Florida - Photography

Fisher Ross Embrace 3, ca. 1977. 5 7/8 × 4 3/8 inches. 2026 archival pigment print on Canson satin paper from the original. From an edition of 15 on archival paper produced by ...

Fisher Ross Embrace 5, ca. 1977. 4 3/8 × 5 7/8 inches. 2026 digital print from the original in the Fisher Ross Archive. From an edition of 15 on archival paper produced by the F...

Sunset in the Red Room, The Tappen House, Little Compton, RI (Rhode Island) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, docum...

Henry Chalfant (b.1940) Lee, 1978. Unique photographic pentaptych (five sections) mounted to black matboard. Complete image measurement: 3.5 x 17 inches. Signed by artist and titled in gold ink on matboard verso. "Lee" was produced in an edition of 20 in 1978 in a conventional format on a single sheet of photographic paper. The piece offered here is a unique experimental version created that same year, comprised of 5 image sections. Original, period custom frame with 1970's frame stamp on verso (no area code). Henry Chalfant (born January 2, 1940) is an American photographer and videographer most notable for his work on graffiti, breakdance, and hip hop culture. One of Chalfant's prints is held in the collection of the Metropolitan Museum of Art in New York City. Education and career Chalfant is a graduate of Stanford University, where he majored in classical Greek. Starting out as a sculptor in New York City in the 1970s, Chalfant turned to photography and film to do an in-depth study of hip-hop culture and graffiti art. One of the foremost authorities on New York subway art, and other aspects of urban youth culture, his photographs record hundreds of ephemeral, original art works that have long since vanished.[1] His photographs have appeared in exhibitions of graffiti art from its early appearances in New York/New Wave at P.S.1 Contemporary Art Center to retrospectives such as Art in the Streets at the Museum of Contemporary Art, Los Angeles and City as Canvas: Graffiti Art From the Martin Wong Collection at the Museum of the City of New York, in addition to galleries and museums in the United States, Europe, and Asia. In 1983, Chalfant co-produced the PBS documentary Style Wars, the seminal documentary about graffiti and hip hop culture.[2] Among Chalfant's other films are Flyin' Cut Sleeves, a documentary about Bronx street gang leaders in the 1970s and Visit Palestine: Ten Days on the West Bank, based on his visit to the occupied territories in 2000. His 2006 documentary From Mambo to Hip Hop: A South Bronx Tale chronicles two generations who grew up on the same blocks of the Bronx, NY, using rhythm as their form of rebellion—for the older generation of the 1950s it was the rhythms of Cuba; for their children of the 1970s it was the rhythms of rap.[3] The film was featured in the Latino Public Broadcasting series Voces in 2006-2007, and won an Alma Award for Best Documentary. He has co-authored an account of New York graffiti art...

Fisher Ross Embrace 2, ca. 1977. ca. 1977. 6 3/8 × 4 3/8 inches. 2026 digital print from the original in the Fisher Ross Archive. From an edition of 15 on archival paper produ...

Fisher Ross 10-Speed, ca. 1977. Print measures 8 x 10 inches. 2026 digital print from the original in the Fisher Ross Archive. From an edition of 15 on archival paper produced by...

Fisher Ross Portrait of a Young Couple, ca. 1977. Print measures 8 x 10 inches. Framed measurement: 10 x 12 inches. 2026 digital print from the original in the Fisher Ross Archiv...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Beach Through Screen, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professi...

Coif - available is three formats - 20x24” - 30x40” and 50x60”

Sold out in all formats Available - 30x40 inches - framed, located in NYC

Victor Arimondi (1942-2001). Portrait of Grace Jones, 1975. Period print measures 8.5 x 11.25 inches; 10 x 13 inches framed. Artist studio stamp on ver...

Fisher Ross Portrait of a Couple, ca. 1977. Print measures 8 x 10 inches. Framed measurement: 10 x 12 inches. 2026 digital print from the original in the Fisher Ross Archive. Fr...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer recreated the images inspired by paintings and images from these eras, also finding inspiration from artists such as Leonardo DA Vinci, Albrecht Dürer, and others. Each image by photographer Dora Franco...

From Polidori's ongoing Versailles series, started in 1985

Artist: Man Ray (American born, 1890 - 1976) Title: SURREAL MODERNIST ABSTRACT Date Of Negative: 1934 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Pr...

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

A quiet moment suspended between movement and destination. Beneath the glow of neon lights, a vintage automobile and motorcycle rest beside a roadside diner as the desert settles int...

Giacomo da Prato Faraglioni II, Capri, Italy, 2022 40 x 40 inches (100 x 100 cm) edition of 7 Archival Pigment Print Unframed Certificate of Authenticity included Framing available...

Conceptually, Kerstens' photographs play with the dialog between the mediums of painting and photography, with seriality, and time. On a more emotional level, they address everyday r...

Fisher Ross Portrait of a Bearded Man, ca. 1977. Print measures 8 x 10 inches. Framed measurement: 10 x 12 inches. 2026 digital print from the original in the Fisher Ross Archive...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Jack Mitchell, American Photographer (1925-2013). Joe Dallesandro, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. Period print from artist's studio. The image was intended for ...

This striking black-and-white photograph captures Carmen in NY enveloped in a flowing, white gown, creating a graceful, sculptural form. Her head is elegantly tilted to the side, fra...

A cinematic glimpse of the American West, where a vintage gas station, classic automobile, and custom motorcycle stand beneath fading twilight. Bathed in the glow of fluorescent ligh...

Carol Beckwith, (American, b. 1945), Maasai Portrait Chromogenic print on paper, from Beckwith's book "Maasai" (1980), Hand signed in pencil, dated and titled with name of sitter ...

Lisa Klausner (American, 1955-) 1983 "Collins Avenue" Signed bottom right Frame: 28" X 32" Image: 14" X 18.5" This is printed on paper in pastel deco colors and appears to be a photo based color print. It might be hand tinted. She had a show "Lisa Klausner — “Seaside Oddities,' painted photographs at Barbara Gillman Gallery. She was one of Miami Beach’s first gallery owners, the woman who brought Andy Warhol to South Beach and brought Art Basel to Miami Beach. She was involved in artists Christo and Jeanne-Claude wrapping Biscayne Bay islands in hot pink. She loaned art for “Miami Vice.” She dealt with some of the world’s most important contemporary artists, including but not limited to, James Rosenquist, Herman Leonard and Nam June Paik. Lisa Klausner born in Northeast Ohio, Shaker heights. After college, she lived in South Florida and then New York City, where she worked as a photographer. Her work has appeared in the New York Times Magazine and is in the permanent collection at the Cleveland Museum of Art and the Brooklyn Museum. This is from the Miami Vice period when she lived and worked in Miami Beach, South Beach Art Deco district. “It was a desert,” said Lisa Klausner, 31, a photographer who was one of the first of the deco converts to move to Ocean Drive in 1981. She lived in the Cardozo...

Channeling the energy of “water-signs” in astrology, he captures these mysterious men thru a romantic lens. The embrace of the shadows and the light mixed with the gaze of their bodi...

Dimensions: 8" x 10" Dimensions w/Frame: 12.5" x 15.5" Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Ro...

Fisher Ross Portrait of a Kyle Hazzard (Ed Izzo) wearing Penn State Gym Shorts, 1977. Print measures 3 3/8 x 5 3/8 inches. 2026 digital print from the original in the Fisher Ross...

Artist Unknown. From Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to...

Swiss Chard, Charlotte, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 Moody photos of a summer vacation house at the beach. Pe...

Under the Pier explores the quiet intersection of human structure and natural movement. Photographed beneath a coastal pier, the image reveals a disciplined rhythm of concrete column...

Victor Arimondi (1942-2001). Portrait of male model Ingolf wearing Torben Hardernberg, ca. 1975. Period print measures 9 x 11 inches. Artist studio stamp on verso. Victor Arimondi ...

Kenn Duncan (1928-1986). Fashion editorial photo of male model Pat Anderson, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. The print was used for publication in After Dark Magazine. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

Kenn Duncan (1928-1986). Male Model, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

A large scale Cibachrome photograph. An abstract work from the series titled, "Fairfax Ladies," (the historic old Jewish neighborhood of Los Angeles) produced 1983. The subject was ...

These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful. Victor Raphael was born in Los ...

Lee Radziwill and Philip Johnson at The Met - 10/18/1973 Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland...

In this early photographic series, Dubravka Lazić turns her lens toward a subject rarely treated with such a quiet dignity: domestic cats. Shot in 2005, these portraits mimic the fo...

New York Architect Robert Nichols 11/30/1959 Photographer is Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art move...

In this series the artist found that the rocks were so round that they looked like prehistoric holes, each one telling a story and reflecting a bit of her soul. Mauricio Velez's pho...

Artist: Man Ray (American born, 1890 - 1976) Title: ABSTRACT RAYOGRAPHY Date Of Negative: 1923 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 19...

Giacomo da Prato Rome Details I, Italy, 2022 40 x 40 inches (100 x 100 cm) edition of 7 Archival Pigment Print Unframed Certificate of Authenticity included Framing available upon ...

BERT STERN – "MARILYN MONROE (NAVY/LIGHT BLUE)" Photo Silkscreen ⚜ Hand Signed ⚜ Numbered ⚜ Framed A HIGHLY COLLECTIBLE WORK FROM THE MARILYN MONROE SERIES This original 1973 photo ...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sh...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 9 x 12 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

A fleeting moment reveals the lioness beyond her reputation. With her jaws wide open and eyes gently closed, what first appears fierce becomes unexpectedly peaceful. The photograph i...

Juan Carlos Alom (Cuba, 1964) 'Esta obra no tiene título es sólo el silencio de mi veneración', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

As an artist, He is fascinated by the opulence and richness of still life of the golden age of Dutch painting in the 17th c. These works, of course, symbolize mortality and the tempo...

Nick Veasey Pink Perfume Box, 2005, (2/15) Framed Chromaluxe 36 x 36 in (91.44 x 91.44 cm)

A Bientot, closeup of flower. The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak Moody photos of a summer vacatio...

The photographic work of Raphael Macek offers profound meditation on the timeless bond between humans and horses. With exceptional sensitivity, Macek captures the equine form as both...

Available Sizes & Editions 60 x 40 in. (152.4 x 101.6 cm) — Edition of 12 71 x 47 in. (180.3 x 119.4 cm) — Edition of 12 80 x 53 in. (203.2 x 134.6 cm) — Edition of 12 88 x 60 in...

From space, error is projected onto the focal point, error for man. From within, we modify the language of the elements to compose a reuse of the ordinary and bring it into play in a...

Bettie Page Two-Piece Leopard Print Suit, Key Biscayne, FL, 1954 by Bunny Yeager Vintage Gelatin Silver Print Image size: 20 in. H x 16 in. W Frame ...

Frames that capture the transformation from everyday life into another reality. Images that explore how the future will look. The proposal comes from the contemporary but goes beyond...

16.5x20.5, 7.5x9.5 actual image Born in 1957 at Kalamazoo and raised in Detroit, MI, Tom Ferguson has photographed still lifes, flowers, botanicals, collage, city-scapes and landsca...