Florida - More Art

Additional Information: Provenance: Private Collection, Palm Beach, Florida. “What Walt Whitman did with words, I seek to do in glass on a visual level. My passion is to articulate fresh information celebrating nature through glass art. My work is driven by a respect for living things and truth to the organic mysteries of the plant kingdom.” – paul stankard...

Additional Information: The paperweight details include a root person and flowers. Provenance: Private Collection, Palm Beach, Florida. “What Walt Whitman did with words, I seek to do in glass on a visual level. My passion is to articulate fresh information celebrating nature through glass art. My work is driven by a respect for living things and truth to the organic mysteries of the plant kingdom.” – paul stankard...

Additional Information: Provenance: Private Collection, Palm Beach, Florida. “What Walt Whitman did with words, I seek to do in glass on a visual level. My passion is to articulate fresh information celebrating nature through glass art. My work is driven by a respect for living things and truth to the organic mysteries of the plant kingdom.” – paul stankard...

Additional Information: Provenance: Private Collection, Palm Beach, Florida. “What Walt Whitman did with words, I seek to do in glass on a visual level. My passion is to articulate fresh information celebrating nature through glass art. My work is driven by a respect for living things and truth to the organic mysteries of the plant kingdom.” – paul stankard...

Additional Information: Provenance: Private Collection, Palm Beach, Florida. “What Walt Whitman did with words, I seek to do in glass on a visual level. My passion is to articulate fresh information celebrating nature through glass art. My work is driven by a respect for living things and truth to the organic mysteries of the plant kingdom.” – paul stankard...

Additional Information: Provenance: Private Collection, Palm Beach, Florida. “What Walt Whitman did with words, I seek to do in glass on a visual level. My passion is to articulate fresh information celebrating nature through glass art. My work is driven by a respect for living things and truth to the organic mysteries of the plant kingdom.” – paul stankard...

Additional Information: Provenance: Private Collection, Palm Beach, Florida. “What Walt Whitman did with words, I seek to do in glass on a visual level. My passion is to articulate f...

Additional Information: Provenance: Private Collection, Palm Beach, Florida. “What Walt Whitman did with words, I seek to do in glass on a visual level. My passion is to articulate f...

Additional Information: Provenance: Private Collection, Palm Beach, Florida. “What Walt Whitman did with words, I seek to do in glass on a visual level. My passion is to articulate fresh information celebrating nature through glass art. My work is driven by a respect for living things and truth to the organic mysteries of the plant kingdom.” – paul stankard...

Additional Information: Provenance: Private Collection, Palm Beach, Florida. “What Walt Whitman did with words, I seek to do in glass on a visual level. My passion is to articulate fresh information celebrating nature through glass art. My work is driven by a respect for living things and truth to the organic mysteries of the plant kingdom.” – paul stankard...

Work is titled “Dark Star”. Provenance: Artist. J.M. Henry has shown his work at numerous galleries in the eastern U.S. since the late 1980s, including Trinity Gallery (Atlanta), The...

Additional Information: Provenance: Artist. Richard Hay is in major museums worldwide. Marking(s); notes: signed Country of origin; materials: USA; earthenware

Additional Information: Provenance: Artist. Richard Hay is in major museums worldwide. Marking(s); notes: signed Country of origin; materials: USA; slips, engobes and glazes on ear...

Artist: Jeff Ladouceur Title: Simple Uncle Sam Size: 10.75 x 8.75 Inches (Framed: 14.5 x 12 Inches) Medium: Mixed Media on Book Cover Edition: Original Year: 2020 Notes: Hand...

11.4in x 33.5in Unframed 9-layer screenprint on Somerset Tub Sized 600gsm paper. Finished with Individually signature, dated and numbered. For American conceptual artist Hank Willis...

Own a piece of history with this rare and limited edition poster from the MCA! Commemorating Christo's iconic exhibition "Wrap In Wrap Out," this poster is a true collector's item. T...

Christo and Jeanne-Claude LIMITED EDITION - CHRISTO ET JEANNE-CLAUDE | EXHIBITION CATALOGUE From July 1st to October 19th, the Centre Pompidou is hosting Christo and Jeanne-Claude, ...

Maya Hayuk LCD 2018 Each print is signed, numbered, and hand-finished by Maya Hayuk With their symmetrical compositions, intricate patterns, and lush colors, Maya Hayuk’s paintings ...

Wanda Koop and Oli Epp's 2021 Show - Limited Edition Postcard Pack" In the vibrant tapestry of their collaborative exhibition, acclaimed artists Wanda Koop...

RETNA X BTS Silkscreen Skateboard Edition of 100 2018 Limited edition Silkscreen on maple wood skateboard deck. 31 × 8 × 1 in 78.7 × 20.3 × 2.5 cm Edition of 100 Comes with Certifica...

~Kaws~ Brian Donnelly "Kaws Set of 4 Ceramic Red Plates" ~Mint, Authentic,and Exclusively Released in Qatar~ Brian Donnelly is currently best known as t...

RETNA X BTS Silkscreen Skateboard Edition of 250 2018 Limited edition Silkscreen on maple wood skateboard deck. 31 × 8 × 1 in 78.7 × 20.3 × 2.5 cm Edition of 250 Comes with Certifica...

Marine. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expanded...

Rene Lalique "Vase Ormeaux" White blown molded glass with patina and high color 7,5 x 7,5 in Appears in the 1928 and 1932 catalogs. Catalog Raisonne #984

Peter Shire Night Studio, 1989 Welded steel and aluminum metal sculpture with anodizing and two-part polyester painting, Movable kinetic Elements: yellow vane 27 1/4" tall, 18" wide, and 15" deep. Edition of 24 (not sure if they were all produced, this is not numbered) This piece is unsigned. There is some Paint Loss present, and some small Scratches. Overall, the piece looks to be in Nice shape. Additionally, the yellow squares can turn when they are pushed, or if they are in the presence of a strong gust of air. Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and ceramic master Peter Voulkos. Of a similar mod vibe to Charlie Hewitt and Brad Howe. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Post modern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso. Further reading A Neglected History: 20th Century American Craft. New York, New York: American Craft Museum, 1990. Clark, Garth. American Ceramics 1907–Present. New York, New York: Abbeville Press, 1987. Domergue, Denise. Artists Design Furniture. New York, New York: Harry N. Abrams, 1984. Fiell, Charlotte and Peter. 1000 Chairs. Italy: Taschen, 2000. Herman, Lloyd E. Art that Works. Seattle, Washington: University of Washington Press, 1990. Horn, Richard. Memphis: Objects, Furniture, and Patterns. Philadelphia, Pennsylvania: Running Press, 1983. Radice, Barbara. Memphis. New York, New York: Rizzoli International Publications, 1984. Taragin, Davara S. Contemporary Crafts and Saxe Collection, The Toledo Museum of Art. New York, New York: Hudson Hills Press, 1993. Tempest in a Teapot: The Ceramic Art of Peter Shire. New York, New York: Rizzoli International Publications, 1991. Select Museum Collections: Art Institute of Chicago, Illinois Brooklyn Museum of Art, Brooklyn, New York Berkeley Museum, Berkeley, California Fresno Museum of Art, Fresno, California The Israel Museum, Jerusalem, Israel The Jewish Museum, New york city Judisches Museum, Frankfurt, Germany Laguna Art Museum, Laguna Beach, California Long Beach Museum of Art, Long Beach, California Los Angeles County Museum of Art, Los Angeles, California Metropolitan Museum of Art, New York Mint Museum of Craft and Design, Charlotte, North Carolina Museum of Arts and Design, New York Museum of Fine Arts, Houston, Texas Museum of Modern Art, Lodz, Poland Newport Art Museum, Newport Beach, California Oakland Museum of Art, Oakland, California Österreichisches Museum für Angewandte Kunst, Vienna, Austria Portland Art Museum, Portland, Oregon Sak’s Fifth Avenue, New York San Francisco Museum of Modern Art, San Francisco, California San Jose Museum of Art, San Jose, California Seattle Museum of Art, Seattle, Washington Skirball Museum, Los Angeles, California Stedelijk Museum, Amsterdam, The Netherlands Total Contemporary Art Museum, Seoul, Korea Victoria and Albert Museum, London, United Kingdom Selected Solo Exhibition venues Los Angeles County Museum of Art, Los Angeles, California Chouinard Gallery, South Pasadena, California Antonia Jannone Gallery, Milan, Italy Teapots and Drawings, Tobey C. Moss Gallery, Los Angeles, California LA Artcore Center, Los Angeles, California S.K. Josefsberg Gallery, Portland, Oregon 20th Century Collage, Dallas, Texas Toomy-Turrel Gallery, San Francisco, California Frank Lloyd Gallery, Santa Monica, California Bobbie Greenfield Gallery, Santa Monica, California Diane Nelson Fine Art, Laguna Beach, California Loyola University, New Orleans, Louisiana S.K. Josefsberg Gallery, Portland, Oregon University of Judaism, Platt Gallery, Los Angeles, California El Centro del Pueblo, Los Angeles, California Gallery Saito, Sapporo Hokkaido, Japan Morgan Gallery, Kansas City, Missouri Riva Yares Gallery, Scottsdale, Arizona Daniel Saxon Gallery, Los Angeles, California David Lawrence Editions, Beverly Hills, California Art et Industrie, New York Clara Scremini Gallery, Paris, France Design Gallery Milano, Milan, Italy Lucy Berman Gallery, Palo Alto, California Parallel Gallery, Del Mar, California Davis-McClain Gallery, Houston, Texas Saxon-Lee Gallery, Los Angeles, California Traver-Sutton Gallery, Seattle, Washington Onyx Gallery, Los Angeles, California Skirball Museum, in cooperation with Saxon-Lee Gallery, Los Angeles, California Installation of the Olympic Village Entertainment Center, California State Polytechnic University in conjunction with the School of Architecture Museum of Contemporary Art, Temporary Contemporary, Los Angeles, California Hokin-Kaufman Gallery, Chicago, Illinois Hand and the Spirit Gallery, Scottsdale, Arizona B.Z. Wagman Gallery, St. Louis, Miss Traver Sutton Gallery, Seattle, Washington The Morgan Gallery, Shawnee Mission, Kansas, Missouri The Art Store, Los Angeles, California American Hand Gallery, Washington, D.C Modernism, San Francisco, California Studio Alchymia, Florence, Italy Janus Gallery...

Frame Size:Hight: 12″ x Width: 14.25″ Frame Thickness: 2.75″ Picture Size: Hight: 7.25″ x Width: 9.50″ Experience a moment of profound spirituality with the RPM German Porcelain ...

Frame Size: Hight: 15.50″ x Width: 12.50″ Frame Thickness: 3″ Picture Size: Hight: 9.25″ x Width: 6.25″ Immerse yourself in the presence of a distinguished gentleman with this exceptional Antique KPM Porcelain Plaque...

Frame Size: Hight: 18″ x Width: 12.25″ Picture Size: Hight: 9″ x Width: 6.12″ Experience the allure of victory with this exquisite 19th Century Hand Painted Plaque depicting a bea...

Frame Size: Height: 18.75" x Width: 15.75" Frame Thickness: 3.25" Picture Size: Height: 12.25" x Width: 9.50" Immerse yourself in the delicate beauty of two exquisite porcelain ar...

"Frame Size: Height: 13.60" x Width: 10.60" Frame Thickness: 2.50" Picture Size: Height: 9.40" x Width: 6.40" Immerse yourself in the delicate beauty of this KPM Porcelain Plaque ...

19th Century Berlin KPM Porcelain " Nude Woman Frame Size: Hight: 15.50" x Width:14.75" Picture Size: Hight: 11.75" x  Width:9.25 " Capture the elegance and beauty of the 19th Cen...

KPM Painted Porcelain Plaque Entitled ” Vor Den Aufstand 1809 in Tirol ” Frame Size: Hight: 14.60″ x Width: 17″ Frame Thickness: 2.50″ Picture Size:Hight: 10.75″ x Width: 12″ Imm...

Frame Size: Hight: 30.25″ x Width: 23.40″ Frame Thickness: 5.25″ Picture Size: Hight: 21.50″ x Width: 14.50″ Immerse yourself in the divine beauty of Saint Cecilia with this extra...

Monumental Gale Émile Gale Vosguien Blue Line multilayer glass vase: blue, green, brown, and yellow 21 x 6 in Perfect condition

Jean Picart Le Doux, French (1902 - 1982) "Au Rendez Vous Des Oiseaux" Larger handmade wool Aubusson tapisserie Produced by Maison M. Berthaut Aubusson Atelier, France. Signed Lower left corner woven with firm's monogram and lower right with artists full name. Bears stitched label attached en verso. Original documents included with the lot. Measures 71-1/2" x 50". Jean Picart Le Doux, born in Paris in 1902 and died in 1982, was a French painter and painter-cartonnier the revival of contemporary flat weave tapestry. He is the son of the painter Charles Picart Le Doux (1881-1959). His first tapestry dating from 1943 after winning the Grand Prix of the theater poster exhibition in the imaging. He met Jean Lurcat and, and Marc Saint-Saëns,and together they founded the Association of painters cardboard tapestry in 1947. In 1950, he comes up with the idea for ​​the Alliance Graphique Internationale, during the meeting with exhibitors of an exhibition of their work in Basel, Switzerland along with two other French designers Jean Jacques Colin and Nathan, and two Swiss graphic designers, Fritz Buhler and Donald Brown. AGI is officially founded November 22, 1952 and Picart Le Doux will be its first president. Picart Le Doux was a French artist noted for his role in the revival of contemporary hand woven Aubusson tapestry. Picart Le Doux's first tapestry cartoon was a diptych entitled The Four Seasons. Made in 1943...

Birth of Venus. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós e...

Jerusalem's Bezalel School The Bezalel Academy of Arts and Design, was founded in 1906 by Boris Schatz. In 1903, Schatz met Theodore Herzl and became an ardent Zionist. At the Zionis...

This is a carved glass panel. I belive this is milk glass. it is a classic Americana scene of a cowboy or frontier trapper and an Indian or Native American with a feathered headdress...

Thomas Blank was born in Berne, Switzerland, in 1973. He is a master of transformation, who has been investigating the nature of glass for 20 years now, without losing his fascinatio...

Chaim Gross Three little girls, three Graces. 1981. Bronze sculptural relief plaque mounted to verdigris marble. signed and dated on marble Marble approx 7.5" x 7" x 1.5". Bronze: 5.25" x 4" x 1" Chaim Gross, born in Wolowa, Austria in 1904, was educated at the Beaux Arts Institute of Design and at the Art Student's League in New York. Chaim Gross's work was greatly influenced by his experiences during a period of international conflict, World War II. He had moved to Kolomyia from Wolowa to get a better education, but the Germans came to occupy, killing, raping, and looting. Gross and his family were chased from one village to the next. He wrote, "We were sleeping on roofs and in the fields, with the sound of cannon fire always in the distance,". Eventually, he ended up in Budapest with his two brothers, where Anti­ Semitism was not as severe, and that is where he began to sculpt and draw. He even had a few odd jobs there as a gold­ and silversmith. When he was seventeen, Gross immigrated to America where his older brother was. There he was a student and then a teacher at the Educational Alliance on the Lower East Side. Teaching became a big part of his philosophy, as he believed that an artist must pass on the knowledge which he had received from others in his artwork. He was part of an artist emigre community which included Raphael Soyer, Moses Soyer, Arnold Newman, Max Weber and David Burliuk. His daughter is the artist Mimi Grooms and his son in law was Red Grooms. Chaim Gross works reflect his Jewish and Austrian roots and his Hasidic Jewish upbringing. The figures in his art reflect the Hasidic spirit of being happy and making other people happy. This opiece has children playing and is perfect for a kids room. In his pieces, Jews sing and dance in celebration of the Jewish Sabbath and festivals. They are shown rejoicing in the great gifts of love and life. Chaim Gross was honored with a number of prestigious awards including: the Award of Merit Medal from the National Institute of Arts and Letters in 1963, and the Gold Medal award from the National Academy of Design in 1985. He often used his creative abilities to explore and experiment with media. In his artwork he retains an optimistic philosophy, even when facing somber issues such as war, depression, and the Holocaust. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin, Raphael Soyer and Moses Soyer). Gross was a member of the New York Artists Equity Association and the Federation of Modern Painters and Sculptors. He was a founder and served as the first president of the Sculptors Guild. He is in the collections of the Museum of Modern Art; the Metropolitan Museum of Art; the Whitney Museum of American Art; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tel Aviv Museum of Art, Israel.He is in the collections of the Museum of Modern Art; the Metropolitan Museum of Art; the Whitney Museum of American Art; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tel Aviv Museum of Art, Israel. And the EIN HAROD Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others. The graphic arts collection contains drawings and graphic works by Pissaro, Amedeo Modigliani, Jules Pascin, Marc Chagall (almost all of his graphic work), and numerous other artists. The sculpture collection includes works by Jewish sculptors from all over the world including leading Israeli sculptors; Ben Zvi, Lishansky, David Palombo, Yehiel Shemi, Aharon Bezalel and Igael Tumarkin. Many Jewish sculptors from all parts of the world, beginning with Mark Antokolsky, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Enrico Glicenstein, Loutchansky, Joseph Constant and Leon Indenbaum from Western Europe; Glid from Yugoslavia; William Zorach, Chaim Gross and Minna Harkavy from the United States; and most of the outstanding sculptors of Israel : Zeev Ben-Zvi, Lishansky, Ziffer, Rudi Lehmann, Dov Feigin, Sternschuss, David Palombo ( who executed the iron...

Year: 2021 Class: Art Print Released: 05/14/21 Run: 150 Technique: Screen Print Size: 16 x 11 inches Markings: Signed & Numbered by the Artist Mark Drew in pencil Lyrics: Inspired by...

Rene Lalique (1860-1945) Chiens Cup, also called Grayhound Opalescent molded-pressed white glass 4 x 10 in Literature: Appears in the 1928 catalog. Deleted from the catalog in 1932 ...

Charles Schneider La Verre Francais "Feuilles de tabac" ca. 1920 Yellow glass with red overlay and etching. Height: 16 in Signed "La Verre Francais" at the base.

Rene Lalique (1860-1945) Jaffa Vase Frosted and polished glass Size: 8 x 12 in René Lalique was a seminal French glass designer known for his Art Nouveau and Art Deco perfume bottle...

Mark Drew is an acclaimed artist known for his unique fusion of music and visual art. Hailing from a background deeply rooted in the world of hip-hop and urban culture, Drew brings h...

René Lalique was a seminal French glass designer known for his Art Nouveau and Art Deco perfume bottles, chandeliers, vases, and jewelry. Widely revered and influential in the decora...

Wish (Skee-Lo/Coolio) Artist: Mark Drew Year: 2020 Medium: Screenprint in colors on wove paper Dimensions: 11 1/2 × 16 1/2 inches | 29.2 × 41.9 cm Edition: Limited edition 94 of 150 ...

Rene Lalique (1860-1945) Beliers Vase Glass 1924 Size: 8 x 20 in Literature: Patricia Bayer & Mark Waller. The Art of Rene Lalique. Illustrated on page 149 #273. René Lalique was a...

René Lalique (1860-1945) Marisa Vase 1927 Smoky Glass The sizes are 9 x 9 in Literature: Robert Prescott-Walker. Collecting Lalique Glass. Illustrated on page 45. René Lalique was ...

Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does street art. A prominent Outsider Artist he was a featured artist in the American Visionary Art Museum's End is Near Exhibit. His work was also featured in the exhibition catalog. His work has been sold at Slotin Folk Art. Carapic was born in Velisevac, Serbia (then Kingdom of Yugoslavia). He was educated at a military school in Herzegovina in the 1950s, and served as a sergeant in the Yugoslav People's Army. Afterwards he was denied a college education, possibly because he was not a member of the Communist Party, illegally crossed into Italy in 1961, and, from there, emigrated to the United States. In 1965, he began attending classes at the New York Art Students League, but dropped out soon afterwards, eventually attending the Wilfred Academy of Beauty Culture. He was unable, however, to find steady beauty parlor employment, and worked in menial labor while attending classes in Spanish Education at Manhattan Community College. Due to a problem with accreditation, he was forced to switch to classes in the field of studio art. There he experienced hallucinatory visions that explained his repeated failures to obtain a degree. In the late 1970s, Carapic began experiencing more hallucinatory visions; claiming that his degree problems were caused when "the evil marriage bureau massed the troops" against his college and proceeded with "an Air force bombardment" of the school. After receiving other visitations, he began making and showing his art. Most of his art is centered on found objects, most famously computer keyboards, especially those by IBM. Most of his art consists of these objects, marked with black Sharpie markers, and with green thumbprints and handprints along the objects. His most famous exhibit in New York City is "Big Bang Theory," a doomsday warnings painted on computer keyboards and shoes and construction debris. Bears similarity to the Art Brut movement made famous by Jean Dubuffet. He was inluded in The End is Near! an exhibit which included an unprecedented group of noted thinkers, from His Holiness the Dalai Lama and Stephen Jay Gould to Reverend Howard Finster and Apocalypse culture expert ,Adam Parfrey, visionary artists brought together by curator, Roger Manley, for an amazing exhibition at the American Visionary Art Museum, the world’s largest ever mounted on the subjects of Apocalypse, Millennium, and Utopia. The End is Near! featuredwork from the following visionary artists amongst others: William Adkins Z.B. Armstrong Bill Bruley Frank Bruno Harry Leroy Brunson Tom Carapic Pierre Carbonel Howard Finster Tim Fowler Mary Mac Franklin Victor Joseph Gatto Robert Gie Patrick Gimel Hugo Hempel Oskar Herzberg Vojislav Jakic Norbert Kox Charles Keeling Lassiter...

The JUNONIA vase is a creation by the renowned Venetian glass master Afro Celotto. The dimensions of this artwork are 18.25" x 9" x 4.5". Every vase is hand signed at the bottom by...

Rene Lalique (1860-1945) Mures Vase 1926 Glass Opalescent Vase Sizet: 8.5 x 7 in Literature: Patricia Bayer & Mark Waller. The Art of Rene Lalique. ...

This one is laminated in plastic. Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does street art. A prominent Outsider Artist he was a featured artist in the American Visionary Art Museum's End is Near Exhibit. His work was also featured in the exhibition catalog. His work has been sold at Slotin Folk Art. Carapic was born in Velisevac, Serbia (then Kingdom of Yugoslavia). He was educated at a military school in Herzegovina in the 1950s, and served as a sergeant in the Yugoslav People's Army. Afterwards he was denied a college education, possibly because he was not a member of the Communist Party, illegally crossed into Italy in 1961, and, from there, emigrated to the United States. In 1965, he began attending classes at the New York Art Students League, but dropped out soon afterwards, eventually attending the Wilfred Academy of Beauty Culture. He was unable, however, to find steady beauty parlor employment, and worked in menial labor while attending classes in Spanish Education at Manhattan Community College. Due to a problem with accreditation, he was forced to switch to classes in the field of studio art. There he experienced hallucinatory visions that explained his repeated failures to obtain a degree. In the late 1970s, Carapic began experiencing more hallucinatory visions; claiming that his degree problems were caused when "the evil marriage bureau massed the troops" against his college and proceeded with "an Air force bombardment" of the school. After receiving other visitations, he began making and showing his art. Most of his art is centered on found objects, most famously computer keyboards, especially those by IBM. Most of his art consists of these objects, marked with black Sharpie markers, and with green thumbprints and handprints along the objects. His most famous exhibit in New York City is "Big Bang Theory," a doomsday warnings painted on computer keyboards and shoes and construction debris. Bears similarity to the Art Brut movement made famous by Jean Dubuffet. He was inluded in The End is Near! an exhibit which included an unprecedented group of noted thinkers, from His Holiness the Dalai Lama and Stephen Jay Gould to Reverend Howard Finster and Apocalypse culture expert ,Adam Parfrey, visionary artists brought together by curator, Roger Manley, for an amazing exhibition at the American Visionary Art Museum, the world’s largest ever mounted on the subjects of Apocalypse, Millennium, and Utopia. The End is Near! featuredwork from the following visionary artists amongst others: William Adkins Z.B. Armstrong Bill Bruley Frank Bruno Harry Leroy Brunson Tom Carapic Pierre Carbonel Howard Finster Tim Fowler Mary Mac Franklin Victor Joseph Gatto Robert Gie Patrick Gimel Hugo Hempel Oskar Herzberg Vojislav Jakic Norbert Kox Charles Keeling Lassiter...

This one includes Albert Einstein amongst other drawing. Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does street art. A prominent Outsider Artist he was a featured artist in the American Visionary Art Museum's End is Near Exhibit. His work was also featured in the exhibition catalog. His work has been sold at Slotin Folk Art. Carapic was born in Velisevac, Serbia (then Kingdom of Yugoslavia). He was educated at a military school in Herzegovina in the 1950s, and served as a sergeant in the Yugoslav People's Army. Afterwards he was denied a college education, possibly because he was not a member of the Communist Party, illegally crossed into Italy in 1961, and, from there, emigrated to the United States. In 1965, he began attending classes at the New York Art Students League, but dropped out soon afterwards, eventually attending the Wilfred Academy of Beauty Culture. He was unable, however, to find steady beauty parlor employment, and worked in menial labor while attending classes in Spanish Education at Manhattan Community College. Due to a problem with accreditation, he was forced to switch to classes in the field of studio art. There he experienced hallucinatory visions that explained his repeated failures to obtain a degree. In the late 1970s, Carapic began experiencing more hallucinatory visions; claiming that his degree problems were caused when "the evil marriage bureau massed the troops" against his college and proceeded with "an Air force bombardment" of the school. After receiving other visitations, he began making and showing his art. Most of his art is centered on found objects, most famously computer keyboards, especially those by IBM. Most of his art consists of these objects, marked with black Sharpie markers, and with green thumbprints and handprints along the objects. His most famous exhibit in New York City is "Big Bang Theory," a doomsday warnings painted on computer keyboards and shoes and construction debris. Bears similarity to the Art Brut movement made famous by Jean Dubuffet. He was inluded in The End is Near! an exhibit which included an unprecedented group of noted thinkers, from His Holiness the Dalai Lama and Stephen Jay Gould to Reverend Howard Finster and Apocalypse culture expert ,Adam Parfrey, visionary artists brought together by curator, Roger Manley, for an amazing exhibition at the American Visionary Art Museum, the world’s largest ever mounted on the subjects of Apocalypse, Millennium, and Utopia. The End is Near! featuredwork from the following visionary artists amongst others: William Adkins Z.B. Armstrong Bill Bruley Frank Bruno Harry Leroy Brunson Tom Carapic Pierre Carbonel Howard Finster Tim Fowler Mary Mac Franklin Victor Joseph Gatto Robert Gie Patrick Gimel Hugo Hempel Oskar Herzberg Vojislav Jakic Norbert Kox Charles Keeling Lassiter...

Circa 1890-1920. This Neoclassical, Judaic, Egyptian revival, Orientalist Mizrach sign, was produced in British Mandate Palestine by the chromolithograph process at the beginning of the 20th century. It pictures vignettes of holy places. with a hand written memorial. It was for the Tzedakah charity fund for the century-old institutions in Jerusalem: The great "Torah Center Etz Chaim"; a Free Kitchen for poor children and orphans; the famous Bikur Cholim Hospital with its dispensaries and clinics and the only Home for Incurable Invalids in Eretz Israel. They also worked with Arthur Szyk and Alfred Salzmann.. The A.L. Monsohn Lithographic Press (Monzon Press, Monson Press, דפוס אבן א"ל מאנזאהן, דפוס מונזון) was established in Jerusalem in 1892 by Abraham-Leib (or Avrom-Leyb) Monsohn II (Jerusalem, c.1871-1930) and his brother Moshe-Mordechai (Meyshe-Mordkhe). Sponsored by members of the Hamburger family, the brothers had been sent to Frankfurt, Germany in 1890 to study lithography. Upon returning to Jerusalem in 1892 with a hand press, they established the A.L. Monsohn Lithographic Press in the Old City of Jerusalem. According to the Information Center for Israeli Art A.L. Monsohn "created complex decorations for documents and oriental calendars that combined the tradition of Jewish art with modern printing techniques such as photographic lithography, raised printing and gilding." The founders of the Monsohn press produced Jewish-themed color postcards, greeting cards, Jewish National Fund stamps, and maps documenting the evolution of the Jewish settlement in Eretz Israel in the nineteenth-twentieth centuries; religious material such as decorative plaques for synagogues, portraits of Old Yishuv rabbis such as Shmuel Salant, Mizrah posters indicating the direction of prayer for synagogues, memorial posters, and posters for Sukkot booths; color frontispieces for books such as Pentateuch volumes and the early song collections of Abraham Zvi Idelsohn (e.g., Shire Zion, Jerusalem 1908); artistic wedding invitations; and labels, packaging and advertisements for the pioneering entrepreneurs of Eretz Israel. The texts appearing in the Monsohn products were in several languages: Hebrew, Arabic, Yiddish, English, German (e.g., a c1920 trilingual Hebrew-English-Arabic "Malaria Danger" broadside warning the public of mosquitoes spreading malaria). Many of the brilliantly colored postcards and maps can be seen online as can the artistic invitations to his children's weddings which Monsohn published in the Jerusalem Hebrew press. For years, the Monsohn (later, Monson/Monzon) Press was considered the best and most innovative in the country—pioneering in such techniques as gold-embossing and offset printing, among others. Early items for tourists included collections of Flowers of the Holy Land (c. 1910–1918)—pressed local flowers accompanied by scenes from the Eretz Israel countryside and relevant verses from the Bible, edited by Jsac Chagise (or Itzhak Haggis), an immigrant from Vitebsk, and bound in carved olive wood boards. Shortly after World War I Monsohn (now spelled מונזון) used zincography to produce the prints included in the Hebrew Gannenu educational booklets for young children illustrated by Ze'ev Raban of the Bezalel Academy of Art and Design and printed in Jerusalem by Hayim Refael Hakohen (vol. 1, 1919; vols. 2–3, 1920). In 1934 Monsohn moved into the new, western part of Jerusalem, in a shop with four presses and 30 workers, including Abraham-Leib's sons, David, Yosef, Moshe and Shimon, and his daughter Raytse's husband, Abraham Barmacz. The concern did business with all sectors of the city's population, including Arabs, for whom they printed in Arabic. Among their clients were members of the Ginio, Havilio, and Elite families, and Shemen, Dubek, and other renowned national brands, manufacturing products such as wine, candies, oil, and cigarettes. They also printed movie and travel posters, and government posters, postcards and documents, hotel luggage labels...

I think this one is the Chinese Premier on one side and fingerprints on the outside of the other side. wrapped in plastic. Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does street art. A prominent Outsider Artist he was a featured artist in the American Visionary Art Museum's End is Near Exhibit. His work was also featured in the exhibition catalog. His work has been sold at Slotin Folk Art. Carapic was born in Velisevac, Serbia (then Kingdom of Yugoslavia). He was educated at a military school in Herzegovina in the 1950s, and served as a sergeant in the Yugoslav People's Army. Afterwards he was denied a college education, possibly because he was not a member of the Communist Party, illegally crossed into Italy in 1961, and, from there, emigrated to the United States. In 1965, he began attending classes at the New York Art Students League, but dropped out soon afterwards, eventually attending the Wilfred Academy of Beauty Culture. He was unable, however, to find steady beauty parlor employment, and worked in menial labor while attending classes in Spanish Education at Manhattan Community College. Due to a problem with accreditation, he was forced to switch to classes in the field of studio art. There he experienced hallucinatory visions that explained his repeated failures to obtain a degree. In the late 1970s, Carapic began experiencing more hallucinatory visions; claiming that his degree problems were caused when "the evil marriage bureau massed the troops" against his college and proceeded with "an Air force bombardment" of the school. After receiving other visitations, he began making and showing his art. Most of his art is centered on found objects, most famously computer keyboards, especially those by IBM. Most of his art consists of these objects, marked with black Sharpie markers, and with green thumbprints and handprints along the objects. His most famous exhibit in New York City is "Big Bang Theory," a doomsday warnings painted on computer keyboards and shoes and construction debris. Bears similarity to the Art Brut movement made famous by Jean Dubuffet. He was inluded in The End is Near! an exhibit which included an unprecedented group of noted thinkers, from His Holiness the Dalai Lama and Stephen Jay Gould to Reverend Howard Finster and Apocalypse culture expert ,Adam Parfrey, visionary artists brought together by curator, Roger Manley, for an amazing exhibition at the American Visionary Art Museum, the world’s largest ever mounted on the subjects of Apocalypse, Millennium, and Utopia. The End is Near! featuredwork from the following visionary artists amongst others: William Adkins Z.B. Armstrong Bill Bruley Frank Bruno Harry Leroy Brunson Tom Carapic Pierre Carbonel Howard Finster Tim Fowler Mary Mac Franklin Victor Joseph Gatto Robert Gie Patrick Gimel Hugo Hempel Oskar Herzberg Vojislav Jakic Norbert Kox Charles Keeling Lassiter...

This one is laminated in plastic. Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does street art. A prominent Outsider Artist he was a featured artist in the American Visionary Art Museum's End is Near Exhibit. His work was also featured in the exhibition catalog. His work has been sold at Slotin Folk Art. Carapic was born in Velisevac, Serbia (then Kingdom of Yugoslavia). He was educated at a military school in Herzegovina in the 1950s, and served as a sergeant in the Yugoslav People's Army. Afterwards he was denied a college education, possibly because he was not a member of the Communist Party, illegally crossed into Italy in 1961, and, from there, emigrated to the United States. In 1965, he began attending classes at the New York Art Students League, but dropped out soon afterwards, eventually attending the Wilfred Academy of Beauty Culture. He was unable, however, to find steady beauty parlor employment, and worked in menial labor while attending classes in Spanish Education at Manhattan Community College. Due to a problem with accreditation, he was forced to switch to classes in the field of studio art. There he experienced hallucinatory visions that explained his repeated failures to obtain a degree. In the late 1970s, Carapic began experiencing more hallucinatory visions; claiming that his degree problems were caused when "the evil marriage bureau massed the troops" against his college and proceeded with "an Air force bombardment" of the school. After receiving other visitations, he began making and showing his art. Most of his art is centered on found objects, most famously computer keyboards, especially those by IBM. Most of his art consists of these objects, marked with black Sharpie markers, and with green thumbprints and handprints along the objects. His most famous exhibit in New York City is "Big Bang Theory," a doomsday warnings painted on computer keyboards and shoes and construction debris. Bears similarity to the Art Brut movement made famous by Jean Dubuffet. He was inluded in The End is Near! an exhibit which included an unprecedented group of noted thinkers, from His Holiness the Dalai Lama and Stephen Jay Gould to Reverend Howard Finster and Apocalypse culture expert ,Adam Parfrey, visionary artists brought together by curator, Roger Manley, for an amazing exhibition at the American Visionary Art Museum, the world’s largest ever mounted on the subjects of Apocalypse, Millennium, and Utopia. The End is Near! featuredwork from the following visionary artists amongst others: William Adkins Z.B. Armstrong Bill Bruley Frank Bruno Harry Leroy Brunson Tom Carapic Pierre Carbonel Howard Finster Tim Fowler Mary Mac Franklin Victor Joseph Gatto Robert Gie Patrick Gimel Hugo Hempel Oskar Herzberg Vojislav Jakic Norbert Kox Charles Keeling Lassiter...

A monumental acid-etched cameo Art Noveau red and yellow art glass scenic vase. Beautiful Art Deco-Art Nouveau decorative vase. Condition is good, with wear commensurate with age and...