Europe - More Prints

Amusements, seaside typography photography from Richard Heeps' On-Sea series. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, it is pres...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche IV Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpent...

Marc Chagall - Original Lithograph The Red Rider From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1957 See Mourlot 191 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Filius Prodigus is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed...

'B Side Recording'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vi...

Classic Lincoln cars, parked outside the famous mid-century building, the La Concha Motel in Las Vegas. The cinematic scene of now Lost Vegas, evokes image...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XVIII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carp...

Three and a Half Feet, Ballantines Movie Colony, Palm Springs, California, photograph from Richard Heeps Dream in Colour series. A palm tree casts a shadow on a Palm Springs swimming...

NOMAD, New York, American architecture color photographs by Richard Heeps. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photogra...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. –- Marc Chagall (1887-1985) - And in those dayes, when Moses was growen, he went foorth unto his brethren, and...

'NOMAD III (Film Rebate)', New York. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photographs capture the art deco architecture ...

Marc Chagall (1887-1985) - The House in my Village Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condi...

Marc Chagall (1887–1985) L'Odyssée, Planche XIX Lithograph in colours, 1974, A unique trial proof printed, notably without the central fold, with variant colouration differing from ...

This listing is for three artworks from the Heidler & Heeps Vinyl Collection. Each artwork measures 16"x16". They can be hung any distance apart to suit your space. Each piece is a l...

David Shrigley I Will Not Allow The Dark Skies To Affect Me, 2024 Screenprint on 300gsm BFK Rives paper 76 x 56 cm Edition 80 of 125 Hand-signed and numbered by the artist published...

Lariat Motel, photograph from Richard Heeps Dream in Colour series. The neon in this classic Americana roadside sign glows in the evening light. It was captured in its original site ...

Damien Hirst (British, born 1965) The Currency Unique Print (H11), 2022 Medium: Archival giclée print on paper Dimensions: 100 × 150 cm (39 2/5 × 59 1/10 in) Edition of 1000 unique p...

Sun 45, photograph from Richard Heeps' 'Dream in Colour' series. This stylish interior artwork is made up of deep and dark tones, with a flash of bright yellow. It was captured in a ...

Aquatint, lift-ground etching and aquatint on Georges Duchene Hawthorne of Larroque handmade paper 87.6 x 61 cm (34 1/2 x 24 inches) Edition of 52

Henri Matisse (1869-1954) - Femme Bleue Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. First, original edition. The work is in Excellent con...

Amusements, seaside typography photography from Richard Heeps' On-Sea series. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, it is pres...

Set of three Framed Square Ready to Hang Photographs of Milan by Richard Heeps. Featuring - 'Foyer II', Big Window and Tram. Each individual frame measures 16" x 16". The artworks a...

Brand new artwork by Richard Heeps featuring the iconic Empire State building in the mist. Photographed in New York City in 2017, he just executed this in his darkroom, printing it i...

Chrome Tutti Frutti, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, pe...

Swim-in-Pool Supply Co. This fun original artwork really shows Richard's unique eye as a photographer. Captured in Las Vegas in 2003 it is part of a series he took over a few years. ...

Chrome, from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and their perso...

Pablo Picasso (1881-1973) - Peintre et modèle, avec une sculpture I Etching and aquatint from 1964. The edition of 4/50. Dimensions of work: 33 x 45 cm. Hand signed. Reference: ...

Joan Miro (1893-1983) - La Mélodie Acide, Planche XII Lithograph from 1980. The edition 777/1500. Dimensions of work: 32 x 24 cm. Plate signed. Publisher: Au Pont des Arts and G...

A classic American icon, the roadside giant Cowboy "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps...

Henri Matisse (1869-1954) - Coquelicots Lithograph from 1958. Dimensions of work: 52.5 x 35.5 cm. Publisher: Tériade, Paris. Each copy of this Lithograph was originally published...

Googie sign porn at its finest, the iconic and memorable Space Age Lodge, in Gila Bend, Arizona. Photograph by Richard Heeps from his Dream in Colou...

6-Colour Screen Print on Archival Paper hand-signed and numbered by the artist 57.2 cm x 57.2 cm Edition 108 of 150 Artwork by Mr. Brainwash, (the pseudonym of French-born artist ...

Calder Exhibition Poster is an artwork realized by Alexander Calder in 1976 Mixed colored serigraph. Fair conditions with some tears along the margin. This beautiful and colored p...

Georg Baselitz (German, b. 1938) Der Berg, 1991/93 Medium: Color offset print Dimensions: 100x 63.5 cm Edition size: Undisclosed (presumably 100-200) Markings: Hand-signed and dated ...

Heidler and Heeps Vinyl Collection 7" B Side Recording. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising...

'Lariat Motel II' is classic roadside Americana 'Sign Porn' photography and Richard Heeps captured it in its original site. The owners since sold the Lariat Motel and donated the 195...

Tinted Oval Window Cassette from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal ...

Bernard Buffet (1928-1999) - Valmy Lithograph from 1977. The edition of 103/150. On Arches paper with watermark. Dimensions of work: 76 x 56 cm. Hand signed. The work is in Exce...

Georg Baselitz (German, b. 1938) Serpentine (Blue), 2022 Medium: Etching with sugar lift aquatint on wove paper Dimensions: 53 × 39 cm (20 9/10 × 15 2/5 in) Edition of 50: Hand-signe...

This cool picture has a classic Americana feel. Richard Heeps pictures beautifully capture parts of Las Vegas which are no longer there. This iconic 'Stardust' sign presented here al...

Steps into the pool at the La Concha Motel Las Vegas. Part of Richard Heeps Dream in Colour series. This motel is a part of Las Vegas history, designed by Paul Williams...

Guy Allen Dachshund and Butterfly Etching Edition Size: 75 Year Completed: 2015 Image Size: H 40m x W 54 cm Approximate Size When Framed: H 69c...

The iconic Coney Island structure, Parachute Jump, photography by Richard Heeps, printed from negative full frame with the Fuji Film border. This artwork is a limited edition of 25...

30 Cents Singapore Orchid Pink, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards...

86.4 x 71.8 cms (34 x 28.25 ins) Edition of 17 Paper: Somerset Textured Proofs: 9 AP, I CTP (on handmade paper) Signed right, under image; numbered left, under image; publisher's chop lower right Publisher: The Litho Shop Inc., Santa Monica, California Printed by Jacob Samuel...

Marc Chagall (1887-1985) - The Heron Etching from 1954. Edition of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30 cm. Reference: Cramer 22. The work i...

'Liberace's Piano' from Richard Heeps 'Dream in Colour' Series. Richard captured one of Liberace's piano's in a private home, it has a an archetypal fun, kitsch, Las Vegas feel. Th...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

'Three Palms' from Richard Heeps Great British staycation series, On-Sea. Taken in Clacton-on-Sea, Richard was channeling Hitchcock in his mind, printed in his darkroom full frame wi...

Vintage poster realized in occasion of Henry Moore's Exhibition in Mestna Galerija Ljubljana in 1983. Photolihtograph. Good condition.

Heidler & Heeps Vinyl Collection Twenty-Five Piece Multi-color Square Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha H...

Hand signed and numbered. Edition of 50 prints. From the book "Idea e Spazio" including 12 etchings by Marino Marini and poems by Egle Marini. Ref.: Toninelli n. 80. Image dimensio...

Marina Abramović Unconditional Love, 2024 Hand signed COA Two colour screenprint 8 1/4 x 10 5/8 in 21 x 27 cm Published by CIRCA in 2024. Produced in a Time Limited Edition of 4,152.

Kandinsky's Exhibition Poster is a a vintage offset print realized in the late 20th Century. An offset poster depicting one of the masterpiece of the artist. Includes frame Very g...

Ferric 60 (Tinted Red), from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past...

Pablo Picasso (1881-1973) - Suite 347, 4 avril 1968, L. 16 Etching from 1968. The edition of 30/50. Dimensions of sheet: 45.5 x 56 cm Dimensions in frame: 63 x 72 cm Hand signed...

Salvador Dali (1904-1989) - Femme à genoux Etching from 1969. Edition: 66/145 on Japan paper. Dimensions of work: 38 x 28.5 cm. Hand signed. Publisher: Graphik Europa Anstalt. ...

'Brutalist Symphony', photograph by Richard Heeps from the London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of t...

Salvador Dali (1904-1989) -Les Songes Drôlatiques de Pantagruel, Planche IX Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpenti...

The Celestial Staircase from the Series "The Divine Comedy" by Dante Alighieri is an woodcut print realized in 1963. Good conditions. Not signed. Plate n.21 (as reported on the ba...