Florida - Prints and Multiples

Hand-Finished screen print on mirrored acrylic. Hand signed on front. Signed, numbered, dated, and thumbprint on verso. Custom framed by the studio. Frame size 27.75 x 33.75 inches. ...

Hand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...

Pol Bury (Belgian, 1922-2005) screen print of Statue of Liberty Hand signed and numbered 27/ 62 in pencil Dimensions: 24.25 X 17.5 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Etching of Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see photos. Dora Szampanier...

Chaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was active in the avante-garde community of Pablo Picasso, Ama...

Marilyn Bridges (American B.1948) "Luxor, Las Vegas" (hotel on the world famous Las Vegas, Nevada strip) 1995 Silver gelatin photo print 16" x 20", Frame: 26.25" X 22.25" Provenance: Corporate Art Directions inc. (prominent law firm) Not examined out of frame. Marilyn Christine Bridges (born 1948) is an American photographer noted for her fine art black and white aerial photographs of extraordinary ancient and modern landscapes. She has photographed sacred and secular sites in over 20 countries, including Peru, Mexico, France, Britain, Egypt, Greece, Turkey, Australia, Namibia, Indonesia and India. Bridges is a licensed pilot and a Fellow of the Explorers Club. She lives in New York. Bridges' work has been exhibited in over 300 museums and galleries, including solo exhibitions at the Smithsonian Institution in Washington DC, the Moscow House of Photography in Russia, the Field Museum of Natural History in Chicago, the George Eastman House in Rochester, the Royal Ontario Museum in Toronto, and the International Center of Photography in New York. Museums with extensive collections of her work include the Center for Creative Photography in Tucson, the International Center of Photography in New York, the Museum of Modern Art in New York, the Penn Museum in Philadelphia, and the Musée de la Photographie à Charleroi in Belgium. Her photographs have been published in major magazines, including Vanity Fair, Condé Nast Traveler, Time, Life, Archaeology, Smithsonian and The New York Times Magazine. She is the author of eight books. Marilyn Bridges studied photography at the Rochester Institute of Technology (RIT), where she earned a Bachelor of Fine Arts (1979) and a Master of Fine Arts (1981). She began her career in aerial photography in 1976 in the Peruvian desert. Bridges hired a small airplane to fly over the mysterious Nazca Lines, the largest concentration of earth drawings in the world. “At RIT she printed...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

Abramovitz, Albert 1879-1963 Born in Riga, Latvia, Abramovitz studied art at the Imperial Art School in Odessa and at the Grande Chaumière in Paris. In Paris, he became a member of the Salon in 1911 and in 1913 he became a member of its jury. He also became a member of the Salon d'Automne. While in Europe he received a medal at Clichy as well as the Grand Prize at the Universal Exhibition in Rome and Turin, Italy in 1911. In 1916, Abramovitz emigrated to America settling...

20.75x14.5 sheet size. 9.5x7.75 image size Shlomo Zafrir is active/lives in Israel, France. Shlomo Zafrir is known for cubist painting. Shlomo Zafrir is a painter and, at the same t...

"May Belfort" 1974 reproduction of an 1895 poster by Henri Toulouse-Lautrec produced under the auspices of the Lautrec Museum in Albi, France. Authenticated with museum seal authoriz...

A rare Judaic memorial piece for mother.

Vintage French Travel Poster, Air france Roger Bezombes (1913-1994) French Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. Heavily influenced by surrealism, He worked principally as a painter, adopting the saturated Fauvist colors of Henri Matisse in landscapes and figure studies often based on observation of “exotic” cultures, notably Mediterranean and North African. Constrained, because a very young orphan, to all kinds of professions which provide him with the material means to devote himself to painting - he participated in 1930 in the installation of the exhibition of the Bauhaus at the Grand Palais-, Roger Bezombes is student of the National School of Fine Arts in Paris. (Ecole des Beaux Artes) He was trained in the art of fresco by Paul Baudoüin, René Barotte nonetheless restores that the young man's preference goes to the practice of "truancy" which he uses to make copies at the Louvre Museum. It’s the time when Paul Gauguin’s paintings, Vincent Van Gogh and Henri Matisse are revealed to him by Maurice Denis with whom he will remain close until his accidental death, painting him on his funeral bed on November 14, 1943. He executed surrealist tapestry designs for Aubusson and Gobelin tapestries, posters (winning the Grand Prix de l'Affiche Francaise in 1984), costumes and sets for ballets at the Metropolitan Opera House in New York, reliefs and murals. In 1965 he took up medal-making, expressing in his numerous metallic works for the Paris Mint that obsession with found objects which is also evident in his large-scale sculpture and in his posters. He designed posters for Air France and for the French national railways. Roger Bezombes went to Africa for the first time in 1936 thanks to a travel grant and received the same year the second grand prize of Rome . In 1937 he traveled around Morocco where he became friends with Albert Camus. The year 1938 offered him both his first solo exhibition at the Charpentier gallery in Paris with paintings and gouaches on the theme of Morocco and the attribution of the national grand prize for the arts, earning him a great journey which , from Dakar to Algiers , takes it through Chad , Tamanrasset and Hoggar. Roger Bezombes became a professor at the Julian Academy in 1950. For him, 1951 was the year of a trip to Greece and the year where he began his relationship with tapestry work. Roger Bezombes visited Israel in 1953, Tunisia and Egypt in 1954. He was appointed official painter of the Navy in 1955. Pierre Mazars analyzes that “after a period where we notice the influence of Van Gogh and GeorgesBraque, particularly in his landscapes of Provence, he came to a more schematic writing, the colored spots and the thicknesses of material taking more of importance as the subject. He even performed composite works, half-watercolors, half-pasted papers, in which he incorporated pieces of newspapers”. He was elected titular to the Academy of Overseas Sciences in 1978. "The range of Bezombes' talent forms is remarkable,” writes Lynne Thornton, “ranging from paintings, murals, travel posters, tapestry cartons, book illustrations, monumental ceramic decorations, ballet and theater sets, totem sculptures, sculpture objects, jewelry and medallions”. He was part of the mid century mod School of Paris that included Leon Zack, Bernard Lorjou, Paul Augustin Aizpiri, Gabriel Godard, Michel Henry, Hans Erni, Bengt Lindstrom, Alfred Manessier, Andre Hambourg, Raymond Legueult and Jean Rigaud. Select Solo Exhibitions: 1938: Galerie Charpentier, Paris 1950, '53, '55, '57: Galerie Andre Weil, Paris 1953:Wildenstein Gallery, London 1954: Institut Francais, Cologne 1956: Galerie Matarasso, Nice 1957: Horn Gallery, Luxembourg; Guilde de la Gravure, Paris 1958: Denys-Puech Museum, Rodez 1962: Musee de l'Athenee, Geneva; Chateau Grimaldi, Cagnes-sur-Mer 1966: Galerie des Ponchettes, Nice 1967: Galerie Martel, Montreal 1968: Romanet-Vercel Gallery, New York; Reattu Museum, Arles; Le Corbusier Center, Firminy 1969: Galerie Philippe...

Gunter Damisch (1958, Steyr- 2016 in Vienna) was an Austrian painter and sculptor . He is one of "den Neuen Wilde" New Savages. (Junge Wilde) Gunter Damisch attended the Musikgymnasium Linz and then studied medicine and German and history for a few semesters. By age 16, he had already made 150 woodcuts and attended the International Summer Academy of Fine Arts in Salzburg with Claus Pack, he studied from 1978 to 1983 at the Academy of Fine Arts Vienna with Maximilian Melcher and Arnulf Rainer . In 1992 he took on a visiting professorship at the Vienna Academy (master class for graphics ) in Vienna, and since 1998 he has been a full professor there. From 1997 until his untimely death in 2016, he was head of the graphic arts department at the Vienna Academy of Fine Arts. the 1980s Damisch was a member of the Viennese punk band Molto Brutto, where he played bass and organ. Gunter Damisch lived and worked in Vienna and Freidegg . He was one of the most important international representatives of contemporary Austrian art because of his unmistakable, convincing and consistently formulated repertoire of colors and shapes (reminiscent of Friedensreich Hundertwasser.) He worked in stone lithos, woodcuts, lithograph, artists’ books like a free jazz virtuoso, making huge, one-of-a-kind pieces with collage, drawing, painting, woodcut and monotype on the same sheet. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl...

Color lithograph with color paper collage, 1987. Pencil signed lower right and dated, and numbered lower left 5/24. Litho depicts a poem titled "Ariadne" by T. Weiss. Published by ...

Artist: John Matos "Crash" Title: Fist Medium: Serigraph Signed: Hand Signed Measurements: 14.5" x11" Edition Number: 122/160 Condition:Excellent. This piece has been stored in a...

This is one of a series of 6 signed and numbered prints created by the great French poster artist, Gerard Courbouleix, known as Razzia. This print measures 10.5" x 14.5" and is from...

original limited edition woodcut woodblock print great depression era. signed in plate with his monogram and cipher mark. from the 1930s. Rare Judaic image. the Jewish Study...

This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of red, orange, green, yell...

Untitled, Carborundum color etching and collage with / string embroidery, signed and numbered 69/75, about 20x26 inches. Excellent condition. JAMES COIGNARD (1925-2008) Painter of S...

This is a set of three posters by John Gallucci, who is also known for his watercolors. The Winter Olympic Organizing Committee commissioned them to promote the ski events held in La...

Ilya Bolotowsky: 1907-1981. Well listed Russian American abstract artist. He was born in St. Petersburg, Russia and immigrated to the United States in 1923. He lived mostly in Sag Ha...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

Melissa Meyer (American, b. 1946) 1984-1987, aquatint etching in black on wove paper, hand signed print, dated, and numbered from small edition of 10. Unframed. size: 9.75'' x 6'',...

Melissa Meyer (American, b. 1946) 1984-1987, aquatint etching in black on wove paper, hand signed print, dated, and numbered from small edition of 10. Unframed. size: 9.75'' x 6'', ...

Giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Stretched. Certificate of authenticity included. Edition of 195. All reasonable...

Juano Diaz was born in Glasgow in 1977. Diaz's artistic practice executed by private commission has been placed in many high-profile international private and corporate collections w...

First place in the 1898 Bordeaux-Paris bicycle race went to Gaston Rivere on a La Francaise Cycle. The 350 mile race began in 1891 and was run annually until 1988. Although the date ...

"Lion Tamer" lithograph by Alexander Calder. Hand-lettered EA in lower left front corner. Hand-signed Calder in lower right front corner. From an ed...

PABLO PICASSO (1881-1973) Scène de tauromachie (A. R. 410) Terre de faïence dish, 1959, Inscribed Exemplaire Editeur, partially glazed and painted, with the Empreinte Originale de Picasso...

Arlecchino (Harlequin), the youngest characters of the Commedia dell'Arte is up to his usual tricks in this c1920 advertisement commissioned by the Societa Italiana Vini Superiori (I...

Artist: Michael Kagan Title: V As In Victor Size: 38 1/5 x 29 1/10 Inch (97 x 73.8 cm) Medium: Screen print with high gloss texture varnish on rad wh...

Artist: Kazuhide Yamazaki (Japanese-American, 1951-2023) Title: "Coffee Mug" *Signed and dated by Yamazaki in pencil lower right Year: 1984 Medium: Original Monotype on unbranded wov...

Melissa Meyer (American, b. 1946) 1984-1987, aquatint etching in black on wove paper, hand signed print, dated, and numbered from small edition of 10. Unframed. size: 9.75'' x 6'', 2...

Jan Roelf Mensinga, Dutch artist, painter, graphic printmaker, watercolor artist. (born Leeuwarden 1924 - 1998 Amsterdam) Education: Mensinga attended an art studies from 1954 to 1...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Egyptian Orientalist image with Snake From a 2014 portfol...

Genre: Photographic Subject: Cityscape Medium: Silkscreen of Photograph Surface: Paper Country: United States Dimensions: 21.5" x 28" Street Art, Urban Jon Naar is a British-Americ...

Artist: Jason Pulgarin x Tristan Eaton Title: Sedusa Size: 54 x 36 Inches (137.2 x 91.4 cm) Medium: Archival inkjet (giclée) print on 290gsm cotton rag printed on epson ultra chr...

Paul Levy (American, b. 1944) An established designer and illustrator, Paul M. Levy was born in Brooklyn, New York, in 1944. He received his B.S. in Industrial Design from the Univer...

Mark Drew Stay Coogi (RIP Biggie), 2021 6 color Serigraph on 290gsm Coventry Paper 18 × 18 in 45.72 × 45.72 cm Edition of 120

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Gina Pellón (1926-2014) "Untitled" Lithograph 30 x 20 in Signed by the artist at the bottom right corner

ARTIST: Salvador Dali TITLE: The Mythology Judgment of Paris MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 141/150 MEASUREMENTS: 18" x 29...

OBEY PRINTING PRESS Title: Letterpress Dimensions: 10 x 13 inches Edition: 340/450 Release Date: January 23, 2018 Experience the timeless artistry of "Obey Printing Press", a lette...

Gunter Damisch (1958, Steyr- 2016 in Vienna) was an Austrian painter and sculptor . He is one of "den Neuen Wilde" New Savages. (Junge Wilde) Gunter Damisch attended the Musikgymnasium Linz and then studied medicine and German and history for a few semesters. By age 16, he had already made 150 woodcuts and attended the International Summer Academy of Fine Arts in Salzburg with Claus Pack, he studied from 1978 to 1983 at the Academy of Fine Arts Vienna with Maximilian Melcher and Arnulf Rainer . In 1992 he took on a visiting professorship at the Vienna Academy (master class for graphics ) in Vienna, and since 1998 he has been a full professor there. From 1997 until his untimely death in 2016, he was head of the graphic arts department at the Vienna Academy of Fine Arts. the 1980s Damisch was a member of the Viennese punk band Molto Brutto, where he played bass and organ. Gunter Damisch lived and worked in Vienna and Freidegg . He was one of the most important international representatives of contemporary Austrian art because of his unmistakable, convincing and consistently formulated repertoire of colors and shapes (reminiscent of Friedensreich Hundertwasser.) He worked in stone lithos, woodcuts, lithograph, artists’ books like a free jazz virtuoso, making huge, one-of-a-kind pieces with collage, drawing, painting, woodcut and monotype on the same sheet. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Original pencil signed Judaic woodcut on mulberry paper. MORTON GARCHIK (1929-2009) Jewish American artist painter, printmaker, illustrator, woodcut artist and author. Garchik was ...

This stunning vintage Air France travel poster, Orient – Extrême-Orient, was created in 1949 by artist Lucien Boucher, whose imaginat...

Hajime Sorayama is a renowned Japanese artist celebrated for his groundbreaking contributions to the world of contemporary art and science fiction. Born in 1947 in Imabari, Japan, So...

Lithograph in colors on Rives paper. Hand signed lower right by Henry Moore. Hand numbered XV/XV lower left, one of 15 artist's proofs, aside from the edition of 50. Sheet size 2...

I believe the scene is of a wedding engagement. etching with extensive hand coloring (making it a unique original work of art) Ira Moskowitz (1912-2001), descendant of a long rabbin...

Genre: Photographic Subject: Cityscape Medium: Silkscreen of Photograph Surface: Paper Country: United States Dimensions: 21.5" x 28" Street Art, Urban Jon Naar is a British-Americ...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

This is a unique original collage, decoupage style of Jiri Kolar, This is an exceptional artwork which was part of a collaboration between Hyman Bloom and fellow artist and his very ...

From the Entablature series. Screenprint, lithograph, and collage with embossing on Rives BFK paper. Signed and dated in pencil, lower right. Inscribed 'AP VI' lower left, this is ...

"George Burns" original etching by Al Hirschfeld. Caricature portrait. Hand pulled from an edition of 200 plus 30 artist's proofs in 1982. Hand numbered 2...

Serigraph on paper. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 160. All reasonable offers wi...

This poster prominently features a sleek, aerodynamic Mercedes-Benz race car, likely the iconic 300 SLR, which was a standout in the 1955 racing season. The car is depicted in a dram...