Charles Twelvetrees

The Turkish Yataghan, Illustration of Baby, Collier's Cover

1932

This illustration was commissioned for the 1984 Olympic Games by the US postal service. Signed and dated lower right Work is framed framed under acrylic to an overall size of 31.5 ...

Meticulously rendered account of three prospectors trying to rustle up some water before they can dig up some gold. Magazine Illustration of the Old West, American West, Cowboys Casein on board, Western / Frontier Art...

Cherry Dancer Marcel Vertes French, 1895-1961 Beautiful girl juggling cherries Work is round but is shown in a square frame and some of the artworks edge is exposed Description: ...

Redheaded model wearing Traina Sport by Kay Unger and Jesper Nyeboe. Illustration published on the cover of Women's Wear Daily, February 25, 1971. Gouach...

Signed, dated and inscribed lower right: "To Erika my collaborator with sincere admiration Howard Chandler Christy 1911" Provenance: Morris Weiss collection

Grosset & Dunlap, Illustration, Art Seiden was a top children's book illustrator in the 1950' - 1060's Work comes in two parts that are butted together by the artist

Medium: Oil on Canvas Signature: Unsigned Original illustration for March 1918 Pictorial Review Magazine.

Medium: Watercolor on Paper Dimensions: 24.00" x 20.0" Signature: Signed Lower Right An Argument in the Park; Shaw Barton Calendar Illustration

Cheryl Ladd in the role of Princess Grace Kelly of Monaco. Cover illustration for TV Guide, February 5-11, 1983. Richard Amsel had a brillia...

The three wise men present their gifts of gold, frankincense and myrrh to the newborn baby Jesus in this elegant, well-finished study by J.C. Leyendecker. Created in preparation for the Christmas cover of the December 1900 Success magazine, the piece is exemplary of Leyendecker’s distinct, hatched illustration style that conveys strength and sophistication with ease. The figure’s richly colored robes and reverent poses capture the character of the Bible story, while his unmistakable modern aesthetic lends a fresh perspective to these icons. Leyendecker was the preeminent illustrator of his era, and he is remembered today for his numerous magazine covers, where the artist was commissioned to illustrate the most high-profile editions of the publication and, most notably, the holiday issues. This particular piece, because it is a preliminary study, provides an intriguing look into his artistic process for these important covers. Leyendecker would experiment with color, pattern and positioning in his studies, evidenced here by the detail sketches of chain mail texture and praying hands on the perimeter of the composition. A favorite among collectors, such studies are exceptionally rare and truly delightful glimpses into Leyendecker’s work. Born in Germany in 1874, Leyendecker emerged as a major talent near the turn of the 20th century, becoming the most well-liked and sought-after American illustrator of his day. In 1898, Leyendecker produced the first of 48 covers for Collier’s magazine. The next year, he painted his first cover for Saturday Evening Post magazine, which was the beginning of a 44-year association with that esteemed publication. Over the course of his career, he would also paint covers for Life magazine, illustrations for a library of books, and transform advertising for such companies as B. Kuppenheimer & Co. and Interwoven Socks...

Medium: Oil on Canvas Signature: Signed Lower Right J. C. Leyendecker’s illustrations and advertisements fueled a collective visual memory for the early 20th century American public. Over the course of his career, Leyendecker created 322 covers for The Saturday Evening Post, as well as numerous other magazines, including Collier’s and Ladies’ Home Journal. The only illustrator to eclipse his fame was Norman Rockwell and Rockwell was quick to credit Leyendecker as his mentor and inspiration. This previously unknown work was recently discovered at a small country auction in South Carolina. It is likely an early work by Leyendecker, dating to circa 1900. The sinuous reddish orange flames emitted by the slain dragon recall the steam and vapors found in his later work, including an advertisement for Ivory Soap and a Thanksgiving cover for The Saturday Evening Post. The chiseled features and elegant expressions of the two knights and Christ are similar to those of his many successful advertising campaigns and illustrations. The inclusion of columns and the decorative border also are seen in works ranging from the 1901 Thanksgiving edition cover of Success magazine...

A girl and her dog This was possibly used as an advertisement. It is in a great illustrator style. 22 x 18. framed. 19.5 x 15.5 canvas. Lawrence Wilbur (1897 - 1960) was active/l...

Medium: Oil on Canvas Signature: Signed Lower Right Literature: The Saturday Evening Post, October 15, 1938, cover illustration. J. Cohn, Covers of The Saturday Evening Post, New Yo...

Date: 1920 Medium: Oil on Canvas Dimensions: 24.00" x 16.00" Signature: Signed Lower Right Cream of Wheat advertisement for the Saturday Evening Post, June 5, 1920. In 1980, Dave Stivers, a new archivist for the Nabisco Brands Company was taking a tour of the Cream of Wheat plant in Minneapolis, Minnesota when he encountered a large room with metal lockers that had not been opened for over 30 years. These lockers contained a treasure trove of 1600 advertising paintings...

Stevan Dohanos was an accomplished draftsman who work was widely known through the Saturday Evening Post. This print 'Backyard,' however, leaves aside the illustrative magazine work ...

Date: 1936 Medium: Pastel Dimensions: 14.00" x 18.00" Signature: Unsigned Original cover artwork for Smith & Street's Picture Play Magazine, April 1936 by Tatiana Fall.

Medium: Watercolor on Paper Signature: Signed Lower Right "...And He Should Be Tall Dark and Handosme"; Calendar Illustration

Medium: Watercolor on Paper Dimensions: 24.00" x 20.0" Signature: Signed Lower Right An Argument in the Park; Shaw Barton Calendar Illustration

Island Games (Lucky Shot) depicts a pair of young Bahamian boys engaged in a game of marbles, one of the artist's signature themes. Scholar William Gerdts writes: In these works, Scott not only depicts young individuals engaging in a popular activity but shows their intensity and competitiveness while conveying their camaraderie. The pictures are not so much about "winners" and "losers" as about the boys' concentration on the game and the interest shown by onlookers....The sense of community evoked in the series suggests that playing marbles...

I am Human Watercolor, ink on paper 49"x42" framed Keith Carrington Keith Carrington’s experiences have led him to express his talents through the flui...

This rare mural was painted in China over four centuries ago, and is an exquisite example of Buddhist art. The enlightened Buddha is shown standing at the center of the painting, dre...

Ron Blumberg was classically trained at La Grande Academie Chaumiere in Paris, 1932, before moving to New York where he became a National Academy artist and a member of the Art Stude...