Florida - Abstract Sculptures

Transmutation 2020 White Carrara Marble 19 x 22 x 42 in COA by the artist The self-taught artist Roberto Perez Crespo, born in 1969 in Cuba and based in Miami, has been continuously working on sculptures for nearly three decades, following his artistic call after abandoning a completed technical education in auto mechanical service. Pérez Crespo's practice moves between modernity and contemporaneity, pursuing his creative impulse from an emotional starting point. His religious approach partly directs these dynamic positions to classic Judeo-Christian sculptural themes such as maternity, the female body, and romantic love. Over the years, his interests have shifted from academic figurative representation toward a stylized abstraction of the human body. Formally he has explored the creation of less defined anthropomorphic forms while displaying a deft ability to work in various marble types. Perez Crespo's talent working in marble is evidenced by his ability to sculpt the stone into endlessly fluid shapes and contours. He is able, instinctively and organically, to materialize and bring to life an anthropological world that blossoms out of his manual skills. Perez Crespo's sculptures can be approached sensuously as tactile provocations that draw viewers into an intense, supple universe. Perez Crespo creates an imaginary ethos with metaphysical forms while taking significant steps toward an organic abstraction. He uses this type of abstraction that still retains a solid figurative reference while outsourcing modernist elements from artists such as Henry Moore, Maria Martins...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Victor Vasarely was a French-Hungarian artist credited as the grandfather and leader of the Op Art movement. The artist created compelling illusions of spatial depth using geometric ...

Pablo Picasso A.R. 412 Scène de Tauromachie 1959 16.5” round Edition of 100 White earthenware clay, partially glazed. Ramie 412 is a Madoura ceram...

Pablo Picasso A.R. 142 Ice Pitcher 1952 12.6” x 21.6” Pitcher Edition of 100 White earthenware clay, decoration in oxides, knife engraved on white enamel Ramie 142 is a Madoura ceramic that one rarely sees come on the market. The photo you see here is the actual piece that you will receive. Most sellers online post using stock photos that don’t necessarily match exactly to the piece you receive. This particular piece is pristine: there are no nicks, bruises or scratches of any kind. Be careful when buying from others – the pieces sometimes have nicks or scratches. The Certificate of Authenticity comes with this piece. We have sold over 3300 pieces with all positive reviews. We are located in the USA. When you buy from a foreign seller on 1stdibs, you have to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When you purchase from an auction house, you pay a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when you “win” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. When you purchase from an auction house, you pay the packing and shipping fees, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. When you purchase from an auction house, the sale is final. If you receive the piece and are not 100% satisfied with it, there is nothing you can do about it. You are stuck with it. By contrast, when purchasing from us, the buyer can determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! The prices of Picasso Madoura Ceramics have been on fire lately (no pun intended). The major auction houses – Sotheby’s, Christie’s and Phillips – have now been regularly holding Picasso Madoura Ceramic auctions...

"Citra" Abstract Sculpture 36" x 18" x 18" in by Shawn Kolodny Medium: Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art for our short atte...

Pablo Picasso A.R. 403 Spanish Dish with Toros Plat Espagnol au Toros 1957 15.7” round Edition of 100 Red earthenware clay, glaze decoration, knife engrav...

Artist/Designer: Billy Lee (Chinese/British) Additional Information: Billy Lee is well exhibited worldwide and known for his large abstract minimalist sculptures. He has received nu...

Poly resin sculpture. Britto signature stamped on lower right. From the edition of 4000 (2nd edition). Comes in original box with Britto studio certificate of authenticity. Ar...

Hand Forged Iron Stone Mosaic Pricket Sconce Candelabra Holocaust Memorial Judaic Wall Sconce Sculpture David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000. Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character. Education 1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem 1942 Sculpture with Zeev Ben Zvi, Jerusalem 1956 Mosaic, Ravenna, Italy 1958 Welding Course Awards And Prizes 1966 UNESCO Award Exhibitions: Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz. The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum 12 Artists, The Bezalel National Museum, Jerusalem Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati, General Exhibition, Art in Israel 1960 Tel Aviv Museum of Art Artists: Naftali Bezem, Nachum Gutman, Shraga Weil, Shraga, Marcel Janco, Ruth Schloss

JEFF KOONS (1955-Present) Metallized porcelain multiple, 2017, with the stamped signature, titled, dated and stamp-numbered 219/999 (total edition includes 50 artist's proofs), publ...

It has a variegated texture to it. It is signed and titled. Large format drawing or painting in pastel or crayon. Dennis Leon, was a San Francisco Bay Area sculptor and art instructor Mr. Leon was chairman of the sculpture department at the California College of Arts and Crafts in Oakland from 1972 to 1988. He remained a faculty member until his retirement as professor emeritus in 1993. A vibrant work in pastel with the energy and texture seen in the work of Wolf Kahn. He was born in London, England and emigrated in 1951 to the United States, where he studied at Temple University in Philadelphia. He graduated with art degrees, including a master's degree in fine art. He served in the U.S. Army and the Army Reserve from 1957 to 1963. In 1959, Mr. Leon joined the faculty of the Philadelphia Museum College of Art. He also worked as an art critic for the Philadelphia Inquirer until 1962. After coming to the Bay Area, he held his first local one-man show of sculpture in 1973, at the James Willis...

"GRASS SPEAKS IN RIDDLES" Abstract Sculpture 22" x 11" x 10" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny cr...

Margaret Koscielny (b.1940). Floating Images, 1974. Plexiglass sculpture. !0 x 10 x 10 images. Light base is new. Margaret Koscielny's work has been recognized in Who's Who in American Art; International Who's Who; Contemporary American Sculptors: An Illustrated Bio-Bibliographical Dictionary; Dictionary of American Women Sculptors; with articles in Kalliope (interview, photographs), The Florida Times-Union, Jacksonville Journal, Jacksonville Magazine; St. Petersburg Times; Atlanta Constitution and Journal; essays, by Joseph Jeffers Dodge, Drawings in Light and Space ; and Elihu Edelson, Arts Assembler; and reviewed in various newspapers, including a general review by John Canady, for The New York Times, of the American Drawing Competition, Moore College of Art, Philadelphia, (in which Koscielny was a participant). Influences and Early Background A native of Florida, Margaret Koscielny grew up in a family of classical musicians. Her mother, a violinist, was a descendent of an American Revolutionary war hero who, according to family legend, was related to William Pitt, the Elder, Prime Minister of Great Britain. Her father, a violist, was a graduate of the Leipzig Conservatory, emigrating to the US in 1929, where he became a music pioneer in Florida, teaching, directing bands and orchestras, and developing music education for string ensembles in the public schools. Her sister, Anne Koscielny, a concert pianist, was also a professor of piano for over 4 decades. Her step-brother, Gordon Epperson, was a prominent cellist, writer and college professor. Her niece, Cécile Audette, is a singer and choral conductor, and her grandniece, Renée, a violinist. Both sets of grandparents were musical, as well. This has influenced Koscielny's work the most, as it has provided inspiration and a sense of layers and the element of time in the construction and architecture of her work. Early Education and Career, 1960's Margaret Koscielny began her art studies at Texas Woman's University with Toni La Salle, (a student of Hans Hoffman). La Salle was the first, and most important influence on Koscielny's approach to drawing and art. Ms. La Salle's paintings reflected the ideas she developed under Hoffman's instruction, and she was Koscielny's first encounter with an Abstract Expressionist painter. Koscielny then attended the University of Georgia, where she earned the degrees of Bachelor of Arts in Art History and Master of Fine Arts in Art. Printmaking and drawing were the primary interests of her graduate work while studying with Charles Morgan, (a student of Jimmy Ernst, son of Max Ernst, the Surrealist). German Expressionism, surrealism and Abstract Expressionism were important influences during this time. The painters, Howard Thomas, James Herbert, and a fellow student, Jim Sitton were important mentors. She began, independently, the exploration of a technique evolved from printmaking combined with transparent media, and created her first "three-dimensional drawing-sculpture" in 1966. During the next two decades, Plexiglas was to be her primary format for drawings engraved, lighted and formed into assemblages. Teacher, Museum Curator, Artist, 1970's After a brief career teaching in public and private schools as well as Jacksonville University, she became Assistant to the Director of the Cummer Museum of Art and Gardens, (then called Ninah M. H. Cummer Gallery of Art). Margaret Koscielny was responsible for the organization and installation of exhibitions, publications, the training of Docents, and lectures on art history. During that time she also appeared regularly on television to discuss works of art in the museum's permanent collection. In December of 1973, Koscielny made a solo month-long tour of 9 major artistic capitals of Russia and the Ukraine in the former Soviet Union. This journey became the subject of nine lectures to capacity audiences at the Cummer Museum. She left the museum in 1974 to focus her activities primarily on her artwork. The 1970's were a time of numerous commissions, private and corporate for Koscielny, and she won the first National Endowment for the Arts grant in conjunction with the Florida Arts Council in 1975. This allowed her to execute three large sculptures in plexiglas which were exhibited at the Cummer Museum in 1976. Numerous other exhibitions throughout the Southeast followed. She also founded an independent group of 10 artists, Art Celebration! in 1973, because of the lack of galleries in Jacksonville.The success of the group's exhibition over a 5 year period precipitated new galleries to be established. Koscielny finished the decade with an invitation for a One Person Show at Vanderbilt University, also winning an international competition for the new Atlanta Hartsfield International Airport in 1979-80. She was one of only 3 women out of 13 artists, chosen from 500 competitors.The resulting three-dimensional assemblage, "Whole Sight," was in four parts, each 9 x 13 feet. They were installed on four walls over a descending 40 foot escalator. In late 1979, she was invited to produce and design an original ballet...

Music Sonata In A Shadow Box 2023 Mixed Media, artist signed, front Plexiglas. This sculpture is perfect for the wall or a coffee table. This 3D music diorama found its home in a drawer from an antique Tansu Chest. Some of the 3D elements were made by Erikson. Antique materials achieve a vintage and interesting aesthetic. The depth of the case creates a stage like atmosphere as sort of a visual guide for the viewers eye. The overlapping and juxtaposition of the elements creates a intriguing and appealing composition. Very often Erikson art echoes and fuses antiquity and modernity. Erikson’s central imagery concerns itself with intrigue and a sense of surprise. His body of work is often dispersed with visual, tactile and intellectual delights that lead the viewer on their own form of discovery. Erikson’s awareness of the aesthetic in sending things back in time is a result of studying the Renaissance and other periods of art history. This infusion of historical art references has had a vital effect on his body of work. Heavily influenced by the well known New York art dealer Allan Stone (who represented, among other giants, Joseph Cornell, and Willem de Kooning, Erikson has never departed from Stone’s insistence that “surprise” should remain with a piece of art no matter how long it is viewed. The discipline of archeology decodes messages of the past to find meanings of objects and classify them. This observation takes the viewer on a deeper understanding of the interplay. As a curator of his own “museum cases” in other work, Erikson’s personal vocabulary evokes images of extreme preciousness combined in miniature settings. Despite its minute scale his work commands presence and a sense of vastness. In his body of work, Erikson attempts to introduce sculpture to painting as a way of integrating the second and third dimensions. Exhibited: Allan Stone Gallery - New York, New York Elaine Baker Gallery - Boca Raton, Florida Renata Fine Arts Gallery - West Palm Beach, Florida Winfield Gallery...

Chain is 23.5 inches long. Pendant is 3.75 X 2 X 1 inches This piece is not signed. but the chain matches completely with the signed one that I have. Pal Kepenyes is a sculptor and researcher of Hungarian art, whose artistic production includes sculptures of small and medium format, jewelry and miniature decorative pieces, all made by hand, without any machinery. Wearable art. Sculptural pendant on matching chain cast in polished bronze or brass. Reminiscent of Harry Bertoia. Organic Modernism. Mod, space age, handmade artisan, studio jewelry. Pal Kepenyes, wearable art pioneer. sculptor, goldsmith, jeweler, artist, was born in 1926 in Hungary. His creative talent, specifically in creating sculpted works, was evident early on. He moved to Budapest, where he first studied at the University of Arts and Crafts and later at the Academy of Fine Arts. His professor, Beni Ferenczy was one of Hungary's most influential sculptors. Pal Kepenyes (20/21st century) is active/lives in Hungary, Mexico. Pal Kepenyes is known for sculpture, jewelry making, miniature decorative pieces especially influenced by Mexican folk art and folklore. His work also includes animals, lions, tigers, fish, nude figures and milagros. He began his studies at the School of Decorative Arts in Budapest, and then was a prisoner of war during the Stalinist regime. In 1956, at the end of the Hungarian Revolution, he finally was released and left the country for Paris, where he studied at the School of Fine Arts. In 1956, he also traveled to Mexico, a country to which he has been devoted for the rest of his life because of his attraction pre-hispanic cultures. Along with Pedro Friedeberg, Arnold Coen, Vladimir Cora, Byron Galvez, Mathias Goeritz, Leonardo Nierman, Gabriel Orozco...

Adolph T. DIODA (1915-1991) Birth place: Aliquippa, PA Lived in West Aliquippa, PA; Detroit, MI; Phila. & Jenkintown, PA Profession: Sculptor, educator Studied: Carnegie Inst Technol; Cleveland School of Art; Barnes Fnd., Art Student League New York, NY; also with John B Flannagan, New York. Exhibited: WMAA, 1939-40; Carnegie Inst., 1941; AIC, 1940, 1951; Sculpture Int., Philadelphia Mus. of Art, 1940-49; AA Pittsburgh, 1941-45; Carved in Stone, Bucholtz Gallery, New York, 1945; PAFA, 1946-47 & 1968 (prize, 1947); Philadelphia A. All., 1951; Carlen Gal., Philadelphia, 1951; 2-man exh. with William Kienbusch...

Tom Holland (American, b. 1936) Rivero fiberglass and aluminum with epoxy paint Mixed Media Wall Sculpture 1981, hand signed and dated Dimensions: 73 x 58 X 10 inches Provenance: C...

White earthenware ceramic pitcher painted in black, white and grey patina with knife engraving and partial brushed glaze. Inscribed 'Edition Picasso' in black and with the Edition P...

Sinuosity sculpture. Wall hanging in any direction, 360 degrees or pedestal mount. Goldfish Orange metallic finish keywords; #sinuous, focus on material, sculptural folds, Aldo Cha...

Robert Arthur Goodnough (AMERICAN, 1917-2010) Untitled oil on aluminum with nuts and bolts Provenance: Christie's Auction House from the estate of William F. Buckley and Patricia ...

"THE WEIGHT OF THE WORLD" Abstract Sculpture 16" x 55" x 12" in by Shawn Kolodny Medium: Stainless Steel Shawn Kolodny is a Miami-based artist renowned for his immersive, large-sca...

This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...

Carlos Cruz Diez Three element transchrome 2011 Plexiglass Sculpture Editions La Difference Paris 49 of 75 21 x 5 x 5 in Signed, dated, and numbered at the publisher label at the bot...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

Pablo Picasso A.R. 175 Bird On A Branch 1952 5.8” round Edition of 500 White earthenware clay, oxidized paraffin decoration, white enamel. Ramie 175 is a Mad...

Alfred Van Loen 1978 (1968 in casting?) signed 18 1/2" x 5 1/2" abstract stainless steel sculpture "Grand Kabucki", mounted on wood base, overall size 21 1/2" x 7" If there are any ...

PABLO PICASSO (1881-1973) Profil de Jacqueline (A. R. 309) Terre de faïence dish, 1956, from the edition of 100, with the workshop numbering, with the Edition Picasso, Empreinte O...

Salvador Dali for Daum (French, Nancy, founded 1878), "Ceci n'est pas une assiette" or “This is not a plate” plate in dusky rose pink glass pate de verre with gold lettering and des...

Sinuosity sculpture. Pedestal mount. No wall mount available. Black Cherry metallic finish. 24"x22"x12" keywords; sinuous, focus on material, sculptural folds, Aldo Chaparro, use of ...

Mini. Black Cherry Metallic keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculptu...

steel sculpture by the Spanish artist Ferran SORIANO. Ferran Soriano - Sculptor (Barcelona, 1944) Ferran Soriano has been exhibiting his works of art since 1970 around the world (in...

Chain measures 19.5 inches in length Pendant measures 2.4 X 1.5 X .5 inches Pal Kepenyes is a sculptor and researcher of Hungarian art, whose artistic production includes sculptures of small and medium format, jewelry and miniature decorative pieces, all made by hand, without any machinery. Wearable art. Sculptural pendant on matching chain cast in polished bronze or brass. Reminiscent of Harry Bertoia. Organic Modernism. Mod, space age, handmade artisan, studio jewelry. Pal Kepenyes, wearable art pioneer. sculptor, goldsmith, jeweler, artist, was born in 1926 in Hungary. His creative talent, specifically in creating sculpted works, was evident early on. He moved to Budapest, where he first studied at the University of Arts and Crafts and later at the Academy of Fine Arts. His professor, Beni Ferenczy was one of Hungary's most influential sculptors. Pal Kepenyes (20/21st century) is active/lives in Hungary, Mexico. Pal Kepenyes is known for sculpture, jewelry making, miniature decorative pieces especially influenced by Mexican folk art and folklore. His work also includes animals, lions, tigers, fish, nude figures and milagros. He began his studies at the School of Decorative Arts in Budapest, and then was a prisoner of war during the Stalinist regime. In 1956, at the end of the Hungarian Revolution, he finally was released and left the country for Paris, where he studied at the School of Fine Arts. In 1956, he also traveled to Mexico, a country to which he has been devoted for the rest of his life because of his attraction pre-hispanic cultures. Along with Pedro Friedeberg, Arnold Coen, Vladimir Cora, Byron Galvez, Mathias Goeritz, Leonardo Nierman, Gabriel Orozco...

Arman Temps 2 (Mecanismes de montres) 1976 Accumulation of watch parts on three sheets of Plexiglas, encased in a box Dimensions: 18.125 h × 18.125 w × 4.375 d in (46 × 46 × 11 cm) H...

Poly resin sculpture. Britto signature stamped on lower right. From the edition of 4000 (2nd edition). Comes in original box with Britto studio certificate of authenticity. Artw...

Pablo Picasso A.R. 161 Toros 1952, July 29 8” round Edition of 500 White earthenware clay, decoration in engobes and oxidized paraffin. Ramie 161 is a Madour...

A huge centerpiece good-quality Seguso Murano (probably 1970s or 1980s, Memphis Milano era) elliptical-form clear glass sculptural bowl with striated ...

Acrylic paint on cast resin sculpture. Pink and white color. Hand signed, numbered and dated on the underside by the artist. Edition of 20. Each is unique. Includes original box. ...

Mario Dal Fabbro's "Untitled Carved Wood Sculpture" is somewhat reminiscent of driftwood with natural cracks that have been carved by the ebb and...

"Fragmented Silence" Abstract Sculpture 44" x 24" x 24" in by Shawn Kolodny Medium: Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art for o...

Luis Miguel Valdes (Cuba, 1949) "Ceramic #13", 2017 Ceramic in Uriarte's Talavera 22 × 22 × 2 2/5 in (55.9 × 55.9 × 6.1 cm) Hand-signed by author ____________________________________...

American sculptor Joseph Martinek was born in Chicago in 1915. He was a second generation apprentice to Auguste Rodin. He studied sculpture at the State Industrial School of Art, Pra...

Santiago Medina (born in 1964) is a Colombian-American sculptor. His career spans art, medicine, medical imaging, medical research, and education. Medina is best known for his stain...

​"Casa De La Serpiente" - House of the snake, 29/60, 1996 aluminum, paint, signed.​ Edgard Negret was born in 1920-2012 Colombia. He studied at the Scho...

Gadi Fraiman (Israel, 1958-) A figural metal sculpture depicting a rope with ascending angelic butterfly like creatures with a human or angel body and fluttering wings. This large m...

Robert Kushner, born in 1949, in California, lives in New York, and is a painter and sculptor. He gained attention in the early seventies as a performance artist, using food, fabric and nudity. Kushner was associated with the Pattern and Decoration movement and used fabric collage in large-scale, bold paintings of the figure. Since 1987 he has used flowers as the subject of his paintings, more recently adding a cornucopia of fruits and vegetables to his repertoire. Kushner's use of rich color harmonies and bold, fluid drawing, mark his belief in the importance of beauty in our lives. Kushner draws from a unique range of influences, including Islamic and European textiles, Henri Matisse, Georgia O'Keeffe, Charles Demuth, Pierre Bonnard, Tawaraya Sotatsu, Ito Jakuchu...

Inspired by the power traditionally attributed to image, Hunter & Gatti wanted their works to perpetuate the wildfire velocity of fashion and the fast cycle of this industry which vo...

Girl With Blue Ribbon Tribute To Picasso Signed near base "Omaggio A Picasso' or as a tribute to Picasso. Measures 16"H x 10"W x 7"D. Walter Furlan was born in 1931 in Chioggia, a s...

Francisco Narváez Forma (BFM-002), 1956 Bronze (1970) Edition of 25 30 x 8 x 10 cm 11.8 x 3.1 x 3.9 in. LITTERATURE Registro General de la obra de...

One-of-a-kind, purple "Amethyst Murrine Vessel" handblown glass art vessel by glass artist Angelo Ambrosia. Ambrosia signature etched near bottom of vessel.

This installation is made up of individual metal and polyurethane painted elements that can also be purchased individually and create any design scheme. Influenced by the waters of ...

"DARKNESS BECKONS" Wall Sculpture 21" x 16" x 23" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art f...

Tom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 12 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Luis Miguel Valdes (Cuba, 1949) "Ceramic #42", 2017 Ceramic in Uriarte's Talavera, Puebla, Mexico 34.5 x 34.5 x 3.6 cm. (13.6 x 13.6 x 1.5 in.) Hand-signed by author ________________...

The Landscapes of Thought project is inspired by the impermanent nature of all things. Observing the continuous transformation of the environment, of time, of thought, is one of the ...

Screen print in colors on paper. Hand signed and numbered by the artist. From the edition on 70. Published by Galerie Zink, Waldkirchen, Germany. Artwork is in excellent conditio...

Sinuosity sculpture. Wall hanging in any direction, 360 degrees or pedestal mount. Hot Pink metallic finish keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, u...

Jesus Rafael Soto (1923-2005) Quadrato 1974 Editions Denise Rene 46 of 75 Acrylic/aluminum with painted metal rods 17,5 x 15,7 x 12,5 in Signed and dated Provenance: Editions Galeri...

Icarus 2025 Aluminum, car paint, edition 2/10, artist signed base, with round or square base for outdoor or indoor. The sculpture is in three seperate parts dismounted for shipping....