Florida - Photography

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Delirio, 2001 by Celso José Castro Daza From The series Buscando Mamá One of a kind photo collage Sheet Size: 39.5 in. H x 27.5 in. W Signed, titled and dated by the artist Unframed...

Archival Color Pigment Print Edition of 13 + 2AP From the series “The Alignment” which is materialized from video footage shot with two ballet dancers underwater; he is carrying on ...

For this body of works, Krag incorporates live and dry flowers,vines, moss, air plants and ocean driftwood creating botanical instruments that seem to touch on contrasting themes of vitality and decay. He creates breathing and dying objects deeply connected to the passing of time, stilled lives contemplating mortality and the brevity of beauty and life. Photography helps Kevin Krag...

This one depicts a sports wristwatch over an aerial landscape and is titled Fields Pattern. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American aviation pioneer, ...

Touching the skin of the past is an extraordinary collection of Roman Statues captured with the ICM technique in order to make the marble skin like a truly human body. 'Touching the ...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

Touching the skin of the past is an extraordinary collection of Roman Statues captured with the ICM technique in order to make the marble skin like a truly human body. 'Touching the ...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Amorphisms explore the distorted and negative self-image, which is constructed and mutated from emotions, lived experiences, and interactions with others. Assuming that these mental ...

Josephine Baker, 2018 by Paloma Castello Digital photographs on glossy pearlescent paper 47.2 x 33 inches Edition 1 /3 + 1AP unframed 2018 _______________________ Paloma Castello bo...

Amorphisms explore the distorted and negative self-image, which is constructed and mutated from emotions, lived experiences, and interactions with others. Assuming that these mental ...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Instincto, 2023 by Ricky Cohete From The Blanco - Sepia Series Archival Pigment print Size: 30 x 20 in. Ed of 13. Unframed For this series, he used elements such as water (emotions...

Sepia Photograph Archival Pigment print 36 x 24 in. Ed of 10 Unframed For this series, he used elements such as water (emotions) to narrate a story. He worked with the color Blanco ...

A Thousand Windows is an exploration of building facades that become infinite reticles of repetitive cells, which contain in them the concept of unify...

Hunter & Gatti wanted to pay tribute to the neo-expressionist Jane-Michel Basquiat's legacy by merging the celebrity portraits they had made in the past for fashion editorials and ca...

The mat measures 21 X 16 the images are around 12 X 9 inches. They bear the blindstamp of the American Colony Jerusalem. I am not sure if these are hand colored but they are from the period. Old City Shuk or Souq. The Original American Colony was a colony established in Jerusalem in 1881 by members of a utopian society led by Anna and Horatio Spafford. Now a hotel in East Jerusalem, it is still known by that name today. After suffering a series tragic losses following the Great Chicago Fire of 1871 (see hymn "It is Well with My Soul"), Chicago residents Anna and Horatio Spafford led a small American contingent in 1881 to Jerusalem to form a utopian society. The "American Colony," as it became known, was later joined by Swedish Christians. The society engaged in philanthropic work amongst the people of Jerusalem regardless of religious affiliation, gaining the trust of the local Muslim, Jewish, and Christian communities.During and immediately after World War I, the American Colony carried out philanthropic work to alleviate the suffering of the local inhabitants, opening soup kitchens, hospitals, orphanages and other charitable ventures. Towards the end of the 1950s, the society's communal residence was converted into the American Colony Hotel. The hotel is an integral part of the Jerusalem landscape where members of all communities in Jerusalem still meet. In 1992 representatives from the Palestine Liberation Organization and Israel met in the hotel where they began talks that led to the historic 1993 Oslo Peace Accord. Panorama of Jerusalem, c. 1890-1920 The Colony moved to the large house of a wealthy Arab landowner, Rabbah Husseini, outside the city walls in Sheikh Jarrah on the road to Nablus. Part of the building was used as a hostel for visitors from Europe and America. A small farm developed with animals, a butchery, a dairy, a bakery, a carpenter's shop, and a smithy. The economy was supplemented by a shop selling photographs, craft items and archaeological artifacts. The American Colonists were embraced by the Jewish and Palestinian communities for their good works, among them, teaching in both Muslim and Jewish schools. Photography Around 1900, Elijah Meyers, a member of the American Colony, began taking photographs of places and events in and around the city of Jerusalem. Meyers's work eventually expanded into a full-fledged photographic division within the Colony, including Hol Lars (Lewis) Larsson and G. Eric Matson, who later renamed the effort as the Matson Photographic Service. Their interest in archeological artifacts (such as the Lion Tower in Tripoli pictured here), and the detail of their photographs, led to widespread interest in their work by archeologists. The collection was later donated to the Library of Congress. World War I When the Ottoman Empire entered World War I as an ally of Germany in November 1914, Jerusalem and Palestine became a battleground between the Allied and the Central powers. The Allied forces from Egypt, under the leadership of the British, engaged the German, Austrian and Turkish forces in fierce battles for control of Palestine. During this time the American Colony assumed a more crucial role in supporting the local populace through the deprivations and hardships of the war. Because the Turkish military...

pigment print, plexiglas face mount

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Deco District to the modern skyline of our days. Stripes, circles, squares, and reflections show only some details of important buildings but they all have the power to raise emotions and unexpected shapes and volumes inside us. A final touch is reserved for nature skin from the ocean to the tropical vegetation. You need now to make an effort of imagination to discover and compose all pictures and eventually frame it in your own mind. Artioli captures beauty through his camera, creating artistic, painterly images by intentionally moving the camera during long exposures. These images represent 'the impression' of a world in constant movement. From Miami Skin Series Miami Beach Art Deco...

For this body of works, Krag incorporates live and dry flowers, vines, moss, air plants, and ocean driftwood creating botanical instruments that seem to touch on contrasting themes o...

The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The gla...

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lo...

Everts Township Homestead, Summer, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery...

Rare vintage signed and dated silver gelatin black & white unframed photograph. (printed circa 19730-1981) signed and numbered in ink on recto. Hand developed by or under the personal direction of Micha Bar Am at the studio of acclaimed printer Thomas Consilvio in Beverly Hills, California. In 1981, the negatives were retired and donated by Bar-Am to the permanent archives of the Tel-Aviv Museum, Israel. This one has the feel of a Roman Vishniac photo. Micha Bar-Am (Hebrew: מיכה בר-עם) (born 1930 in Berlin, Germany) is an Israeli journalistic photographer. His images cover every aspect of life in Israel in the past sixty years. Since 1968 he has been a correspondent with Magnum, the photographic cooperative. From 1968 to 1992, he was the New York Times photographic correspondent from Israel. He has published several books of photography, beginning in 1957. His work is held in numerous international museums and institutes throughout the world. Born in Berlin to a Jewish family, Bar-Am moved with his parents in 1936 to then British Mandate of Palestine. He attended local schools. He was drafted in 1948 and served during Israel's War of Independence, when he was part of the Palmach Unit. Afterward, he worked several jobs, including as a locksmith and a mounted guard, before becoming a photographer. In 1949 he co-founded the kibbutz Malkia in Galilee. Later he became a member of Kibbutz Gesher HaZiv. Photography career In the early 1940s, Bar-Am started taking pictures of life on a kibbutz; he used borrowed cameras until he bought a Leica. After his military service, he began photographing more seriously. After publishing his first book, Across Sinai (1957), Bar-Am gained work as a photographic reporter and in the editorial staff of the Israeli Army magazine, Ba-Mahaneh, from 1957 to 1967. In 1961 he covered the Adolf Eichmann trial. In 1967 he covered the Six-Day War, during which time he met Cornell Capa. Many of his war images brought him renown. Since 1968, he has been a correspondent for Magnum Photos. In 1974 he helped Capa found the International Center of Photography in New York City. In 1968, Bar-Am also became the photographic correspondent from Israel for the New York Times, a position he held until 1992. From 1977-92, he was head of the department of photography at the Tel Aviv Museum of Art. He says that he has adopted Robert Capa saying, "If your photographs aren't good enough, you weren't close enough," Awards 2000--Israel Prize for photography. 1993—Enrique Kavlin Prize, Israel Museum, Jerusalem, Israel 1985-86--Nieman Fellow, Harvard University, Cambridge, Massachusetts, USA 1985—IBM Fellowship, Aspen, Colorado, USA 1985—Golden Flamingo Award for Photographic Poster, Arles, France 1985--Fulbright Grant Books Southward: Micha Bar-Am, Photographs, Israel: The Negev Museum of Art, 2013 Insight: Micha Bar-Am's Israel, London: Koenig Books / Israel: Open Museums, 2011 Israel: A Photobiography, USA: Simon & Schuster, 1998 The Last War, Israel: Keter Publishers, 1996 Painting With Light: The Photographic Aspect in the Work of E.M. Lilian, Israel: Tel Aviv Museum of Art/Dvir Publishing, 1991 Jewish Sites in Lebanon, USA: Moreshet Eretz-Yisrael/Ariel, 1984 The Jordan, Israel: Masada Ltd., 1981 Portrait of Israel, USA: New York Times/American Heritage Press, 1970 Across Sinai, Israel: Hakibbutz Hameuchad, 1957 Collections Israel Museum, Jerusalem, Israel Tel Aviv Museum of Art, Tel Aviv, Israel Haifa Museum, Haifa, Israel The Museum of the Jewish People at Beit Hatfutsot, Tel Aviv, Israel The Museum of Photography at Tel Hai, Tel Hai Kibbutz, Israel International Center of Photography, New York, USA The Museum of Modern Art, New York, USA Museum of Fine Arts, Houston, USA International Museum of Photography at George Eastman House, Rochester, USA Skirball Museum, Los Angeles, USA Minneapolis Institute of Arts, Minneapolis, USA Henry Buhl Collection, New York, USA Ludwig Museum, Cologne, Germany Folkwang Museum, Essen, Germany Bibliothèque Nationale, Paris, France Musée d'Art et d'Histoire du Judaïsme, Paris, France Collection FNAC, Paris, France Fundacion “La Caixa”, Barcelona, Spain National Maritime Museum, London, UK Magnum Photos: Photographic Collection, Harry Ransom Center, University of Texas at Austin, USA This photo is signed. It is from the height of the war. Leonard Freed, Micha Bar Am, Henri Cartier-Bresson, David Rubinger...

"CHANEL, Super Rocket, Fall/Winter, 2017" black and white C-print by fine art fashion photographer Simon Procter depicts Karl Lagerfeld and models at the Chanel Fall/Winter 2017 Pari...

Ed. 1/5, includes white frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classic...

Seated Ballet by Efren Isaza Measures: 65 x 48 inches Archival pigment print mounted on aluminum, intervened by the artist Signed, titled, dated and annotated by the artist on verso ...

Set of 2 collages, 1995 by Celso José Castro Daza One of a kind photo collages Overall sheet size: 27.5 in. H x 39 in. W Individual sheet Size: 27.5 in. ...

Cuerpos by Ricky Cohete From the "Cerros" series Small size: 30 in H x 20 in W. Edition of 13 Unframed All prices are quoted as "initial price" and may change due to current sales....

Artist: Man Ray (American born, 1890 - 1976) Title: ROCK LINES ABSTRACT Date Of Negative: 1920 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 19...

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...

Faiber Oct 10, 1999 by Celso Castro-Daza From The series Guerreros. Photography photo collage intervened by the artist with bland ink mounted on archival paper. Sheet size: 27.5 in. ...

Eternal Recurrence #3 by Natasha Zupan Archival pigment print of photographic paper Image size: 60 in. H x 53.5 in. W Edition of 5 2015 All Prices are quoted as "initial price". ...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Artist: Man Ray (American born, 1890 - 1976) Title: INTERIOR DESIGN Date Of Negative: 1934 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1...

Rapture Measures: 42 in H x 84 in W C-Print B&W Photograph Dated and signed by the artist Unique. 2007 Born in Tehran and raised in Europe and the United States, Iran, Issa-Khan began her photography career in the late 1970s studying with William Minor, Jr. Throughout the 1980s and 1990s, Issa-Khan photographed Paulina Porizkova...

Gabriel Wickbold I am online #8, 2015 44 x 64 inches 160 x 110 cm Edition of 5 Archival Pigment Print Framed (Matt Black) Signed on verso + Signature Lab...

Confrontación de Ideales, 2002 From The series Guerreros Unique Photo-collage Sheet size: 27.5 in H x 39.5 in W Unframed Signed, titled and dated by the artist The root of these un...

Jhonny. 1995 by Celso Castro From The series Guerreros Unique Photo collage Shee size: 27.5 in. H x 19.5 in. W Unframed Signed, titled and dated by the artist The root of these uni...

TERRY EVANS (American b. 1944) "Terraced Plowing," September 4, 1990, Color photograph (chromogenic print, C Print) on photo paper, dated and hand signed...

The Leaf by Iran Issa-Khan Black and white archival pigment print Image size: 19 in. H x 23 in. W Frame size: 36 in. H x 40 in. W x 1 in D Dated and signed by the artist Unique 2000 Born in Tehran and raised in Europe and the United States, Iran, Issa-Khan began her photography career in the late 1970s studying with William Minor, Jr. Throughout the 1980s and 1990s, Issa-Khan photographed Paulina Porizkova...

This one depicts a sports wristwatch over an aerial landscape and is untitled. it is signed and dated 1979. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American av...

Eternal Recurrence #63 by Natasha Zupan Photo collage with intervention by the artist Image size: 59.5 in. H x 48 in. W Framed size: 63 in H x 53 in W x 1 in D Framed 2015 All Price...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Roli. From The series Buscando Papa by Celso José Castro Daza One of a kind photo collage Sheet Size: 39.5 in. H x 27.5 in. W Unframed Signed, titled and dated by the artist The ro...

Still Life with a Pink Bird, by Zoltan Gerliczki From the series "Still Life" Archival Pigment Print Image size: 31.5 in H x 25.5 in W. Edition of 6 + 2AP Unframed 2019 As an artis...

Coconuts and The Leaf (Diptych)by Iran Issa-Khan Black and white archival pigment print Overall size: Image size: 19 in. H x 46 in. W Frame size: 36 in. H x 80 in. W Individual size:...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

David Jay's work gives a unique and intimate perspective on how we define beauty. A confrontation between the perception of beauty and the transitory nature of existence, Jay’s subje...

My Secret Business, 1992-1993 Duotone offset litho, Lithograph Sheet measures 30.13'' x 22.5'' (76 X 56 cm). 23 1/2 × 18 in (59.7 × 45.7 cm) image. Hand-signed by artist, Signed, da...

For this body of works, Krag incorporates live and dry flowers, vines, moss, air plants and ocean driftwood creating botanical instruments that seem to touch on contrasting themes of vitality and decay. He creates breathing and dying objects deeply connected to the passing of time, stilled lives contemplating mortality and the brevity of beauty and life. Photography helps Kevin Krag...

ARAQUÉM ALCÂNTARA Lion & Lioness, Tanzania, Africa, 2012 40 x 32 inches - Edition of 10 Archival Pigment Print - Black box frame matt - Regular Plex...