Florida - More Prints

Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

OBEY PRINTING PRESS Title: Letterpress Dimensions: 10 x 13 inches Edition: 340/450 Release Date: January 23, 2018 Experience the timeless artistry of "Obey Printing Press", a lette...

Abstract Composition, 1959 Lithograph This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Moshe Tamir and Michael Gross. Joseph (Yossef) Zaritsky (Hebrew: יוסף זריצקי‎; September 1, 1891 – November 30, 1985) was one of Israel's greatest artists and one of the early promoters of modern art in the Land of Israel both during the period of the Yishuv (Palestine, the body of Jewish residents in the Land of Israel before the establishment of the State of Israel) and after the establishment of the State. In 1948 Zaritsky was one of the founders of the "Ofakim Hadashim" group. In his works he created a uniquely Israeli style of abstract art, which he sought to promote by means of the group. For this work he was awarded the Israel Prize for painting in 1959. Joseph Zaritsky...

Artist: Erhard Ratdolt (German, 1442-1528) Title: "Preface Page" and "Page CVI - 106" Portfolio: Missale Frisingense Year: 1492 (First edition) Medium: Set of Two Original Incunabula Leaves on watermarked laid paper Limited edition: Unknown Printer: Erhard Ratdolt, Ausburg, Germany Publisher: Sixtus of Tannberg, Freising, Germany Reference: Hain No. 11303; Weale/Bohatta No. 396; Schreiber No. 4699; Pell No. 7944 Sheet size (each): approx. 11.94" x 8.13" Condition: "Preface Page" has the occasional wormhole. Remnants of tape, a tape and a paper clip stain along its edge. Minor foxing and soiling mainly in margins. "Page CVI - 106" has remnants of tape and a small stain along its left edge. Light foxing and soiling about its sheet with some general edge wear. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition with strong colors Very rare Notes: Comes from Ratdolt's one volume "Missale Frisingense", (1492) (First edition), which consists of 576 pages of Gothic texts in Latin with red rubricated initials, music, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on March 17, 1492. "Preface Page" has a bull's head and cross watermark in the upper center of its sheet. Some information and old prices inscribed in pencil to their sheets. A missal is a book that contains the prayers, chants, biblical readings, and rubrics for celebrating Mass. The first missals were found in monasteries in the 12th and 13th centuries. The term missale is Latin for "Mass book". Biography: Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...

Artist/Designer; Manufacturer: Roberto Matta (Chilean, 1911-2002) Marking(s); notes: signed, blind stamp; ed. 94/100; 1971 Materials: lithograph on Arches paper Dimensions (H, W, D):...

Artist: Edward Barnard (English, 1717-1781) Title: "Various Weapons & Implements of War ... Which have been Employed Against the English, by Different Enemies: Now Deposited in the Tower of London" Portfolio: New Complete and Authentic History of England Circa: 1785 Medium: Original Hand-Colored Etching on laid paper Limited edition: Unknown Printer: Alex Hogg, London, UK Publisher: Alex Hogg, London, UK Sheet size: 15.38" x 9.63" Image size: 11.75" x 7.94" Condition: Slight toning to edges. Has been professionally stored away for decades. It is otherwise a strong impression in excellent condition Notes: Provenance: private collection - Cheltenham, UK. Engraved by English artist George Walker (1781-1856) after a drawing by English artist William Hamilton (1751-1801). Comes from Barnard's one volume "New Complete and Authentic History of England", (1783, 1785, 1790) (First - third editions), which consists of 105 engravings. Printed in one color from one copper plate: black. Biography: Edward Barnard (1717-1781) was an English cleric and academic, provost of Eton from 1764. Barnard was second son of Rev. George Barnard...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

Wish (Skee-Lo/Coolio) Artist: Mark Drew Year: 2020 Medium: Screenprint in colors on wove paper Dimensions: 11 1/2 × 16 1/2 inches 29.2 × 41.9 cm Edition: Limited edition 94 of 150 ...

Pencil signed and dated, colored Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often refl...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint with metal foil Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approxi...

ARTIST: Salvador Dali TITLE: Les Amours Jaunes Good Fortune & Fortune MEDIUM: Etching + Gold Flakes SIGNED: Hand Signed EDITION NUMBER: CLXII/CC MEASUREMENTS: 11" x 14.75" Fra...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

Artist: Moshe Castel Title: King Solomon's Mine Medium: Lithograph Signed: Hand Signed Edition: Edition of 150 Measurements: 19" x 26" Note: This piece is sold UNFRAMED Conditi...

Laminated Giclee print on aluminum composite, screen printed with glitter published by Heni Editions. This is signed by Damien Hirst and numbered on the label on the verso. This piece is in excellent condition and never taken out of the original shipping box...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

The Belgian artist Jean-Michel Folon was born in 1934 in Uccle, in the surroundings of Brussels. Although having made studies of architecture, he will be devoted very quickly to the drawing. He takes part, by its illustrations, with reviews and other periodicals ; he is considered a long time as cartoonist. Folon very early created a world which is clean for him into which an anonymous character seems to float or slip into an indefinite world, sometimes absurd. By the use of the color, its work takes a more pictorial turn towards the end of the Sixties. In 1969, its first personal show is organized in New York (Lefebre Gallery). In little time its universe is essential: covers of French and American newspapers...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

"AXO-CHARGA" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A VISIONARY MASTERWORK OF OP ART "Axo-Charga" is a striking original serigraph by V...

Artist: Tito Salomoni Title: Catch a Star Medium: Lithograph Signed: Hand Signed Edition: From the edition of 200 Measurements: 23" x 29" Note: This piece is sold UNFRAMED Cond...

Theo Tobiasse Suite: Shavuot Festival Year: 1984 Medium: Original carborundum embossed etching lithograph in colors on Arches paper (deckle edged paper) Signature: Hand signed by the artist Publisher Nahan Gallery, New Orleans Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theodore Tobiasse...

Dee Shapiro is a Contemporary American artist and writer associated with the Pattern and Decoration movement. I have seen this referred to as Hejaz. Dee Shapiro was inspired to be an Artist in her early years of education. Dee's career started in the 1970s as a pattern painter with her works of art included in the Pattern and Decoration at P.S. 1 (other artists included Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Robert Kushner, Kim MacConnel, Miriam Schapiro, Betty Woodman, Robert Zakanitch.) She researched and explored the Fibonacci Progression in color on graph paper and also explored geometric complexity of architectural designs, leading her to create the small horizontal oil paintings of cities and landscapes. Dee Shapiro became a Yaddo fellow in 2017. Dee Shapiro obtained her bachelor's degree in 1958 and Master of Science in 1960 from Queens College, City University of New York. Dee Shapiro is an artist that sees the subject on a large scale, but what she creates is on a diminutive scale. Shapiro's strength is the ability to give expressive power on canvas that makes her work seem larger than they are. Dee Shapiro has been a teacher, lecturer, and writer through career. "I have been concerned with women’s issues most of my life. I have worked to enhance the position of women in society through supporting the work of women artists. As a contributor to Heresies Magazine and a founder of a women’s cooperative gallery as well as developing a body of work that references women’s work and more currently focuses on female sexual imagery, I identify with feminist matters and affairs." Group exhibitions 2018 The American Dream, Emden, Germany Solo exhibitions 2016 Art 101, Brooklyn, NY 2015 Andre Zarre Gallery, NYC 2015 Five Points Gallery, Torrington, CT 2012, 2010, 2009 Andre Zarre Gallery, NYC 2010 Norfolk Library, Norfolk, CT 2009 George Billis Gallery 2006 Harrison Street Gallery, Frenchtown, NJ 2004 The Mercy Gallery. Loomis Chafee, Windsor, CT. 2004,2002, 1998 Andre Zarre Gallery, NY C, National Arts Club, NYC 2000 Principle Gallery, Alexandria, VA 1998 Nassau County Museum of Fine Art, Roslyn, NY 1997 Andre Zarre Gallery, NYC 1996 North Winds, Port Washington, NY 1994, Andre Zarre Gallery, NYC 1984 Ana Sklar Gallery, Miami, FL 1983 Andre Zarre Gallery, NYC 1982 Everson Museum, Syracuse, NY, Andre Zarre Gallery, NYC 1981 Dubins Gallery, Los Angeles, CA, Zenith Gallery, Pittsburgh, PA 1980, 1976 Andre Zarre Gallery, NYC 1979 Gallery 700, Milwaukee, WI Andre Zarre GalleryNYC 1978 St. Mary's College, Notre Dame, IN 1977 University of Arkansas, Little Rock, AK 1975, 1973 Central Hall Gallery, Port Washington, NY, Nassau County Museum of Fine Art, Roslyn, NY Selected bibliography James Panero, Supreme Fiction The Hudson River School Revisited, March, 2010 Piri Halaz, From the Mayor’s Doorstep, April 2010 Steve Starger, Art New England, Dee Shapiro: “On The Horizontal,” Feb/Mar 2005 Maureen Mullarkey, The New York Sun,”The Last Time I Saw Cuba,” April 15, 2004 James Kalm, NY ARTS, International Edition, April 2000 Helen Harrison...

Artist: Joanne Seltzer Title: Dance Lesson #3 Medium: Lithograph Signed: Hand Signed Edition: Edition of 300 Measurements: 23" x29" Note: This piece is sold UNFRAMED Condition:...

ARTIST: Salvador Dali TITLE: Faust Sorceress au Bali MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Aegillet, Paris EDITION NUMBER: 9/95 MEASUREMENTS: 15" x 11.2" pa...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Artist: Jonas Wood Title: Large Shelf Still Life Year: 2017 Medium: Poster Technique: Offset lithograph printed in colours on wove paper, the full sheet printed to the edges Classifi...

Historic set of three 18th century engravings hand painted in watercolor depicting seashell specimens in an early naturalist style. Presented u...

Artist/Designer; Manufacturer: James Rosenquist (American, 1933-2017) Marking(s); notes: signed; ed. 29/78; 1978 Materials: etching and aquatint on Pescia Italia paper Dimensions (H,...

Artist: Raphael Soyer Title: Woman in Red Stockings Portfolio Medium: 2 Lithographs, 1 printed in color & 1 black/white Original paper portfolio cover Signed: Hand Signed Edition: ...

Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

Artist: William Nelson Copley "CPLY" Title: Baby Buggy Medium: Serigraph Signed: Hand Signed Edition: From the edition of 200 Measurements: 33" x 26"...

(20th century) Theban Archaeopteryx Lithographica lithograph edition of 15 signed Barbara Trupp was born in Nebraska and spent her childhood in Montana. She studied at the Banff Centre School of Fine Arts in Alberta, Canada; the University of Puget Sound; and the University of Michigan. Theban Archeaopteryx Lithographica was printed at the Plucked Chicken Press in Evanston, Illinois. “The stone is the shape of the Rosetta Stone, unlocking language, [a] key to the past,” says Tripp. “Wouldn’t it be wonderful if you came across a stone, chipped at it, and revealed layer upon layer of visual history, images from sophisticated Egypt back to Paleozoic trilobites? “Lithography stones, quarried from the Jura Mountains of Bavaria, reach us from the Jurassic period of the Mesozoic, bearing fossils of the first birds. The bird fossil looked like it was doing an Egyptian dance, and that reminded me of the wall paintings of the House of Eternity in Thebes. ‘Paint the walls brightly, cheerfully, so that our souls will take the form of birds and fly,’ said Sennefer, the mayor of Thebes, in the tomb of his wife Meryet. “Fossils and archeological evidence provide proof that others existed before us, and allow us to see their thoughts. The past is with us. Like Archaeopteryx, Sennefer and Meryet still fly through eternity, though frozen in stone. Above them is the protective eye of Horus. Trilobites represent a breathtaking explosion of Cambrian life forms. Between Archaeopteryx and Egypt, I wanted mammals. Petroglyphs. Human marks. Because my right hand is the trained hand, I drew with my left, childlike. And I drew with a stick, dipped in asphaltum, and a ratty old brush...

"Ghost in the Shell" Screen Print by Kevin Tong Artist: Kevin Tong Year: 2017 Dimensions: 24" x 36" Edition Size: 325 prints Print Details: Hand-numbered screen print on 100 lb cream...

Pencil signed and dated, colored Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a butcher in Rahachow which was at that time within the Jewish Pale of Settlement in Russia. His background was therefore not dissimilar to that of Marc Chagall, born a generation earlier in 1887, and although their lives were very different, their art has much in common. The shtetl figures in many of Kaplan's paintings - autobiographical references are very clear in The Butcher's Shop (1972) and Tailor's Shops (1975) and in the many illustrations which he was to create to the works of Sholem Aleichem...

12-color screen print on deckle edge paper of a collage of Moroccan street scenes including an orange stand, umbrellas, a motorcycle shop and a F...

Mark Drew Stay Coogi (RIP Biggie), 2021 6 color Serigraph on 290gsm Coventry Paper 18 × 18 in 45.72 × 45.72 cm Edition of 120

Pencil signed and dated, colored Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. his father was a butcher in Rahachow which was at that time within the Jewish Pale of Settlement in Russia. His background was therefore not dissimilar to that of Marc Chagall, born a generation earlier in 1887, and although their lives were very different, their art has much in common. The shtetl figures in many of Kaplan's paintings - autobiographical references are very clear in The Butcher's Shop (1972) and Tailor's Shops (1975) and in the many illustrations which he was to create to the works of Sholem Aleichem...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

ARTIST: Salvador Dali TITLE: Lyle Stuart Tarot Prints Wheel of Fortune MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 100/250 MEASUREMENTS: 22.87" x 17...

ARTIST: Salvador Dali TITLE: Poems Secrets The Beach at Sete MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 114/145 MEASUREMENTS: 11" ...

Artist: Joanne Seltzer Title: Dance Lesson #4 Medium: Lithograph Signed: Hand Signed Edition: From the edition of 300 Measurements: 22.5" x 30" Note: This piece is sold UNFRAMED...

Artist/Designer; Manufacturer: Garzon Florez, illustrator (20th C.), Celso Roman, author (b. 1947) Marking(s); notes: signed; ed. 1/45; 1994 Country of origin; materials: Colombian; ...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Artist: William Henry Toms (English, c.1700-1765) Title: "Draught of a Galley" (Plate 13, Vol. III, page 131) Portfolio: La Spectacle de la Nature Year: 1737 Medium: Original Hand-Colored Engraving on laid paper Limited edition: Unknown Printer: Unknown, London, UK Publisher: Humphreys, London, UK Framing: Recently framed in a Regency style gold moulding with 100% cotton rag matting and 99% UV protective Museum Glass. The frame is an antique frame we've reused, originally built by Knoedler Gallery, New York, NY Framed size: 10.25" x 10.25" Sheet size (irregular margins): 6.63" x 8.25" Image size: 4.75" x 6.75" Condition: In excellent condition with strong colors and good margins Rare Notes: Comes from the 1737 volume edition of Noël-Antoine Pluche's "La Spectacle de la Nature", translated from the original French by Humphreys as "Nature Displayed". With two soft vertical folds within paper as issued. Various dealer reference numbers and an old price pencil inscribed in margins and on verso. Biography: William Henry Toms (c. 1700–1765) was an English engraver. He worked on portraits, book-plates, landscapes and prints of buildings. Among his works were the plates for Robert West's "Perspective Views of All the Ancient Churches in London" (1736–1739). In 1741, he worked with Thomas Badeslade on "Chorographia Britanniae or a New Set of Maps of all the Counties in England and Wales". The maps were republished on 29 September 1742, with additional place names. Among Toms's apprentices was the engraver and publisher John Boydell. W. H. Toms lived in Masham Street, London, and was the father of the painter Peter Toms. Toms died in 1765. Noël-Antoine Pluche (1688-1761) , known as the abbé Pluche, was a French priest...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

ARTIST: Salvador Dali TITLE: Florals Dahlia (+ Fingers) Venus MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 29.4" x 21.6" YEAR: 1972 FRAMED: No COND...

"Double Bubble" silkscreen of gumball machine by Photorealist painter Charles Bell. Hand-numbered 117/150 in pencil in front lower left corner. Hand-signed Charles Bell in pencil in ...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

From the 'Sequences' series, this silkscreen print depicts block color and architecture. Edition of 60. Gerhard Merz (born 25 May 1947 in Mammendorf , district of Fürstenfeldbruck ) is a German artist. From 1969 to 1973, he studied at the Munich Academy of Fine Arts and became masterclass of Rudi Tröger . Between 1964 and 1969, inspired by Francis Bacon and Uwe Lausen , expressive pictures emerged and subsequently metal sculptures. Since the beginning of the 1970s, he has been increasingly successful with spatial installations in which he drew references to the history of literature and art, as well as to political history, as well as the development of large-format, monochrome images with lines of pencil strokes. In the building of the Federal Foreign Office in Bonn , he designed a wall with a large polychromatic mosaic. Beginning in 1977, he was represented with his works four times in a row at the documenta in Kassel . In 1983 he was awarded the Arnold-Bode-Prize of the documenta - City of Kassel . In 1991 he received a reputation as a professor at the Kunstakademie Düsseldorf . In 1998/1999, he was commissioned to design the rooms in the context of the old building renovation of the Federal Foreign Office in Berlin in a joint project with the architect Hans Kollhoff...

ARTIST: Salvador Dali TITLE: Neuf Paysages Paysage avec Figures-Soleil from Sun MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 17/80 MEASUREMENTS: 15" x 15" YEAR: 1980 F...

JR Wombat Portfolio and Print Stamp-dated, numbered and hand-assembled The Wombat box No. 37 is a special Edition made with JR for the occasion of his new exhibition MOMENTUM at La ...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

"Statue of Liberty" screen print and collage by Robert Rauschenberg from the "New York, New York" portfolio published by the New York Graphic Society. Signed Rauschenberg...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Soldiers carrying temple Menorah From a 2014 portfolio of...

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches From a 2014 portfolio of archival pigment prints of acryl...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Purim theme, with Czech flag, Megillah and Hamentaschen ...