Florida - Figurative Prints

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 465. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Artist: Sandro Chia Title: Untitled 7 Medium: Carborundum etching with hand coloring on handmade paper, each piece is unique Size: 48 x 38 Inches Signed: Hand Signed Edition: 31/50...

Genre: Other Subject: Portrait Medium: Aquatint Eching Print Surface: Paper Country: United States Dimensions w/Frame: 30" x 22" The artist Bernard Stern illustrates the figure of a...

Yehoshua Kovarsky 1907-1967 Kovarsky was born in the city of Vilna, Lithuania to a traditional Jewish family. His father and uncle owned a concession for painting railroad stations...

Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet...

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 30 x 42 inches. Image size 24.5 x 37 inches. Edition of 275. Artwork is in excellent condition. Certifica...

Artist: Dan May (American, 1955-) Title: "A Woman and Her Pets" *Signed and numbered by May in pencil lower left Year: 1991 Medium: Original Screenprint on unbranded white wove paper...

RICHARD LINDNER (American. 1901-1978) Hand Signed limited edition lithograph with blindstamp Publisher: Shorewood-Bank Street Atelier for the Skowhegan School of Painting and Sculpture 29.25 X 22 inches Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindner's mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 he moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained there until 1933, when he was forced to flee to Paris, where he became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when the war broke out in 1939 and later served in the French Army. In 1941 he went to the United States and worked in New York City as an illustrator of books and magazines (Vogue, Fortune and Harper's Bazaar). He began painting seriously in 1952, holding his first one-man exhibit in 1954. His style blends a mechanistic cubism with personal images and haunting symbolism. LIndner maintained contact with the emigre community including New York artists and German emigrants (Albert Einstein, Marlene Dietrich, Saul Steinberg). Though he became a United States citizen in 1948, Lindner considered himself a New Yorker, but not a true American. However, over the course of time, his continental circus women became New York City streetwalkers. New York police uniforms replaced European military uniforms as symbols of authority.At a time when Abstract Expressionism was all the rage, Lindner’s painting went against the current and always kept its distance. His pictorial language of vibrant colours and broad planes of colour and his urban themes make him a forerunner of American Pop Art. At the same time, he owes the critical tone of his paintings to the influence of European art movements such as Neue Sachlichkeit and Dada. His first exhibition did not take place until 1954, by which time he was over fifty, and, interestingly, it was held at the Betty Parsons Gallery in New York, a venue associated with the American Expressionists. From 1952 he taught at the Pratt Institute, Brooklyn, from 1967 at Yale University School of Art and Architecture, New Haven. In 1957 Lindner got the William and Norma Copley Foundation-Award. In 1965 he became Guest Professor at the Akademie für Bildende Künste, Hamburg. His Ice (1966, Whitney Museum of American Art) established a connection between the metaphysical tradition and pop art. He did work on Rowlux which was used by a number of pop artists (most notably Roy Lichtenstein)The painting shows harsh, flat geometric shapes framing an erotic but mechanical robot-woman. His paintings used the sexual symbolism of advertising and investigated definitions of gender roles in the media. While influencing Pop Art (Andy Warhol, Tom Wesselmann and Claes Oldenburg amongst others) his highly colourful, hard-edge style seems to have brought him close to Pop Art, which he rejected. Nevertheless, he is immortalised on the cover of the Beatles record "Sgt. Pepper’s Lonely Hearts Club Band" (1967) as a patron of the pop culture. He also did a tapestry banner with the Betsy Ross Flag...

Abramovitz, Albert 1879-1963 Born in Riga, Latvia, Abramovitz studied art at the Imperial Art School in Odessa and at the Grande Chaumière in Paris. In Paris, he became a member of the Salon in 1911 and in 1913 he became a member of its jury. He also became a member of the Salon d'Automne. While in Europe he received a medal at Clichy as well as the Grand Prize at the Universal Exhibition in Rome and Turin, Italy in 1911. In 1916, Abramovitz emigrated to America settling...

Pencil, ball point pen, acrylic paint, industrial varnish, and paper collage on canvas board. Hand signed, dated and numbered on verso by Donald Baechler. From a series of 100 unique...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered Signature on the corner. Edition 44 of 45. metallic silver aluminum. Baj was an Italian artist best known for his political collages, prints, paintings, and sculptures. He was close to the surrealist and dada movements, and was later associated with CoBrA. Italian artist Enrico Baj (1924-2003) was born in Milan into a wealthy family, but left Italy in 1944 having upset the authorities and to avoid conscription. He studied at the Milan University law faculty and the Brera Academy of Art. Italian Surrealist Pop Art. Artist, attorney, ironist, writer, sharp critic, and political dissenter, Enrico Baj brought an urgent, refreshing and unique voice to the art of his time. In 1951 he founded the Movimento d'Arte Nuclear...

Lithograph printed by Mourlot, Paris on Arches France paper. limited edition of 150. Pencil signed. Biblical themed Lithograph by Israeli Master. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovici (later Reuven Rubin) was born in Gala?i to a poor Romanian Jewish...

"Elvis Presley" limited edition silkscreen print by artist Gered Mankowitz. Image size: 20 1/2 x 13 1/2 inches. Embossed with stamp on lower left and ? stamp on lower right. Printed ...

Screen print in colors on paper. Hand signed and numbered lower front by Romero Britto. Edition of 125. Frame size approx 37 x 37 inches. Image size 24.75 x 24.75 inches. Certifi...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Hand Signed edition of 75 with blindstamp. Biography Sandro Chia was born in Florence in 1946. He has studied at the Istituto d’Arte and then at the Accademia di Belle Arti in Flore...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that me...

Die cut digital print on 330gsm museum cotton rag paper. Hand signed and numbered by Hebrew Brantley. Edition of 275. Frame size approx 29 x 43 inches. Artwork is in excellent co...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete. After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs...

Artist: D*Face Title: Careless Whispers Size: 20 9/10 × 39 2/5 in (53 × 100 cm) Technique: Screen Print Edition: of 140 Year: 2019 Notes: D*Face, aka Dean Stockton...

This is an etching with hand painted watercolor applied After Isidor Kaufmann (1853-1921) was an Austro-Hungarian painter of Jewish themes. Having devoted his career to genre painting, he traveled throughout Eastern Europe in search of scenes of Jewish, often Hasidic life. Born to Hungarian Jewish parents in Arad, Kingdom of Hungary (presently in Romania) In 1875, he went to the Landes-Zeichenschule in Budapest, where he remained for one year. In 1876, he left for Vienna, but being refused admission to the Academy of Fine Arts there, he became a pupil of the portrait painter Joseph Matthäus Aigner. He then entered the Malerschule of the Vienna Academy, and later became a private pupil of Professor Trenkwald. His most noted paintings refer to the life of Jews in Poland. They include: Der Besuch des Rabbi (the original of which was owned by Emperor Franz Joseph I, in the Kunsthistorisches Museum), Schachspieler, Der Zweifler (for which he received the gold medal at the Weltausstellung of 1873). Kaufmann's other honors include: the Baron Königswarter Künstler-Preis, the gold medal of the Emperor of Germany, a gold medal of the International Exhibition at Munich, and a medal of the third class at the Exposition Universelle in Paris. One of his most prominent students was Lazar Krestin. Lazar Krestin was born in Kovno, Lithuania and studied in Vienna. He worked in Munich, Vienna and Odessa before emigrating to Palestine. He achieved fame in the German art world for judaic genre scenes and his many sober portraits of Eastern European Jews. He was part of an important group of Jewish European artists of the 19th and early 20th centuries, such as Moritz Oppenheim, Max Liebermann, Lesser Ury, Jakob Steinhardt, Jehudo Epstein...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete. After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs. The 1920s marked the height of his success, as he was awarded the Carnegie Prize in 1928 for his "Still-life with Dead Game" and began to exhibit extensively abroad—in London, Berlin, Frankfurt, Düsseldorf, New York City and Cincinnati, Ohio. During the German occupation of France in World War II, Derain lived primarily in Paris and was much courted by the Germans because he represented the prestige of French culture. Derain accepted an invitation to make an official visit to Germany in 1941, and traveled with other French artists to Berlin to attend a Nazi exhibition of an officially endorsed artist, Arno Breker...

Artist: Dan May (American, 1955-) Title: "Picnic" *Signed and numbered by May in pencil lower left Year: 1989 Medium: Original Screenprint on unbranded white wove paper Limited editi...

Suite contains 4 matching edition serigraphs (Winter, Springs, Summer, Fall). Each is hand signed and numbered by the artist. Edition of 300. Sheet size 10.625 x 14.875 inches (eac...

Silkscreen in colors on paper. Hand signed, numbered and dated by the artist. Image size 24 x 24 inches. Sheet size 29.5 x 27.5 inches. Frame size approx 34 x 33 inches. From th...

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 16.5 i...

Hand signed on front; numbered on verso by the artist. From the 'A Tool Box' Portfolio. Printed by Christopher Prater; published by Editions Alecto. Artwork is in excellent condition...

Lithograph in colors on paper. Hand signed and numbered AP on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers ...

45 color hand pulled screen print on mohawk superfine ultrawhite 160 lb cover paper with deckled edges. Hand signed lower right by Kayla Mahaffey. Hand signed 58/100 lower left. A...

GERSHON KNISPEL Cologne, Germany (Haifa, Israel - Sao Paulo, Brazil), b. 1932 Gershon Knispel was born in Cologne, Germany in 1932. Within a year of his birth the Nazi Party came to ...

Screen print in colors on wove paper. Hand signed and dated lower right by Pez. Hand numbered 129/195 lower left. Artwork size 34.6 x 24.3 inches. Frame size approx. 37.5 x 27 inches. Your choice of black or white frame. Please message us which color frame you would like. Artwork is in excellent condition. Graffiti Prints certificate of authenticity included. About the Artist: Pierre Yves...

Hand signed and numbered by the artist. From Tom Sawyer Portfolio. Sheet size 25.5 x 19.5 inches. Image size approx 17 x 13 inches. Frame size approx 30 x 26 inches. From the editi...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete. After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs...

"Serena with Cap (Green)" archival mixed media print from a limited edition of 30. Hand signed Carole A. Feuerman, dated 2012 and numbered 12/30. Printed on textured paper with addit...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend. In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges. From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, ​​Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara. His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

Genre: Judaica Subject: Portrait Medium: Print Surface: Paper Dimensions: 13 1/2" x 9 1/2" Dimensions w/Frame: 17 1/2" x 13 1/4" Attributed to Jehudo Meier Epstein (born July 6, 1870 in Slutzk , Gouvernement Minsk , Russia) was a Jewish painter from Belarus who spent most of his life in Austria . Jehudo Epstein...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend. In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges. From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, ​​Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara. His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano, Ignacio Zuloaga Y Zabaleta, Andre Beaudin, Francisco Domingo Y Segura, Jose Armet Y Portanel, Jose Ventosa Domenech, Antonio Vila Arrufat, Montserrat Gudiol Corominas, Juan Abello Prat, Francesc Artigau. In 1981, the UNESCO commissions a bronze sculpture given every year to the laureate of the Unesco Prize for Peace Education. Fenosa creates L'Olivier, the "Olive Tree", symbol of peace and attribute of the poet. In 1982, he receives the Gold Medal of the Government of Catalonia, in 1983 the Legion d'Honneur ( French Legion of Honour) and in 1987 the Gold Medal of Barcelona. He is commissioned to make a bronze sculpture award for the Joan Crexells Narrative Prize, the premier Catalan language literary prize awarded by the Ateneo Barcelonés to the best narrative work in Catalan published during the previous year. Selected Solo Exhibitions 2021 Apel·Les Fenosa ,Galeria Marc Domenech ,Barcelona, Spain Selected Group Exhibitions 2022 Figurative Expressionism ,Galeria Marc Domenech ,Barcelona, Spain (with Josep Guinovart and Jean Dubuffet) 2021 The point of sculpture ,Fundació Joan Miro ,Barcelona, Spain 2019 Picasso and the Exodus. A history of Spanish art in resistance, Les Abattoirs ,Toulouse, France (with Oscar Dominguez, Antoni Clavé, Josep Renau...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

Lithograph in colors on paper. Hand signed and dated lower right margin by Tom Wesselmann. Hand numbered 165/250 lower right margin. Image size: 16.65 x 25 inches. Sheet size: 22...

Artist: Aiko Title: Emotions - Orange Variant Medium: 8 Color Hand Painted Stencil + 2 Screen Print on 290gsm Fine Art Paper Size: 24 x 20 inches (Framed: 25.5 x 21.5 Inches) Editio...

Serigraph on paper. Hand signed and numbered by the artist. Artwork size 27.5 x 19.5 inches. Frame size approx 32 x 24 inches. Artwork is in excellent condition. Edition of 125. C...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that me...

Wifredo Lam Pleni Luna Demoiselle blasonnee, 1974 Lithograph in pearl japan paper Ed. XXXXV of L 25 x 19 in

Offset lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 500. Artwork is in excellent condition. Certificate of authenticity included. Al...

Lithograph in colors on wove paper. Hand signed lower right by Mel Ramos. Hand numbered AP 46/50 lower left. Sheet size: 28.75 x 22.375 inches. Frame size: 3...

From Les Diners De Gala. Photo lithograph with a separate original engraving titled Spoon on Crutches. Hand signed by Salvador Dali. Hand numbered 170/395. Frame size approx 29 x ...

Born in 1940 in Shostka, Ukraine, Konstantin Bokov immigrated to New York City in 1974.Born the son of Viktor Bokov, the well known poet who perished in the Soviet gulag, Konstantin Bokov was an accordion player and sheep-herderbefore he became a self-taught artist and expelled dissident. When he appeared at the Morin-Miller Gallery in 1978 bearing a painting of a Tropicana juice carton, Carmen Morin brought it home. Jack Miller remembers his reaction: "We don't buy art, we sell it!" --- then their personal collection of Bokov's work grew to over a hundred pieces. Many paintings, sketches, collages and recycle assemblages were done, It's been said that Bokov’s canvases and recycled pieces offer an image of New York that is both a scathing critique and profession of love. This is especially evident in his pieces "Manhattan Madness (Road Repair)" and his Statue of Liberty series...

Hand signed and numbered by the artist. Hand embellished silkscreen on paper. Edition of 145. Artwork is in excellent condition. Certificate of Authenticity included. All reaso...

Screenprint in black on wove paper, hand signed and inscribed 'to Camilla and Earl' by the artist. From the edition of 20. Sheet size 25.25 x 19.25 inches. Custom framed as pictu...

Serigraph on paper.. Hand signed and numbered by the artist. Image size 25.75 x 16 inches. Sheet size 30.5 x 19.5 inches. Frame size approx 37 x 26 inches. From the main edition of...

Title: (Jewish) Ritual (Hebrew, Kapparot) Artist: Jerome Kaplan Publisher: Tamarind Lithography Workshop Inc. Printer:Joseph Zirker Date: 1962 Media: Three Color Lithograph From Two Stones And One Zinc Plate Dimensions: 48.3 x 65.1 cm (sheet) This important piece is in a number of Museum collections. Jerome Kaplan (1920-1997) taught printmaking at the Philadelphia College of Art, now the University of the Arts, for 40 years. His works are in the permanent collections of the Philadelphia Museum of Art, National Gallery, Library of Congress, and Museum of Modern Art. He was closely connected with The Print Club for 40 years, and was awarded the Lessing J. Rosenwald Prize at the Philadelphia Printmakers Annual in 1951, Max Katzman Prize in 1956, and the Experts Choice in 1963. This Judaic drypoint etching (as reproduced in the Philadelphia Inquirer on February 6, 1966) of the Academy of Music is part of Kaplan’s “Twelve Philadelphia Views...

Harry Sudman is a realist painter and photographer who has worked out of Chicago for over twenty-five years. He grew up on the south side, and currently resides uptown. In the late 1970’s he studied realist painting in a traditional setting at the Atelier Neo Medici in Verneuille sur Seine France under master painter Patrick Betaudier. Upon graduating, Sudman worked for a mural company, painting detailed...

This is for a Silkscreen it is Titled Vincent Van Gogh, Expressionist, Dutch. John Brower worked in Chicago as a billboard designer for 12 years. He taught art at Alverno College of Milwaukee, Wright Junior College in Chicago, the University of Illinois, and the University of Kentucky. A Pop Artist. In John Browers' work two important things come forward: the design and the image. In the painting "Indian 2" you are denied simply enjoying the background or the realistic figure in the foreground. They both on their own would make an interesting painting but Johns' insistence on putting them together leaves you with a picture scrubbed clean of indecision, so clear that you can hardly help yourself from needing to understand its meaning. John Browers' pictures are modern - no matter how instant they look you can tell they have been thought about and realized with a lot of calculation and intentionality. He has exhibited regularly in galleries throughout the country over the past 40 years and his work is in numerous collections, including the Metropolitan Museum of Art in NYC. Art After Art 1971. The exhibition featured works by contemporary artists who borrow and rework to their own ends famous paintings or traditional themes from the past.This exhibition consists of twenty-two paintings, drawings, sculptures, and graphics by 20th century artists , including Marcel Duchamp, Rene Magritte, John Clem Clarke, Tom Wesselmann, Roy Lichtenstein, Alain Jacquet, John Chamberlain, John Brower, Larry Rivers, Al Pounders, Joseph Cornell, Jose Luis Cuevas, and Sante Graziani...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete. After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs. The 1920s marked the height of his success, as he was awarded the Carnegie Prize in 1928 for his "Still-life with Dead Game" and began to exhibit extensively abroad—in London, Berlin, Frankfurt, Düsseldorf, New York City and Cincinnati, Ohio. During the German occupation of France in World War II, Derain lived primarily in Paris and was much courted by the Germans because he represented the prestige of French culture. Derain accepted an invitation to make an official visit to Germany in 1941, and traveled with other French artists to Berlin to attend a Nazi exhibition of an officially endorsed artist, Arno Breker. Derain's presence in Germany was used effectively by Nazi propaganda...

Hand signed and numbered by the artist. Etching and aquatint on lana paper. Image size 19.3 x 14.9 in. Frame size approx 29 x 25 in. Edition of 95. Certificate of authenticity includ...

Lithograph in colors on paper. Hand signed and numbered by the artist. AP edition. Sheet size 23.5 x 11.25 inches. Image size approx 19.5 x 9.75 inches. Artwork is in excellen...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend. In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges. From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, ​​Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara. His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano, Ignacio Zuloaga Y Zabaleta, Andre Beaudin, Francisco Domingo Y Segura, Jose Armet Y Portanel, Jose Ventosa Domenech, Antonio Vila Arrufat, Montserrat Gudiol Corominas, Juan Abello Prat, Francesc Artigau. In 1981, the UNESCO commissions a bronze sculpture given every year to the laureate of the Unesco Prize for Peace Education. Fenosa creates L'Olivier, the "Olive Tree", symbol of peace and attribute of the poet. In 1982, he receives the Gold Medal of the Government of Catalonia, in 1983 the Legion d'Honneur ( French Legion of Honour) and in 1987 the Gold Medal of Barcelona. He is commissioned to make a bronze sculpture award for the Joan Crexells Narrative Prize, the premier Catalan language literary prize awarded by the Ateneo Barcelonés to the best narrative work in Catalan published during the previous year. Selected Solo Exhibitions 2021 Apel·Les Fenosa ,Galeria Marc Domenech ,Barcelona, Spain Selected Group Exhibitions 2022 Figurative Expressionism ,Galeria Marc Domenech ,Barcelona, Spain (with Josep Guinovart and Jean Dubuffet) 2021 The point of sculpture ,Fundació Joan Miro ,Barcelona, Spain 2019 Picasso and the Exodus. A history of Spanish art in resistance, Les Abattoirs ,Toulouse, France (with Oscar Dominguez, Antoni Clavé, Josep Renau...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish...