Florida - Landscape Paintings

Beautiful and historic oil painting on wooden panel of the Prince’s Palace in Monaco by the well known court painter, Pieter Francis Peters. Signed and dated 1862 lower left. Titled...

Tod Lindenmuth (1885-1976). St. Augustine, c.1935. Oil on primed panel, 12 x 14 inches. Signed en verso. Excellent condition. Unframed. Biography: Birth place: Allentown, PA Death place: St. Augustine, FL Addresses: St. Augustine, FL/Rockport, MA Profession: Painter, graphic artist, block printer Studied: Chase Sch. A.; & with Robert Henri, Ambrose Webster, George Elmer Browne, W.H.W. Bicknell. Exhibited: AIC; S. Indp. A., 1917-19, 1922-28; PAFA Ann., 1917-18, 1923, 1927-33; Salons of Am., 1922-24; Rockport AA; PAFA (prize); Corcoran Gal. biennial, 1930. Member: SC; A. Gld., St. Augustine, Fla.; Rockport AA; Provincetown AA. Work: PAFA; NYPL; MFA, Houston; Newark Mus.; Pa. State Col.; Allentown Mus. FA; Bibliothèque Nationale, Paris; Springfield Mus. A.; Kansas City AI; LACMA; TMA; Rochester Mem. Gal. A founder of the Provincetown Art Association and one of the original Provincetown Printers, Tod Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles. Although he was much influenced by Abstract Expressionism, his subject matter was realistic enough to be recognizable. He did linoleum cuts and was one of the first to work with that medium, and towards the end of his life, he experimented with collage. In the 1930s, he had commissions for the Public Works of Art Project and the Works Progress Administration. Lindenmuth was born in Allentown, Pennsylvania. He studied with Robert Henri at the New York School of Art in Manhattan, and in Provincetown with E. Ambrose Webster and George Elmer Browne. He first exhibited in Provincetown in 1915, and between 1917 and 1928 served on the jury for the Provincetown Art Association’s ‘First Modernistic Exhibition”. He exhibited regularly with the Society of Independent Artists in New York. He married artist and illustrator Elizabeth Boardman Warren...

Oil on canvas painting by the American artist William Reuben Clark Wood. Signed lower left and dated 1913. The painting is it’s original wood, gesso and gold leaf frame 33.5 by 39.5 inches. WILLIAM REUBEN CLARK WOOD American, 1875–1915 A noted scenic landscape painterOil pastel on paper by the American artist Leon Dolice. Signed lower right. Condition is excellent. The painting appears from my research to be the Banker’s Trust building completed in 1917 in New York City. The building still stands today with landmark status. In original Art Deco frame. Overall 18.75 by 14 inches. Condition of frame is very good to excellent. W.R.C. Wood - as he signed his name - was born in Washington, D. C. in 1875. He was a pupil of Samuel E. Whiteman (1860 - 1922), an earlier Baltimore artist...

Very well executed oil on canvas painting of a approaching storm and the churning surf pounding against the seaside rocks. In the manner of Frederick...