 1cm
Sold Unframed
Ready to Hang
Please note that...
Category
21st Century and Contemporary Contemporary Europe - Landscape Prints
Materials
Paper, Giclée
Allotments - Summer, Print, Landscape, Meadows, Seascape
Located in Deddington, GB
Allotments - Summer by Judith Yarrow is a depition of a luscious vegetable allotment with many shades of greens, pinks, oranges and yellows.
Additional Information:
Giclée Print on...
Category
21st Century and Contemporary Contemporary Europe - Landscape Prints
Materials
Giclée
Sunflower Fields by Kate Heiss, Sunflowers, Lavender, Bees Art, Bumblebee Art
By Kate Heiss
Located in Deddington, GB
Kate Heiss
Sunflower Fields
Linocut
Edition of 30
Image Size 30 x 30cm
Mounted size 40x 40cm
Oil based inks on 300GSM Soft white Somerset Velvet Paper
Signe...
Category
21st Century and Contemporary Abstract Europe - Landscape Prints
Materials
Paper, Linocut
Edwin La Dell St John's College Cambridge Signed Lithograph Modern British Art
By Edwin La Dell
Located in London, GB
To see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...
Category
1950s Impressionist Europe - Landscape Prints
Materials
Lithograph
A J Meyer Etching Dulwich College London c. 1920 British School print
Located in London, GB
To see our other views of Public Schools, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
A J Meyer (British, fl 1900-1930)
Dulwich College
Etching
22x30cm
Sadly little is known of Meyer, an accomplished artist and particularly producer of etchings. He was one of many artists to join the craze for etchings started by Whistler and that died out after the 1929 Wall Street...
Category
1910s Realist Europe - Landscape Prints
Materials
Etching
'Southbank II' Original Silkscreen Print, Art print, London, England
Located in Deddington, GB
A playful original silkscreen print combining the iconic London eye and one of London's popular forms of transport. Perfect gift for someone who loves to travel by bike, especially i...
Category
2010s Contemporary Europe - Landscape Prints
Materials
Screen
Selwyn College, Cambridge, lithograph by Jane Carpanini
By Jane Carpanini
Located in London, GB
Jane Carpanini
Selwyn College
Lithograph
30 x 42 cm
Born in Bedfordshire, Jane Carpanini studied at Brighton College of Art and the University of Reading. Since the start of her c...
Category
21st Century and Contemporary Realist Europe - Landscape Prints
Materials
Lithograph
GENTLE SPIRIT N°11, Allan Forsyth, limited edition print, floral art
By Allan Forsyth
Located in Deddington, GB
GENTLE SPIRIT N°11 by Allan Forsyth [2020]
limited_edition and hand signed by the artist
PHOTOGRAM Archival Chromagenic Photographic Print
Edition number 12
Image size: H:100 cm x...
Category
21st Century and Contemporary Contemporary Europe - Landscape Prints
Materials
Paper, Photogram
Queens' College, Cambridge lithograph (signed) by Margaret Souttar
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Margaret Souttar...
Category
1960s Modern Europe - Landscape Prints
Materials
Lithograph
after Salvador Dalí - Tienta en Espana - Lithograph
By (after) Salvador Dali
Located in Collonge Bellerive, Geneve, CH
(after) Salvador Dali
Tienta en Espana, 1983
Lithograph and embossing after an etching
Plate signed
On Arches vellum 30 x 37" (74 x 93 cm)
REFERENCES : Field 67-2 edition descibed p....
Category
1980s Surrealist Europe - Landscape Prints
Materials
Lithograph
Budleigh Salterton Lino Print by Colin Moore
By Colin Moore
Located in Deddington, GB
A three block colour lino print by Colin Moore in an edition of 100. Looking east on the beach at Budleigh Salterton, a fishing village on the South Devon coast
Size: H:51 cm x W:67 cm
Additional Information:
Colin Moore
Budleigh Salterton
Limited Edition Lino Print
Image Size: H 42cm x W 59.5cm
Sheet Size: H 51cm x W 67cm
Signed
Sold Unframed
Colin Moore artist has many landscape and seascape lino cut prints. Colin Moore printmaker and painter was born on the Clyde Coast...
Category
21st Century and Contemporary Abstract Europe - Landscape Prints
Materials
Mixed Media
Swiss Cheese Plant II with Lino Print, by Kerry Day
By Kerry Day
Located in Deddington, GB
Swiss Cheese Plant II by Kerry Day [2021]
Swiss Cheese Plant II is a colourful Lino Print of the popular Monstera House Plant Printed by hand using the reduction print method, with...
Category
2010s Abstract Europe - Landscape Prints
Materials
Linocut
London Eye - Large canvas print, London
By Michael Sanders
Located in Deddington, GB
London Eye – Large Canvas Print
Limited edition canvas prints by Michael Sanders. These stunning prints are created using fine art archival quality ...
Category
2010s Post-Impressionist Europe - Landscape Prints
Still Life, Pop Art, Bright Contemporary Still Life Print, Statement Print
By Benjamin Thomas Taylor
Located in Deddington, GB
Still Life by Benjamin Thomas Taylor [2022]
Please note that insitu images are purely an indication of how a piece may look
'Still Life’ depicts a remot...
Category
21st Century and Contemporary Contemporary Europe - Landscape Prints
Materials
Paper, Giclée
St Pancras, London, Gothic revival, landscape, cityscape, London, cars
Located in Deddington, GB
Cities 7 - Gothic Revival, St Pancras, London by Susan Brown. Limited edition giclée print - The print edition is 150 The image size of the print is 40cm X 40cm, the overall size is 50cm X 50cm Each print is signed and numbered by Susan Brown Unframed, unmounted. The gothic building of St Pancras, designed in 1874 by George Gilbert Scott...
Category
21st Century and Contemporary Abstract Europe - Landscape Prints
Materials
Giclée
Hugh Casson The Chapel, Radley College signed print c. 1980
By Hugh Casson
Located in London, GB
Sir Hugh Casson (1910-1999)
The Chapel, Radley College Oxford
Print signed in pencil aside from the numbered edition
Provenance: the artist’s estate.
...
Category
1980s Modern Europe - Landscape Prints
Materials
Color
We are together. 1965, paper, lithography, 25x27 cm
Located in Riga, LV
We are together. 1965, paper, lithography, 25x27 cm
Dzidra Ezergaile (1926-2013)
Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her stu...
Category
1960s Symbolist Europe - Landscape Prints
Materials
Paper, Lithograph
Adrian Collaert Martin de Vos 17th Century Healing Peter's Mother-in-law
By Adriaen Collaert
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
17th Century Realist Europe - Landscape Prints
Materials
Engraving
Queens' College, Cambridge lithograph by Margaret Souttar
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Margaret Souttar...
Category
1960s Modern Europe - Landscape Prints
Materials
Lithograph
'Tree Root' . Hand colored lithogarph circa 1959.
By Jack Coutu
Located in Frome, Somerset
A fine Raymond John 'Jack' Coutu (1924-2017) ARE, ARCA. color lithograph/ engraving. 'Tree Root'. 6th of a 50 handmade edition by the artist.. circa 1959. Well listed Modern Artist. Signed and presented in the original framing. Raymond John "Jack" Coutu ARE ARCA (13 September 1924 – 17 May 2017) was an English printmaker, sculptor, etcher, engraver, carver, watercolourist and teacher. He was influenced by Oriental art.Jack Coutu was born Raymond John Coutu at Farnham, Surrey, England, and was educated at Farnham Grammar School.[ On leaving school in 1940, he worked at Abbott of Farnham, a coachbuilding company in Farnham, where his father Bert Coutu was also employed painting coats of arms and heraldic shields. In 1942, at the age of 18 during World War II, he joined the Royal Corps of Signals, where after training he served in Ceylon (now Sri Lanka), India, and Singapore. At the end of WWII, he was in Kure, Japan, in the Hiroshima Prefecture.
From 1947 to 1951, Coutu studied at the Farnham School of Art, followed by the Royal College of Art in London from 1951 to 1954 and the Central School of Art from 1951 to 1955. At the Central School of Art, Merlin Evans was an influence on Coutu's printmaking.
Coutu taught printmaking at the Central School of Art from 1957 to 1965 and then at the West Surrey College of Art and Design in Farnham from 1965 to 1985. In 1968, he started to carve netsuke (as practised in Japan) and he joined the Netsuke Kenkyukai Society, based in the United StatesHe is also a member of the Royal Society of Painter-Etchers and Engravers and the Printmakers Council.
Jack Coutu has exhibited at the Royal Academy in London, netsuke conventions, jointly with Michael Rothenstein...
Category
1950s Modern Europe - Landscape Prints
Materials
Lithograph
