Europe - More Prints

Cliclists is a screen print realized by Ugo Nespolo in 2008, in occasion of the Olympic Games in Beijing. Edition of 260. Hand signed and numbered in pencil. Excellent condition.

Marc Chagall (1887-1985) - Daphnes and Chloé, Planche XXIII (trial proof) Lithograph from 1961. Trial proof - unique work. On Arches paper with watermark. Dimensions of work: 56 x...

Marc Chagall (1887-1985) - So went Moses and Aaron, and gathered all the Elders of the children of Israel Lithograph from 1966. The edition of 20 on Japanese paper. Dimensions of ...

Sun Lounger, photograph from Richard Heeps, 'Dream in Colour' series. This cooling Palm Springs, California artwork is the perfect way to bring summer vibes into your home all year ...

Color etching with carborundum by Antoni Clavé "No Title", 1975 75,5 x 55,5 cm Copy 32/60 Edition of 60 (approx.). Antoni Clavé (Barcelona 1913 - 2005 ...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The blue teal co...

By David Hockney These lithographs are taken from the special edition of Hockney's Alphabet, which is signed on the justification page by David Hockney and Stephen Spender. A copy o...

Heidler & Heeps Vinyl Collection Fifteen Piece Rainbow Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler h...

A classic American icon, the roadside giant Cowboy "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps...

Almir Mavignier Untitled (from 48 Serigraphien), 1961 Medium: 9 abstract screen prints on paper Dimensions: 15 7/10 × 11 7/10 in 39.8 × 29.7 cm Edition of 50: Each Hand-signed in pe...

Aquatint, lift-ground etching and aquatint on Georges Duchene Hawthorne of Larroque handmade paper 87.6 x 61 cm (34 1/2 x 24 inches) Edition of 52

Original Lithograph by Jean Cocteau Title: The Arena 1961 Dimensions: 38 x 28 cm printed signature Lithograph made for the portfolio "Gitans et Corridas" published by Socié...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XXI Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpen...

49 Via Dezza, Gio Ponti's iconic Milanese apartments, captured at sunset, from Richard Heeps series A Short History of Milan began as a special project fo...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

Classic Lincoln cars, parked outside the famous mid-century building, the La Concha Motel in Las Vegas. The cinematic scene of now Lost Vegas, evokes image...

Heidler and Heeps Vinyl Collection 'Press Conference Turquoise'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully me...

David Hockney "Untitled" Snow Window iPad Drawing. My Window No. 610. An eight colour inkjet print on cotton fibre archival paper. Dated 2010. A limited edition of 250 prints. No. 87...

Leo Kouper 'La Grande revue de Charlot', Charlie Chaplin', circa 1960 36.3/8 x 27.3/4in. (92.5 x 70.5cm.) (including frame) Colour print

Marc Chagall (1887-1985) - The Clown with Flowers Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condit...

North Shore Motel, photograph from Richard Heeps Salton Sea series. Blue skies over this Californian classic mid-century modern Americana Motel exterior. Captured by Richard Heeps in...

Grow Up Fuck this Shit - Riso Edition, 2020 2 Colour Risograph on Echo Recycled white 200gsm Paper Signed and numbered by the artist 25.4cm x 25.4cm Edition of 100 Grow Up is a Brit...

Juan Reus (1912-2003) Original Vintage Bullfighting Poster September 1951 107cm x 53cm Juan Reus was born in 1912 in Valencia, where he became a well-known...

'Other Side (Green)' from the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mes...

A yellow dice suspended on a black background, hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have developed their ow...

Pablo Picasso (1881-1973) - Homme couché et femme assise Lithograph from 1967. The edition of 29/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, seco...

Mini lobster [2022] limited_edition Cymk screen print Edition number 100 Image size: H:21 cm x W:14.8 cm Complete Size of Unframed Work: H:21 cm x W:14.8 cm x D:0.1cm Sold Unfra...

Pablo Picasso (1881-1973) - L'homme au mouton Lithograph from 1967. The edition of 500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the publ...

Marc Chagall - Bath-Sheba at the Feet of David - Original Handsigned Etching 1958 Printed by Tériade Dimensions: 54 x 39 cm Handsigned and numbered handcolored Edition: 100 Reference: Cramer 30. Etching with hand-coloring, circa 1930, initialled in pencil, numbered 75/100 (there were also twenty hors-commerce copies) , published 1958 by Tériade, Paris, on Arches wove paper Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Foyer VII, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become...

This listing is for three artworks from the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this ...

Anni Albers (1899-1994) ST, 1971 Medium: Screenprint on cardboard Dimensions: 83 × 62 cm (32 7/10 × 24 2/5 in) Edition: Hand-signed and numbered Condition: Very good

Salvador Dali (1904-1989) - The Purgatory, Canto 22 - Prodigality Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les He...

Heidler and Heeps Vinyl Collection 'Press Conference Carmine Red'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully ...

'Brutalist Symphony', photographed on London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of the famous Brutalist l...

Utopian Foyer from Richard Heeps series A Short History of Milan, which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has be...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche LXI Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Heidler & Heeps Vinyl Collection Sixteen Piece Multi-color Square Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this...

Heidler & Heeps B Side Blue Vinyl Collection Twelve Piece Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautif...

Swim-in-Pool Supply Co. This fun original artwork really shows Richard's unique eye as a photographer. Captured in Las Vegas in 2003 it is part of a series he took over a few years. ...

Odysseus disguised as a beggar - From the suite "Odyssey" is a splendid color lithograph realized after Marc Chagall in 1963. Colored lithograph on paper. Edited by Daco, Stuttgart 1989. This beautiful print belongs to the suite "Odyssey", where the artist depicts the extraordinary adventures of the Greek hero...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

Offset print 4C process with cold stamp Edition of 300 Signed and numbered on the front Mint

Capturing the cinematic Glass Pool Motel which is sadly no longer there, and an iconic Chevy Bel Air, it is a perfect example of a Lost Vegas. This is one of Richard Heeps' classic A...

This is a site specific artwork of Ettore Spalletti in Pop Art style of Andy Warhol and following Ed Ruscha , especially made for the exhibition at the Triennale of Milano (Italy) in...

Red Dinosaur, from Richard Heeps series A Short History of Milan, which began as a special project for the 2018 Affordable Art Fair Milan. It was well rec...

Salvador Dali (1904-1989) (after) - Le Picador Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. Fas...

Factory Spine, Italian industrial architecture photograph from Richard Heeps series A Short History of Milan. A Short History of Milan began as...

'Telephone I' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography combines gorgeous colours of bold red and dreamy blue and it has a mid-cent...

Damien Hirst (British, born 1965) The Currency Unique Print (H11), 2022 Medium: Archival giclée print on paper Dimensions: 100 × 150 cm (39 2/5 × 59 1/10 in) Edition of 1000 unique p...

Marc Chagall (1887–1985) Daphnes and Chloé, Planche XXVI Lithograph in colours, 1961, A unique trial proof printed, notably without the central fold and visible printing marks, with variant colouration differing from the standard edition of 150. Unsigned, as issued. Sheet: 55 x 76 cm Frame: 93.6 x 73cm Published by Mourlot, Paris Referenced in Cramer, Chagall: The Illustrated Books, no. 46; Sorlier 329 In excellent condition, the sheet fresh and vibrant, with no evidence of light exposure or discolouration. The work has been framed for the first time by the present gallery, using high quality materials. -- Marc Chagall's Daphnis and Chloé...

4FT, photographed at a swimming pool in Las Vegas, part of Richard Heeps 'Dream in Colour' Series. The pop of blue colour This artwork is a limited edition of 25, gloss photographic...

Set of four framed ready to hang Italian architecture street photography by Richard Heeps. This listing is for four individually framed artworks each measuring 23.5" x 27.6". Each ...

Sarah Morris (American, born 1967) Total Lunar Eclipse, 2012 Medium: Screenprint in colors Dimensions: 50.2 × 50.2 cm (19 3/4 × 19 3/4 in) Edition of 108: Hand-signed and numbered Co...

Original Vintage Event Poster created 1967 by one of the best known Japanese graphic artists, Yusaku Kamekura; in 1960 he was a founding member, then ...

ICES Cornflower Blue, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex co...

ICES - Two Framed Artworks, Photographs by Richard Heeps. Select your color pairing. ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artw...

To see our other original vintage World War Two public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the poster you want. 'Zero' Hans Schleger (1898-1976) Grow Your Own Food Lithographic poster c. 1940 Printed by Fosh & Kosh Limited for HMSO 76x51cm A copy of this poster is in the collection of the Imperial War Museum. Provenance: the estate of the artist. In this poster the public are encouraged to Dig For Victory...

Marc Chagall (1887-1985) - Mother and Child Before Notre-Dame Lithograph from 1952. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. On the verso another Lithograph in b...

David Shrigley Small Print, 2023 Linocut on Somerset 300 gsm paper Signed by the artist and numbered, on verso 10.5 x 10.5 cm (4 1/8 x 4 1/8 in) Edition 51 of 100 published by Schaf...