Florida - Prints and Multiples

ARTIST: Salvador Dali TITLE: La Venus aux Fourrures Lady Leaf MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 34/145 MEASUREMENTS: 11" x 15" Framed: 17" x 20" YEAR: 1968 ...

ANTONI TAPIES was the leader of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. Graphic work of the Spanish teacher ...

"AXO-CHARGA" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A VISIONARY MASTERWORK OF OP ART "Axo-Charga" is a striking original serigraph by V...

Ushio Shinohara (born 1932, Tokyo), nicknamed “Gyu-chan”, is a Japanese Neo-Dadaist artist. His bright, large work has been exhibited internationally at institutions including the Hara Museum of Contemporary Art, Centre Georges Pompidou, the Guggenheim Museum SoHo, National Museum of Modern Art, Tokyo, Leo Castelli Gallery, New York, Museum of Contemporary Art, Los Angeles and The Metropolitan Museum of Art, Seoul and others. Shinohara and his wife, Noriko, are the subjects of a documentary film by Zachary Heinzerling called Cutie and the Boxer (2013). Shinohara's parents instilled in him a love for painters such as Paul Cézanne, Vincent Van Gogh and Paul Gauguin. His father was a tanka poet who was taught by Wakayama Bokusui. Shinohara’s mother was a painter who went to the Woman’s Art University (Joshibijutsu Daigaku) in Tokyo. In 1952 Shinohara entered the Tokyo Art University (later renamed to Tokyo University of the Arts), majoring in oil painting, however he left before graduation in 1957. In 1960 Shinohara participated in a group called "Neo-Dada Organizers". (Masunobu Yoshimura, Genpei Akasegawa, Shusaku Arakawa, Ushio Shinohara, Sho Kazakura, Tomio Miki, Tetsumi Kudo...

Hand signed, limited edition on BFK Rives French art paper. I believe the title is Honeymoon. Jan Balet (20 July 1913 in Bremen – 31 January 2009 in Estavayer le Lac, Switzerland), w...

LIMITED EDITION PRINT 45 x 90inches - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, inte...

José Niebla (Spain, 1945) 'Ana Mateix', 1991 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 150 ID: NIE1205-003-150_1 Hand-signed by author

Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper BAT(Bon A Tirer) 30 x 44.1 in. (76 x 112 cm.) ID: HER-158-1

Carlos Gonzalez (Peru, 1936) 'Cinco fragmentos III', 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet size: 14.96 x 11.22 in. (38 x 28.5 cm.) serie...

Artist: Donald Saff Title: Wolf and Man Year: 1980 Medium: Etching with Aquatint, Hand signed and numbered in pencil Edition: 50 39 in. x 27.5 in. Donald Jay Saff (born 12 Decemb...

Katherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum in Jerusalem. Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College...

Sergio Hernández (Mexico, 1957) 'Lluvia de estrellas II', 2011 woodcut on paper Guarro biblos 270 g. 30 x 44.1 in. (76 x 112 cm.) ID: HER-156

Oscar Carballo Pérez (Cuba, 1951) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: CAO-301 Han...

Ana Luiza Tostes Alegria (Brazil, 1947) 'Figuras', 1999 silkscreen on canvas 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: TOS1005-002-099 Unframed Hand-signed by author

Ana Cazares (Mexico, ) 'Lengua de lado', 2019 woodcut on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 3 ID: CAZ-103

By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...

Juan Carlos Alom (Cuba, 1964) 'Mandy y Tara', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 106 ID: ALO1534-007-106 Hand-signed ...

Aldo Menéndez (Cuba, 1948) 'Untitled from Portfolio Taller ultramarino', N/A silkscreen on paper 28.4 x 20.1 in. (72 x 51 cm.) Edition of 99 Unframed ID: MEN1205-010-001_5 Hand-signe...

José Hernández Muñoz (Spain, 1944) 'Bestiario II', 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet size: 14.96 x 11.22 in. (38 x 28.5 cm.) series ...

HARTUNG - original abstract lithograph- Limited editionsigned painting Hans Hartung is commonly presented as a standard-bearer for the "Ecole de Paris" and the "lyrical abstraction"...

Nja Mahdaoui (Tunisia, 1937) Untitled, ca.2000 silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 Good condition Unframed ID: NJA1099-001-099 ______________________________ Born in 1937, Tunis. He lives and works in Tunisia. In 1967, he graduated from the Academy of Arts of Santa Andrea in Rome and the Ecole du Louvre (Department of Oriental Antiquities). He pursued his academic training in Paris, at the Cite Internationale des Arts, on a scholarship from the Tunisian Government. He’s one of Tunisia’s leading artists and a notable Arab contemporary artist. Nja Mahdaoui is a visual artist who considers himself ‘an explorer of signs’ and has been described as a ‘choreographer of letters’. His work inspired by Arabic calligraphy is remarkably innovative as the aesthetic dimension of letters brings forth a sense of the poetic – highly rhythmic – arresting us with its rich abstracts compositions. Famous for his meticulous work in ink on parchment, Mahdaoui stresses the visual impact of his compositions, devoided of actual textual meaning, which he refers to as ‘calligrams’ or ‘graphemes’. Thus, the concept beyond the works reveals how the ideas are conveyed creatively through the artist choice of materials and medium: Canvas, vellum, papyrus, arches paper, silkscreen print, book, poster, design, sculpture, aluminium, brass, melamine, drum, textile, embroidery, tapestry, ceramic, wood, jewelry, stained steel glass, architecture, planes… Nja has been Jury member and Honor guest at many international events and biennales (Sharjah International Arabic Calligraphy Biennial, UAE, 2006, The International Arts Biennial of Tehran, Iran, 2006, Abu Dhabi Art Festival in 1989…) and he was member of the International Jury of the Arts Prize of UNESCO from 1993 to 1995. He has received a number of distinctions and international awards, such as the ‘Great prize for Arts and Letters’ from the Tunisian Ministry of culture in 2006 and the UNESCO great prize for Artcrafts in the Arab world in 2005. He designed monumental artworks such as windows murals for Facebook new Menlo Park Headquarters in California (2018), the window façade of the ALECSO headquarters in Tunis (2015), KAUST University Campus Mosque in Saudi Arabia (2010), Gulf Air aircrafts (50th Anniversary, 2000), sculptures and tapestries in Jeddah and Riyadh airports, Aramco head office in Dahran, and created many logos, designs and posters for theater plays, books, companies, and organizations such as Amnesty International in 1991… In addition, he took part in Art Projects, introducing his work in performing art within the framework of theatre and dance. Performances of ‘Total Art’ and ‘Body-Writing’: interactive communication between Arab and European artists, and artists from North America and Asia on the theme “Language and register in exchanges in visual arts“ in Tunisia, France, Italy, Denmark, Japan, Cuba, Canada, Germany and Jordan… In 2012, he has performed a charity live creation for Noor Dubai Foundation, in collaboration with 4 young Emiratis artists, hosted and organized by Christie’s, under the patronage of H.E. The Minister of Culture for the UAE, Abdulrahman Al Owais. And recently, a performance with the Italian artist Agostino Ferrari, ‘Meeting signs’ at the Living Art National Center in Tunisia and during the ‘Confini Festival’ at the Municipal Theater F. Cilea in Reggio Calabria, Italy. He takes part regularly in seminars and colloquia at universities in Tunisia and abroad and gives lectures. At the American University of Sharjah in 2007, in the AUD American University of Dubai in 2011 – ‘Crossing the Line: Drawing in the Middle East – intersections of transdisciplinary practice and understanding’, and lately at CSUN California State University Northridge and at UCLA University of California, Los Angeles in 2011. Nja participated in numerous exhibitions worldwide including ‘Word into Art’ at the British Museum, ‘The Brush dances & the Ink Signs’ at the Hermitage Museum, ‘Perspectives: Arab & Iranian modern masters’ at the Saatchi Gallery, the ‘Arab Book...

ARTIST: Salvador Dali TITLE: Petite Nus (From Apollinaire) MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 86/95 PAPER: Japon Paper ME...

John Willenbecher On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wov...

Richard Smith On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove pa...

Les Levine On the Bowery, 1969 - 1971 Screenprint in color 25.5 x 25.5 inches, signed, numbered 21/100 Hand signed, published by Edition Domberger, Bonlanden, West Germany (with th...

Will Insley On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove pape...

Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper 29.1 x 41 in. (73.7 x 104.1 cm.) Edition of 10 ID: HER-185 Hand-signed by author

"Cocoon (1990)" by Suzanne Anker Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in Bio Art. She has been working at the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, she calls attention to the beauty of life and the "necessity for enlightened thinking about nature’s 'tangled bank'.” Anker frequently works with "pre-defined and found materials"botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens. Suzanne Anker was born in Brooklyn, New York on August 6, 1946. She earned a B.A. in Art from Brooklyn College of the City of New York and an M.F.A. from the University of Colorado in Boulder (1976). She also completed independent Studies with Ad Reinhardt (1966-1967) and studied at the Brooklyn Museum Art School (1968). She lives with the artist Frank Gillette in Manhattan and East Hampton, NY. During the mid 70s to the mid 80s, Anker worked almost exclusively on sculptural handmade paper reliefs. She started papermaking in 1974 on the basis of reading Dard Hunter's and Claire Romano's books. In 1975 she worked with Garner Tullis at the Institute of Experimental Printmaking in Santa Cruz, California. The paper reliefs produced at his institute were exhibited at the Martha Jackson Gallery in New York City in 1976.[ The same year, she participated in the North American Hand Papermaking exhibition organized by Richard Minsky at the Center for Book Arts in New York City. From a background as a printmaker, Anker initially worked with cast paper, made in latex molds. Subsequently, she incorporated limestone and fossils in her experiment with combinations of paper and stone. For her 1979 solo exhibition at the Walker Art Center, Anker installed large limestone planks that extended from the interior to the exterior of the gallery. The same year, she presented an installation of limestone and its residual chalk dust at P.S. 1’s "A Great Big Drawing Show" curated by Alanna Heiss with artists Vito Acconci, Alice Aycock, Frank Gillette, Sol LeWitt, Robert Morris, Bruce Nauman, Dennis Oppenheim, Richard Serra, and others. Suzanne Anker is considered "one of the pioneers in the broader field of art, science, and technology", particularly in the burgeoning field of Bio Art. In 1994, Suzanne Anker curated Gene Culture: Molecular Metaphor in Visual Art – one of the first art exhibitions on the subject of art and genetics – at Fordham University’s Lincoln Center Campus in New York. The exhibition investigated "the ways in which genetic imaging operates as aesthetic signs". From 2004 to 2006, Suzanne Anker hosted twenty episodes of the Bio-Blurb Show, a 30-minute-long internet radio program originally broadcast on WPS1 Art Radio, in collaboration with MoMA. The show focused on the intersection of art and the biological sciences, and the ethical and aesthetic dimensions therein. It is currently archived on Alanna Heiss’ Clocktower Productions. In 2006, Anker co-curated the exhibition Neuroculture: Visual Art and the Brain, at the Westport Arts Center with Giovanni Frazzetto. The exhibition presented an investigation of aspects of the human brain, and its attendant representations. Suzanne Anker is the Chair of the School of Visual Arts (SVA)'s BFA Fine Arts Department in New York City (2005-present). She previously chaired the SVA BFA Art History Department (2000-2005). In 2011, Anker founded the SVA Bio Art Lab, the first Bio Art laboratory in a Fine Arts Department in the United States. The SVA Bio Art Lab is located in Chelsea, New York City and has been conceived as a place where "scientific tools and techniques become methodologies in art practice". Anker has participated in lectures and symposia in prominent institutions around the world, including Harvard University, Boston; University of Cambridge, Cambridge, UK; Yale University, New Haven; Art-Sci UCLA, Los Angeles; Maryland Institute College of Art (MICA), Baltimore; Rensselaer Polytechnic Institute, New York; Museum of Arts and Design, New York; Nanyang Technological University, Singapore; London School of Economics, London; European Molecular Biology Laboratory- EMBL, Monterotondo, Italy; Max Planck Institute of Molecular Cell Biology and Genetics, Dresden; Leiden University, NL; Hamburger Bahnhof, Berlin; Dundee Contemporary Arts, Dundee; Courtauld Institute of Art, London; Banff Art Center, Alberta; The National Academies of Sciences, Engineering, and Medicine, Washington, D.C.; Berlin-Brandenburg Academy of Sciences and Humanities, Berlin;[ University of Amsterdam, NL; New York Academy of Sciences, Institute for the Humanities, New York University; DLD, Munich. Selected artworks Gene Pool Anker’s interests in the natural world extended her investigation into the microscopic domain of chromosomes and genes. Appropriating scientific images, she created Gene Pool in 1991, a body of work that includes suspended pigment on large vellum sheets and expansive sculptural arrays employing metallic fibers of stainless steel, copper, aluminum and bronze. Other works that reflect scientific representations of chromosomes include Chromosome Chart of Suzanne Anker –a presentation of her own DNA sequence as a self-portrait– and Cellular Script, in which she displays chromosome patterns as a kind of calligraphy. Biota (2011) is a sculptural installation by Suzanne Anker composed of porcelain sculptures and silver-leaf figurines. The porcelain objects are fabricated by immersing natural sea sponges into a mixture of kaolin, feldspar, and quartz. "The organic material of the sponge burns away in the process, leaving behind only the perfect replica of nature". Exhibitions Selected one-person exhibitions "The Biosphere Blues Mending an Unhinged Earth", O'NewWall, Seoul, Korea (2017). “Culturing Life”, Sam Francis Gallery...

Rafael Paneca (Cuba, 1949) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: PAN-304 Hand-signe...

Nestor Arenas (Cuba, 1964) 'Modern Icons No. 1', 2014 silkscreen on paper 39.8 x 26 in. (101 x 66 cm.) Edition of 50 Ref: ARN-301 Nestor Arenas, Biography Néstor Arenas (Cuba, 1964)...

Todros Geller (1889 – 1949) was a Jewish American artist and teacher best known as a master printmaker and a leading artist among Chicago’s art community.Geller was born in Vinnytsia, the Russian Empire (now Ukraine) in 1889.[2] He studied art in Odessa and continued his studies after moving to Montreal in 1906 where he immigrated to Canada. He married and moved to Chicago in 1918, where he studied at the School of the Art Institute of Chicago until 1923. Geller produced paintings, woodcuts, woodcarvings, and etchings. His work focused on Jewish tradition, often including moralistic themes and social commentary, shtetl, ghetto life, and the intersection of Jewish tradition with modern-day Chicago. He regarded art as a tool for social reform and he spent a large part of his career teaching art. His work was commissioned for stained glass windows, bookplates, community centers and Yiddish and English books. He was regarded as a leader in the field of synagogue and religious art. He designed stained glass window for synagogues in Omaha, Fort Worth, Dayton, Stamford, and Chicago Heights. Over the course of his career he illustrated more than 40 books. In addition to conducting classes in his studio, Geller was head of art at the Jewish People’s Institute (JPI), supervisor of art for the Board of Jewish Education and director of art for the College of Jewish Studies (which became the Spertus Institute for Jewish Learning and Leadership) and taught at Hull House. Many prominent Chicago artists studied drawing and painting under Geller. Geller was a source of inspiration to Aaron Bohrod and Mitchell Siporin...

Antoni Tapies (Spain, 1923-2012) 'Oval i blanc', 1982 etching, aquatint, carborundum on paper Guarro Biblos 250g. 22.1 x 30 in. (56 x 76 cm.) Edition of 99 Unframed ID: TAP1162-018 H...

Antonio Lopez Garcia (Spain, 1936) 'Vaso con Azucenas II', 2022 etching, lithograph on paper Rives BFK 300 g. 23.1 x 26.7 in. (58.5 x 67.7 cm.) Edition of...

From La Série 347. Bloch 1482; Baer 1497. Etching on Rives paper. Hand signed and numbered by the artist. From the edition of 50. Published by Galerie Louis Leiris...

Sergio Hernández (Mexico, 1957) 'Eyes & Lips', 2016 Woodcut and Ink on paper 46.9 x 82.7 in. (119 x 210 cm.) Unique piece, Artist Proof Unframed ...

Hand signed in pencil, woodblock print woodcut. Jacob Steinhardt 1887-1968 Steinhardt, Jakob, Painter and Woodcut Artist. b. 1887, Yaacov Steinhardt was born in the then remote, largely Polish town of Zerkow in the Posen District of Germany. (poland/german) Immigrated 1933. Studies: 1906 School of Art, 1906 Studied in Berlin Arts and Crafts School. Berlin; 1907 painting...

Artist: Richard Merkin (American, 1938-2009) Title: "Oedipus and Luxor" *Signed by Merkin in pencil lower right Circa: 1980 Medium: Original Screenprint on white Arches 88 paper Limi...

Gouvernement general de l'Isle de France : ou sont la France, le Valois, Soissonnois, le Beauvaisis, Laonnois, la Brie, Francoise, l'Hurepoix noyonnois et les comtes de Senlis et de ...

Antoni Tapies (Spain, 1923-2012) 'Dentelle', 1977 lithograph on paper 28.6 x 39.6 in. (72.5 x 100.5 cm.) Edition of 99 Unframed ID: TAP1162-019 Hand-signed by author Catalog raisonné...

Ana Cazares (Mexico, ) 'Ave en boca', 2019 woodcut on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 6 ID: CAZ-101 Unframed

Artist/Designer; Manufacturer: Robin Winters (American, b. 1950) Marking(s); notes: signed, blind stamp, marking(s); 1989 Materials: color monotype Dimensions (H, W, D): 47.5"h, 42"w...

Zaida del Rio (Cuba, 1954) 'Untitled ', 2016 digital print on paper 11.1 x 8.3 in. (28 x 21 cm.) ID: DER-207

Rafael Canogar (Spain, 1935) 'Muro IV', 2019 lithograph on dibond 13 x 39.4 in. (33 x 100 cm.) Edition of 25. B.A.T.: 1, P/A: 3 Unframed ID: CAN1030-112 Hand-signed by author ______...

Artist: Mel Ramos (American, 1935-2018) Title: "Marquet's Mannequin" *Unsigned proof Year: 1979 Medium: Original Lithograph on unbranded white wove paper Limited edition: an unsigned...

Raul Anguiano (Mexican, 1915-2006) 'Desnudo doble', 2005 Etching, aquatint and sugarlift 103 x 73 cm. (40.6 x 28.7 in.) Edition of 50 Unframed Pristine condition Hand-signed in penc...

Eduardo Naranjo (Spain, 1944) 'Poemas de las soledad en Columbia University (Federico en New York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface ...

Recently graduated from Pasadena’s legendary Art Center College of Design, Tom Baldwin created the series of inkjet prints Japanese Gardens in 1996 on his computer, using then-nascent graphics technology to "paint" his images on the computer screen. Baldwin embraced this technology and its accompanying printing process not just for the speed and ease of their use, but because the artist could achieve the absolute flatness that the principles of modernism preached but ultimately--because of the limitations of their tools--never reached. These colorful, semi-abstracted views of Japanese temple landscapes subtly, but radically redefine picture space. Baldwin shifts fore and backgrounds, giving equal weight to skies and hillsides. Endowing a lowly bush with a vibrant purple or orange might cause it to pop out of proportion, but ultimately lends balance and stability to the work itself, in short, returning the composition to its original, harmonious whole in keeping with the subject matter. these original prints employ a color scheme that seems more reminiscent of 1980s Japanese pop art beer advertisements...

Rafael Canogar (Spain, 1935) 'Estanque, 2019 lithograph on dibond 13 x 39.4 in. (33 x 100 cm.) Edition of 50. B.A.T.: 1 Unframed ID: CAN1030-113 Hand-signed by author ______________...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist Gastronomy Trial Proof MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: Tirage 500 This is a Trial Proof MEAS...

Rare Botanical Hand Colored Engraving about 1737-1745 Beautifully framed French hand painted mat, in gold leaf frame each print measure 9.5x14.5 with the frame 23.5hx18.5x1 Johann ...

Miguel Castro Leñero (Mexico, 1956) 'Caballo de Batalla III-3', 2019 engraving on paper Intaglio 300 g. 29.8 x 47.3 in. (75.5 x 120 cm.) Edition of 30 Unframed ID: CAM-107 Hand-signe...

"Boris Viskin (Mexico, 1960) 'Untitled 1', 2015 woodcut on paper Velin Arches 300 g. 13.2 x 52.8 in. (33.5 x 134 cm.) Edition of 30 ID: VIS-101"

Sergio Hernández (Mexico, 1957) 'Observatorio I', 2016 Edition of 1, unique piece lithography on zinc on handmade paper Deponte 300 g. 39 x 51.2 in. (99 x 130 cm.) ID: HER-198-1 ...

Andrés Barajas (Spain, 1941) 'Untitled from Portfolio "Los Deseos"', ca.1990-1999 mixed media on paper 20.9 x 15 in. (53 x 38 cm.) Edition of 200 ID: BAR1017-022-200 Hand-signed by a...

Juan Sebastián Barberá Durón (Mexican, 1964) 'Decantación verde', 2004 Engraving Series number: HC Archivo Limited edition of 99 Size: 50 x 70 cm. (19.7 x 27.6 in.) Surface: Guarro S...

Wilhelm Leibl: 1844-1900. Well listed German artist. He has had auction results over $360,000 for paintings and over $3800 for a print. It’s beautiful at...

Huc Mazelet Luquiens: 1881-1961. Well listed American print maker who spent most of his life in Hawaii. His fabulous etchings were of all different parts of Hawaii. He has had aucti...

"Serena with Cap (Purple)" archival mixed media print from a limited edition of 30. Hand signed Carole A. Feuerman, dated 2012 and numbered 12/30. Printed on textured paper with addi...

Etching on paper. Hand signed and numbered by the artist. Sheet size 11.5 x 14.5 inches. Image size 4 x 5.25 inches. Edition of 150. Artwork is in excellent condition. Certificat...

Lucio Muñoz Martinez (Spain, 1929-1998) 'Descubrimiento', 1983 engraving on hand-made paper Image size: 18.2 x 13 in. (46 x 33 cm.) Sheet size: 26...