Florida - Figurative Prints

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. AP 45/50 (there was also a main edition of 250). Screen print on Arches Aquarelle (Rough) Paper. Printed by Alexande...

Lambda print in colors, on Fuji color photographic paper dry-mounted to PVC (as issued). Hand signed and numbered in black marker on the reverse. Edition of 28/50. Published by Ala...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Hombre sentado con pipa, maja y Celestina', 1968 aquatint, etching on paper 9.7 x 12.9 in. (24.5 x 32.7 cm.) Edition of 50 Unframed ID: PIC2001-008 Hand-signed by author The work is documented in the catalog raisonné Picasso Suite 347...

Signed. Numbered line etching Norman Kingsley Mailer (January 31, 1923 – November 10, 2007) was an American novelist, journalist, essayist, playwright, film-maker, actor, and libera...

Marc Chagall, 1887-1985 (Russian, French) The Vision of Ezekiel - 1956, From bible 1931-1939, 1952 - 1958 Etching with watercolor signed lower right, numbered '52/100' lower left Printed by Tariade DIMENSIONS: Image H: 16.12" W: 12.37", & Frame H: 23.37" W: 19.62" Condition: Excellent A certificate of Authenticity is included. After Chagall completed his etchings for The Fables (1930), Vollard again offered Chagall a commission, this time for a set of etchings illustrating themes from the Bible. Chagall went to Palestine to get a sense of the land itself. Returning to Paris, he began work on the 105 etchings for this project, first between 1931 and 1939 (when the first sixty-five etchings were executed and printed) and then between 1952 and 1956 (when the remaining forty etchings were completed and printed). Meyer Schapiro, the noted art historian, observed that Chagall was the ideal artist to have undertaken the task of illustrating the Bible: "Chagall was prepared for this achievement by his permanent receptivity of mind. He is a rare modern painter whose art has been accessible to the full range of his emotions and thoughts. . . . He has represented themes of an older tradition not in a spirit of curiosity or artifice, but with a noble devotion. . . . Although these etchings are marvels of patient, scrupulous craftsmanship, there is no assertion here of skill or technical research, but an immersion in a subject which the artist convinces us often equals or transcends value in the work of art . . . In almost every image we experience the precise note of his emotion, his awe or sadness or joy, which is voiced in the melody of shapes and the tonal scale peculiar to each conception. If we had nothing of Chagall but his Bible, he would be for us a great modern artist." Most of the etchings for The Bible were executed by Chagall between 1931 and 1939; the last pieces were completed between 1952 and 1956. The Bible was issued in an edition of 275 signed and numbered portfolios and 20 portfolios hors commerce. There are also 100 sets of the etchings with hand-coloring on paper with large margins, each of which is numbered lower left and initialed in pencil by Chagall lower right. References: Marc Chagall: Druckgraphische Folgen 1922-1966. Verzeichnis der Bestande (Hannover: Kunstmuseum Hannover mit Sammling Sprengel, 1981); Charles Sorlier, Marc Chagall et...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Artist: Julian Opie Title: Elena And Cressie Get Ready for the Party 5 Year: 2011 Dimensions: 30 3/4 in. by 24 1/12 in. Edition: 3/30 Publisher: Alan Cristea Gallery London Medium: ...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

This is a vintage 1946 public service announcement poster The artwork is bold, clear and direct. "it will look even bigger… after the war!" Girl looks on longingly at 10 dollar bill....

Luis Miguel Valdés (Cuban, 1949). ´Luneta' (Lunette), 2008 SilkscreeN Edition of 40 Overall Size: 55 x75 cm. (22.75 x 29.5 in.) Surface: Canson Paper 200 g. Hand-signed, COA (Certifi...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Man Ray 'Le Mannequin' Aquatint/Engraving 1975 Edition: From the rare limited edition of 150 Size: 50x35 CM. Signed and numbered in pencil by the artist Published by Cleto Polcina E...

Artist: Robin Shepherd (English-American, Active Late 20th Century) Title: "St. Tropez" *Signed by Shepherd in pencil lower right Year: 1991 Medium: Original Screenprint on deckle edge Stonehenge paper Limited edition: 150, (the number may differ from what is shown in the photos) Printer: possibly the artist Shepherd himself, Jacksonville, FL Publisher: the artist Shepherd himself and The Collector's Exchange, Jacksonville, FL (present day Graves International Art...

Susan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bay...

Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including the widely exhibited series Ask the Dust (1988-92), now in the collections of the Museum of Contemporary Art, Los Angeles (21 part set), the Pompidou, MOMA and the Whitney Museum of American Art. She is a recipient of grants and fellowships from the J. Paul Getty Trust Fund for the Visual Arts, California Arts Council, Creative Capital, Anonymous Was a Woman, the Harpo Foundation, California Community Foundation, the John Simon Guggenheim Memorial Foundation and the MacDowell Colony. Her work has been exhibited in museums and galleries in the US, Canada, Mexico, Europe, and Japan, and was included in the Whitney and Lyon Biennials. In addition to her visual practice, Bernard takes an active interest in the spaces and production of social exchange. She was a director and advisor to Foundation for Art Resources from 1985 to 1990, a founding director of the Coalition for Freedom of Expression, and co-founder of MOCA Mobilization. Bernard is also the founder and director of The Society for the Activation of Social Space through Art and Sound (SASSAS), an organization she began in response to the need for a flexible and sustainable association dedicated to experimental music in Los Angeles. She has curated and produced more than 50 concerts for SASSAS including Welcome Inn Time Machine for Pacific Standard Time in 2012. Her interest in sound has spurred several projects including a series of photographs of municipal band shells which Bernard sees as an architecture of public exchange and The Inquisitive Musician, an adaptation of a 17th century German satire, Musicus Curiosus, or Battalus, the Inquisitive Musician; the Struggle for Precedence between the Kunst Pfeifer and the Common Players. The Inquisitive Musician pits itinerant “beer fiddlers” against the city sanctioned “Kunstpfeifer” in an argument over who has the right to perform and be compensated. Presented as a staged reading incorporating video and live music, The Inquisitive Musician has been performed in New York, in Los Angeles at the LA County Museum of Art, and most recently at the Stedelijk Museum in Amsterdam in June 2013. Current projects include Vinland, a meditation on the complex and continually shifting relationships between spaces, social and economic structures, and personal and collective histories and, more recently, an “episodic” series based on the history of social nudism: Your Personal View of (Social) Nudism. Bernard is a Adjunct Professor of Graduate Fine Art at Art Center College of Art and Design and was appointed the inaugural Ruffin Distinguished Artist-In-Residence at the University of Virginia for the academic year 2013/2014. She was a 2016 National Endowment for the Arts Fellow at the MacDowell Colony and will be in residence at the UCross Foundation in 2017. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer...

Artist: Louis Toffoli (Italian-French, 1907-1999) Title: "Le Mexicain (Le Gilet Jaune) The Mexican (The Yellow Vest)" *Signed by Toffoli in pencil lower right Year: 1990 Medium: Orig...

American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.In 1991, Alice Asmar was chosen for prestigious Honorary Membership in the National League of American Pen Women. Only three such honors are given each year. This recognition reaches back to her childhood, Alice Asmar was considered a child prodigy, winning awards and recognition for her artwork before the age of 10. Her education from 1946 through 1959 included a BA magna cum laude, from Lewis and Clark College, Portland; an MFA from the University of Washington, Seattle; and a one-year fellowship to study at L'Ecole Nationale Superieure des Beaux-Arts, Paris, France. Born in Flint, Michigan of Lebanese and Greek descent. Her parents moved to Portland, Oregon when she was just a baby. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists. She Graduated magna cum laude from Lewis and Clark College in Portland and Obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawing for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child. After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. A master of many media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books,American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes. Prints including lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is recognized internationally. Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, Security Pacific International Bank of New York, The Public Art Museum of Gabrova, Bulgaria, kaiser-Permanente, and the Dr. Nicholas Townell collection in Angus, Scotland. Studied with Edward Melcarth & Archipenko, University of Washington, MFA. Work: National Museum of American History Smithsonian Institute, Washington. Los Angeles City-Scape at sunset (Mural), Commissioned by Dr. Walter jayasinghe, 66; Painting of doves, Bangs Manufacturing Co, Burbank Exhibitions: Seattle Art Museum. Museum of Science & Industry, Los Angeles. Circle Gallery Ltd, Houston, Abbot Hall Gallery, William Temple House, Portland Oregon. Nambe Mills, Santa Fe, New Mexico. Sr Eye Art Gallery, Long Beach. Descanso Gardens, La Canada Flintridge, California.Sun Cities Art Museum, Arizona. Audubon Art Exhibit, Portland Oregon.Walt Disney Art...

Cisco Jimenez (Mexico, 1959) 'Aparición del Señor de Chalma', 2006 silkscreen, collage on paper 31.5 x 23.7 in. (80 x 60 cm.) Edition of 99 Unframed ID: JIM1752-003-109 Hand-signed b...

ARTIST: Salvador Dali TITLE: Visions Surrealsite Mystery of Sleep MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine EDITION NUMB...

Jose Bedia (Cuban, 1959) 'Tumba y Raja', 2019 Sugarlift on iron plate Limited edition of 30 Image size: 89.5 x 151.5 cm. (35.2 x 59.6 in.) Overall size: 109 x 172 cm. (42.9 x 67.7 in...

ARTIST: Salvador Dali TITLE: Fashion Designer MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 292/350 MEASUREMENTS: 29" x 21" YEAR: 1980 FRAMED: No CONDITION: Excell...

Going home? Don't be delayed by V.D.; 1946 military poster by Franz Oswald Schiffers. Going home? Don't be delayed by V.D. VD, the 1946 U.S. (or Australian) World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. Bound up in rope. Going home? Don't be delayed by V.D.! is a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...

This does not appear to be signed. not examined out of frame. In the manner of Frans Masereel here is an old woodblock print of a Jewish religious scene of the induction of a new torah in a procession with a chuppah, wedding canopy. In the tradition of the Jewish European artists of the 19th and early 20th centuries, such as Moritz Oppenheim, Max Liebermann, Lesser Ury, Jakob Steinhardt, Jehudo Epstein, Artur Kolnik, Stanislaus Bender...

DELAYED VD; 1946 military poster by Franz Oswald Schiffers. Delayed! VD, the 1946 U.S. World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. He can see the bright lights big city in the distance but he is chained to the VD block... VD Almost! is a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Energy courses through the spine like glucose through the stalk of a plant. It sprouts tendrils and flowers that reach for the light. My friend experienced a serious car accident tha...

ARTIST: Salvador Dali TITLE: Torero Noir MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: EA MEASUREMENTS: 29.75" x 21.75" YEAR: 1969 P...

Description: Medium: Lithograph. Hand signed Print Image Size: 23 3/8 x 18 1/8 inches. Print Edition: no edition. this is marked B.A.T. Alternate Medium: Lithograph. Ink(s): black. Support: grey wove paper. Double portrait of the artist's aunt and uncle at their engagement, with Sophie standing next to a seated Robert Cohen. Text at the top reads "Sophie, born in Navaredek, Belarus, April 5, 1899, died in Providence, Jan 3, 1991. Robert, born in July 4, 1890 in Providence, R.I., Died in Providence, March, 1987. Engagement photo of Sophie Pearl Gabrilowitz and Robert Maurice Cohen...

Francisco De Goya (Spain, 1746-1828) 'Los Chinchillas (Caprichos. Estampa 50)', ca.1797-1799 burnished aquatint, etching on vellum paper 11.6 x 8.4 in....

Released for the Matt Zingler Charity event to benefit cancer research. Screen print in colors on Epsom Somerset Velvet paper. Hand signed and numbered by the artist. Frame size a...

Man Ray 'Costume de Bal' Aquatint/Engraving 1975 Edition: From the rare limited edition of 150 Size: 50x35 CM Signed and numbered in pencil by the artist Published by Cleto Polcina E...

Giclee print in colors on Moab Entrada paper with deckled edges. Hand signed and numbered by the artist. Sheet size: 20 x 24 inches. Frame size approx 26 x 30 inches inches. Editi...

a magnificent contemporary American art piece. On deckle edged art paper. This is from a large collection of his pieces. Sid Chafetz (1922-) Born in Providence Rhode Island, Sid C...

Francisco Benjamín López Toledo (born July 17, 1940, Juchitán, Oaxaca) is a Mexican painter, sculptor, and graphic artist. He studied at the Escuela de Bellas Artes de Oaxaca and the Centro Superior de Artes Aplicadas del Instituto Nacional de Bellas Artes, Mexico, where he studied graphic arts with Guillermo Silva Santamaria...

Description: Medium: Lithograph. Hand signed and editioned BAT Print Image Size: 26 x 16 inches. Print Edition: 8. Alternate Medium: Color lithograph. Ink(s): blue, green, yellow, pi...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 39 x 26.5 inches. Edition of 275. Artwork is in excellent condition. Certificate of Authenticity is...

Theo Tobiasse Title "On the Shores of the Circus" Suite: Song of Songs of King Solomon Year: 1975 Medium: Original lithograph in colors on paper (deckle edged paper) Publisher: Leon Amiel, Paris & New York Signature: Hand signed by the artist Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theo Tobiasse shows very early talent for drawing and painting, and during a visit to the Special Exhibition of 1937 held in Paris, he is enchanted by Raoul Dufy. The death of his mother (in June 1939) followed by the outbreak of the Second World War, Paris under the German Nazi occupation, the wearing of the yellow star and his registration at the National School of Decorative Arts denied for racist reasons upsets his life. He enrolled in a private advertising design course on the boulevard Saint-Michel, which he abandoned nine months later because his family, narrowly escaping the Winter Vélodrome roundup in July 1942 was forced to hide in an apartment in Paris for two years. At the Liberation of Paris, he quickly began a career as an advertising graphic designer with the Draeger art printer and also produced tapestry cartoons, stage sets and Hermes showcases at the Hermès boutique on rue du Faubourg Saint-Honoré. In 1950, he obtained French nationality and moved to Nice in the Alpes-Maritimes, where he continued his advertising graphic design career. His first paintings were exhibited at the Salon des peintres du Sud-Est in 1960. He was laureate in 1961 the "prize of the young Mediterranean painting" and Armand Drouant offers him a first contract and exhibited at the Faubourg Saint-Honoré Gallery in Paris in 1962. Théo Tobiasse also won the Dorothy Gould Prize in 1961. He decided to devote himself solely to the visual arts. Numerous exhibitions are dedicated to him all over the world, in Paris at the Drouant Gallery, in Geneva, Montreal or Tokyo, then London, Zurich, Lausanne, Los Angeles, Kiev, and then a first personal exhibition in New York (1968). Self-taught, he studied the technique of grand masters in museums during his travels. The reliefs, glazes and colors of Rembrandt's Jewish Fiancee at the Rijksmuseum in Amsterdam, in particular, open up new technical possibilities that he explores in his canvases back to his studio. The figurative subjects without narrative or symbolism (cat, bird, kite, velocipede, etc.) of his first paintings, allow him to focus on the techniques, the color and the texture of oil painting and gouache. From 1964, Theo Tobiasse develops a more personal iconography drawn from his own memories of his childhood in Lithuania, the wanderings of a family seeking a land of asylum and the Holocaust. The train, the one which drove his family from Kaunas to Paris, or the Jews to the camps, becomes a recurring motif and memory a major theme in his work. A visit to Jerusalem, Israel in 1970 brings him closer to his Israeli Jewish origins. He created his first Judaic stained-glass windows on the theme of "Jewish Feasts" for the Jewish Community Center in Nice and a monumental oil painting titled " Que tentes sont beau", O Jacob (1982). He continues to travel and immerse himself in the cultures he meets, New Orleans jazz, Mexican archaeological sites and Native American totems . In New York, he meets Elie Wiesel (1982). While Josy Eisenberg makes a film about Théo Tobiasse, entitled Tell me who you are painting, for French television in 1977, many personal exhibitions are devoted to him in France and abroad, notably at the Passali gallery in Paris, France. Atheneum Museum in Geneva and the Nahan Gallery in New Orleans. In 1983, a retrospective exhibition of his work was organized in Nice , at the Museum of Contemporary Art in Ponchettes. Carborundum engraving, lithography, stained glass, mosaic, pottery, bronze and ceramic sculpture are all tools of expression he first explored in the studio he had built at his home on the heights of Nice (1954 -1972), then to the Rauba Capeu wharf in Nice (1971-1976). He leaves Nice to install his main workshop on his property in Saint-Paul-de-Vence in 1976. In collaboration with Pierre Chave, lithographer in Saint-Paul-de-Vence, Théo Tobiasse is developing a technique for making lithographs of eighteen to twenty colors that he produces for many original portfolio editions published in France, Sweden and the United States. In addition to the theme of memory of the wanderings and exodus of his family and the Jewish people, the personal iconography of Tobiasse comprises three other major themes that recur in his work: The cities that are dear to him (Paris and Jerusalem, first, then New York and Venice from the 1980s); twenty-eight monochrome gouaches, From Notre-Dame to Saint-Germain-des-Près (1969). The Hebrew Bible, an endless source of human dramas, which he re-imagines in contemporary times. Rachel (1978), Sarah and the three messengers (1981),Bathsheba in the Garden of Pomegranates (1982). The woman, lover, erotic and shameless, Daphnis and Chloé (1978), Portrait of a woman immobile in ecstasy , (1978), a creature-sex apple whose skin burns and arms twist (1980). To explore the theme of the erotic woman, Tobiasse adopts nude drawing in graphite, ink and pastel on paper, as well as the writing of poetic texts he inscribed in his drawings and notebooks. The American merchant, Kenneth Nahan Sr., met in 1978, encourages Théo Tobiasse to join in the United States other French painters he represents, including Max Papart and James Coignard. Tobiasse moved to New York in 1984. He first worked at the Chelsea Hotel and then set up his studio in Manhattan. He decides to split his time and his work between Saint-Paul-de-Vence and New York. The first paintings painted in America are distinguished from their European production by their scale and their bright themes. Oil-painted canvases are filled with family portraits, children, and biblical characters. My family came from Lithuania, Little Girl Sitting , Saul and David (1984). In these paintings, families no longer flee the pogroms in the trains, but land in New York, new host country according to his imagination, as in America (1984). He also created the Myriam sculpture in New York, which became the model for the Venus, a monumental bronze sculpture to be installed at the entrance of Saint-Paul-de-Vence in 2007 15. New York joins the inspiring cities of Theo Tobiasse and the woman now personifies freedom. Along with Marc Chagall, Raya Sorkine, Zamy Steynovitz and Yoel Benharrouche, Tobiasse becomes one of the pillars of modern French Judaica...

ALMOST VD; 1946 military poster by Franz Oswald Schiffers. Almost! VD, the 1946 U.S. World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. VD Almost! is a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...

ARTIST: Salvador Dali TITLE: Departure of The Fisherman MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 51/150 MEASUREMENTS: 25.75" x 38" YEAR: 1965 FRAMED: No CONDIT...

Cundo Bermúdez "Cuarteto Habanero" Serigraphy Ed of 100 30 x 42 in Frame included Cundo Bermúdez was a Cuban painter known for his colorful depictions of figures and patterns. I...

Transport yourself to the elegance of Victorian French fashion with this vintage lithograph print featuring exquisite ladies' La Mode dresses. The unframed size of the print measures...

Luis Miguel Valdes (Cuba, 1949) 'Torso III', 2006 woodcut on paper Guarro Biblos 250g. 18.6 x 11.1 in. (47 x 28 cm.) Edition of 20 Unframed ID: 1G200615 Hand-signed by author _______...

Mario Carreño "Antillana" 1993 Lithograph 64 of 120 18 x 23 in

Transport yourself to the elegance of Victorian French fashion with this vintage lithograph print featuring exquisite ladies' La Mode dresses. The unframed siz...

3 color risograph on paper. Hand signed by the artist. Unnumbered edition (outside the numbered edition of 300). Artwork is in excellent condition. Certificate of authenticity in...

Giclee on canvas. Hand signed and numbered on front by the artist. Edition of 325. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included...

Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet...

ARTIST: Salvador Dali TITLE: Poems Secrets War 1914-1918 MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 108/145 MEASUREMENTS: 11" x 15...

Luis Miguel Valdes (Cuba, 1949) 'Tres columnas', 2002 etching, aquatint, sugarlift on paper 24.5 x 31.2 in. (62 x 79 cm.) Edition of 30 Unframed ID: VAL-120 Hand-signed by author ___...

Hand numbered 198/200, signed and dated on the recto in the lower right margin. Provenance: Martin Lawrence Gallery, Los Angeles, 1993 and Private coll...

Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Dominguin II', 2006 etching, aquatint, sugarlift on paper 21.3 x 27.4 in. (54 x 69.5 cm.) Edition of 20 Unframed ID: VAL-130 Hand-signed b...

Francisco De Goya (Spain, 1746-1828) 'Será lo mismo (Estampa 21)', ca.1810-1014 Serie: Desastres de la guerra burnished aquatint, etching on wellum paper...

Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Dominguin I', 2005 etching, aquatint, sugarlift on paper 21.3 x 27.4 in. (54 x 69.5 cm.) Edition of 20 Unframed ID: VAL-129 Hand-signed by...

20.75x14.5 sheet size. 9.5x7.75 image size Shlomo Zafrir is active/lives in Israel, France. Shlomo Zafrir is known for cubist painting. Shlomo Zafrir is a painter and, at the same t...

Europalia 87 Oesterreich (Austria) by Friedrich Hundertwasser – original vintage poster – offset lithograph with metal foil insets fine art print Copyright by Gruener Janura AG, Glarus/ Switzerland. Printed in Germany. Europalia 87 Oesterreich 16 Sept - 16 Dec Festival des Arts en Belgique. Original poster designed by Hundertwasser, printed with 9-colour offset lithographic process, Gold and Silver metal foil insets. Friedensreich Fritz Hundertwasser was born in Vienna in 1928 as Friedrich Stowasser. He initially gained acclaim for his paintings, but is currently more renowned for his unique architectural stylings. His revolutionary ecological stands with regard to architecture have earned him the nickname Architecture­ Healer. His works have been used for flags and stamps, coins and posters, schools and churches. The galerie Peithner­ Lichtenfels showed his work. Artists present at the opening exhibition included Adolf Frohner...

Genre: Realism Subject: Portrait Medium: Etching Surface: Paper Country: Israel Dimensions with Frame: 18" x 114" Jacob Eisenberg (1897–1965) (also Yaakov Eisenberg) was an Israeli ...

Transport yourself to the elegance of Victorian French fashion with this vintage lithograph print featuring exquisite ladies' La Mode dresses. The unframed size of the print measures...

ARTIST: Salvador Dali TITLE: The Mythology Medusa MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet, Paris EDITION NUMBER: 68/150 MEASUREMENTS: 29.9" x 1...