Florida - Figurative Prints

From the Ladies and Gentlemen Portfolio. Screenprint in colors on arches paper. Hand signed and numbered by the artist on verso. Numbered 37/125 (there were also 25 AP's). Publis...

Eric Fischl (AMERICAN, Born 1948) Lithograph depicting figures on a beach., 1991 Hand signed in pencil to lower left and edition numbered 41/125. Mounted in a black painted wooden frame behind glass screen. Dimensions: Frame: 18.75 X 22.75, Image: 16 X 20 From Art Pro-Choice II, 1991 Relief pressure print from stratified collage on wove Okawara paper Printed by Spring Street Workshop,New York and published by Pace Editions,Inc., New York. This was a portfolio of 8 works by artists Jennifer Bartlett, Ross Bleckner, Francesco Clemente, Eric Fischl, April Gornik, Claes Oldenburg, Cindy Sherman and Pat Steir. Eric Fischl (born March 9, 1948) is an American painter, sculptor, printmaker, draughtsman and educator. He is known for his paintings depicting American suburbia from the 1970s and 1980s. Fischl was born in New York City and grew up on suburban Long Island; his family moved to Phoenix, Arizona, in 1967. His art education began at Phoenix College for two years, followed with studying at Arizona State University. Followed by studying at the California Institute of the Arts in Valencia, California, where he received a B.F.A. in 1972. He then moved to Chicago, taking a job as a guard at the Museum of Contemporary Art. Between 1974 and 1978 he taught at the Nova Scotia College of Art and Design in Halifax, Nova Scotia. It was at this school where he met his future wife, painter April Gornik. In 1978, he moved back to New York City. Fischl is a trustee and senior critic at the New York Academy of Art and President of the Academy of the Arts at Guild Hall of East Hampton. In addition to receiving Guild Hall's Academy of the Art's Lifetime Achievement Award in 1994, Fischl was extended the honor of membership to the American Academy of Arts and Letters in 2006. Fischl has embraced the description of himself as a painter of the suburbs, not generally considered appropriate subject matter prior to his generation. In 2002, Fischl collaborated with the Museum Haus Esters in Krefeld, Germany. Haus Esters is a 1928 home, designed by Mies van der Rohe in 1928 to be a private home. It now houses changing exhibitions. Fischl refurbished it as a home (though not particularly in Bauhaus style) and hired models who, for several days, pretended to be a couple who lived there. He took 2,000 photographs, which he reworked digitally and used as the basis for a series of paintings, one of which, the monumental Krefeld Redux, Bedroom #6 (Surviving the Fall Meant Using You for Handholds) (2004) was purchased by Paul Allen featured in the 2006 Double Take Exhibit at Experience Music Project, where it was juxtaposed with a much smaller Degas pastel. This is by no means the first time Fischl has been compared to Degas. Twenty years earlier, reviewing a show of 28 Fischl paintings at New York's Whitney Museum, art critic John Russell wrote in The New York Times, "[Degas] sets up a charged situation with his incomparable subtlety of insight and characterization, and then he goes away and leaves us to figure it out as best we can. That is the tactic of Fischl, too, though the society with which he deals has an unstructured brutality and a violence never far from release that are very different from the nicely calibrated cruelties that Degas recorded." Fischl also collaborated with Jamaica Kincaid, E. L. Doctorow and Frederic Tuten combining paintings and sketches with literary works.Composer Bruce Wolosoff was inspired by Fischl's watercolors to compose "The Loom" for the classical ensemble Eroica Trio. Fischl's work can be found in the permanent collections of museums such as the Art Gallery of New South Wales, Sydney; Art Institute of Chicago; Broad Museum, Los Angeles; Dallas Museum of Art; Solomon R. Guggenheim Museum, New York; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Louisiana Museum of Modern Art, Humlebaek; Musée National d'Art Moderne, Centre Georges Pompidou, Paris; Museum of Modern Art, New York; and the Philadelphia Museum of Modern Art, among many others. In May 2022, a new auction record was set for Eric Fischl when his 1982 painting The...

"Keith Richards" limited edition silkscreen print by artist Gered Mankowitz. Image size: 21 x 14 inches. Embossed with stamp on lower left and The Gered Mankowitz Archive M and ? sta...

This is being sold unframed. Reception in Miami. Born to Lithuanian Jewish parents, Levine grew up in the South End of Boston, where he observed a street life composed of European immigrants and a prevalence of poverty and societal ills, subjects which would inform his work. He first studied drawing with Harold K. Zimmerman from 1924-1931. At Harvard University from 1929 to 1933, Levine and classmate Hyman Bloom studied with Denman Ross. As an adolescent, Levine was already, by his own account, "a formidable draftsman". In 1932 Ross included Levine's drawings in an exhibition at the Fogg Art Museum at Harvard, and three years later bequeathed twenty drawings by Levine to the museum's collection. Levine's early work was most influenced by Bloom, Chaim Soutine, Georges Rouault, and Oskar Kokoschka. Along with Bloom and Karl Zerbe, he became associated with the style known as Boston Expressionism. In 1935, shortly after its formation, Levine joined the WPA’s Federal Art Project, where he was employed intermittently until 1939. In 1937, while with the WPA, Levine painted The Feast of Pure Reason...

Shungo Sekiguchi, (Japanese, 1911-2002): Lithograph in color on Rives paper Hand signed in pencil lower right, hand numbered It appears to be the village of Montmarte in Paris T...

Lenticular acrylic panel mounted to white acrylic. Hand signed by Julian Opie on label attached on verso. Edition of 55 plus 5 Artist Proofs. Printed 52/55 on label attached on ve...

Marcel Vertes (French /Hungarian 1895-1961) Tango, from the suite Dancing, Jazz age in Paris. lithograph in colors on paper, published by Gustave Pellet-Paris, hand signed in pencil, lower right. Mounted in chrome frame with matting. Measures 23.75"H x 30.5"W framed; 15"H x 21.5"W image. Gustave Pellet (1859–1919) was a French publisher of art. He is best known for publishing prints of erotic artworks by Henri de Toulouse-Lautrec and Louis Legrand. MARCEL VERTES FRENCH HUNGARIAN 1895 (Ujpest, Hungary) -1961(Paris, France) art deco artist.Vertes was born in Hungary and died in Paris, but spent a lot of time in New York as well. He was noted as a painter, illustrator, designer and scenic mural painter. His whimsical images graced the pages of Vogue and Harper's Bazaar. Continuing in the footsteps of Boutet, Forain, Erte, Toulouse-Lautrec and others. Concentrating upon scenes of Paris street life...

Lenticular acrylic panel mounted to white acrylic. Hand signed by Julian Opie on label attached on verso. Edition of 55 plus 5 Artist Proofs. Printed 52/55 on label attached on ve...

Pinchas Burstein, known as Maryan Lithograph (after the drawing). 1960 Dimensions: 12 3/8 x 9 3/8 inches (315 x 240mm). Gold or bronze ink on black paper Signed in the plate, not b...

Hand signed and numbered lithograph in colors on Arches paper. Mourlot 1025. Published by Maeght Éditeur, Paris. Edition of 27/30. Artwork size 91.375 x 47.875 inches. Custom framed ...

Henri Laurens: 1885-1954. Well listed French artist with Auction records in the millions of dollars and over $8000 for a print. This rare print came in a small edition of Which I believe was only 30. This is number 22 which it is pencil marked and also pencil signed by the artist. The print itself measures seven and three-quarter inches high by 5 3/8 inches wide. The paper measures approximately 12 inches high by 9 3/4 inches wide. It is housed in a fabulous vintage hand carved Munn frame...

This is an original hand signed (I believe it is also hand colored but i am not positive) Artists Proof Lithograph of a Circus scene. This depicts a Cabaret Dancer. This came from a portfolio inscribed by Vertes and also signed by the Surrealist Jean Cocteau. MARCEL VERTES FRENCH HUNGARIAN 1895(Ujpest, Hungary)-1961(Paris, France) art deco artist.Vertes was born in Hungary and died in Paris, but spent a lot of time in New York as well. He was noted as a painter, illustrator, designer and scenic mural painter. His whimsical images graced the pages of Vogue and Harper's Bazaar. Continuing in the footsteps of Boutet, Forain, Erte, Toulouse-Lautrec and others. Concentrating upon scenes of Paris street life...

James Jean's "Descendent VI" is a captivating 22" x 20" multiprocess print, featuring intricate holographic and foil detailing, as well as sculptural enhancements. Originally create...

Hand signed numbered by the artist in pencil. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 575. All reasonable offers will be considered.

Ladies chatting in park. man pushes girl on boat swing. Vojtěch Tittelbach ( 1900, Mutějovice - 1971, Prague) was a Czech painter and graphic artist, graduate of the Academy of Fine...

Michoel Muchnik was born in Philadelphia in 1952. Muchnik received his artistic training at the Rhode Island School of Design. He later studied Jewish and Talmudic studies at the Rabbinical College of America in Morristown, New Jersey. Michoel Muchnik's art focuses on imaginative and joyful depictions of traditional and mystical Jewish and Hasidic themes. Muchnik has exhibited his work and lectured on Hasidic art throughout the United States as well as abroad. In 1977, Muchnik was selected alongside four other Hasidic artists, including Hendel Lieberman...

Hand signed numbered by the artist. Framed size: approx. 37 x 49 in. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 600. All reasonable offers w...

Francois Gilot, (1921-) studied English Literature at Cambridge University, and then, encouraged by her father, studied international law, though she secretly also took art lessons a...

Screen print cutout on Saunders Waterford 425gm HP Hi-White paper. Hand signed, dated and numbered by the artist. Artwork size 9 x 10 inches. Custom framed as pictured. Frame size...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Hand signed, dated, and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition: PP of 5, aside from edition of 30 plus 10 artist's p...

Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition. Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Peddler Merchant. humorous ...

Hand signed numbered by the artist in pencil. Serigraph on Paper. Framed. Edition of 300. Artwork is in excellent condition. Certificate of authenticity included. All reasonable o...

Papageno original lithograph limited edition painting Original lithograph signed by hand. Perfect state

Hand signed rf Lichtenstein, numbered and dated '96 in pencil lower left. Printed by Noblet Serigraphie Inc., New York. Produced as a benefit for the Brooklyn Academy of Music (BAM) ...

Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition. Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Klezmer Musicians. humorous...

Silkscreen in colors on paper. Hand signed, numbered and dated by the artist. Image size 24 x 24 inches. Sheet size 29.5 x 27.5 inches. Frame size approx 34 x 33 inches. From th...

Mimmo Paladino Atlantico Linocut, 1987, hand signed, dated and numbered 12/27 in pencil. Medium: Collagraph and linoleum cut Sheet measures 82 x 29 1/2" inches Parole Torchon pap...

Screenprint on museum board. Hand signed and numbered by the artist. Edition of 100. Published by International Images, Putney, Vermont. Sheet size 59 x 68 inches. Artwork is in e...

Artist: Faile Title: Save Stilettos Size: 39 x 27.5 in Medium: Silkscreen Edition: of 100 Year: 2016 Notes: Custom Framed 18 Color Silkscreen Ink on Paper Archival Coventry Rag 290gsm. Signed & Stamped, Faile 2010 "The prints where released in conjunction with the Bedtime Stories show featuring some of the new processes involved in the wood paintings. These are 18-color silkscreen prints on an archival Coventry Rag 290gsm, deckled edge paper. Based off 3 new images from the show. It was quite a journey to try and convey the wood block paintings...

Lithograph on paper. Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 310. All reasonable offers will be co...

This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing...

Hand embellished giclee on canvas. Hand signed and numbered by the artist. Edition of 100. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticit...

Artist/Designer; Manufacturer: Max Ernst (German, 1891-1976) Marking(s); notes: signed, 473, 4635/2512, marking(s); ed. 44/50; 1969 Materials: lithograph Dimensions (H, W, D): 10.75"...

Screen print in colors on paper. Hand signed and dated lower front by Andy Warhol. Only 100 were hand signed. Artwork size 37 x 39 inches. Frame size approx 44 x 46 inches. This...

Artist: (after) Keith Haring (American, 1958-1990) Title: "Pop Shop" *Signed by Haring in the plate (printed signature) center right Year: 1986 Medium: Original Offset-Lithograph, Po...

Hand signed and numbered by the artist. From the edition of 5/60 (there were also 10 artist's proofs). Unique screenprint on Lenox Museum Board. Printed by Rupert Jasen Smith, New ...

Christo Wrapped Building Project for 1 Times Square, New York, 1985 Lithograph, collage on cardboard Ed 17 of 100 18 x 22 in Christo became famous for his monumental collaborations...

Artist/Designer; Manufacturer: Massimo Vitali (Italian, b. 1944) Marking(s); notes: artist's stamp verso; ed. 50/120; 2006 Materials: offset lithograph Dimensions (H, W, D): 26.75"h,...

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

DAVID SALLE (American, 1952- ) Lucky 1992 Photoengraving heliogravure on Lana paper Edition Julie Sylvester, New York Hand signed and dated in pencil lower right, numbered lower left...

Title: Zion Subject: Various biblical images depicting Creation and prayer 1922 Medium: woodcut Frame: 14" x 18" Image: 12.5" x 16.75" Provenance: owned and signed verso by Peter Keil. Central panel shows the Jewish star over a crown, with inscription in Hebrew: "When God comforts Zion, He will comfort all its ruins and make its deserts look like Eden," and "You have sanctified the seventh day, the goal of creation of Heaven and Earth." This is flanked by a Palestinian farmer pioneer on the left and a Jew praying on the right. The lower tier shows six vignettes of the days of creation from Genesis. Hermann Fechenbach was born in 1897 in Württemberg, Germany. He grew up in Bad Mergentheim where his parents had an inn, which served as a meeting place for the local Jewish community. He left school early and through family connections with clothing retailers received training in window dressing. His skill with brush writing was quickly recognised by a big firm in Dortmund where he was responsible for the displays in 10 large windows. He received his conscription papers in 1916 and recalls “being as patriotic as any other fool”. In August 1917 he was involved in a grenade attack in which he was the sole survivor. With serious injuries to both legs he struggled to safety and was eventually transported to a front line “slaughterhouse” where the first of a series of amputations was performed which led to the loss of his left leg. As a result of his injuries his father dropped his opposition to him becoming an artist. His formal art education started in 1918 with training at a Stuttgart handcraft school for invalids. He attended the Academies in Stuttgart and Munich to learn painting and restoration for 3 years. He was influenced at this time by Max Liebermann. He has been compared to Kathe Kollwitz and was a contemporary of Jakob Steinhardt and hermann Struck. In 1923 he went to Florence for a year. While in Florence he started to produce a series of miniature wood engravings to illustrate the stories of Genesis. This was followed by periods in Pisa, Venice, Vienna and Amsterdam. In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar republic as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. These artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen) Every spring and autumn he exhibited at the “Kunstgebit” which served as the showcase for all serious artists of the period. His professional status “Kunstmaler und Grafiker” was recognised by Berlin in 1926. Practically all his work from this period was sold following exhibition. In 1926 he collaborated with an architect friend to build a bungalow in Hohenheim, a non-Jewish area and a suburb of Stuttgart. Hermann alternately lived in his country bungalow and his town studio, producing portraits for sale or barter and wood engravings for his own pleasure. In 1930 he married a non-Jewish professional photographer – Greta Batze. They had a studio in Stuttgart, which was used to teach art to a group of 12 students. In 1933 the Nazi influence removed his name from the official state register together with the right to exhibit. By spending most of his time in his bungalow out of the Jewish quarter the Fechenbachs escaped being registered by the Nazis for some years. They were ostracised and abused by their non-Jewish neighbours. Hermann made weekly visits to friends in town to teach them the practical skills they would need assuming they were to escape from Germany. His energies were directed towards protection and survival. Ultimately the Nazi persecution forced the Fechenbachs to flee their homeland. They moved to Palestine for 3 months in 1938, but found the political and physical environment unsustainable. Greta arrived in England penniless in January 1939 to work as a domestic servant and to find a guarantor for her husband. Hermann arrived in May 1939. They moved to Blackheath a few months later. Hermann resumed his painting and engraving as a means of earning a living. He raised enough money to get his parents out of Germany to join his brothers in Argentina but was unable to save his twin sister Rosa who died in a Nazi concentration camp. In 1940 Hermann was interned in Bury as a suspect alien. He protested about his treatment by starting a hunger strike. Because of his persistence he was moved to a prison in Liverpool. From Liverpool he was moved to the Hutchinson Camp in the Isle of Man with fellow artist Kurt Schwitters. Arrangements were made for Greta to be accommodated near by. While interned he commenced work on “Refugee Impressions”, a series of linocut prints (no wood was available). In 1941 when released from internment the Fechenbachs came under the sponsorship of Dr. Bela Horovitz, the Austrian art publisher who in turn made an introduction to Professor Tancred Borenius. They were offered lodgings with a family in Oxford. Hermann had his first public exhibition for many years in a small gallery in Oxford in 1942. A second exhibition of oils, pencil drawings, coloured linocut and woodblock prints held later in the year was opened by the mayor of Oxford and critically acclaimed. In 1944 the first London exhibition took place at the Anglo-Palestinian club in Piccadilly. There were two exhibitions at the Ben Uri Art gallery during this period. In 1948 a second exhibition at the Anglo Palestinian club was inaugurated by a member of the Rothschild family and several members of Parliament. This was a great success. In 1944 the Fechenbachs moved to a top floor studio flat in Colet Gardens. Open exhibitions were held each Spring at the Embankment from 1946 to 1951. Movietone News produced a short feature on the artist, which was shown in cinemas in England and Germany. In 1969 he published the Genesis story in a hard back volume containing 137 prints. He started to research the fate of the entire Jewish community of Bad Mergentheim during the period of the second world war, liaising with historian Dr. Paul Sauer and Professor Max Miller, historian and theologian. In 1972 Kohlhammer published his partly autobiographical book “The last Jews of Mergentheim”. He exhibited at the Anglo-Palestinian Club & the Ben Uri Gallery in the 1940s. His works only came to prominence during the last year of his life when he exhibited at Blond Fine Art. Peter Keil part of the Junge Wilde. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl, Hubert Schmalix...

Circa 1890-1920. This Neoclassical, Judaic, Egyptian revival, Orientalist Mizrach sign, was produced in British Mandate Palestine by the chromolithograph process at the beginning of the 20th century. It pictures vignettes of holy places. with a hand written memorial. It was for the Tzedakah charity fund for the century-old institutions in Jerusalem: The great "Torah Center Etz Chaim"; a Free Kitchen for poor children and orphans; the famous Bikur Cholim Hospital with its dispensaries and clinics and the only Home for Incurable Invalids in Eretz Israel. They also worked with Arthur Szyk and Alfred Salzmann.. The A.L. Monsohn Lithographic Press (Monzon Press, Monson Press, דפוס אבן א"ל מאנזאהן, דפוס מונזון) was established in Jerusalem in 1892 by Abraham-Leib (or Avrom-Leyb) Monsohn II (Jerusalem, c.1871-1930) and his brother Moshe-Mordechai (Meyshe-Mordkhe). Sponsored by members of the Hamburger family, the brothers had been sent to Frankfurt, Germany in 1890 to study lithography. Upon returning to Jerusalem in 1892 with a hand press, they established the A.L. Monsohn Lithographic Press in the Old City of Jerusalem. According to the Information Center for Israeli Art A.L. Monsohn "created complex decorations for documents and oriental calendars that combined the tradition of Jewish art with modern printing techniques such as photographic lithography, raised printing and gilding." The founders of the Monsohn press produced Jewish-themed color postcards, greeting cards, Jewish National Fund stamps, and maps documenting the evolution of the Jewish settlement in Eretz Israel in the nineteenth-twentieth centuries; religious material such as decorative plaques for synagogues, portraits of Old Yishuv rabbis such as Shmuel Salant, Mizrah posters indicating the direction of prayer for synagogues, memorial posters, and posters for Sukkot booths; color frontispieces for books such as Pentateuch volumes and the early song collections of Abraham Zvi Idelsohn (e.g., Shire Zion, Jerusalem 1908); artistic wedding invitations; and labels, packaging and advertisements for the pioneering entrepreneurs of Eretz Israel. The texts appearing in the Monsohn products were in several languages: Hebrew, Arabic, Yiddish, English, German (e.g., a c1920 trilingual Hebrew-English-Arabic "Malaria Danger" broadside warning the public of mosquitoes spreading malaria). Many of the brilliantly colored postcards and maps can be seen online as can the artistic invitations to his children's weddings which Monsohn published in the Jerusalem Hebrew press. For years, the Monsohn (later, Monson/Monzon) Press was considered the best and most innovative in the country—pioneering in such techniques as gold-embossing and offset printing, among others. Early items for tourists included collections of Flowers of the Holy Land (c. 1910–1918)—pressed local flowers accompanied by scenes from the Eretz Israel countryside and relevant verses from the Bible, edited by Jsac Chagise (or Itzhak Haggis), an immigrant from Vitebsk, and bound in carved olive wood boards. Shortly after World War I Monsohn (now spelled מונזון) used zincography to produce the prints included in the Hebrew Gannenu educational booklets for young children illustrated by Ze'ev Raban of the Bezalel Academy of Art and Design and printed in Jerusalem by Hayim Refael Hakohen (vol. 1, 1919; vols. 2–3, 1920). In 1934 Monsohn moved into the new, western part of Jerusalem, in a shop with four presses and 30 workers, including Abraham-Leib's sons, David, Yosef, Moshe and Shimon, and his daughter Raytse's husband, Abraham Barmacz. The concern did business with all sectors of the city's population, including Arabs, for whom they printed in Arabic. Among their clients were members of the Ginio, Havilio, and Elite families, and Shemen, Dubek, and other renowned national brands, manufacturing products such as wine, candies, oil, and cigarettes. They also printed movie and travel posters, and government posters, postcards and documents, hotel luggage labels...

From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on watermarked paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbe...

Hand signed and numbered by the artist. From Tom Sawyer Portfolio. Sheet size 25.5 x 19.5 inches. Image size approx 17 x 13 inches. Frame size approx 28 x 24 inches. AP edition. ...

Screen print on Rives BFK paper. From the Love Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 12/100 (there were also 10 AP's, 2 PP's, 5 EP's and 7 HC's). ...

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Männlicher Kopf an weibliche (Male Head Leaning against Female)" Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman) *Issued unsigned Year: 1918 Medium: Original Woodcut Engraving on wove paper Limited edition: Unknown Printer: Fritz Voigt, Berlin, Germany Publisher: Verlag Die Aktion, Berlin, Germany Reference: Schapire No. 225, page 46; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118 Sheet size: 8.5" x 5.38" Image size: 6.25" x 3.57" Condition: Toning to sheet (as normal). In very good condition Very rare Notes: Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...

This is from the suite by Jean Paul Sartre and Andre Masson, Limited edition of 175. published by Fernand Mourlot, 1961. The portfolio is numbered #29/175 and hand signed by Andre Ma...

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 194/300 DX lower left. This Deluxe Edition features three layers of dimens...

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Lady with Flowers" *Signed and numbered by Ting in pencil lower left Year: 1979 Medium: Or...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...

Pinchas Burstein, known as Maryan Lithograph (after the drawing). 1960 Dimensions: 12 3/8 x 9 3/8 inches (315 x 240mm). There is printed text on the back, as issued. Signed in the...

Screen print on waxed paper plate. Unsigned from an unknown edition. Published by Bert Stern, New York. Plate size 10 x 10 inches. Frame size approx 17 x 17 inches. Stamped "Roy Lichtenstein On First Inc, 1969" on plate verso. Excellent condition. All reasonable offers will be considered. Lichtenstein made the paper plate for the well-known fashion and advertising photographer Bert Stern, who had set up an uber-chic New York boutique called “On First Store”. Located in Manhattan, Stern’s idea was to commission stylish yet affordable objects for the home and wardrobe from notable fashion designers and artists. Unfortunately, the shop did not last long and most of the plates were left undistributed. About the Artist: Roy Lichtenstein (American, 1923–1997) was an artist known for his paintings and prints which referenced commercial art and popular culture icons like Mickey Mouse. Composed using Ben...

7 Color Silkscreen on 335 GSM Matt Custom Paper. Hand signed, dated and numbered by the artist. Numbered 14/100 (there are also 10 artist's proofs). Published by Counter Editions, London. Printed by Brand X Editions, New York. Artwork size 40 x 30 inches. Custom framed as pictured. Frame size approx 46 x 36 inches. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Christopher Wool is a contemporary American painter. In his paintings, Wool contrasts bold stenciled text or abstract brushwork with white backgrounds. In the stenciled works, words run together and breaks arrive at the edges of the canvas, as seen in his Apocalypse Now (1988), which bears the phrase “SELL THE HOUSE SELL THE CAR SELL THE KIDS.” “With the painting the inspiration comes from the process of the work itself,” Wool reflected. “Like music [making the work] is an emotional experience. It’s a visual language and it’s almost impossible to put words to it.” Born on September 16, 1955 in Boston, MA, Wool studied briefly at Sarah Lawrence College, but quickly left to enroll at the New York Studio School. A contemporary of Jean-Michel Basquiat, Julian Schnabel, Cindy Sherman, and others in New York’s downtown art scene in the 1980s, Wool introduced graffiti techniques to his work, later incorporating silkscreens and paint rollers. The artist’s work has been exhibited at numerous institutions around the world, including the Museum of Contemporary Art in Los Angeles, the Gesellschaft für Moderne Kunst am Museum Ludwig in Cologne, and the Guggenheim Museum in New York. Wool currently lives and works between Marfa, TX and New York, NY with his wife the painter Charline von Heyl.

Yankel Ginzburg, Kazakastani/American (1945 - ) Genre: Modern Subject: People Medium: Lithograph Surface: Paper Dimensions w/Frame: 19 1/2" x 16" Yankel Ginzburg Yankel Ginzburg was born Yuri Zhukov in 1945 in Alma-Ata, capital of the Kazakhstan Republic near the Chinese border. His parents were both Russian Army...

ARTIST: Salvador Dali TITLE: Tauramachie Surrealiste The Giraffe on Fire MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: LXIV/C MEASUREMENTS: 20" x 26" YEAR: 1970 FRAMED:...

ARTIST: Salvador Dali TITLE: Petites Nus (From Ronsard) E MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet EDITION NUMBER: 26/95 MEASUREMENTS: 15.2" x 11.4" Y...

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...