Europe - Prints

Gentle Repose at Österby: An 1824 Aquatint by Ulrik Thersner. This aquatint by Ulrik Thersner, created in 1824, depicts the serene landscape of Österby in Sweden. The image is suffused with a gentle light that bathes the scene in a warm, inviting glow. It features two individuals on horseback in the foreground, suggesting a tranquil pace of life and leisurely exploration. Their presence adds a narrative element to the scene, inviting viewers to contemplate the journey the riders are undertaking. The central focus of the aquatint is the stately building situated by the water, likely a manor house or a significant estate of the time, reflecting the architectural style of the early 19th century. The estate is flanked by expansive, lush greenery and tall trees, with a prominent pine tree in the foreground that anchors the composition. The detailed rendering of the foliage and the atmospheric perspective in the background create a sense of depth and spaciousness. In Skåne, Thersner had drawn several mansions in 1816, and he decided to publish a counterpart to Erik Dahlbergh's Suecia antiqua et hodierna. He called his work Fordna och present Sverige, and in 1817 began its publication. Carl Fredrik Akrell engraved the images, which were executed in aquatint. Eventually, Wilhelm Maximilian Carpelan joined the publication. The Scania part was completed in 1823, Östergötland was started in 1820 and Uppland and Södermanland in 1824-25. Thersner himself wrote the text for the pictures. After Thersner's death, his widow, with the help of friends, continued the publication, which had never received public support. Michael Gustaf Anckarsvärd took over the publication, in lithographic form, until 1843. The work could be continued, partly with the drawings left by Thersner as templates, partly by Anckarsvärd and others contributing new drawings. In general, Anckarsvärd's work is considered superior to Thersner's. In 1843, the work was taken over by Thersner's daughter, Thora Thersner (1818-1867). She continued publishing until her death. Thora Thersner lithographed her drawings herself, which are usually considered conscientious, if somewhat dry and weak. During her time, among other things, the part about Närke (1838-55) was continued and completed. At the time of Thora Thersner's death, the entire work comprised 91 booklets, containing 364 plates with text. The publication had cost each subscriber 682 kroner and 50 öre. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Antique bird print titled 'Mallard Duck'. Old bird print depicting the mallard duck. This chromolithograph originates from the natural history set 'Animate Creation' published in 189...

This drawing is representing a nude woman. The frame is in a brown color, and the drawing is done on a white support. It has made circa 1940. Art Deco Period. by VAN DOREN (Raymond...

Original antique print of natives from Africa ('The Beethshuans'). This print originates from 'Bilderbuch für Kinder'. Published 1807. Artists and Engravers: Friedrich Johann Just...

Antique map titled 'United States of North America'. Old map of the United States of North America. This map originates from 'The Royal Atlas of Modern Geography, Exhibiting, in a Se...

This lithograph showcases a fashionable woman from 1889, dressed in a highly detailed and decorative gown. The dress is characterized by multiple tiers of ruffled fabric, adorned wit...

Antique map titled 'Dépt. de Seine et Marne'. map of the French department of Seine Et Marne, France. This region produces a wide variety of wines and h...

This drawing is representing a half nuded woman led on a bed. The frame is in a Gilt color, and the drawing is done on a white support. It has made during the 19th Century in France.

After Pablo Picasso ''Nature Morte a la Tete Antique'' (Still Life with an Antique Head) 1930s Screenprint 52 x 40cm Sheet. Done after a painting executed in 1925 and published by Ma...

Step into the timeless brilliance of Pablo Picasso with this extraordinary color cliché, expertly edited by Editions du Chêne in Paris, France, in 1943. Adorned by a stunning solid w...

Step into the timeless brilliance of Pablo Picasso with this extraordinary color cliché, expertly edited by Editions du Chêne in Paris, France, in 1943. Adorned by a stunning solid w...

Antique print titled 'Koreische Fischerfamilie. Famille de pècheurs de Corea'. Original antique steel engraving showing a family of fishermen ...

Title: "Chinese Cultural Figures in 1844 Wahlen Lithographs of Dress and Traditions" These colorful lithographs represent a variety of Chinese cultural figures, including a noblewom...

The antique map titled "Carte de la partie meridionale de la tartarie avec la p.tie septentrionale de l'nde" was crafted by Louis Brion de la Tour, a prominent French cartographer, a...

These are a set of FOUR digitally remastered prints of Macaws, hand coloured framed prints, originally from Circa 1864. Prints of this style were...

Experience a captivating glimpse into the world of 19th-century ethnography with the "Grecian Race", an antique print from Blackie's Comprehensive Atlas and Geography, circa 1882. This stunning color lithographic print unveils the intricate nuances of cultural diversity through detailed portrayal of Greek individuals, showcasing their distinctive attire, customs, and features. Fine antique colour print...

Antique print titled 'Dowlutabad (Ostindien)'. View of Daulatabad. Originates from 'Meyers Universum'. Artists and Engravers: Joseph Meyer (May 9, 1796 - June 27, 1856) was a Ger...

Antique map titled 'Carte des l'Égypte'. Large map of Egypt. This map originates from 'Atlas de Géographie Moderne Physique et Politique' by A. Levasseur....

Title: "Italian Renaissance Ceiling Paintings from Ornamentenschatz, 1887" Description: This exquisite print, crafted by H. Dolmetsch and featured in "Ornamentenschatz," published ...

Large Signed Frame Picture Battle of Trafalger by Montague Dawson. Print with Original sigmature. Montague Dawson RSMA, FRSA was a British painter who was renowned as a maritime arti...

This is an original detailed engraving of the greater coat of arms of Sweden, referred to in Swedish as "Svea rikes huvudvapen." The engraving was printed in Paris in 1669 according to Erik Vennberg. The coat of arms is elaborately detailed, with each escutcheon representing a component of the Swedish empire, including the arms of the House of Vasa among others. At the center, the shield is crowned with a regal crown, symbolizing the Swedish monarchy. Two regally posed lions, a common heraldic symbol of courage and strength, support the shield. The entire composition is topped with a mantle that looks to be teeming with various heraldic motifs, representing the unity and history of the Swedish nation. The intricacy of the work is indicative of the period's engraving techniques, with each line meticulously carved to bring out the opulence and intricate detail of the symbols. The coat of arms is a visual representation of the sovereignty and history of Sweden. The engraving is attributed to Jean Le Pautre, a notable French engraver from the 17th century, while the author of the work is Erik Dahlbergh...

This lithograph by Karl Joseph Brodtmann depicts two important leaders from the Pacific and Southeast Asia regions: Tammeamea I, King of the Sandwich Islands (now known as Hawaii), a...

Wonderful prints of Regency furniture Aquatints with original color. From Ackermann's Repository. 3 dated 1825. One dated 1810 Unframed.

These botanical prints from "Les Plantes à Feuillage Coloré, Tome Second," published in 1880 by J. Rothschild in Paris, are exquisite examples of 19th-century botanical illustration....

Rare, original 19th century woodblock print. Beautiful Edo period print from the original publisher. Quality framed with conservation glass in an black painted frame. Red Blue Gree...

Engravings that were part of the extensive collection by Jean-François de Neufforge, from his publication "Recueil élémentaire d'architecture." This collection was a significant work...

Vanity Fair Lawn Tennis, Michael Michailovitch, Grand Duke of Russia. A chromolithograph tennis print published 4th Jan, 1894, by Vincent Brooks, Day & Son Ltd. Lith., for Vanity Fai...

Antique print titled 'The Equipage or Attendance of the Viceroy of a Province, as oft as he appears in publick'. Copper engraving of a Chinese procession...

Costumes of Peru, 18th Century: Hand-Colored Engraving from Bertuch’s *Bilderbuch für Kinder This detailed 19th-century hand-colored copperplate engraving illustrates traditional co...

Title: "The Gallant Courtier: A Nobleman's Fashion in 'Costume du Moyen Âge'" Description: This 1847 lithograph from the "Costume du Moyen Âge" collection depicts a nobleman dressed...

Title: Unique 1805 Engraving of Fossilized Patterns and Geological Layers from Bertuch Description: This intriguing hand-colored engraving originates from Friedrich Justin Bertu...

Antique print titled 'Horse Guards'. Steel engraved view of Horse Guards, a historic building in the City of Westminster, London, between Whitehall and Ho...

"1844 Lithograph of a Bukharan Uzbek: Traditional Attire and Craft" Description: This 1844 lithograph captures a traditional Bukharan Uzbek man, from the renowned series "Moeurs, Usages et Costumes de tous les Peuples de Monde" by Auguste Wahlen. Published in Paris using the technique of handcoloured lithography, enhanced with Arabic gum on vellin paper, this print vividly portrays the rich cultural attire unique to Bukhara, Uzbekistan. The man's elaborate robe and distinctive headwear highlight the regional fashion and craftsmanship. The print’s appeal lies in its detailed depiction of historical dress and accessories, offering a window into the cultural diversity of Central Asia. Such prints are treasured for their historical value and intricate artistry, making them highly desirable to collectors and enthusiasts of ethnographic art. The lithograph depicting a man from Bukhara, Uzbekistan, offers several intriguing cultural and historical insights: 1. Traditional Attire: The attire of the Bukharan man, particularly the elaborate robe and turban, is a rich display of Uzbek textile craftsmanship. Traditional robes, often made from silk and cotton, are adorned with intricate ikat patterns—a dyeing technique where threads are dyed before weaving. This style is emblematic of Uzbekistan's well-known textile industry. 2. Turban Significance: The turban, known locally as a "doppa" or "tubeteika," is more than just practical headwear; it serves as a cultural symbol of status and identity. The style, color, and way it is worn can convey information about the wearer's social status, region, and even his clan affiliations. 3. Historical Context: Bukhara was a pivotal Silk Road city, making it a melting pot of cultures, languages, and religions. The diverse influences are reflected in the traditional clothing, which blends Persian, Turkic, and nomadic styles. 4. Artistic Technique: The use of handcoloured lithography in the 19th century allowed for high-quality, detailed prints that were more accessible to the European public. This technique involved drawing on limestone with a greasy medium, then using water and oil-based ink to print vibrant images, which were then painted by hand. 5. Cultural Preservation: Prints like this serve not only as artwork but also as historical documents that preserve and share the cultural heritage of regions less known to the Western world at the time. They played a crucial role in educating and influencing perceptions about distant cultures during the 19th century. This print, therefore, is not just a beautiful piece of art but a deep well of cultural history and craftsmanship, reflecting the rich tapestry of life in Central Asia during the 19th century. Keywords: - Antique Uzbek prints - Handcoloured lithography - 19th-century Central Asian costumes - Auguste Wahlen lithographs - Traditional Bukharan attire - Ethnographic art prints - Collectible cultural lithographs - Historical Uzbek fashion - Asian historical prints - Vintage Uzbek art...

Antique print titled 'Maréchal-des-Logis du Roi'. Old print of a French marshal. This print originates from 'Histoire de la maison militaire du roi de 1814 à 1830 : avec un résumé de...

Antique bird print titled 'Anas Platyrhyncha'. Old bird print depicting a female domestic duck. This print originates from 'Svenska Foglar Efter Naturen Och Pa Stenritade' by Magnus ...

Antique print titled 'Spain - Espagne - Spanien'. Chromolithograph of Spanish Costumes. This print originates from 'Le Costume Historique' by M.A. Raci...

Antique print titled 'Lekythen'. Colour-printed large lithograph by Ernst Wasmuth depicting Greek lekythos. A lekythos (plural lekythoi) is a type of ancient Greek vessel...

Lithography 'Inner Life' by Louise Bourgeois, circa 1985. Signed on the stone. In good original condition. Louise Joséphine Bourgeois 25 December 1911-31 May 2010 was a French...

Title: "Vibrant Chinese Patterns from Dolmetsch's 1887 Ornamental Treasury" These images are from "Der Ornamentenschatz," a comprehensive pattern book ...

Antique print titled 'Negres de Kachao et de Bissao qui preparent le Manioc'. Old print showing inhabitants of Kachao preparing the Manioc root. Kachao a town and a Portuguese colony...

Beautiful print that is part of a series of four, representing an ancient Italian roman Vase-Urn of Villa Mattei in Rome. It is printed with an anti...

Title: "Persian Artistic Excellence in Dolmetsch's 1887 Ornamental Archive" Description of the Prints: These images are part of "Der Ornamentenschatz," a collection of decorative s...

Antique print titled 'Religieuse de la Visitation'. Print of a Nun of the Order of the Visitation of Holy Mary. This print originates from 'Histoire et Costumes des Ordres Religieux'...

Antique botany print titled 'Polygonum viviparum'. Old botanical print depicting the Bistorta vivipara. This print originates from 'Atlas der Alpenflora' by E. Palla. Artists and E...

Antique map titled 'The United States of North America, Atlantic States and Valley of the Mississippi'. Original antique map of the United States of North America, Atlantic States an...

Antique print titled 'A Suit of Armour, in the posession of Sir Samuel Meyrick K.H.'. Old print of a suit of armour. This print originates from 'A critical inquiry into antient armou...

Louise Bourgeois 'Inner Life' Limited Edition Lithograph, 1985 - Signed Acquire a rare and captivating piece of contemporary art with this limited edition lithograph titled 'Inner L...

Antique print titled 'Le Serpent à plusieurs Testes: dans le Labyrinte de Versailles'. This print illustrates the fable 'The Snake with several heads' of the labyrinth of Versailles ...

Great map of Kerry Steel engraving Drawn under the direction of A.Adlard Published by How and Parsons, C.1840 Unframed.

Antique print titled 'Cheval Arabe'. Lithograph of an Arabian horse. This print originates from Dictionnaire Universel (..)'. Published circa 1850.

Title: 19th-Century Lithograph of Early Stone Tools from 'Der Rittersaal' Series Description: This unique monochromatic lithograph showcases a collection of early stone tools, met...

19th-Century Hand-Coloured Lithograph of a Large Medieval Siege Tower with Details Description: This finely executed hand-coloured lithograph presents a massive 'medieval siege tower', complete with structural details and mechanisms used during large-scale sieges. Taken from the 1842 publication 'Der Rittersaal: Eine Geschichte des Ritterthums', this work by Friedrich Martin von Reibisch and Dr. Franz Kottenkamp highlights the engineering ingenuity of siege warfare during the Middle Ages. The central focus of the illustration is the monumental siege tower, meticulously depicted with wooden reinforcements, a sloped base, and numerous small windows for archers and infantry. Wheels at the foundation highlight the mobility of this immense structure, while a wooden floor plan in the top right corner provides an aerial view of its grid-based layout. Additionally, the inset diagrams on the left showcase key mechanical components, including pulley systems and structural beams used to assemble or operate the tower effectively. In the foreground, two smaller siege devices are displayed, likely for additional artillery or defensive support. The rolling landscape, complete with castles and distant hills, adds a scenic backdrop that complements the detailed technical rendering. Condition: This lithograph remains in very good condition, with well-preserved hand-colouring and sharp, clear lines. Minor age-toning and light foxing add to the print’s antique charm without diminishing its visual impact. Ideal for collectors of military history, medieval warfare, or engineering art...

19th-Century Hand-Coloured Print of Armed Horsemen Bearing a Heraldic Banner This original hand-coloured lithograph, produced in 1842, provides a captivating glimpse into the marti...

Amaina Print "Midnight Moon", blue color signed and titled Blue Color USA

Antique print titled 'Fries, aus dem Vorhange zur Tragischen Oper im neuen Opernhause zu Wien'. Original old print showing details of the curtain in the new opera house in Vienna. This print shows a frieze. Published circa 1870 by the Gesellschaft für Vervielfältigende Kunst, Vienna Printed...

This hand-colored engraving, titled "Jongleur," portrays a medieval entertainer, a precursor to modern-day musicians and performers. The term "jongleur" denotes a versatile artist commonly seen in medieval courts and public spaces, engaging audiences with music, poetry, and storytelling. In this print, the jongleur is shown playing a flute-like instrument, focused intently on his performance. His attire is strikingly colored, with a blue tunic that falls above the knee, allowing for ease of movement during his performance. The tunic is cinched at the waist by a darker belt, which helps to secure his garment during his active profession. Over his shoulders, he wears a red cape, which may symbolize his role as an entertainer, often brightly dressed to stand out in a crowd. He wears tight red hose, a common element of medieval clothing...

An original antique hand-colored print of a woman in an elaborate dress, which is described as the "Habit of a Lady of Quality in France." This suggests that the attire represented is that of an affluent or noble woman from France, possibly from the 18th century given the style of the dress and the method of printmaking. The dress itself features a rich blue gown with gold accents and what appears to be an underskirt or petticoat of a contrasting color, potentially gold or yellow. The woman is wearing a headdress, which also fits with the fashion of the European upper class of the period. Such prints were often part of fashion plates or costume books that depicted the latest styles and were used by tailors, dressmakers, and the fashion-conscious elite to stay up-to-date with the latest trends from various European courts and cities. It's a detailed representation of historical clothing...

This is an original copperplate engraving on vellin-type paper, dating from a French edition of 1727-1738 of the monumental work "Cérémonies et Coutumes Religieuses..." by A. Moubach...

Antique map titled 'Pas kaart van de Noord Kust van Espaniola (..)'. Beautiful sea chart of the northern part of Hispaniola, western Cuba. The map includes the Turks & Caicos Islands and southern part of the Bahamas. Shows Guanahami or S. Salvador. Guanahani is an island in the Bahamas that was the first land in the New World sighted and visited by Christopher Columbus' first voyage, on October 12, 1492. It is not known precisely which island it was, and several theories have been put forth by historians. Guanahani is the native Taíno name; Columbus called it San Salvador. Originates from 'De Nieuwe Groote Lightende Zee-Fakkel'. Published by J. van Keulen, circa 1684. The Van Keulens were a family of chartmakers and publishers. The firm, In de Gekroonde Lootsman (In the Crowned Pilot), was founded in 1678 by Johannes van Keulen (1654-1715). Van Keulen originally registered his business as a vendor of books and instruments (specifically cross-staffs). In 1680, however, he gained a privilege from the States of Holland and West Friesland for the publication of pilot guides and sea atlases. In that year, van Keulen released his Zee-Atlas (Sea Atlas), which secured him a name in the competitive maritime publishing market. In 1681, he published the first volume of Nieuwe Lichtende Zee-Fakkel (New Shining Sea Torch). This would be the first of an eventual five volumes originally published between 1680 and 1684. A sixth volume was added in 1753. The Zee-Fakkel won van Keulen lasting fame. The atlas had charts compiled by Claes Jansz Vooght and artwork from Jan Luyken...

"Rare 1582 Copper Engraving of Hanseatic House, Antwerp by Guicciardini" This copper engraving, published in 1582 by Christoph Plantin in Antwerp, presents the impressive Hanseatic ...