Europe - More Prints

Map of Forum Romanum is an original etching realized by Pietro Ruga 1849 ca. Good Conditions except fr being aged with some small cutaways. The artwork r...

Breakdown Figures is an original colored lithograph realized by Hugh Weiss in 1971. Hand-signed and dated by the artist on the lower right corner. Numbered on the lower-left corner (83/120). The artwork represents a very funny composition with different breakdown figures: a couple dipped upside down in a giant cup...

Hand signed. Edition of 60 prints. Good conditions.

Solemn Receiving is an original artwork realized in 1872 by Antonio Manganaro. Original colored lithograph. Good conditions, except for the yellowed paper due to the time. This be...

This print of a pine tree uses kitakata Japanese tissue chine collé to depict the warmth and colour of early autumnal light. It is then backed onto Hahnemule printmaking paper. The subject matter is from Ashton Court Estate in Bristol. This body of work is based on the book by Suzanne Simard, 'Finding the Mother Tree'. Trees communicate via mycorrhizal fungi to trade water and other nutrients. Ancient and mature trees nurture their offspring via these networks, as well as trading nutrients between other species. Botanist Simard has spent years working on this theory as part of a wider body of work, discovering what it means for forests, the climate and the wider Anthropocene. My work explores the ecological sublime and an appreciation of the majesty of nature. I use detailed intaglio etching, drypoint, lithography and chine collé to draw the viewer into an ethereal landscape that has an impact on our sense of place in relation to the natural world. I use primarily black and white with natural tones of chine collé and sometimes layers of lithographic texture to introduce warmth to the stark palette and to invoke a sublime emotional connection. I work from sketches, photographs, notes and memory to create my prints. ADDITIONAL INFORMATION: Black & White, Chine Collé, Drypoint, Drypoint print, Etching, Etching print on Paper Edition of 20 44 H x 32 W x 1 D cm (17.32 x 12.60 x 0.39 in) Sold unframed Image size: Height: 30cm (11.81 in) Width: 20cm (7.87 in) Complete size of sheet Height: 44cm (17.32 in) Width: 32cm (12.60 in) Depth: 1cm (0.39 in) ARTIST BIOGRAPHY: Fiona Hamilton is a printmaker based in Bristol. Interested in process she uses a combination of mediums, both traditional and contemporary, to produce unique imagery, often as one off pieces or in small limited editions. She currently works in silkscreen, cyanotype and foil. Fiona’s artwork draws on a lot of natural themes such as plants, leaves, trees and creatures including lots of birds. She mostly works directly from nature or from photographs she has taken. She regularly lugs a heavy telephoto lens about to get photos of birds...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller...

Exibition print from late work by Miller Null is a vintage photographic print on color paper applied on cardboard. Signature in pencil on front of cardboard, dated 1995, a late prin...

Decorative Motifs of the Indian Renaissance is a vintage chromolithograph realized by an anonymous artist in the early 20th Century, Good conditions.

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Robert Kent Thomas (1816-1884) Merton College...

Marc Chagall - Original Lithograph La Vache Bleue (The Blue Cow) From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1967 See Mourlot 488 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Happy New Year is an original black marker drawing on paper with autograph wishing notes by the French artist Léon Gischia to Nesto Jacometti, editor and collector of Graphic art. ...

Composition is an original Contemporary artwork realized by the Italian artist Leo Guida. Original screen print.. Good conditions, with diffused foxing and soft folding. The work ...

Fame - Original Vintage 1980 Movie Film Cinema Lobby Card Mint condition - see image Original vintage 1980 lobby card from the cult classic film FAME directed by Alan Parker FRAMING: Please note that this piece is UNFRAMED – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. See EXAMPLE images We ship regularly using Fedex Express services and shipping to all international locations. Directed by Alan Parker Written by Christopher Gore Produced by David De Silva Alan Marshall Starring : Eddie Barth Irene Cara Lee Curreri Laura Dean Antonia Franceschi Boyd Gaines Albert Hague Tresa Hughes Steve Inwood Paul McCrane...

The Climber is a peculiar and beautiful lithograph realized by the artist Ivo Pannaggi in a circulation of 100 copies around 1975 from one of his drawings...

Vintage Poster of the biennale Plakatu museum is an original lithograph realized by Jan Mlodozeniec in 1974. Good condition. Signed on the plate on the lower left. Jan Mlodozeniec (born 1929 in Warsaw, Poland; died 2000...

Ex Libris Glonka is an original Contemporary Artwork realized in the mid-20th Century. Original Ex Libris. Original B/W woodcut on ivory-colored paper. The work is glued on card...

Etching and drypont. Hand Signed and dated. Edition of 30 prints. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Anonymous Boston Museum Centennial 1870-1970 "Mandala of Eight Bodhisatlvas, Nepal 12th Century, Centennial Acquisition" 97x70cm Vintage poster 1970

Hand Signed and Numbered. Edition of 75 pieces.Belong to the series "Tout pros de Marino". Ref. Toninelli 50 tav. 3; Guastalla n. A52. This artwork is shipped from Italy. Under exis...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The turquoise te...

Ex Libris Muranyi Roho is an original Artwork realized by the hungarian painter and engraver Arpad Barsch in the early-20th Century. Signed by the artist on plate on the lower righ...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Sassi Italian Line...

To see our other original vintage travel posters including more pre-war London Transport posters, and original paintings by Clifford Ellis, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Clifford and Rosemary Ellis Travels in Time on your Doorstep Lithographic poster for London Transport, 1937 Printed by Waterlow & Sons Ltd 40×25″ London Transport was the fore-runner of London Underground. During the 1930s London Transport commissioned over forty posters a year from well-known artists such as Laura Knight, CRW...

(after) Alberto Magnelli Untitled (Cubist Composition) after the collage Pochoir on paper Conditions: excellent 32 x 24 cm 1956 Printed by Daniel Jacomet for XXe Siecle (issue number...

Exibition print from “ Vibrazioni” by Miller Null is a vintage photographic print on Color paper applied on cardboard. Signature in pencil on front of cardboard. Print performed f...

Orphée is an original artwork realized by Jeanne Esmein in 1967. Serigraph on paper. Hand-signed and dated in pencil by the artist on the lower right. Titled and numbered in pencil...

Fame - Original Vintage 1980 Movie Film Cinema Lobby Card Mint condition - see image Original vintage 1980 lobby card from the cult classic film FAME directed by Alan Parker FRAMING: Please note that this piece is UNFRAMED – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. See EXAMPLE images We ship regularly using Fedex Express services and shipping to all international locations. Directed by Alan Parker Written by Christopher Gore Produced by David De Silva Alan Marshall Starring : Eddie Barth Irene Cara Lee Curreri Laura Dean Antonia Franceschi Boyd Gaines Albert Hague Tresa Hughes Steve Inwood Paul McCrane...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The deep green t...

Heidler & Heeps Vinyl Collection Sixteen Piece Multi-color Square Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this...

Charles-Éduard Jeanneret, known as Le Corbusier, was a Swiss architect and designer who is generally regarded as a key figure in the development of modern architecture, his work bein...

Ex Libris Tasi Miklos is an original Modern Artwork realized in the 20th Century. Original B/W woodcut print on ivory-colored paper. The work is glued on cardboard. Total dimen...

Fernand Mourlot Lithographe is a splendid lithograph realized as Cover of the illustrated book "A même la pierre" after Jean Dubuffet. Edition by Pie...

The Sea is an original colored lithograph realized by German painter Henri van Moe (1930 - 1989) in 1929. Hand-signed on the lower right. Good conditions. The artwork represents a...

Personnage sans Tête is an original black and white etching on paper, realized by the artist Antoine Mayo, art name of Malliarakis (1905-1990) Signed in pencil on lower right margin...

Hand-pulled screenprint composed of six colours on Somerset 310 GSM, with a gloss finish and cut edges, with a blind stamp. 12
 Hand-Signed, dated, and numbered by the artist, on rec...

Image dimensions: 33x22.5 cm. Edition of 25 prints, numbered and hand signed. Excellent conditions.

Codre sculpture in Milan is a vintage offset print realized in 1981, for the exhibition held in Milan, Public Garden" Giardini pubblici". Good conditions. is an original offset prin...

"Saturday Night Fever" Original Vintage 1977 Lobby Card Condition Mint Original vintage 1977 lobby card from the film "Saturday Night Fever" directed by John Badham FRAMING: Pleas...

Edition of 260 prints, numbered and hand signed. Realized in occasion of the Olympic Games in Beijing. Excellent conditions.

Dery I Lonka is an original Modern Artwork realized in the early 20th Century. Original B/W woodcut on ivory-colored paper. The work is glued on cardboard. Total dimensions: 21...

Ship Smoke is an original etching print realized by Francesco Casorati in the 1970s. Hand-signed on the lower right in pencil and numbered on the l...

The Solitude is an original screen print realized by Peter Klasen. Hand-signed on the lower right in pencil, and numbered on the lower left, the edition of 63/99 prints. Very good ...

This Ingolstadium is an original etching realized by George Braun and Franz Hogenberg. The state of preservation of the artwork is good but aged and at the top on the right angle yo...

Ex Libris Mario Baldi is an original Contemporary Artwork realized in the mid-XX Century. Original B/W woodcut print on ivory-colored paper. The work is glued on cardboard. To...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. We have a whole series referring to environmental issues on the theme of "Waste not want not" and caring for the environment and recycling. FHK Henrion (1914 - 1990) What Comes from Coal (circa 1945) Original vintage poster 51 x 76 cm Signed in plate. Issued by the Ministry of Fuel and Power; printed for HM Stationery Office by Field Sons & Co Ltd, Bradford. We have been unable to identify any other copy of this poster by this renowned designer in any public collection - it is possibly the only remaining copy. A Ministry of Fuel poster...

Realized for the Editions "Europaische Grafik". Edition of 130 prints, numbered and hand signed. Dry stamp on bottom right. Publisher: Wolfgang Ketterer, Munich. Very Good conditions.

Ex Libris Victor Vernik is an original Contemporary Artwork realized in the mid.20th Century. Original B/W woodcut print on ivory-colored paper. The work is glued on cardboard. ...

Ex Libris Kurucz Laszlo is an original Modern Artwork realized in the 20th Century. Original B/W woodcut print on ivory-colored paper. The work is glued on cardboard. Total dim...

Marcus Behmer (German, 1879 – 1958) Die Geravbte orchidee (The robbed orchid), 1903 Signed ‘Marcus Behmer’ (lower right in pencil) Lithograph on paper 16.1/8 x 12in. (40.8 x 30.5cm.) It is apparent Behmer is influenced by the work of Aubrey Beardsley, though this work is no less beautiful in its execution. Little is known regarding his connections to Oscar Wilde though he is obviously an admirer and has many similarities with his private life and incarceration in prison. These works were a personal gift to Baron Detlev von Hadeln, the aristocrat and prominent art historian of the age. Behmer is known to be, since 1903, a member in the first ever homosexual organization in Berlin and was thus probably a part of Adolf Brand’s circle, and may have contributed to Brand’s publication Der Eigene. Until now, few know that Behmer was sentenced in April 1937 by a court in Konstanz to imprisonment for two years, being arrested in Freiburg and at other locations in southern Germany for being a homosexual. At times he was given the opportunity to work as an artist in prison. The works produced in this period are mostly calligraphic designed tablets with Greek text (prayers and Bible quotes...

This Correspondence between Léon Gischia and Nesto Jacometti, written in French and Italian , in 1960, is composed of 7 items, prefectly readable and in excellent conditions, except...

Sun 45, photograph from Richard Heeps' 'Dream in Colour' series. This stylish interior artwork is made up of deep and dark tones, with a flash of bright yellow. It was captured in a ...

Hand signed and numbered. Edition of 125 prints. Very good conditions. Fabio Mauri (Rome, 1926 – Rome, 2009) was an italian artist, writer and dramatist. He was one of the main ital...

Assembly is an original lithography on paper, realized by G. Engelmann in 1825, the artwork is signed and dated on plate. Sheet dimensions: 27 x 27 cm. Includes a white passepartou...

Heidler and Heeps Vinyl Collection 'Press Conference Turquoise'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully me...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you ca...

Decorative Motifs of the Egyptian Renaissance is a vintage chromolithograph realized by an anonymous artist in the early 20th Century. Good conditions. The artwork represents Decor...

Image dimensions: 43.7 x 70 cm. Venus is a splendid giclée print realized by the contemporary artist Dadodu in 2019. This original artwork is a contemporary interpretation of the f...

Heidler and Heeps Vinyl Collection 'Press Conference Vivid Yellow'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully...

Nude is an original lithograph artwork, realized by Sergio Barletta, hand-signed, edition of 100 prints. In very good conditions. Here the artwork represents a different pose of n...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The turquoise te...