Items Similar to Monotype Print Painting Garden Scene Table Chair Joseph Solman American Art WPA
Want more images or videos?
Request additional images or videos from the seller
1 of 14
Joseph SolmanMonotype Print Painting Garden Scene Table Chair Joseph Solman American Art WPA1980
1980
About the Item
Monotype Painting Title: Table and Chairs, 1980
Medium: monotype or monoprint painting
Size: image 13 x 9.5,overall with frame 23 x 20
Hand signed and dated lower right
Provenance: Mercury Gallery, Boston MA
Joseph Solman (January 25, 1909 – April 16, 2008) was a Jewish American painter, a founder of The Ten, a group of New York City Expressionist painters in the 1930s. His best known works include his "Subway Gouaches" depicting travellers on the New York City Subway.
Born in Vitebsk, Belarus, Russian Empire, he was brought to America from the Russian Empire as a child in 1912, Solman was a prodigious draftsman and knew, in his earliest teens, that he would be an artist. He went straight from high school to the National Academy of Design, though he says he learned more by sketching in the subway on the way back from school late at night: people "pose perfectly when they're asleep." In 1929, Solman saw the inaugural show at the Museum of Modern Art featuring Seurat, Gauguin, Van Gogh, and Cézanne.
In 1934, Solman had his first one-man show, much influenced by the French modern artist Georges Rouault. One critic was impressed by "the mystery that lurks in deserted streets in the late twilight." Another noted that Solman's color had "an astonishingly rich quality that burns outward beneath the surface."
Joseph Solman was, with Mark Rothko, the unofficial co-leader of The Ten, a group of expressionist painters including Louis Schanker, Adolph Gottlieb, Ben Zion and Ilya Bolotowsky, who exhibited as the "Whitney Dissenters" at the Mercury Galleries in New York City in 1938. The members, all immigrant Jewish New Yorkers with an interest in European Expressionism, presented an urban, abstract, formal style. A champion of modernism, Solman was elected an editor of Art Front Magazine when its other editors, art historian Meyer Schapiro and critic Harold Rosenberg, were still partial to Social Realism. But Solman never believed in abstraction for abstraction's sake. "I have long discovered for myself," Solman has said, "that what we call the subject yields more pattern, more poetry, more drama, greater abstract design and tension than any shapes we may invent." As his colleagues in the Ten advanced toward a more non-objective art, Solman warmed toward representation. An artist in the Works Project Administration (WPA) during the depression, Solman met and worked with and befriended many great artists, like Milton Avery. “Avery had a big influence on me when I was young and working in the WPA,” said Solman. “That was a great program, I couldn’t have worked without it. It’s where I saw Paul Klee’s work, which I liked very much.” By the early 1950s, when the Abstract Expressionism he had helped to develop was the mainstream in avant garde art, he was done with it. With Edward Hopper and Jack Levine, he began a magazine called "Reality." It featured the work of figurative painters, then terribly out of fashion, but its central editorial stance was that artists should be able to paint however and whatever they liked. In writing about a purchase of a typical 1930s Solman street scene for the Wichita Museum, director Howard Wooden put it this way: "Solman has produced the equivalent of an abstract expressionist painting a full decade before the abstract expressionist movement came to dominate the American art scene, but without abandoning identifiable forms." He was part of a group of New York mostly jewish artists that included Byron Browne, Milton Avery, Stuart Davis, Alice Neel, Max Weber, Ben Shahn and many others.
In 1964, The Times, discussing his well-known subway gouaches (done while commuting to his some-time job as a racetrack pari-mutuel clerk), called him a "Pari-Mutuel Picasso." In 1985, on the occasion of a 50-year retrospective, The Washington Post wrote: "It appears to have dawned, at last, on many collectors that this is art that has already stood the acid test of time.
- Creator:Joseph Solman (1909-2008, American)
- Creation Year:1980
- Dimensions:Height: 23 in (58.42 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good. measurements include frame.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214033502
Joseph Solman
Brought to America from Russia as a child in 1912, Joseph Solman was a prodigious draftsman and knew, in his earliest teens, that he would be an artist. He went straight from high school to the National Academy of Design, though he says he learned more by sketching in the subway on the way back from school late at night: people “pose perfectly when they’re asleep.” In 1929, Solman saw the inaugural show at the Museum of Modern Art featuring Seurat, Gauguin, Van Gogh, and Cezanne. It changed his life – and his art. Joseph Solman was, with Mark Rothko, the unofficial co-leader of The Ten, a group of expressionist painters who exhibited as the “Whitney Dissenters” at the Mercury Galleries in New York in 1938. A champion of modernism, Solman was elected an editor of Art Front Magazine when its other editors, art historian Meyer Shapiro and critic Harold Rosenberg, were still partial to Social Realism In 1964, The Times, discussing his well-known subway gouaches (done while commuting to his some-time job as a racetrack pari-mutuel clerk), called him a “Pari-Mutuel Picasso.” In 1985, on the occasion of a 50-year retrospective, The Washington Post wrote: “It appears to have dawned, at last, on many collectors that this is art that has already stood the acid test of time.” We had the pleasure of the meeting the artist a few times at his home which was over the original Second Avenue Deli in the East Village.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,716 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllOld Fire Wagon, Monotype
By Joseph Solman
Located in Surfside, FL
Joseph Solman (1909-2008), a New York expressionist painter, hovered near the leading edge of the avant garde through most of his career, yet his works never departed entirely from r...
Category
20th Century Modern More Art
Materials
Monotype
Monoprint Lithograph American Modernist Gregory Amenoff Abstract Expressionist
By Gregory Amenoff
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Monotype Monoprint (1990)
Hand signed in pencil lower right
plate: 16 x 16 inches
frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing
Provenance: Corporate Collection of Bank BNP Paribas
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence.
He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro,
Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with
pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
New York Public Library, Spencer Collection...
Category
1980s American Modern Abstract Prints
Materials
Lithograph, Monoprint, Monotype
Monoprint Monotype American Modernist Gregory Amenoff Abstract Expressionist
By Gregory Amenoff
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Monotype Monoprint (1990)
Hand signed in pencil lower right
plate: 16 x 16 inches
frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing
Provenance: Corporate Collection of Bank BNP Paribas
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He works in woodcut, lithograph and monoprint techniques.
He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro,
Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with
pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
New York Public Library, Spencer Collection...
Category
1980s American Modern Abstract Prints
Materials
Lithograph, Monoprint, Monotype
American Abstract Color Monotype Painting Tar Cart #2 Joseph Solman WPA Artist
By Joseph Solman
Located in Surfside, FL
"Tar Cart #2" by Joseph Solman (American, 1909-2008)
Hand signed recto
Joseph Solman (January 25, 1909 – April 16, 2008) was a Jewish American painter, a founder of The Ten, a group...
Category
20th Century American Modern Figurative Paintings
Materials
Monotype
Umbrella, Monotype with Hand Painting, Glitter, Asian American Art, Woman Artist
By Helen Oji
Located in Surfside, FL
Mixed media monotype or monoprint works with hand painting, chine colle, applied glitter. From Cheryl Pelavin Editions NYC.
Helen Oji (American, born 1950) Born in Sacremento, CA. Helen Oji was highlighted in the early 1980s New York City art scene as an artist with a distinctive vision. She has exhibited her paintings, works on paper and prints including mixed media monotype or monoprint works with hand painting, chine colle, applied glitter etc. in numerous exhibitions in New York, nationally and Europe. In addition to her artwork, she collaborated with a range of performers/writers in creating set designs that were presented in New York City, London, and across the US. and in various corporate and private collections. Awards and honors include: Creative Artists Public Service Program, Ariana Foundation for the Arts, Inc. Mixed Media Grant , The Jane Voorhees...
Category
1980s American Modern Mixed Media
Materials
Paint, Glitter, Mixed Media, Monotype
Umbrella, Monotype with Hand Painting, Glitter, Asian American Art, Woman Artist
By Helen Oji
Located in Surfside, FL
Mixed media monotype or monoprint works with hand painting, chine colle, applied glitter. From Cheryl Pelavin Editions NYC.
Helen Oji (American, born 1950) Born in Sacremento, CA. Helen Oji was highlighted in the early 1980s New York City art scene as an artist with a distinctive vision. She has exhibited her paintings, works on paper and prints including mixed media monotype or monoprint works with hand painting, chine colle, applied glitter etc. in numerous exhibitions in New York, nationally and Europe. In addition to her artwork, she collaborated with a range of performers/writers in creating set designs that were presented in New York City, London, and across the US. and in various corporate and private collections. Awards and honors include: Creative Artists Public Service Program, Ariana Foundation for the Arts, Inc. Mixed Media Grant , The Jane Voorhees...
Category
1980s American Modern Mixed Media
Materials
Paint, Glitter, Mixed Media, Monotype
You May Also Like
Swelling Blues
Located in New York, NY
This original monotype was made from found textures and objects to make this unique landscape. This monotype is printed on Rives BFK 280 gsm Printmaking Paper. I used found objects ...
Category
2010s Abstract More Art
Materials
Monoprint, Monotype
Spaced Abstract
Located in New York, NY
Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...
Category
2010s Abstract More Art
Materials
Monoprint, Monotype
Laced Up Abstracts
Located in New York, NY
Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...
Category
2010s Abstract More Art
Materials
Monoprint, Monotype
Squared
Located in New York, NY
Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...
Category
2010s Abstract More Art
Materials
Monoprint, Monotype
Vitamins
Located in New York, NY
This is a monotype collage made from original monotypes that were then cut up into this abstract composition. I like using found objects and textures in my prints to create unique shapes and forms to be used in my collages.
Monotype collage on Rives BFK 280 gsm printmaking paper...
Category
2010s Abstract More Art
Materials
Monoprint, Monotype, Mixed Media
Patchwork Mountains
Located in New York, NY
This monotype collage was made from a compiled group of similarly colored and textured monotypes that were made into this landscape collage. I used found objects with various shapes ...
Category
2010s Abstract More Art
Materials
Monotype