Florida - More Art

Venus 2015, Ana Seggiaro From the series "Anatomy" Embroidery on printed cloth Size: 52.5 H in. x 38 W in. Mounted on a stretcher Signed back by the artist Seggiaro's fascination ...

Naufragos inminentes, 2020 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth Image size: 30 cm H x 25 cm W Framed Ana Seggiaro's training as an engraver awakens h...

Signed and numbered to lower edge ‘48/75 Miró’. This work is number 48 from the edition of 75 published by Maeght Éditeur, Paris. Literature: Dupin 501

Beautifully decorated vintage porcelain charger or centerpiece made by the company Castilian. Condition is excellent. Circa 1985. Blue, orange, gree...

Mr. Brainwash (b. 1966) With All My Love, 2021 Silkscreen and mixed media on paper 36 x 36 in

It is signed in a stitch Omaggio a Depero, Ivana, 2000 Fortunato Depero (1892 – 1960) was an Italian futurist artist and painter, writer, sculptor and graphic designer who worked in...

This is a revolving colorful kiddush cup with a signed and numbered Agam op art print in it. this includes the base tray. There is no cup insert so it is more of a sculptural piece ...

KLARI REIS Trickle Purple, 2018 Mixed media and epoxy polymer on wood 127 x 101.6 cm 50 x 40 in. (KR067) Klari Reis has invented her own medium, using epoxy polymer (a form of liqui...

KAWS WHAT PARTY (Pink): KAWS orange WHAT PARTY Companion featuring KAWS' CHUM character in a hunched position. Published to commemorate the debut of KAWS’ larger...

KLARI REIS Amalgamate, 2021 Mixed Media and Epoxy on Wood 119 x 188 cm 47" x 74" (KR109) Klari Reis has invented her own medium, using epoxy polymer (a form of liquid plastic) with ...

David Rankin American (b. 1946) Untitled (Black on gray) (1990) Gouache and charcoal on paper signed lower left 19 x 15 inches Rankin is a New York-based, British-born Australian post-war and contemporary artist known for his expressionistic abstract paintings. His work can be categorized by his use of quick, loose brushstrokes, reminiscent of scribbles on a page. Rankin works predominantly in oil painting and acrylic on canvas, but also works with paper, prints, sculptures and ceramics. Rankin has held over 100 one-person exhibitions in cities across the world, including New York, London, Paris, Beijing, Mexico, Vienna, Berlin and Cologne, as well as all over Australia. Represented in many of the world’s leading public and private collections and museums, David Rankin’s work is featured in Australia’s leading institutions, including the National Gallery of Australia, Art Gallery of New South Wales, National Gallery of Victoria and Queensland Art Gallery. David Rankin was born in Plymouth, Devon, England in 1946 then emigrated to Australia with his family in 1948. He spent his childhood in the 1950s in the semi-rural Port Hacking region South of Sydney and his teenage years in country New South Wales, from Hay, Wagga Wagga and Albury in the South to Bourke and Brewarrina in the North. Rankin is self-taught, developing his techniques and ideas in the outback towns of his youth. He was inspired by the greats from Leonardo da Vinci to Paul Klee as well as being influenced by the history of Buddhism and Asian art. In his travels before he arrived in Sydney in 1967 he developed a concept of what he wanted to achieve as an Australian artist. His dream was to express the anima, the life spirit or the essence of God in all nature. As an Australian artist he believed could bring the elements of Western Art together with an understanding and love for the cultures of Asia and the Australian Aborigine. He also felt that as Australia was closer to Asia than Europe it made sense to think about the art of Indian, Chinese and Japanese artists, and that one could not be an authentic articulate Australian artist without a love and respect for the artistic and spiritual expressions of the various Aboriginal artists, peoples and cultures. His work combined elements of Abstract Expressionist painting with Jewish and Aboriginal influences. In 1979 his first wife, Jennifer Mary Roberts (née Haynes) died. Rankin subsequently met his current wife Lily Brett, whose own life was etched by tragedy with her parents being survivors of the Holocaust. She too migrated to Australia as a child after the Second World War in 1948. The artist recounts that his empathy for Lily and the pity for his first wife's death fused into what he calls "the dark blessing of my life." The darkness was transformed into images. The author Dore Ashton writes that the events of 1979 and the fire which ravished his studio in 1997 and burnt his art works and many personal possessions, had a profound impact on his work. Having personal life experiences as his subject matter, Rankin's paintings contemplate these things. For example, his Jerusalem series followed a trip to Jerusalem in 1988, which then led to his Golgotha works. His travels to the Australian, American and Mexican deserts became the subject matter for many of his canvases, such as Ridge – Mungo, Golden Prophecy – San Antonio, Grey Sonora Landscape and then led to his Witness Series. From the fire in his studio he then painted Buddha and Flames. He illustrated two books by Lily Brett on the holocaust and explored the theme further in his huge work The Drowned and The Saved from a book by Primo Levi of the same name. Through Brett he encountered Jewish mythology and painted judaica imagery, Black Menorah...

It is signed in a stitch Omaggio a Depero, Ivana, 2000 Fortunato Depero (1892 – 1960) was an Italian futurist artist and painter, writer, sculptor and graphic designer who worked in...

Original hand made, hand woven wall hanging modern art tapestry. Manufactura de Tapecarias de Portalegre (Portugal) (TMP Fino) tapestries ar...

Large Madoura Pottery Ceramic Platter Stamped "MADOURA PLEIN FEU" This is not marked Picasso. It is an early piece. i am uncertain who the artist is. It app...

The "Ventura" Series (Framed), 2019 Set of 11 Embroidery thread on canvas Overall Image size: 108 cm H x 51 cm W Overall Frame size: 160 cm H x 90 cm W x 3 cm D Individual size: Im...

Ivan Chermayeff born London, United Kingdom, 1932 Chermayeff was one of the greatest American graphic designers, the son of the Russian born, British architect Serge Chermayeff. Ivan Chermayeff Graduated from the Phillips Academy of Andover, Massachusetts in 1950. He studied at Harvard until 1952, and the Institute of Design (New Bauhaus) until 1954. Graduated from the Yale School of Arts and Architecture in 1955 with a Bachelor of Fine Arts. The same year he did a short apprenticeship with Alvin Lustig—a pioneer of American graphic design—and then moved on to CBS as Assistant Art Director in record cover design. In 1956 he co-founded Brownjohn, Chermayeff & Geismar Associate, with Robert Brownjohn and his former schoolmate Tom Geismar. In 1959 Brownjohn left and the studio changed to Chermayeff & Geismar Inc. It soon became one of the best-known design firms worldwide. The firm produced over six-hundred marks, and they were among the very first to develop an abstract trademark (Chase Bank, 1960), still in use today. In 1964 they designed the outstanding corporate identity of Mobil Oil, that is one of the most recognizable identities ever. From its foundation, the studio served major companies including Giorgio Armani, Barneys, Hearst, MoMA (Museum of Modern Art), National Geographic, NBC (National Broadcasting Company), PBS (Public Broadcasting Service), Rockefeller, and others. Recently, Serge Haviv joined as a new partner and the firm changed to Chermayeff & Geismar & Haviv. Besides his design profession, Chermayeff is a talented illustrator artist and collagist. Many graphic pieces he made show a perfect balance of rational logics with imagination, featuring both abstract geometric shapes and figurative images. His collages require a same sense of witty assemblage, where gathered information, like scraps of paper, stamps, and Polaroid pictures combine as fragmented clues to a greater message. The collages often take the shape of people, whose facial features are born of scraps and daily ephemera. They are amusing and infinitely thought-provoking; as Chermayeff has said, “Collages make it possible for everything to be something else.” Board overseers at Parsons School of Design and trustee at New School University from 1988 to 2002. Visiting professor at Cooper Union, University of California, and Kansas City Art Institute. President of AIGA (American Institute of Graphic Arts) from 1963 to 1966. Trustee of MoMA (Museum of Modern Art) from 1965 to 1986. Member of the board of directors of IDCA (International Design Conference in Aspen) from 1968 to 1999. Board Director at Municipal Art Society of New York in 1972-76. Member of AGI (Alliance Graphique Internationale) since 1978. Board Director at Smithsonian Institution from 1988 to 1996. He was elected to the Hall of Fame of ADC New York (Art Directors Club) in 1982. Trustee of the Archives of America Art in 1987-90. Royal Designer for Industry since 1992. He was awarded numerous prizes including the Industrial Art Medal from AIA (American Institute of Architects) in 1967, the Philadelphia College of Art Gold Medal in 1971, AIGA Gold Medal (American Institute of Graphic Arts) in 1979, the President’s Fellow Award from the Rhode Island School of Design in 1981, the First International Design Award from Japan Design Foundation in 1983, the Yale Arts Medal in 1985, the Distinguished Service Award from New School University in 1999, the Society of Illustrators Gold Medal in 2002, the Tokyo Type Directors Club Award in 2004, and the National Design Award for Lifetime Achievement in 2014. He also received a honorary doctorate in law from the Portland School of Art in 1981, and two honorary doctorates in fine arts from the Philadelphia University of Arts and the Corcoran Museum of Art, Washington in 1991. Along with Seymour Chwast, Sid Chafetz, Saul Bass, Milton Glaser, Paul Rand, Ikko Tanaka...

"Downtown Hartford" Hooked rug tapestry, various landmark buildings in Hartford, Connecticut, congregate within composition, including capital building, Colt building, Wadsworth Mus...

Oil paint on heavy paper. (this might possibly be acrylic paint) This does not appear to be signed. Joan Kahn (USA 1953-) grew up in New York City; Princeto...

"RFD Courant", hooked rug tapestry, rural community with country homes and buildings throughout rolling hills, lush green trees with three-dimensional leaves frame the scene, in the...

INVADER Andrew Sharpley Vinyl LP 180g Limited Edition of only 1000 Pressings Engraved on the Vinyl, not signed -Refer to pictures Sealed Vinyl Record - Never ...

JOAQUIM NABUCO SURFBOARD, Rio de Janeiro series 70 x 20 x 2.5 inches polyester resin; hand-shaped polyurethane foam; digital print Swallowtail: 70 h. x...

This is the original Alain Ramie Catalogue of Picasso Ceramics. This book has been out of print for quite some time and is therefore extraordinarily rare and hard to find. This parti...

David Rankin is a New York-based, British-born Australian post-war and contemporary artist known for his expressionistic abstract paintings. His work can be categorized by his use of quick, loose brushstrokes, reminiscent of scribbles on a page. Rankin works predominantly in oil painting and acrylic on canvas, but also works with paper, prints, sculptures and ceramics. Rankin has held over 100 one-person exhibitions in cities across the world, including New York, London, Paris, Beijing, Mexico, Vienna, Berlin and Cologne, as well as all over Australia. Represented in many of the world’s leading public and private collections and museums, David Rankin’s work is featured in Australia’s leading institutions, including the National Gallery of Australia, Art Gallery of New South Wales, National Gallery of Victoria and Queensland Art Gallery. David Rankin was born in Plymouth, Devon, England in 1946 then emigrated to Australia with his family in 1948. He spent his childhood in the 1950s in the semi-rural Port Hacking region South of Sydney and his teenage years in country New South Wales, from Hay, Wagga Wagga and Albury in the South to Bourke and Brewarrina in the North. Rankin is self-taught, developing his techniques and ideas in the outback towns of his youth. He was inspired by the greats from Leonardo da Vinci to Paul Klee as well as being influenced by the history of Buddhism and Asian art. In his travels before he arrived in Sydney in 1967 he developed a concept of what he wanted to achieve as an Australian artist. His dream was to express the anima, the life spirit or the essence of God in all nature. As an Australian artist he believed could bring the elements of Western Art together with an understanding and love for the cultures of Asia and the Australian Aborigine. He also felt that as Australia was closer to Asia than Europe it made sense to think about the art of Indian, Chinese and Japanese artists, and that one could not be an authentic articulate Australian artist without a love and respect for the artistic and spiritual expressions of the various Aboriginal artists, peoples and cultures. His work combined elements of Abstract Expressionist painting with Jewish and Aboriginal influences. In 1979 his first wife, Jennifer Mary Roberts (née Haynes) died. Rankin subsequently met his current wife Lily Brett, whose own life was etched by tragedy with her parents being survivors of the Holocaust. She too migrated to Australia as a child after the Second World War in 1948. The artist recounts that his empathy for Lily and the pity for his first wife's death fused into what he calls "the dark blessing of my life." The darkness was transformed into images. The author Dore Ashton writes that the events of 1979 and the fire which ravished his studio in 1997 and burnt his art works and many personal possessions, had a profound impact on his work. Having personal life experiences as his subject matter, Rankin's paintings contemplate these things. For example, his Jerusalem series followed a trip to Jerusalem in 1988, which then led to his Golgotha works. His travels to the Australian, American and Mexican deserts became the subject matter for many of his canvases, such as Ridge – Mungo, Golden Prophecy – San Antonio, Grey Sonora Landscape and then led to his Witness Series. From the fire in his studio he then painted Buddha and Flames. He illustrated two books by Lily Brett on the holocaust and explored the theme further in his huge work The Drowned and The Saved from a book by Primo Levi of the same name. Through Brett he encountered Jewish mythology and painted judaica imagery, Black Menorah...

Modern Sculpted Picasso Tapestry Rug based on a design for a Madoura Vallauris Pottery design. In a tufted wool pile technique (similar to Edward Fields, not a flat weave Aubusson Go...

CAR SERVICE Hand cut paper on heavy weight gessoed watercolor paper, framed in flat gray painted wood & plexi. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

This is a 925 sterling silver hand made necklace with large hanging pendant, with some sort of decorative stones. due to its form and shape it is not signed. beautiful craftsman work. The pendant is embedded with 6 Amber stones in different sizes. 44cm long opened, pendant is 95X75mm, total weight 64 grams. Attributed to Rachel Gera, Jewellery designer, born 1936 in Tel Aviv, Israel to Polish parents was caught by accident traveling in Poland with her parents during the Nazi "Kristallnacht", and was saved by her mother pushing her onto a train of the "Tehran Children" and narrowly escaped the Holocaust. This is from the period of Maskit and the sculptural studio silver movement in Israel that included some wonderful designers and artisan craftsmen such as Hanna Behar Panet, Ludwig Wolpert, Menahem Berman, Moshe Zabari...

Oil paint on heavy tar paper. Hand signed and dated verso. Joan Kahn (USA 1953-) grew up in New York City; Princeton, New Jersey; and Vermont; in an envir...

Letters and numbers cut from a sheet of brushed steel. Hand signed and dated Brad Howe (born 1959) is an American sculptor from California. His work has been exhibited domestically and internationally. This is done in a bold and colorful Pop Art style reminiscent of the work of the Memphis Milano Group. Brad Howe was born in 1959 in Riverside, California. As a student of International Relations at Stanford University, Howe attended the University of São Paulo to specialize in Literature and Economic History. It was there that he discovered his passion for art and architecture that would eventually lead to his first exhibitions. He started his career as a sculptor in Brazil, using stainless steel, aluminum and polyurethane. He credits sculptor Alexander Calder as an early influence in his work. Since then, he has exhibited in over eighteen countries worldwide and his works have been placed in collections in more than 32 countries, including Brazil, Mexico, France, Germany, South Korea and United States. His work can also be found at various universities including Massachusetts Institute of Technology (MIT) in Boston, Temple University in Philadelphia, and UCLA. Monumental and Public Art have become a major focus of his career. Over the past ten years, he has completed over 30 public projects in 7 different countries. One of his sculptures can be seen in the city of Palo Alto, California. Moreover, as part of the Beverly Hills Centennial Arts of Palm Installation, he designed four sculptures outside the Beverly Hills City Hall, on North Santa Monica Boulevard in Beverly Hills, California. The Crocker Art Museum (Sacramento, California), the Honolulu Museum of Art, the Lancaster Museum of Art and History (Lancaster, California), and the Pasadena Museum of California Art (Pasadena, California) are among the museums holding work by Brad Howe. His work was included in the Arts of Palm exhibition in Beverly Hills, palm trees by prominent artists including Brad Howe, Michael McMillen, Mike Stilkey, Peter Shire, Peter Alexander and Ryan Schmidt...

Beautiful antique Peruvian face vessel. Chimu Inca, c.1500 Terracotta, measures h. 8 in., w. 4 7/8 inches. No repair or conservation.

Oil paint on heavy tar paper. Hand signed and dated verso. Joan Kahn (USA 1953-) grew up in New York City; Princeton, New Jersey; and Vermont; in an envir...

Archival pigment print Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare...

Yaniv Edery is a French Artist with an extreme elegance who lives in Monaco. Born in 1977, he develops unique technics in the world with resin, gloss, Swar...

Yaniv Edery is a French Artist with an extreme elegance who lives in Monaco. Born in 1977, he develops unique technics in the world with resin, gloss, Swar...

Daum Pate de Verre Hibiscus Lavender Vase Glass 10 x 9.50 in Signed "Daum France". In very good condition with no visible cracks or chips.

Glass art

FLOW, Mantra Series Tulle on canvas Award-winning artist and designer, Benjamin Shine has established a multi-disciplined creative approach dedicated to challenging perceptions thro...

Provenance: Virginia Field, arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht, Bernard Childs, John Ford and Andy Warhol) Johannes Von Wicht was born in Holstein, Germany on February 3, 1888. His mother moved the family to Oldenburg when Von Wicht was in elementary school and he began to visit the artist Gerhard Bakenhus. Von Wicht’s mother had arranged for him to apprentice at the studio of master painter F.W. Adels. There he learned to prepare paints with linseed oil and later commented on the lasting impression of colors throughout his career. Interior of a Farmhouse was his first painting completed in 1907. Gerhard Bakenhus was able to include the painting to in the Bremer Kunsthalle exhibition in 1908. Due to the critical success of this piece Von Wicht was accepted to the private art school of the Grand Duke of Hesse in Darmstadt. Fundamental themes of simplicity, nature, and poetry were instilled in the students. The students also studied ancient art, Chinese and Japanese calligraphy, as well as Mathias Grünewald, Albrecht Dürer, Martin...

Tapestry woven by the Pinton workshop, France. With signed label. Circa 1960. Size US: 66 x 51 in Size Europe: 168 x 130 cm “First of all I like wool, its warmth…In tapestry, I ...

Tapestry woven in the Saint-Cyr workshop, France. With signed label. Circa 1970. Size US: 59 9/10 x 82 7/10 in Size Europe: 152 x 210 cm A rare tapestry...

Tapestry woven in the Saint-Cyr workshop, France. With signed label. Circa 1970. Size US: 59 9/10 x 82 7/10 in Size Europe: 152 x 210 cm A rare tapestry by an artist known as a ...

Leonard Waegell Edmondson (1916-2002). Ceramic with sgraffito and fired opaque polychrome. 6.5 inches tall. 4.5 inches circumference. Excellent condition with no damage or restoratio...

Here for your consideration is a late 19th century needlepoint, petitepoint and beaded portrait of a young woman. It is a highly detailed and meticulously crafted beaded portrait wi...

Circa 1890 Signed lower right Lewis Straus and Sons importers Stamped Limoges, France

Christopher Schulz Great Hammerhead Marine-grade stainless steel Edition of 38

Amber Sunrise, 2023

Large Blue Half Moon, 2023

200 Produced on behalf of the 2017 Mastry Exhibition in Los Angeles Condition is sealed in original plastic 19 x 25 inches Digital Screenprint on Cotton Percale and Cotton Duck Thr...

Pair of Fendi Casa Fleurette Coffee Nesting Tables, Bronze finish, Lacquer, by Thierry Lemaire, each marked Fendi, Lacquered. Metallic brass details fit inside the top in new Paliss...

Anna Kruhelska Constant Change 50 Painted wood panels Unique wall sculpture