Florida - Landscape Paintings

tryptych

Original mixed media painting on canvas. Hand signed on front; signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authe...

Squares is a bridge between Mondrian and the Hard-edge abstraction movement. Clearly, this is a very early work because the artist has not yet found his mature style. The flat squares of uneven proportion, are in a formal but off-axis vertical /horizontal grid structure. Perhaps it's the artists take on a "drunk Mondrian" where the squares stumble to align themselves. Each square shape is different in shape and color and with visible brushstrokes and light impasto. Look carefully at the gray squares. They all have a slightly different hue. The squares are all unique individuals and not a repetition To Goodnough this was his departure from his influencer. Squares show the influence of his teachers including Hans Hofman...

An early example of Abstract Expressionism executed in 1955 during the movement's heyday and it's period of peak inventiveness. However, this work is still rooted in representation. The dark area the runs along the base of the picture is the ground and to the left, right and center there are black structures that represent trees. The work is very tactile and is composed of globs of paint that grow out from the surface and form a thick impasto. Rich vibrant saturated blues, reds and oranges create optical drama. The work look better in person. frame: 29 x 39 1/2 inches , Provenance: Kennedy Galleries The Currier Gallery of Art...

Eugene Camille Fitsch Am./Fr., 1892-1972 - Signed lower right. Framed dimensions 20 3/4" x 34 7/8" framed Provenance: Studio of the Artist to Private Collection Boston, Massachuse...

From the Glynn and Suzanne Crain Collection, unsigned

The artist invents and then captures a moment of a peak drama with soldiers being shot and bombs exploding. It's beautifully rendered in Künstler signature style showcasing his deep ...

Hector Garrido is an American book cover illustrator. He illustrated numerous science fiction, horror and adventure book covers, including all the covers for the Baroness series of pulp novels, and covers for the Destroyer series. He also illustrated romance and gothic novels, and Nancy Drew and Hardy...

Narrative artist Robert Riggs captures a highly-charged scene of an Indian firewalking ceremony. Firewalking is part of a religious ritual and is associated with the mystical powers...

Acrylic painting on canvas with raised textured paint. Hand signed lower front by Janos Kardos. Canvas size 30 x 24 inches. Frame size 33 x 27 inches (black floating frame). Art...

Seychelles Granite II is a colorful painting made by Evelyne Ballestra, a French contemporary artist, while she was in Seychelles for art residency. The artist uses bright colors in ...

Observing and understanding the world around us are the foundations of her reflections. Her approach to the world of Art has been largely influenced by the diversity of media underwr...

Enchanted Garden

This very well executed landscape scene (one of a pair) is by the early 20th century English artist George Hider. These paintings, which can be found in their original swept gilt frames, both feature a cottage set...

Passage is a colorful painting made by Evelyne Ballestra, a French contemporary artist. This orange tons expressionist painting is inspired from an enchanted wood, showing the nature...

Alfred Collin (1880-1944). Alfred Collin was a Swedish impressionist landscape and marine painter. Like many of his Scandinavian contemporaries he ...

This came from the collection of the Horace Richter Gallery, Old jaffa, Israel These were done in the 1990's This does not appear to be hand signed. It is signed and dated verso perhaps by gallerist. Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums. He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky. In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins. In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists. In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson...

Joanne Seltzer was born in Philadelphia, Pennsylvania and raised in Charleston, West Virginia. After having majored in journalism at Northwestern University (she graduated in 1963), she gained her fine arts degree at the University of Michigan. Ms. Seltzer has also attended the New School for Social Research, the Pratt Institute and New York University, at Which she gained invaluable experience in photography, silkscreen and design. In Addition, Ms. Seltzer has lectured at several institutions, including the school of Visual Arts in New York, the University of Virginia and the University of Iowa. she is in the collection of the Brooklyn Museum and the Indianapolis Museum of Art and has showed at Un jardin secret - Collection Monique Dorsel et Emile Lanc - Centre de la Gravure et de l'Image imprimée, La Louvière along with Jean Tinguely, Francois Morellet, Georg Baselitz, Berto Lardera...

Silkscreen in colors on paper with deckled edges. Hand signed and numbered lower left by the artist. Remarqued lower right margin by the artist. Sheet size 21 x 16 inches. Image si...

Sarah Noble Ives, artist (1864-1944). Original drawing of three Dutch children, with an ink inscription reading: “Full Page / 6 Buff / Three children sliding on the ice / upon a summer’s day” above image. Ink, watercolor, and gouache on linen/board. Illustration for Mother Goose...

Dreamy impressionist painting with a striking, hot palette. Titled Aegean Temple on the original gallery tag and presented in the period, silver leaf frame.

The Left Bank

Medium Size artwork Mix Media on Canvas. Framing options available. BIO Born and raised in the coastal town of Mobile, Alabama, Brad Robertson's earliest inspiration was the landsc...

While most can not even count all 102 stories of the Empire State Building, artist Alice Smith accurately paints each and every story with exacting detail ...

This beautiful semi-abstract harbor scene of a flock of birds is rendered in Martin's signature style

Adam S. Umbach Biography American, b. 1986 Adam Umbach was born in Chicago, and currently lives and works in Brooklyn, New York. After being inspired from an early age by the modern...

Original oil painting on canvas. Hand signed lower front by the artist. Canvas size 56 x 32 inches. Custom framed as pictured. Artwork is in excellent condition. Certificate of ...

Emily Lowe was born in New York and Studied art at Columbia College, NY University, Académie Julian Paris, France (ASL) and Miami University (M....

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

Small Size artwork Mix Media on Stretched Canvas. Framing options available. Contact gallery for options. BIO Born and raised in the coastal town of Mobile, Alabama, Brad Robertson's earliest inspiration was the landscape—the indigenous pines and oak trees, and the waters of Mobile Bay...

Woman in Surreal Landscape Illustration Published: Woman's Home Companion December 1939, "How to Pray" By Ralph Sadler Meadowcroft Work is Unframed

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be...

Original painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offer...

Most likely for a magazine like Saturday Evening Post interior editorial spread. The empty space to the right was for the art director to surprint type. The empty space acts as a com...

This is a masterfully rendered and brilliantly designed scene from the Arabian Nights. page 33 from Random House. We are not sure if this is by Gustaf Tenggren. ( Gustaf Tenggren At...

The blue window

Daniel Content painted in the grand tradition of the Golden Age of Illustration, in the style of Dean Cornwell, N.C. Wyeth, J.C Leyendecker ...

Living Tree is a colorful painting made by Evelyne Ballestra, a French contemporary artist. This red tons expressionist painting is inspired from an enchanted wood, showing the natur...

The bench in the shade

Giclee print on 330gsm Museum Cotton Rag Smooth Paper hand embellished by Roamcouch . From the edition of 15 (each is unique with different embellishments - tags on the building behi...

Original painting on canvas. Hand signed on front; titled and dated on verso by the artist. Painting is stretched. Artwork is in excellent condition. Certificate of Authenticity i...

Before there was Photorealism, there was Austin Briggs. Done in 1951, this work has all the hallmarks of the 1970's fine art movement and more. Briggs is using photographs as a refer...

Hector Garrido is an American book cover illustrator. He illustrated numerous science fiction, horror and adventure book covers, including all the covers for the Baroness series of pulp novels, and covers for the Destroyer series. He also illustrated romance and gothic novels, and Nancy Drew and Hardy...

Oil on canvas laid on panel

Heading to the Ball

Original painting on canvas. Hand signed on front by the artist. Painting is stretched. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable of...

This meticulously planned, designed, and executed work depicts an ultra-wide angle view of a rock quarry/mine. The viewer looks down at close-up-stylized rock formations and then out at a horizon line with rust-colored mine trestles. Atherton hints at perspective with a broken white line that is wider in the foreground and tapers to a hairline as it recedes to the background. The work was done in 1951 at the height of America's most important art movement: Abstract Expressionism. John Atherton absorbs its influences but retains elements of representation. Atherton was an in-demand commercial artist who worked for most blue-chip clients. It is possible that this was an editorial assignment for Fortune Magazine. At the same time, Atherton was also a fine artist and the work could be an expression of pure creative pursuits. The work looks better in person and one can look at it for hours and not get bored. Look carefully and you may discover a deeper meaning in this painting of precisely arranged rocks. Signed lower right. Brooklyn Museum of Art, New York, sold to benefit the acquisitions program ____________________ From Wikipedia, the free encyclopedia John Carlton Atherton (January 7, 1900 - September 16, 1952) was an American painter and magazine illustrator, writer and designer. His works form part of numerous collections, including the Museum of Modern Art,[1] Whitney Museum of American Art and the Smithsonian American Art Museum.[2][3][4] Early Years He was the son of James Chester Atherton (1868-1928) and Carrie B. Martin (1871-1909). He was born in Brainerd, Minnesota.[5] His father was Canadian born. His parents relocated from Minnesota to Washington State, with his maternal grandparents whilst he was still an infant. He attended high school in Spokane, Washington. Career During his early years he never displayed an aptitude for art; rather, his first love being nature and the activities he relished there, mainly fishing and hunting. He enlisted in 1917, serving briefly in the U.S. Navy for a year during World War I. At the end of the war, determined to get an education he worked various part-time jobs, as a sign painter and playing a banjo in a dance band to pay his enrolment fee at the College of the Pacific and The California School of Fine Arts (now the San Francisco Art Institute). Once there, he also worked in the surrounding studios developing his oil painting techniques. A first prize award of $500 at the annual exhibition of the Bohemian Club in 1929, financed his one way trip to New York City, which helped to launch his career as an artist.[6] Atherton had aspired to be a fine artist, however his first paid jobs were for commercial art firms designing advertisements for corporations such as General Motors, Shell Oil, Container Corporation of America, and Dole. However, by 1936, encouraged primarily by friends, such as Alexander Brook, an acclaimed New York realist painter, he returned to the fine arts. Atherton continued to accept numerous commissions for magazine illustrations; such as Fortune magazine, and over the years he would paint more than forty covers for The Saturday Evening Post starting with his December 1942 design, “Patient Dog.” This picture is reminiscent of his friend Norman Rockwell ‘Americana style’ and captures a poignant moment of nostalgia, where a loyal dog looks toward a wall of hunting equipment and a framed picture of his owner in military uniform. Selected One person Exhibitions Atherton accomplished his first one-man show in Manhattan in 1936. His Painting, “The Black Horse” won the $3000 fourth prize from among a pool of 14,000 entries. This painting forms part of the Metropolitan Museum of Art collection in New York.[7] Atherton achieved recognition in New York City and elsewhere during the 1930s. Having exhibited at the Julien Levy Gallery in New York,[8] his paintings began to be collected by museums; including the Museum of Modern Art[9] and the Metropolitan Museum of Art. His reputation increased with his art deco stone lithograph poster for the 1939 New York World's Fair. In 1941, his design won first place in the Museum of Modern Arts “National Defense Poster Competition”. Selected Public Collections Fleming Museum of Art, Burlington, Vermont Albright-Knox Art Gallery,[10] Buffalo, NY Art Institute of Chicago,[11] Chicago Wadsworth Atheneum,[12] Hartford, CT Brooklyn Museum of Art, New York Metropolitan Museum of Art, New York The Museum of Modern Art,[13] New York Whitney Museum of American Art,[14] New York Pennsylvania Academy of the Fine Arts,[15] Philadelphia De Young Museum,[16] San Francisco Smithsonian American Art Museum,[17] Washington DC Butler Institute of American Art[18] Youngstown, OH The Famous Artists School Founded in 1948 in Westport, Connecticut, U.S.A. The idea was conceived by members of the New York Society of Illustrators (SOI), but due to the Society's legal status, could not be operated by it. SOI member Albert Dorne led the initiative to set up a separate entity, and recruited the support of Norman Rockwell, who was also an SOI member. For the founding faculty, Dorne recruited Atherton, as well as accomplished artists such as Austin Briggs, Stevan Dohanos, Robert Fawcett, Peter Helck, Fred Ludekens, Al Parker, Norman Rockwell, Ben Stahl, Harold von Schmidt and Jon Whitcomb.[19] He collaborated with Jon Whitcomb with the book “How I Make a Picture: Lesson 1-9, Parts 1”.[20][21] Society of Illustrators Atherton as an active member from his arrival in New York. The society have owned many of his works. Ex-collection includes: Rocking Horse (ca. 1949) [22] Atherton, as his peers had many of his works framed by Henry Heydenryk Jr.[23] Personal On November 2, 1926, he married Polly “Maxine” Breese (1903-1997).[24][25] They had one daughter, Mary Atherton, born in 1932. Atherton's often chose industrial landscapes, however found himself spending considerable time in Westport, Connecticut, with an active artistic community, and it became home for him, and his family. He then moved to Arlington, Vermont.[26] Norman Rockwell enlisted Atherton in what was to be the only collaborative painting in his career.[27] He was part of a group of artists including a Norman Rockwell, Mead Schaeffer and George Hughes who established residences in Arlington.[28] Atherton and Mead Schaeffer were avid fly fishermen and they carefully chose the location for the group,[29] conveniently located near the legendary Battenkill River. In his free time, Atherton continued to enjoy fly-fishing.[30] He brought his artistic talent into the field of fishing,[31] when he wrote and illustrated the fishing classic, “The Fly and The Fish”.[32] He died in New Brunswick, Canada in 1952,[33] at the age of 52 in a drowning accident while fly-fishing.[34] Legacy The Western Connecticut State University holds an extensive archive on this artist.[35] His wife, Maxine also published a memoir “The Fly Fisher and the River” [36] She married Watson Wyckoff in 1960. Ancestry He is a direct descendant of James Atherton,[37][38] one of the First Settlers of New England; who arrived in Dorchester, Massachusetts in the 1630s. His direct ancestor, Benjamin Atherton was from Colonial Massachusetts...

This is not one of McMackin's widely available reproductions. This is the actual oil painting of the Canadian Snowboarder. Arrives framed. One cannot appreciate this beautiful painting on a computer screen. In real life, it is fantastic. Snowboarding is a recreational and competitive activity that involves descending a snow-covered surface while standing on a snowboard that is almost always attached to a rider's feet. It features in the Winter Olympic Games and Winter Paralympic Games. Snowboarding was developed in the United States, inspired by skateboarding, sledding, surfing, and skiing. It became popular around the world, and was introduced as a Winter Olympic Sport at Nagano in 1991 and featured in the Winter Paralympics at Sochi in 2014.2 As of 2015, its popularity (as measured by equipment sales) in the United States peaked in 2007 and has been in a decline since. The first snowboards were developed in 1965 when Sherman Poppen, an engineer in Muskegon, Michigan, invented a toy for his daughters by fastening two skis together and attaching a rope to one end so he would have some control as they stood on the board and glided downhill. Dubbed the "snurfer" (combining snow and surfer) by his wife Nancy, the toy proved so popular among his daughters' friends that Poppen licensed the idea to a manufacturer, Brunswick Corporation, that sold about a million snurfers over the next decade.5 And, in 1966 alone, over half a million snurfers were sold. Modern snowboarding was pioneered by Tom Sims and Jake Burton Carpenter, who both contributed significant innovations and started influential companies. In February 1968, Poppen organized the first snurfing competition at a Michigan ski resort that attracted enthusiasts from all over the country.7 One of those early pioneers was Tom Sims, a devotee of skateboarding (a sport born in the 1950s when kids attached roller skate wheels to small boards that they steered by shifting their weight). In the 1960s, as an eighth grader in Haddonfield, New Jersey, Sims crafted a snowboard in his school shop class by gluing carpet to the top of a piece of wood and attaching aluminum sheeting to the bottom.8 He produced commercial snowboards in the mid-70s.9 Others experimented with board-on-snow configurations at this time, including Welsh skateboard enthusiasts Jon Roberts and Pete Matthews developed their own snowboards to use at their local dry ski slope. Also during this same period, in 1977, Jake Burton Carpenter, a Vermont native who had enjoyed snurfing since the age of 14, impressed the crowd at a Michigan snurfing competition with bindings he had designed to secure his feet to the board. That same year, he founded Burton Snowboards in Londonderry, Vermont.12 The "snowboards" were made of wooden planks that were flexible and had water ski foot traps. Very few people picked up snowboarding because the price of the board was considered too high at $38 and were not allowed on many ski hills, but eventually Burton would become the biggest snowboarding company in the business.13 Burton's early designs for boards with bindings became the dominant features in snowboarding. The first competitions to offer prize money were the National Snurfing Championship, held at Muskegon State Park in Muskegon, Michigan.14 In 1979, Jake Burton Carpenter came from Vermont to compete with a snowboard of his own design. There were protests about Jake entering with a non-snurfer board. Paul Graves, and others, advocated that Jake be allowed to race. A "modified" "Open" division was created and won by Jake as the sole entrant. That race was considered the first competition for snowboards and is the start of what became competitive snowboarding. Ken Kampenga, John Asmussen and Jim Trim placed first, second and third respectively in the Standard competition with best two combined times of 24.71, 25.02 and 25.41; and Jake Carpenter won prize money as the sole entrant in the "open" division with a time of 26.35.15 In 1980 the event moved to Pando Winter Sports Park near Grand Rapids, Michigan because of a lack of snow that year at the original venue. In the early 1980s, Aleksey Ostatnigrosh and Alexei Melnikov, two Snurfers from the Soviet Union, patented design changes to the Snurfer to allow jumping by attaching a bungee cord, a single footed binding to the Snurfer tail, and a two-foot binding design for improved control. As snowboarding became more popular in the 1970s and 1980s, pioneers such as Dimitrije Milovich (founder of Winterstick out of Salt Lake City, UT), Jake Burton Carpenter (founder of Burton Snowboards from Londonderry, Vermont), Tom Sims (founder of Sims Snowboards), David Kemper (founder of Kemper Snowboards) and Mike Olson...

La Tonnelle Aux Roses

Small Size artwork Mix Media on Canvas. Framing options available. Contact Gallery for Options. BIO Born and raised in the coastal town of Mobile, Alabama, Brad Robertson's earlies...

This Golden Age of Illustration painting juxtaposes modern and ancient industrial practices. Giant eclectic generators from the current ti...

Original painting on canvas. Hand signed on front; titled and dated on verso by the artist. Painting is stretched. Artwork is in excellent condition. Certificate of Authenticity i...

This stunning Lakeland landscape (one of a pair) by the artist Charles Leslie (1839–1886) is an original oil-on-canvas painting that is over 100 years old. Leslie was an English landscape painter during the Victorian era. Being from a family of painters and strongly influenced by his grandfather, Edward Williams, another successful landscape painter, Leslie learnt to paint during his formative years. He spent summers with his uncles where he would slave away painting landscape after landscape until he mastered his craft. He then went on to pioneer paintings...

A Swedish School oil on panel Trompe L'Oeil painting of a coastal landscape bordered by blossoming flowers. Framed - 20 x 27 Inches Unframed - 15.25 x 22.25 Inches

Original acrylic painting on canvas. Hand signed, titled and dated on verso by the artist. Canvas size 35.5 x 47.4 inches. Custom framed as pictured. Artwork is in excellent con...

Exhibited: The North Carolina Museum of Art , October, 1967 Exhibited: November 5th to December 4, 1977 Titled: Study for Gomorrah, 1944 His work is in the collections of: Philli...

Original oil on canvas painting. Hand signed on front; signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Stretched. Certificate of au...

Original oil on canvas painting. Hand signed on front; signed and titled on verso by the artist. Canvas size 24 x 12 inches. Frame size is approx 35.5 x 23.5 inches. Artwork is i...