Florida - Landscape Paintings

Gertrude A. Larter (1878-1954). Looking Across Oak Bay in Puget Sound to Mt. Baker taker from our bedroom window at Old Charming Inn, Victoria B.C. Canada. August 8th 1946 Waterco...

Original Painting Op Art Zebras in a field of daisy flowers in a lush tropical jungle setting. Titled "Dreamland". Gustavo Novoa, Born 1941 in Santiago, Chile, He attended the Acade...

Artist/Designer; Manufacturer: Francis Newton Souza (Indian, 1924-2002) Marking(s); notes: signed; 1975 Materials: acrylic on canvas Dimensions (H, W, D): 30"h, 49.75"w image; 35.5"h...

This tranquil oil painting, signed by artist K. Roche, depicts a serene wetlands landscape bathed in the soft glow of the moon. The composition features a calm river or lake, surroun...

Beautiful early landscape by American artist, Will Howe Foote (1874-1965). Bermuda Landscape, ca. 1890-95. Oil on on textured cardboard panel, measures 14 x 18 inches. Original attri...

Bobert Brown (British, b.1936). Perugia, Italy. Oil on canvas measures 14.5 x 22 inches; 19.5 x 27 inches framed. Signed lower left. One faint area of scratching on paint surface in ...

RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expanded her studies in etching and...

This is an original vintage oil painting on canvas depicting a nautical scene, with a large sailing ship in a choppy ocean. This is a classic maritime style, one that is so rarely ...

Beautiful seaside boathouse painting by Franklin Shores (1942-2020). Watercolor on rag paper measuring 22 x 29 inches. Signed lower right. Excellent condition. Provenance: Collec...

Michel Loeb (French, 1931- ) "Le Petit Clocher" Oil on Panel Painting Frame: 22.5" X 26" Image: 14.5" X 17.75" Hand signed bottom left Oil on board Fauve painting of a French countryside scene with trees, farmers and houses. Michel Loeb, 1930- painter, was born in Saint-Cloud. Lives and works in Luberon. Art naïf. Pointillist, Fauvist, Surrealist, Dadai artist, unclassifiable, highly original, unique art. His works radiate a light, a love of colors, of the absurd, of the funny, of the tender and of the poetic. French Naive art. Galerie Felix Vercel showed his work. Whether in color or black & white, in painting, sculpture or a lithograph print, the world of Michel Loeb is a poetic, joyful and exuberant paradise, where humor and fantasy are never far away. Extravagant works that sparkle like their iconoclastic author whose titles often say a lot. Each work is executed with great attention to detail, often under the magnifying glass, by this former jeweler, including its very large formats. Michel Loeb has drawn parallels to his masters of painting, facetious but always majestic winks and the desire for paintings in the style of Vincent Van Gogh, Paul Gauguin, Edward Hopper, Hokusai. Michel Loeb is a painter born in Saint-Cloud. He first trained as a jeweler and diamond dealer like his father and painted as an amateur. He devoted himself to painting from 1970, after his meeting with the famous art dealer Félix Vercel, who then took him under contract and exhibited him in Paris, New York and Tokyo. Galerie Felix Vercel in Paris (Avenue Matignon) and New York (Madison Avenue) showed artists as Pablo Picasso, Fernand Leger, Armand Guillaumin, Maurice Utrillo and Claude Venard. He is part of School of Paris artists that included Marcel Cosson, Jean Jansem, Claude Salomon, Michel Kouliche, Bernard Buffet, Bernard Lorjou, Jean Dufy, and others. Naive art was then in fashion and his work enjoyed great success; he has prepared no less than one exhibition per year since this period. Recently he had the opportunity to present his work in Provence, Oslo or Shanghai. Since 1988, he has settled in Oppède, in the Luberon, among vineyards, scrubland and olive groves where he draws his inspiration. His work is simimilar in its childish naive appeal and is reminiscent of Henri Maik and Gustavo Novoa. In the French tradition of Séraphine de Senlis, Ferdinand Cheval, Henri Rousseau, Louis Vivin...

Monotype Monoprint Hand signed and numbered 1/1 Lake landscape Sheet: 37.5" X 27" Image: 29.5" X 19.75" Susan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bays and ocean, rolling grass lands and forests. It is inhabited by a diversity of wildlife, including over 450 species of birds, mountains lions, deer, bobcats, foxes, and elk. Ms. Hall who is a native of this area returned after spending twenty years in New York City. In her book, “Painting Point Reyes”, Hall says, “Point Reyes is the center of my painting life. Point Reyes has been my life and when I haven’t lived here, it has been an underground stream that spoke to me in dreams and visions.” While living and painting in New York City, Ms. Hall exhibited her work widely in museums and galleries. Among them are the Whitney Museum of Art; San Francisco Museum of Art; Nancy Hoffman Gallery, Trabia MacAfee Gallery, Phyllis Kind Gallery, Chicago; Ovsey Gallery, Los Angeles. In addition, her work has been featured in group exhibitions throughout the United States and abroad, including in 2020 Bud Shark's Ink: The California Crew at BMoCA, Boulder Museum of Contemporary Art Colorado USA representing the panoply of aesthetics, cultural backgrounds, viewpoints, and talent held within the bounty of art “made in California.” This remarkable grouping of artists, Brad Brown, Enrique Chagoya, Roy De Forest, Amy Ellingson, Susan Hall, Don Ed Hardy, Mildred Howard, Robert Hudson, Hung Liu, Kara Maria, Rex Ray, Alison Saar, Italo Scanga, and William T. Wiley. Women to the Fore, Hudson River Museum Yonkers 2021 A group of women artists working in oil painting and drawing, lithograph prints and photograph, collage and sculpture. Many icons of feminist art history. Judy Chicago, Judy Giera, Marisol, and Shanequa Benitez, Ann McCoy, Anna Walinska, Audrey Flack, Barbara Morgan, Berenice Abbott, Bessie Potter Vonnoh, Georgia O'Keeffe, Hannelore Baron, Harriet, Judy Chicago, Louise Nevelson, Marisol, Mary Frank, Nancy Graves, Susan Hall, Yvonne Thomas...

Artist: Frank Dicey (English, c. 1838-1888) Title: "Promenade en Bateau en Soirée (Evening Boat Ride)" *Signed by Dicey lower left Circa: 1880 Medium: Original Oil Painting on Canvas Framing: Recently framed within a black and gold Baroque style moulding with linen liner from Holland and and a gold filet Framed size: 24.75" x 30.75" Canvas size: 18.25" x 24.25" Condition: Relined. Minor craquelure. In excellent condition Notes: Provenance: private collection - Boston, MA. Biography: Frank Dicey (English, c. 1838-1888) was a figure painter born in London. He exhibited between 1880 and 1888 at the Royal Academy, Royal Institute of Oil Painters, Royal Institute of Painters in Water Colours and Grosvenor Gallery in London, as well as at the Glasgow Institute of the Fine Arts, Royal Society of Artists in Birmingham, Walker Art Gallery in Liverpool and Manchester City Art Gallery. Dicey also exhibited with the Royal Society of British Artists, a society which nominated James Whistler its President in 1886. He was elected a member of The Arts Club in 1866 and a member of the Royal Institute of Oil Painters in 1883. In 1874/1876, Dicey's name was included by James Whistler in a list which may have been a guest list for the private view of Whistler's Pall Mall exhibition of 1874, or a subscription list for Whistler's Venice etchings...

Eggermont, Marjan (Contemporary Dutch Canadian), Ghost Island 2006, mixed media patina and silkscreen painting on steel, 20 x 20 inches Hand signed, titled and dated on wood bar ve...

Melitta Schiffer, painter. b. Trieste, Italy. In her youth, moved to Weimar, Germany with her parents. Studied at Art Academy, Weimar, Germany; Advanced studies with artist Mildan; 1...

Vibrant Landscape with Sun. Artist signed lower right corner, oil on canvas 36"x30" framed 45"x39"x1"5 Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended...

Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...

Genre: Post Impressionist Subject: Landscape Medium: Oil Surface: Canvas Country: France Dimensions: 24" x 20" Jacques Zucker was born in 1900 in Radom, Poland. He was a notably famous Jewish American artist mostly known for his expressionist figure paintings. In his young years he traveled to Palestine to study fine arts at the Bezalel Art School in Jerusalem. In 1917 he joined the British Royal Fuesiliers under the leadership of General Allenby to liberate Palestine from the Turks. After the first World War he settled in Paris, where he continued his studies at Académie Julian and Academie Colarossi. He then emigrated to the United States in 1922 and continued his art studies at the National Academy of Design. He supported himself by designing jewelry. In 1925 he returned to Paris and studied at the Academie de la Grande Chaumier et Colarossi. During the Depression he worked for the WPA. From 1928 he took part in the Paris Salons: Autumn and the Tuileries. His works are expressionistic variations in the type of the Ecole de Paris. As a protégé of both Chaim Soutine and Renoir, hints of their style can be observed in much of his own work. Zucker’s style, that may have been influenced from the art of artists such as Marc Chagall, took pride in being an “internationalist”, standing the art of painting in its highest expression is universal no matter where the canvas was created. People who respond to quality in art will understand the beauty and meaning, in their own land or in a foreign land, this was his main idea behind his artworks that was exhibited in numerous solo show in leading galleries and museums in New York, Paris, Tel Aviv, and other art centers. Claude Roger-Marx of Figaro Litteraire, dean of French art critics, write a comprehensive study of Zucker’s illustrated with 135 color and black and white plates. He traveled widely, including Italy, Spain, Portugal, Mexico and Israel. From then on Zucker lived alternately in New York and Paris, maintaining homes in both places, and spent considerable time painting in Mexico, Portugal, Greece, and Israel. Zucker's post-impressionist works including town and landscapes, still-lives, and portraits, are part of an array of permanent installments in numerous museums and private collections in Tel Aviv, including the Joseph Hirschorn collection in Washington, D. C., the Museum of Modern Art in Paris, and the Bezalel Art Museum in Jerusalem. In 1947 he settled in Arcueil near Paris. Zucker died in 1981 in New York. The School of Paris, Ecole de Paris, was not a single art movement or institution, but refers to the importance of Paris as a center of Western art in the early decades of the 20th century. Between 1900 and 1940 the city drew artists from all over the world and became a centre for artistic activity. School of Paris was used to describe this loose community, particularly of non-French artists, centered in the cafes, salons and shared workspaces and galleries of Montparnasse. Before World War I, a group of expatriates in Paris created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists like Pablo Picasso, Marc Chagall, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. The term "School of Paris" was used in 1925 by André Warnod to refer to the many foreign-born artists who had migrated to Paris. The term soon gained currency, often as a derogatory label by critics who saw the foreign artists—many of whom were Jewish—as a threat to the purity of French art. Art critic Louis Vauxcelles, noted for coining the terms "Fauvism" and "Cubism", Waldemar George, himself a French Jew, in 1931 lamented that the School of Paris name "allows any artist to pretend he is French. it refers to French tradition but instead annihilates it. The artists working in Paris between World War I and World War II experimented with various styles including Cubism, Orphism, Surrealism and Dada. Foreign and French artists working in Paris included Jean Arp, Joan Miro, Constantin Brancusi, Raoul Dufy, Tsuguharu Foujita, artists from Belarus like Michel Kikoine, Pinchus Kremegne, and Jacques Lipchitz, the Polish artist Marek Szwarc and others such as Russian-born prince Alexis Arapoff. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, and the resentment expressed toward them by French critics in the 1930s was unquestionably fueled by anti-Semitism. Jewish members of the group included Emmanuel Mané-Katz, Chaim Soutine, Adolphe Féder, Chagall, Moïse Kisling, Maxa...

" Mimosas " original impressionist oil painting Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, sm...

Cecilia "Peach" Taylor (Mrs Reginald B. Taylor) Folk Art watercolor painting of horses titled "White Horse Farm) painted in 1948 A classic example of self taught, American Folk Art d...

Francine Tint (b. 1943) Another Time Thick acrylic impasto on board, 1999, Hand signed 'Francine Tint' titled, dated Inscribed 'To Piri, Enjoy Much Love' on the reverse. 14 x 15 1/...

Carol Jablonsky (1939-1992) Acrylic on canvas painting with collage titled verso "Letter in a Bottle" 17 X 17 framed 10.5 X 10.5 sight The image is whimsical and rather mysterious,...

Original oil on canvas painting of a Parisian street scene done in post impressionist style by the Portuguese artist, Hilario Roberto. Street scene complete with iconic Parisian flo...

Oil on canvas painting in a Post Modern style by the American artist, Paul D. Running. Signed lower right. Titled verso. Condition: Good. The town in the painting is Weggis, a resort town on Lake...

Garden Of Eden Landscape with Flowers Unsigned, oil on canvas 21"x26 in Gold Leaf Frame Ivan Rabuzin was born in Novi Marof in 1921 as the sixth...

Byron Browne (1907-1961). Provincetown Beach, 1957. Oil on canvas, 24 x 30 inches, 30 x 36 inches in vintage solid chestnut frame. Signed lower righ...

This painting depicts a classic Parisian street scene, likely from a historical or romanticized perspective. The architecture, with its mansard roofs and ornate windows, is iconic of...

Oil Painting Mid 20th century, signed P. Zimmerman Reminiscent of the Mid Century Social Realist and WPA works of Ben Shahn this captures an architectural street scape...

Julio Larraz “The End of Very Long Day” 2010 Oil on Canvas 20 x 24 in Signed by the artist Certificate of Authenticity by Julio Larraz

This is a bold, abstracted city scene. It appears to be New York City, It could be any large metropolis with skyscrapers and a bustle to it. It is signed S. Chait and signed with ini...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 14 x 20 inches. Signed lower margin. James Floyd Clymer ( 1893-1982 ) known for his Regionalist st...

"The Three-Masted Ship" by John Tudgay stands out as a remarkable piece of marine art for several compelling reasons. At first glance, the painting captures the viewer with its intri...

Margaret Layton (20th century). Greenwich Village shops (pair). Oil on board, each measures 6 x 13 inches; 10 x 17 inches framed. Each is signed lower left. No damage or conservation...

Up for sale is an original Large antique oil painting on canvas depicting a genre scene - winter canal scene - figures on the shore. Signed in the lower-right corner by artist G. Bi...

Mountain View Vibrant Landscape Painting Canvas 24"x30" framed 30"x36" Judith Sobel was born in Lwow Poland in 1924. After Word War II, she attended ...

Marine blue port de Mallorca original impressionist oil canvas painting. framed Original work by the Spanish artist Joan Sola. oil on canvas Signed by the artist SOLÀ PUIG, Joan (...

Charles Evans (1907-1992) Mediterranean Costal Town, 1932. Gouache and watercolor on paper. Sheet measures 8.5 x 10 inches; mounted in frame measuring 8.5 x 10 inches. Signed and dated lower left. Charles Evans was a modernist known for his abstract style of painting. He studied at New York's Art Students League and Parsons School of Design, and later in Paris with Fernand Lger at the Acadmie Moderne. In 1930, Evans and his wife spent a year living in what was Paul Cezanne's studio in Aix-en-Provence, France. The following year, Evans purchased the old silk mill in New Hope and became involved in the area's modernist movement, joining the Independents in 1932. By 1935, he began to work collaboratively with Louis Stone, whom he had met in 1929 while studying with Hans Hofman in Saint Tropez, and with Charles F. Ramsey, teaching art classes and working on the Cooperative Painting Project. Every week, the three were joined by the abstract painter, Lee Gatch, in discussions at Ledger's Inn in Lambertville. In 1948 Evans co-founded the New Hope Gazette with Walter M. Teller. The same year he created set designs for St. John Terrell's Lambertville Music Circus. He also designed sets for the Bucks County Playhouse and Philadelphia's Playhouse in the Park. He later served as Set Designer for the Fred Miller...

Early 20th Century European School, view of the city, with buildings in the background, gouache on paper unsigned in a beautiful custom made Haydenryk frame under glass.

Up for sale is a beautiful vintage/antique oil painting on canvas by Danish Artist depicting horses in the field. Signed indistinctly in a lower right corner and dated 1938. Di...

Julio Barragán (1928–2011) was an Argentine painter of the Concretist and Cubist schools. Life and work Barragán was born in Buenos Aires. He beg...

Original painting on canvas. Hand signed on front by the artist. Canvas size 40 x 30 in. Frame size approx 49 x 39 in. Artwork is in excellent condition. Certificate of authenticity ...

Almond trees in bloom. Majorca original expressionist canvas painting framed Painter born in the town of Estellencs on the island of Mallorca, from his youth he dedicates himself to...

Arie Azene, Israeli painter, born in Germany, 1934 Arie (Eisman) Azene was born in Hamburg, Germany. He immigrated to the Land of Israel with his parents soon after birth. In 1958, after studying art in Paris, he settled on Kibbutz Tzova in the Judean Hills, where he lived for 28 years. He spent 1968-1970 in France, England and Germany. In 1984, he moved to Jerusalem. Stylistically, Azene was influenced by the New Horizons group to which he was exposed during his studies at the Avni Institute in Tel Aviv. Other influences were Joseph Zaritsky, Avigdor Stematsky and Yehezkel Streichman. Azene works in oil paint, pencil and aquarelle. His early work was abstract, but over the years, it has become more figurative and realistic. His colour palette is often based on two complementary hues, with a predominance of various combinations of gray. Education 1948-51 Avni Institute, Tel Aviv 1951-52 Bezalel Academy of Arts and Design, Jerusalem 1957-58 Academie de la Grande Chaumiere, Paris, France, Advanced Studies Select Exhibitions Autumn Exhibition Autumn Exhibition Yad Lebanim Museum, Petach Tikva 1974 Artists: Shimon Avni, Mordechai Avniel, Azene, Arie, Eli Ilan, Michael Argov, Naftali Bezem, Nachum Gutman, Shraga Weil, Boaz Vaadia, Shmuel Katz, Ruth Schloss. Zaritsky Artists House, Tel Aviv 1976 Artists: Yitzhak Danziger, Menashe Kadishman, Osvaldo Romberg, Michal Wolman, Raffi Lavie The Kadishman Connection Israel Museum, Jerusalem 1979 Artists: Larry Abramson, Jacob El Hanani, Ovadia Alkara, Yosl Bergner, Marcel Janco, Lea Nikel, George Chemeche, Igael Tumarkin. Israeli Prints...

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem in contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. We have here a painter who, until the end of his life, was still in his full creative powers, and who continued to add to his impressive storehouse of artistic works. Hundreds of his paintings grace the homes of collectors in Israel and throughout the world, or hang in his private collection; they include Israel landscapes and, most importantly, cityscapes; an exquisite series of wild flowers; many portrait paintings; experimental wood sculptures; murals painted on wood panels; reliefs…, etc. All these are testimony to an artist who refuses to rest on his laurels, who forever reaches out to try his hand at new challenges, strikes out in novel directions, discovers innovative techniques, and experiments in all the dimensions of the plastic arts. On the Israel Museum website they have listed an exhibition of his Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz Arad, Dani Karavan, Reuven Rubin, Zvi Raphaely, Yossi Stern...

The Little Dancer of Degas - La Petite Danseuse de Degas Jean-Paul Courchia is a highly successful painter both in Europe and in America. His oils on ...

Edwin B. Kelley Jr. (American). Monterey Bay Cyprus tree Landscape. Oil on panel measuring 12 x 16 inches. Unframed. Signed lower left.

Original nocturnal oil on canvas landscape by the Italian contemporary artist Luca Caimmi. Signed in pencil lower left Caimmi”. Condition is excellent. The painting is framed in a...

Joseph Kardonne (1911-1985). Boothbay Harbor, Maine, 1967. Watercolor on paper, sheet measures 8.5 x 11 inches. Signed, dated and titled lower center. Excellent condition. Unframed. Born in Newark, New Jersey in 1911, Joe Kardonne...

The simple rendering of environmental shapes are distinct and lend a textile quality to the scene, for which Zorach was known. The complimentary colors of purple and yellow accented ...

Jerusalem Israeli landscape cityscape with the Har Habayit, The Temple Mount. Size includes frame. canvas is 37.5 X 42.5 Edward Ben Avram (born 1941) is an Indian - Israeli artist who was born in Bombay, India and immigrated to Israel as a teenager. He graduated from the Bezalel School of Art and Design in 1965 and continues to call Jerusalem his home. Most of Ben Avraham oil painting and watercolors portrays Israeli cities, particularly the old city of Jerusalem with its architecture and orientalist domes and arches, religious festivals, and Bible stories. He paints in creamy sensual tones incorporating symbols such as doves, a menorah, and Shabbat candles. With his penchant for filigreed designs and bright colors, Edouard Ben Avram betrays some influences of his Indian boyhood. But the subjects that he paints so gracefully with a touch of Oriental lyricism are scenes of Jerusalem, his home for over 20 years. Exhibitions 1964 Group exhibitions in the United States and Canada 1977 Safrai Gallery, Jerusalem (a prestigious gallery that shows Abel Pann, Mordecai Ardon, Samuel Bak, Abraham Binder...

This is an amazing original oil painting on canvas of the famous Portuguese-American painter, Humberto da Silva Fernandes (1937-2005) depicting a Seascape. Humberto da Silva Fernandes (1937-2005) was a Brazilian artist known for his maritime-themed paintings. He was born on March 20, 1937, in the city of Niterói, in the state of Rio de Janeiro, Brazil. Fernandes started his artistic career in the 1950s, working as a sign painter and creating murals for public buildings. In the 1960s, he began to focus on painting maritime scenes, particularly ships, and boats. His work is characterized by a realistic style that captures the beauty and power of the sea, as well as the intricate details of ships and boats. Fernandes' paintings often depict historic vessels...

Joseph Kardonne (1911-1985). Brattleboro, VT., 1969. Watercolor on paper, sheet measures 18 x 22 inches. Measures 22.5 x 26.5 inches in custom float fr...

When you gaze upon "Yacht Wanderer (Slave Ship)" by William Gay Yorke, you're not just looking at a maritime painting; you're peering into a fragment of history with profound and com...

Observing and understanding the world around us are the foundations of her reflections. Her approach to the world of Art has been largely influenced by the diversity of media underwr...

Masterfully executed 19th century British oil on canvas. This fabulous piece depicts a possible battle scene at Medway, which in the 1600s the Dutch had a huge victory against the Br...

Original oil on canvas painting of a Scottish village in winter. Signed lower right. The “R.O.I. after the artist’s name is the abbreviation for the R...

Henry John Yeend King (1855-1924) was a landscape and rustic genre painter. He began his artistic career by working for three years in a glassworks. King went on to study painting under William Bromley in London, and also with Bonnat and Cormon in Paris. He exhibited from 1874 to 1924 at The Royal Academy and The New Watercolour Society. He was elected to the Royal Society of British Artists in 1879, the Royal Institute in 1886, later becoming Vice President. He was also a member of the Royal Institute of Oil Painters. In 1898 his picture 'Milking Time' was purchased by the Tate Gallery in London. Yeend King was a fine late-Victorian oil painter...

BARCELONA STREET original watercoler painting. MUNDO Ignasi Ignasi Mundó trained at the School of La Lonja, with Joaquín Mir, Mariano Pidelaserra and Manolo Hugué. In 1945 he recei...

Hane paints a dreamy nocturne - a fusion of earthy and celestial bodies with circling birds around a central vertical axis. Created on assignment for De Beers' highly published A Diamond is Forever" campaign. "A love by the stars was important. Until the right man of the wrong sign put his star on my finger. And I entered his house with my love. The artist created the painting to be the night ... so it appears a little dark in natural light. Best viewed with a top and key light to bring out the colors. For example if you bring the painting outside on a bright day.. the colors will pop. If you view inside of a dark hallway.. it will look sombre with less detail. Again, it's a nocturne. Hane painted the covers of the Collier-Macmillan editions of C.S. Lewis's Chronicles of Narnia books, as well as such Simon & Schuster publications as Carlos Castaneda's The Teachings of Don Juan and A Separate Reality. In 1963, Hane was hired to do a full-page illustration for Esquire magazine; he moved to New York in 1965. He married Elaine Miller...