Florida - Figurative Photography

Luna Color Archival Pigment print Size 40" x 60" Ed of 6 + 2AP Unframed Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna ...

Rayas Two, by Ricky Cohete Archival Pigment print Image size: 30 in. H x 20 in. W Ed of 13 Unframed Throughout his exploration of the movement of the body, with modern and ballet...

Yellow Lilies By The Window New York From the artist studio in Chelsea New York. Rafael Saldarriaga was born in Medellin, Colombia in 1955. Arrived in the United States in 1993. Af...

Hatay is a visual artist, photographer, healer and a former Rock and Roll photojournalist. the yellow photocopied poster/info sheet is not included. Born in Scotland of a Hungarian...

Silla Clemente, 2021 by Ricky Cohete From The Nostalgic Series Archival pigment print Image size: 36 in H x 24 in W. Edition of 10 Unframed Channeling the energy of “water-signs” i...

Edition of 10 Mounted in Plexiglas Record Original Size Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turnta...

30X26 with Mat. (20X24 inch polaroid) From The New York Times: Dennis Farber abducts children from photographic illustrations in children's books of the 30's. He paints Ku Klux Klan costumes on some toddlers at a birthday party, as if he could see their character and future by the light of the birthday candles...

Bruce Cratsley, American (1944-1998) Vintage gelatin silver print Street Art A surrealist image of a man walking over a Sandro Botticelli chalk drawing in a NYC park Hand signed, titled and dated 1989 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

This large format 20 x 24 Polaroid photograph is a self portrait of the photographer David Chack. This is a one-of-a- kind, " instant" color photograph. The process uses a multi-laye...

Bruce Cratsley, American (1944-1998) Vintage gelatin silver print A Renaissance face and shadow bench A surrealist image of a Sandro Botticelli sidewalk chalk drawing in a NYC park Hand signed, titled and dated 1989 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...

Ed. of 21, estate-stamped. Includes black frame with white mat. Norman Parkinson was the preeminent fashion photographer in Great Britain from the late 1930s until his death in 1990...

Celebration of Martha Graham (1986).

Untitled 2, 2024 by Ricky Cohete From The Leather ands Skin Series Archival pigment print Image size: 36 in H x 24 in W. Edition of 10 Unframed The artist explores the intersection...

Kouros Torso Pink and Pale Diptych, by Michael James O’Brien Color fiber paper Overall size: Paper size: 24 H x 40 W inches. Frame size: 33.5 H x 49 W x 1 D inches. Individual size:...

"David Bowie, New York City, 1973" photograph by Neal Preston. "Photo by Neal Preston" hand written on front lower right corner. This framed photograph was previously displayed in a ...

A monumental Fifth Avenue billboard depicting three nude models from the waist down and only wearing shoes soars above passing pedestrians. The scene is characterized by a deeply imp...

Ed. 1/5, includes white frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classic...

Kenn Duncan (1928-1986). Male Model, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

Cerro by Ricky Cohete From the "Cerros" series Small size: 30 in H x 20 in W. Edition of 13 Unframed Exploring color in the darkness, inspired by the Italian and Dutch renaissance...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

"Prada, Fall/Winter 2005, Milan" C-print by fine art photographer Simon Procter of a runway show by the Italian fashion house. From an edition of 10 plus 2 artist's proofs. Mounted o...

Embrace Color Archival Pigment print Size 40" x 60" Ed of 6 + 2AP Unframed Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fau...

This striking black-and-white photograph captures Carmen in NY enveloped in a flowing, white gown, creating a graceful, sculptural form. Her head is elegantly tilted to the side, fra...

"Spirits of Valentino, Fall/Winter 2012" photograph of a runway show for the renowned Italian fashion house taken by fine art photographer Simon Procter. Specialist inkjet on gallery...

William Wegman's highly conceptual Dog - Cat interaction is depicted in this large-format Polaroid Polacolor print that features a double portrait - a Dog and a Cat - together but separate in their own defined space. Signed, titled, and dated to lower right ‘Church & Steeple William Wegman 93’. This work is unique. provenance: Wright Chicago, Fraenkel Gallery, San Francisco Acquired from the previous in 1993 by the original owner Thence by descent Best viewed with a top gallery light...

Rayas One and Rayas Three, Diptych Overall size: 36 in. H x 48 in. W Individual size: 36 in. H x 24 in. W Ed of 10 Unframed Throughout his exploration of the movement of the bod...

A striking image of lone Lion set against a dramatic colorful sunset of the animal's domain. Signed, dated, numbered lower right, recto 3/15, unframed, other sizes available, printed...

The reality is that this is an eye-witness account of a male peacock displaying for the attention of a female peahen. It turns out that humans are equally...

kouros Pale, Torso Pink, Kouros Back Triptych, by Michael James O’Brien Color fiber paper Overall size: Paper size: 24 H x 60 W inches. Frame size: 33.5 H x 73.5 W x 1 D inches. Individual size: Image size: 22.5 H x 17.5 W inches. Paper size: 24 H x 20 W inches. Frame size: 33.5 H x 24.5 W x 1 D inches. Ed 3/5 + 2AP Black wood frame Medium format color neg film Photographed with Pentax 6 x 7 camera In natural light _________________ Michael James O’Brien is a photographer, teacher, curator, poet, and activist based in Atlanta, GA. He has had solo exhibitions in New York, Paris, Beijing, Hong Kong, Antwerp, Istanbul, Liverpool, and Savannah GA. in addition to having worked in London’s National Portrait Gallery’s permanent collection. His work has been featured in publications like Rolling Stone, Vogue UK, The New Yorker, GQ, Eyemazing, Black & White Photography UK, The Guardian, and The Financial Times among many others. He has been Editor-at-Large of Verbal Abuse, the poetry zine as well as Contributing Editor for Departures Magazine. His book Girlfriend; Men, Women, and Drag, with text by Holly Brubach, was published by Random House in English, French & Japanese in 2000. From 1900 to 2000 he did all the still photography...

Kenn Duncan (1928-1986). Male Model, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

Water Lilies, 2023 by Ricky Cohete From the series Water Lilies Color Archival Pigment print Image size: 20 H x 30 W in. Frame size: 29.5 H x 36.5 W x 1...

Pond, 2023 by Ricky Cohete From the series Water Lilies Color Archival Pigment print Image size: 24 in. H x 36 in. W Edition of 10 Unframed ____________...

Ed. of 21, unframed print. Estate-stamped. Norman Parkinson was the preeminent fashion photographer in Great Britain from the late 1930s until his death in 1990. Born in 1913, Parki...

Estate-stamped. Includes black frame. Milton H. Greene, famous for his fashion photography and celebrity portraits from the golden age of Hollywood, met Marilyn Monroe on a photo sh...

A determined, lone, sexy nude male is about to sprint down an endless road in New Mexico and, in a quest for meaning, meet his destiny. The image exudes a sense of primal instincts...

Blond girls, Nude and scantily clad feminine figures, and ballerina dancers, with delicate, refined fingers and toes, are captured in idealized poses with soft pastel colors. In the most graceful pose, a beautiful blue-eyed blonde girl is captured on her tiptoes with outstretched arms. Signed, dated and numbered 3/15 recto, unframed, printed later, another size available- printed later - Printed on Hahnemühle Fine Art paper - There is an intentional light grain to the film. Robert Funk is a pioneer of toy photography, doll photography...

Set of 2 Photographs, by Michael James O’Brien Color fiber paper Overall size: Paper size: 24 H x 40 W inches. Frame size: 33.5 H x 49 W x 1 D inches. Individual size: Image size: 2...

Well-muscled male cat with full mane. He's King of the Jungle even if he's in stone and against a pink background. The contrast of gritty the stone texture against the smooth flat sky is unexpected and somehow makes the image special. Signed, dating and numbered 2/15 recto, unframed, another size available, printed later, Printed on Hahnemühle Fine Art paper Robert Funk is a pioneer of toy photography, doll photography...

Inspired by the drama of chiaroscuro painting by Caravaggio, Mitchell Funk captures figures on the steps of Bryant Park in Manhattan. Unified by the late golden rays of the sun and t...

Elephant's Embryo, Uganda Aributed to Peter Beard/Unsigned The original photograph "unsigned" but documented by its inclusion in "Peter Beard - Fifty Years of Portraits, The End of the Game...

Folding man One by Ricky Cohete From Motion series Black and White Photograph Archival pigment print Size 36" x 24" Ed of 10 + 1AP Unframed Throughout his exploration of the movem...

In 1969, Bethesda Fountain on weekends was a gathering place for the radical and hip people of the time. Abbie Hoffman and Jerry Rubin were regulars...

Title: Mursi RoadBlock, Omo River Valley, Ethiopia, 2001. Printed later 2005 Sheet size: 20 in. H x 24 in. W Image size: 14.8 in. H x 22. In W A signed, original print. Unframed Cyr...

Doug Rickard (American b.1968) Limited Edition Archival Pigment Print. Features the work titled; A New American Picture - Detroit. Signed on verso and numbered 4/5. Work: 26 in. x 41 1/2 in. Frame: 26 1/2 in. x 42 in. Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. All of the images are appropriated from Google Street View; over a period of two years, Rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the unseen and overlooked roads of America, bleak places that are forgotten, economically devastated, and abandoned. With an informed and deliberate eye, Rickard finds and decodes these previously photographed scenes of urban and rural decay. A New American Picture depicts American street scenes, located using the internet platform Google Street View. Over a four-year period, Rickard took advantage of Google’s massive image archive to virtually explore the roads of America looking for forgotten, economically devastated, and largely abandoned places. After locating and composing scenes of urban and rural decay, Rickard re-photographed the images on his computer screen with a tripod- mounted camera, freeing the image from its technological origins and re-presenting them on a new documentary plane. The low-resolution images that Rickard favors have a dissolved, painterly effect, and are occasionally populated with figures who acknowledge the camera, but whose faces are blurred, masking their identity. The photographs are thus imbued with an added surrealism and anonymity, which reinforces the isolation of the subjects and emphasizes the effects of an increasingly stratified American social structure. Rickard’s work evokes a connection to the tradition of American street photography, with knowing references to Walker Evans, Robert Frank and Stephen Shore. He both follows and advances that tradition, with a documentary strategy that acknowledges an increasingly technological world—a world in which a camera mounted on a moving car can generate evidence of the people and places it is leaving behind. Collectively, these images present a photographic portrait of the socially disenfranchised and economically powerless, those living an inversion of the American Dream.Doug Rickard (born 1968) is an American artist and photographer. He uses technologies such as Google Street View and YouTube to find images, which he then photographs on his computer monitor. His photography has been published in books, exhibited in galleries and held in the permanent collection of the San Francisco Museum of Modern Art. Rickard is best known for his book A New American Picture (2010). He is founder and publisher of the website on contemporary photography, American Suburb X, and the website These Americans which publishes some of his collection of found photographs. This work features a black, African American man in the foreground walking in a bleak neighborhood in Detroit, Michigan. Rickard was born in San Jose, California and brought up in Los Gatos in the San Francisco Bay Area. His father was a prominent pastor and many family members were preachers and missionaries, with a "very Reaganesque, patriotic view of America", a country "special and unique". Rickard studied United States history—slavery, civil rights—and sociology, at University of California, San Diego, and "lost his faith in this family vision. His adult view of America was a land not just of great achievement but also of massive injustice." At age 12 he witnessed his father having a secret extramarital affair, that years later in 1988 he confessed to his congregation. Rickard says this experience prompted him "to look for the fault lines in the American dream." He lives in Shingle Springs, near Sacramento, California. For his series A New American Picture, Rickard "wanted to look at the state of the country in these areas where opportunity is non-existent and where everything is broken down", where "the American dream was shattered or impossible to achieve". It is said that this work comments on United States politics, poverty, racial equality and the socioeconomic climate, class; the use of technology in art, privacy, surveillance, and the large quantity of images on the web. He cites as influences the photobooks American Photographs (1938) by Walker Evans, The Americans (1958) by Robert Frank, Uncommon Places (1982) by Stephen Shore and American Night (2003) by Paul Graham. The work was first exhibited as part of Anonymes: Unnamed American in Photography and Film, curated by David Campany and Diane Dufour at Le Bal, Paris, in 2010. To mark that occasion Rickard produced the first edition of the book, with the publisher White Press. Its first American museum show was at New York's Museum of Modern Art. Select Publications: Aperture Remix. New York: Aperture, 2012. A series of books made in homage to another Aperture publication, each in an edition of 5 copies. Rickard's was a response to Uncommon Places by Stephen Shore. The other publications were by Rinko Kawauchi, Vik Muniz, Alec Soth, Taiyo Onorato & Nico Krebs, Martin Parr, Viviane Sassen, Penelope Umbrico and James Welling. Produced in conjunction with the exhibition Aperture Remix. A New American Picture. Nazraeli Press Six by Six, set 4 v. 5. Portland, OR: Nazraeli, 2012. Edition of 100 copies. The other volumes are by Robert and Kerstin Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Issei Suda. Staking Claim: a California Invitational. San Francisco: Modernbook, 2013. Photographs by Rickard as well as Matthew Brandt, Susan Burnstine, Eric William Carroll, John Chiara, Chris Engman, Robbert Flick, Todd Hido, Siri Kaur, Mona Kuhn, Matt Lipps, David Maisel, Klea McKenna, Mark Ruwedel, Paul Schiek and Christina Seely. Catalogue of an exhibition held at the Museum of Photographic Arts, San Diego, CA. Select Exhibitions: Solo exhibition 2012: Yossi Milo Gallery, New York, October–November 2012. Group Exhibitions 2010: Anonymes: L’Amérique sans nom: Photographie et Cinéma (Anonymous: Unnamed America in Photography and Film), Le Bal, Paris, September–December 2010. A thematic exhibition with works by Rickard as well as Jeff Wall, Walker Evans, Chauncey Hare, Lewis Baltz, Standish Lawder, Sharon Lockhart...

Rayas Three, by Ricky Cohete Archival Pigment print Image size: 30 in. Hx 20 in. W Ed of 13 Unframed Throughout his exploration of the movement of the body, with modern and balle...

Beloved Color Archival Pigment print Large 40" x 60" Ed of 6 + 2AP Unframed The artist uses a vivid contrast of color to add an extra dimension in the movement and shadows of each p...

Men Legs One by Ricky Cohete From Motion series Archival pigment print Size 36" x 24" Ed of 10 + 1AP Unframed Throughout his exploration of the movement of the body, with modern an...

Man In Air by Ricky Cohete Color Archival Pigment print 36 in. H x 24 in. W Small Ed of 10 Unframed The artist uses vivid contrast of color to add an extra dimension in the movement...

Lyric Theatre, 1936 Gelatin silver, printed circa 1979. Image size 14.5 x 19.25 inches. Hand signed. Numbered (Of 60) in pencil on mount recto. Frame size approx 24 x 28 inches. ...

Sea Crown, by Ricky Cohete Color Archival Pigment print Medium size: 36 in H x 24 in W. Edition of 10 + 1AP Unframed 2020 The artist uses a vivid contrast of color to add an extra...

Matthew Barney, Cremaster 5, 1997, by Michael James O’Brien Archival Inkjet Print on fine art paper Paper size: 17 x 24 inches Image size. 12.5 x 17 inches with 2 inches of white bor...

Untitled V, ( nc-18-S2-0004). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Sheet size: 100 H cm x 100 W cm. Image size: 90 H...

Milena Rosado Junio 2000 by Celso José Castro Daza From the series Dysfunctional Family One-of-a-kind Photo collage Sheet Size: 27.5 in. H x 19.5 in. W Unframed Signed, titled and da...

Standing ballet by Efren Isaza Archival pigment print mounted on aluminum intervened by the artist Measures: 65 x 48 inches Signed, titled, dated ,and annotated on verso by the artis...

Kouros Green, by Michael James O’Brien Color fiber paper Image size: 22.5 H x 17.5 W inches. Paper size: 24 H x 20 W inches. Ed 3/5 + 2AP Unframed Medium format color neg film Pho...

Pluri-Bol, 2010 by Rodrigo Etem From the series Ser Cosa Archival pigment print on fine art paper Size: 26 H x 40 W inches. Edition of 7 Unframed …this ...