Florida - Figurative Drawings and Watercolors

Early in the artist's career most likely for Vogue Magazine. Signed lower left. Helen Dryden (1882–1972) was an American artist and successful industrial designer in the 1920s and 1...

This Illustration Boudoir style Illustration by Female Illustrator Suzanne Meunier was done on an assignment for a French Postcard. It's a very early ...

This is a masterfully rendered and brilliantly designed scene from the Arabian Nights. page 33 from Random House. We are not sure if this is by Gustaf Tenggren. However, there are su...

Born in Brooklyn, New York, Frank Kleinholz was a painter based in New York City whose work spanned several art movements including Expressionism and Social Realism. His early works ...

Yitzhak Danziger Genre: Expressionist Subject: People Medium: Ink Surface: Paper Dimensions w/Frame: 17" x 17" Yitzhak Danziger (Hebrew: יצחק דנציגר‎‎; 26 June 1916 – 11 July 1977) was an Israeli sculptor. He was one of the pioneer sculptors of the Canaanite Movement, and later joined the "Ofakim Hadashim" (New Horizons) group. orn in Berlin in 1916, Izhak Danziger moved to Palestine in 1923. From 1934-1937 Danziger studied at the Slade School of Fine Art, London. During the 1940s he worked in Paris with Zadkine and Brancusi. In the 1950s he exhibited in London at the Institute of Contemporary Art. He is considered to be one of Israel's most important sculptors. His work, which consists largely of environmental pieces, has been exhibited at the Hisrshhorn Museum and Sculpture Garden in Washington D.C. In 1969 Danziger was awarded the Sandberg Prize by the Israel museum. He died in 1977. When discussing Chariot II, Mordechai Omer compares it to a work of similar subject by Alberto Giacometti. He explains that Danziger, unlike Giacometti, removes the figure, leaving only the chariot itself. Omer eloquently explains that "The vehicle designed to serve the needs of the person inside is devoid of this human presence, with only the memories of its headlong downhill journeys leaving their mark in the parts of a half-ruined, half-standing chariot, allowing wide scope for the viewer's imagination. If Giacometti's chariots reminded him of hospital pharmacy wagons, Danziger's gleaming brass chariots...

Signed, "A Rackham" lower right Sotheby's New York Housed in an elegant , hi-end frame with museum glass. Arthur Rackham is widely regarded as one of the leading illustrators fr...

Stunning use of cross-hatching. Close up this is an abstract drawing. Ink on Strathmore Bristol Board - Perfect Condition and looks better in person. Elegantly matted but not frame...

The mid-century glamour portrait of an elegant, long-necked woman in silhouette with a straw sun hat. Signed and dated Grafstrom Palm Beach 1947 - Condition is good with some scatter...

115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...

Miss Twisty is a story of a young girl who leaves the big city to spend time in the country. The book is filled with insight and humor. This work is a deftly rendered black-and-wh...

Generations ahead of the pack, little-known Lorraine Fox developed a simple, charming and flat style that is emulated today but not equaled. Her work is rooted in sound academic trai...

Work is not framed. Done for a Manhattan fashion house in the 1980's

In the 1970s, the Times Square/ Mid-Town area of New York City was a gritty place of X-rated movies, Strip Bars, Pimps, Street Walkers, and cheap by-the-hour Hotels. The place was a...

Lord Lithgow, Time magazine cover, March 16, 1942 matted to 17.75 x 16.75 inches. Not framed. Pencil on paper

Portrait in primary blues and yellow of perhaps a Persian man. He is in profile set against a decorative yellow background with floral elements. The work...

E. Simms Campbell was the first African-American illustrator/ cartoonist published in nationally distributed, slick magazines, he created Esky, the familiar pop-eyed mascot of Esquire. This early work of 1930 was done on assignment for an interior page of Life Magazine. It features two Rowing teams engaged in spirited competition with cheering onlookers. This is a highly stylized black-and-white illustration and is masterfully executed. The work is composed of two illustrations, 6 x 9 inches and 2-3/4 x 2 inches respectively. It is initialed center bottow ESC. unframed Campbell left the University of Chicago and transferred to and received his degree from the Chicago Art Institute.[3] Professional career During a job as a railroad dining-car waiter, Campbell sometimes drew caricatures of the train passengers, and one of those, impressed by Campbell's talent, gave him a job in a St. Louis art studio, Triad Studios. He spent two years at Triad Studios before moving to New York City in 1929. A month afterward, he found work with the small advertising firm, Munig Studios, and began taking classes at the National Academy of Design.During this time, he contributed to various magazines, notably Life, & Judge Following the suggestion of cartoonist Russell Patterson to focus on good girl art, Campbell created his "Harem Girls", a series of watercolor cartoons that attracted attention in the first issue of Esquire, debuting in 1933. Campbell's artwork was in almost every issue of Esquire from 1933 to 1958 and he was the creator of its continuing mascot, the cartoon character in a silk top hat. He also contributed to The Chicagoan, Cosmopolitan, Ebony, The New Yorker, Playboy, Opportunity: A Journal of Negro Life, Pictorial Review, and Redbook. His commercial artwork for advertising included illustrations for Barbasol, Springmaid, and Hart Schaffner...

This work is accompanied by a Photo-certificate and essay from Ralph Jentsch who will include it in his forthcoming catalogue raisonné Signed lower right. Estate stamp on verso....

Children Sledding, Women's World Magazine Cover, December 1939 Signed lower center image watercolor, gouache, pencil, and wash on paper

Original drawing on paper. Hand signed and dated by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.

Welcome to Gahan Wilson's magnificently morbid mind, where viewing his cartoons/illustrations gives the viewer the creeps. In this work, a husband designs...

Original pencil drawing on rice paper. Hand signed, titled and dated lower front margin by the artist. Image size 7.25 x 9 inches. Sheet size 8 x 11 inches. Custom framed as pic...

Signed lower left: Seymour Ball Inscribed upper left: To Morris E Weiss with best wishes Seymour Ball" Matted not framed

Four young English girls with flowers are shown in a line and moving from left to right. They are pushed forward on the picture plane as if they were on a stage with a simple indica...

Whether obscured by the smoky nightclub lighting or enlivened by the strong color of the Mardi Gras dancers, David Remfry’s life-size watercolors evoke a kaleidoscope of movement. M...

This Harry Beckhoff illustration is masterfully rendered and intricately designed in line and wash. It's as abstract as it's representational with its graphic style, clean lines, and flat patterning. Every element in the composition works in harmony without a line out of place. The flat and abstract nature of the work rivals that of the great modernist painters of the 1930s. Perhaps this was done for a major newsstand magazine like Collier's. Although he studied with Dean Cornwell and Harvey Dunn, he didn't pursue the style of painterly brushstrokes and impastos. Instead, he defined his forms with flat shapes, whose internal forms are defined by thin lines. The emphasis is more on silhouette and line than it is on texture and lighting. Beckhoff also described his work as having been influenced by illustrators like Pierre Brissaud...

Celebrity portrait sketch of actress June Knight but James Montgomery Flagg on card stock in two colors. Signed and inscribed lower right. The work is unframed. There is a slight cr...

This is an important work that is loaded with Surrealist iconographies. The shape of her hands is echoed in the shape of her hair. Tiny man and woman figures...

Original drawing on paper. Hand signed, titled & dated by the artist in pencil. Framed. Artwork is in excellent condition. Certificate of Authenticity included. Additional images ar...

This work is accompanied by a Photo-certificate and essay from Ralph Jentsch who will include it in his forthcoming catalogue raisonné Signed lower right. Estate stamp on v...

"Shine On, Virginia Woolf!" Cover illustration for The New York Times Book Review, published June 8, 1997. Airbrush on paper with mylar overlay with mar...

Bob Peak is one of the true giants of post-war American Illustration. He is a virtuoso artist, with a heightened level of skill and talent that very few living artists today possess...

Cherry Dancer Marcel Vertes French, 1895-1961 Beautiful girl juggling cherries is a beautiful and charming idea that is deftly rendered in a quick and loose style. Work is round De...

This work is presented more as a concept piece since it's condition is destresed. Illustrator Hazel Frazee was a Female Illustrator in the first quarter of the 20th century for child...

This work was done on the assignment and illustrate myths and culture of a book on the Pima and Papago Indian tribes of southern Arizona and northern Mexico. Tinkelman's vision of t...

Dick Stone was a top mid-century illustrator who worked for the most famous brands. He was an assignment artist hired by such esteemed Ad Agencies as BBDO ...

This is a masterfully observed and rendered black make nude by an academician and fine artist. John R. Grabach has a long and distinguished career depicting gritty, social realism works depicting the urban working-class. His fundamental skills come as a result of his studying at the Art Students League with Frank V. DuMond, and George Bridgman. This work "black male nude...

Abraham Walkowitz (1878–1965) New York Improvisation, 1910 Ink wash on paper Signed lower right 'A. Walkowitz 1910' Titled and dated on Zabriskie Gallery label enclosed in clear sle...

Original pencil, chalk and crayon drawing on paper. Hand signed and dated on front by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. A...

Meticulously rendered in beautiful pastels colors account of biblical story. Doyle New York

A fantasy scene with Elves and a beautiful girl lost in thought at the base of a tree. Elizabeth Mary Watt, G.S.W.A. In 1919, she was elected as ...

Handsome couple in a bucolic setting rendered masterfully with post-impressionistic brushstrokes. Watercolor, and pencil, wash on heavy paper, Signed and dated lower left . Framed ...

If people don't swat you . . . then something else happens." Illustration for Blechman's popular book Franklin the Fly (Mankato, MN: Creative Editions, 2007). Watercolor, pen and ink...

Mid-Century fashion watercolors by accomplished Austrian Female Illustrator. Fashion Gret Kalous-Scheffer (1892 Vienna - 1975 Vienna) was a daughter of the renowned Austrian painter...

Mary Petty gained fame as a cover artist for The New Yorker, illustrating a fictional upper-class Manhattan family called the Peabodys. One of the main char...

Arnold Finkel Gallery, Philadelphia, PA Heritage Some slight fading. Mounted to illustration board, Could be Unframed - Not sure if it is framed but the frame is old with wear. Reco...

Early work when Stuart Davis was an illustrator. Christie's, New York Catalogue Raisonné

Baby caring a horse shoe on his shoulders reminiscent of the famous J. C. Leyendecker Baby covers for the Saturday Evening Post. This is a cover illustration/ painting for Collie...

This original illustration, titled "Cops at Ease in the Muster Room of a Station," accompanied the article Nineteen Thousand Cops published in the July 1939 issue of Fortune Magazine. This issue was dedicated to the city of New York and included a total of ten paintings by Riggs for this article on New York City's police department. Robert Riggs was a gay artist.

Barbara Nessim is an artist/ illustrator who has contributed to Harper's Bazaar, Esquire, New York Magazine, Rolling Stone, Time, Ms among others. Sign...

signed in orange along lower right of image Illustration for Women's World magazine, published October, 1937 Condition is good. 4.5 inch, unobtrusive vertical crease running from top down into center of image Maginel Wright Enright Barney was the sister of architect Frank Lloyd Wright and the illustrator of several children''s books, including those of L. Frank Baum...

Signed and dated center right, Seam down center where two sheets attached is original. Some slight surface smudging outside figure area .

21.25 x 28 in. (54 x 71.1 cm.) Magazine illustration most likely for Colliers or The Saturday Evening Post Title : The One Behind Him, by Charles B . Child Work is unframed

Barbara Nessim is an artist/ illustrator who has contributed to Harper's  Bazaar, Esquire, New York Magazine, Rolling Stone, Time, Ms among others. She ...

Walt Lauderback like Dean Cornwell represents the pinnacle of the Golden Age of American Illustration. Based on the signature, this watercolor of a family with dog on boat appears ...

Signed "Violet Moore Higgins" in right-center image. Taped to board and matted. Story illustration for unknown publication. Though unconfirmed, it is possible this illustration was produced for The Little Lame Prince by Miss Mulock (Dinah Maria Mulock Craik) (Chicago: Albert Whitman Co., 1927, chapter VII). Violet Moore Higgins, born Violet Idelle Moore, attended the Art Institute of Chicago in the early 1900s, and then settled in New York as an illustrator for children's books and magazines. She has illustrated books like 'Pinocchio', 'Heidi', 'Hans Brinker' and 'The Three Bears'. In the 1910s she made 'Picture Puzzle...

Original Preliminary Book Illustration Treasure Island by Robert Louis Stevenson, MacMillan, 1963 At the Admiral Benbow Mixed-media on board 9.5in. x 6in. (sight size) Signed lower left: J. Falter Inscribed lower left: "Sketch for Treasure Island" Morris Weiss collection...

Brown Ink on Paper

This charcoal drawing is a preliminary study for the figure of Science, the subject that comprises the far right panel above the entrance to the library at the Museum of Fine Arts, B...

This is a study for the body of Medusa in Perseus on Pegasus Slaying Medusa, 1922-25, the mural panel installed on the ceiling side aisle of the Huntington Avenue stairway at the Mus...

This is a figure and head study for the extreme right figure depicted in Apollo and the Muses, one of the magnificent ovals decorating the dome of the rotunda of the Museum of Fine A...