Europe Decorative Bowls

Hallmarked in Sheffield in 1905 by Fenton Brothers Ltd., this handsome, Edwardian, Antique Sterling Silver Bowl, features Art Nouveau influenced detailing. The bowl measures 4"(10cm)...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Eva Stæhr-Nielsen (1911-1976) for Saxbo, Denmark...

This elegant blue Murano bowl radiates refinement and craftsmanship. The delicate ribs and air bubbles, made with the bullicante technique, provide an...

Mid-Century Danish Studio Pottery Bowl from B.J. Keramik, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark, It is completely authentic for any...

Scandinavian Modern glass enamel on copper bowl signed by Saara Hopea-Untracht, 1925-1984. Absolute fab, vibrant colors in green, orange and grey...

Gorgeous hand blown glass bowl in pink color with controlled bubbles and organic design shape. Attributed to Archimede Seguso. Italy, 1960s. Cranberry pink glass cased into clear gla...

Product description: This beautiful smoked glass fruit bowl from the Bambusa series of Kristalunie has been designed by Willem Jacob Rozendaal in 1935. The bowl has relief on the out...

Nils Thorsson for Royal Copenhagen. Ceramic bowl in celadon glaze. Featuring a fish motif. Mid-20th century. Model number 1205. Marked. Perfect condition. First factory quality. Dime...

A beautiful and unique hand thrown stoneware bowl, with amazing glaze. Made by Raija Tuumi at Arabia, Finland, 1960s. Excellent condition. Incised signature "RT" and "ARABIA". Ceramic artist Raija Tuumi (1923–2016) represents a generation of artists who, after the war, helped make Finland’s art industry internationally famous. The ceramic artists and their visibility at international exhibitions played a significant role in putting Finnish art on the world map. Raised in Kiukais in Satakunta, Finland, Raija Tuumi first discovered artistic expression through weaving. However local potters, raised her interest in an alternative material. After many different phases in her life Tuumi ended up studying in Ateneum’s ceramics department between 1946 and 1949, during which she found her own strong style. The students’ training included periods in workshops in Finland, where she encountered potters’ large dough and butter milk pots and other dishes that inspired Tuumi to work on large sculptural objects. Tuumi studied in the ceramics department along side with other ceramisist, including Ulla Procopé, Annikki Hovisaari, Dorrit Flinckenberg, Vuokko Eskolin...

Vintage Green Murano Glass Bowl, realized in Italy in 1970s. Excellent condition.

This striking enameled copper bowl by renowned Italian designer Paolo De Poli showcases the vibrant artistry characteristic of the Mid-Century Modern era. The bowl features a captiva...

Glass designed by Alvar Aalto, circa 1960. Manufactured in Finland. In great original condition, with minor wear consistent with age and use, preserving a beautiful patina. Hugo Al...

Beautiful vintage green crystal bowl, fruit bowl or vide poche by Val Saint Lambert, early 60s, Belgium, marked at the bottom in the base. Val-Sain...

This is two English ironstone plates; one dinner plate by Davenport and one side plate by Mason's, both in the flying Bird gilded pattern. Both plates are well potted and hand pai...

Mid-Century Danish Stoneware Bowl from Søholm, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional ...

Pewter Bowl designed by Just Andersen in the 1920s. A beautiful piece for an exquisite table. * Pewter bowl * Designer: Just Andersen * Model: 154 * Year: 1918-1929 * Condition: G...

Ormolu-mounted blue celeste Sevres porcelain bowl center piece, probably second half of 19th century. Unusual mounting in rococo style with four winged putti supporting each corner o...

Polypore Large Bowl by David Valner Dimensions: D 32 x W 38 x H 17 cm. Materials: Hand-crafted glass. Weight: 5 kg. Finish: Large size, light beige and orange, and matte surface. In...

1960s Large astonishing murano ashtray or catch-all By Flavio Poli for Seguso in Murano Sommerso Glass. The item is in excellent condition. Dimension: 5,90" diameter x 3,54" H inch...

A wooden trough from the 19th century with great patina on the wood is a special object that gives your interior a unique and authentic look. A wooden trough with lots of patina on t...

Mid-Century Danish Studio Pottery Bowl, 1960s, in Very Good conditions. Designed 1960 to 1969. Additional information: Materials: Ceramic Style: Mid-Century Modern Country of Origin...

Bearing the mark Royal Dux and numbered 1252 Large enamelled porcelain centerpiece with golden highlights, representing a nymph sitting on a shell like a ship sailing on the waves, ...

A beautiful and rare Art Deco / Swedish Grace stoneware bowl with amazing green glaze and hand-painted sterling silver decor, hence the name 'Argenta'. Made by Wilhelm Kåge at Gustav...

Large, heavy vintage Mid-Century Modern textured Italian glass bowl or dish attributed to Maurizio Arabella for Seguso Vetri d'Arte Murano, Italy, circa late 1970s / early 1980s. Ele...

Bowl Fontana Arte Italy, 1950 Smoked Crystal Bowl Great Manufacture Perfect condiction

American antique ceramic glass ornamental aquarium Weller Loranger, early 1900s Ornamental ceramic aquarium and glass bowl. The main ceramic structure represents a kingfisher with ch...

A beautiful miniature stoneware bowl with amazing blue hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1960s. Great condition...

Vintage New Old Stock Hungarian Earthenware Bowls. Hand turned and hand decorated new old stock bowls from Hungary. Hand wash only. Not oven proof. Decorative use only. Listing is ...

Beautiful Murano hand blown Italian art glass ashtray, bowl or catchall. Attributed to Barovier Toso, a Murano glass company. Made of hand blown green glass, with a clear glass layer...

Fabulous bowl or vanity tray in a wonderful Nile green beveled crystal, designed by Max Ingrand and produced by Fontana Arte in Italy during the 1950s. This fantastic piece is fabul...

Contemporary Tamagroute Green Set Of Bowls - Four Small Bowls. Tamegroute is a small Moroccan village simply known for it's rich traditional ceramics. The clay is cut by hand from ...

Fausto Melotti (Rovereto 1901 - Milan 1986) was an Italian sculptor, painter and musician. He was born in Rovereto when it belonged to the Austro-Hungarian Empire, and he attended th...

Faceted sommerso bowl, blue, clear murano glass, Flavio poli. Italy, 1950s. Eye-catching eight sided blue and clear block cut faceted bowl or ashtray. Attributed to Flavio Poli. Blue...

This bowl or jardiniere, crafted by Michael Andersen & Son, is a remarkable reproduction of a baptismal font discovered in a church in Åkirkeby on Bornholm. The original font, adorne...

Elegant Light-Bronze Bowl on Foot designed by Just Andersen in the 1930s. * Large bowl on foot in light-bronze alloy * Designer: Just Andersen * Model: LB 1933 * Year: 1935 * Condit...

Behold the exquisite Glass Bowl Model 1639, a testament to the visionary design of Max Ingrand and the meticulous craftsmanship of Fontana Arte, Italy, in 1960. Crafted from thick br...

Mid-Century Danish Studio Pottery Bowl by Einar Johansen for Søholm, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark, It is completely authen...

Art Deco German Pottery Bowl from Carstens Uffrecht Keramik, 1930s, in Very Good conditions. Designed 1920 to 1949 This piece has an attribution mark. Additional information: Materi...

A beautiful miniature stoneware bowl with amazing blue hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1966. Great condition....

This porcelain bowl of Japanese origin, dating from around the 1940s, is a fine example of traditional Japanese craftsmanship and artistry. The bowl features intricate hand-painted ...

Rare small French mid century bowl in ebonized wood by Odile Noll produced in France, 1970s. In good original condition and signed by the artist. Dimensions: H: 4 cm / 1.60" W: 10 ...

Art Deco Discometal Bowl made Just Andersen in the 1930s. An exquisite piece for a beautiful table. * A curvy metal bowl * Designer: Just Andersen * Model: D1830 * Year: 1935 * Cond...

Antique three-legged French brass cachepot (circa 1700s). This piece has a fascinating connection with historical figures. The crest on the side is a version of one belonging to the ...

Beautiful & quite unique Austrian Art Nouveau Bowl " LION CREST " red clay The design of the motif is typical of Alpine Art Nouveau Production Period around 1915 Country of Manuf...

Striking mid-century Murano glass bowl or ashtray in purple, blue and pink "sommerso" Murano glass. This striking piece was designed by Flavio Poli in Murano, Italy during the 1960s ...

A beautiful miniature stoneware bowl with amazing glossy sang de boeuf (oxblood) glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1960s. ...

Large Mid-Century Danish Ceramic Bowl or Wall Plate from Søholm, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional information: Ma...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Article: Murano glass element xxl Origin: Murano, Italy Design: Flavio Poli Decade: 1970s This original vintage glass bowl element was designed by Flavio Poli and produc...

Article: Murano glass bowl, ashtray element Origin: Murano, Italy Decade: 1970s This original vintage glass bowl element, ash tray was produced in the 1970s in Murano, Ital...

This is a finely hand painted Chinese porcelain bowl from the 18th century, Qing dynasty, Qianlong period, 1736-1795. The bowl is beautifully decorated with two panels of figure s...

Wonderful Bowl in Verdigris Patinated Bronze Early 20th Century. This is a very nicely patinated decorative bowl or vide poche in solid bronze with curled leaf decoration at both en...

Elegant Light-Bronze Bowl in great vintage condition designed by Just Andersen in the 1930s. * Round bowl in light-bronze alloy with circular lines * Designer: Just Andersen * Mod...

1950's Vintage Decorated Enamel Bowls - Small. Good quality vintage Hungarian enamelled bowls. Listing is for one bowl. Random selection. Workshop Report: Our workshop team inspec...

Big Murano Glass Bowl Seguso Venezia, 1950 Blown glass with Gold Leaf Peso: 7.5 kg

Swedish Turned Birch Bowl, ca 18-19th century Beautiful bowl with a silky smooth surface and deep patina on inside, with some bark still remaining. Made from birch wood. Height: 1...

Stylish bowl by Bodo Mans for Bay Keramik in Germany. Dates from 1961. Decor is called ‘Bristol’. A zig zag stained glass design with panels of different colors on afremt blue bubble...

Excellent 19th century French Louis XVI decorative Imari Porcelain gilt bronze mount bowl A 19th century Chinese blue and red Imari ware bowl...

Glorifying the effects of refracted light for 170 years, the iconic Baccarat vases are well-known all over the world. A crystal deep blue masterpiece with exceptional proportions, t...

Article: Murano glass bowl, ashtray element Origin: Murano, Italy Decade: 1970s This original glass shell bowl was produced in the 1970s in Murano, Italy. An ...