Florida - Figurative Sculptures

Artist/Designer; Manufacturer: Alexander Ney (Russian/American, b. 1939) Marking(s); notes: signed Materials: white terracotta, wood (base) Dimensions (H, W, D): 12.75"oah; sculpture...

Bronze sculpture of a woman resting in a hammock.

The imagery that pervades my work reflects a lifelong fascination with animals. As a child this led to hours of watching, drawing, and imagining. When I began making sculpture as an ...

Vinyl and Aluminum Sculptor William King is widely renowned for his signature flattened and stilt-legged figures, gesturing dramatically. Humorous and rife with social commentary, h...

Signed bronze from small edition of 8. plus 4 artists proofs Dominik Albiński (born 1975, South Africa) He started carving at the age of twelve. When he was eighteen he went to Pari...

Jeon Kang Ok currently lives and works in South Korea. Her work resides in permanent collections of Seoul Museum of Art, Seoul, Korea
 / Pohang Museum of ...

Sculpture of a businessman in the "corner office" Edition of 7

Additional Information: Petite portrait has painted eyes, circlet and necklace in blue and gold. Provenance: Private Collection New York, from a collector of many petite works by the...

Additional Information: Unfinished base may not be original to the piece. Provenance: Private Collection New York, from a collector of many petite works by the artist. Marking(s); n...

Maqueta las Toninas, 1944 BMY-022, 1970 Edition 1/25 Bronze 22 x 22 x 10 cm 8.6 x 8.6 x 3.9 in ABOUT THE ARTIST Narvaez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narvaez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narvaez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narvaez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narvaez’s public output continued with works such as the statue of Fermín Toro, La Educacion, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narvaez, Maderas, Piedras y Bronces” (Francisco Narvaez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narvaez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narvaez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narvaez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narvaez is a path: the path that Venezuelan sculpture...

Additional Information: Tom Suomalainen is a ceramic artist known for his creative and imaginative sculptures. Marking(s); notes: signed Country of origin; materials: USA; stoneware

Trapped is an original cement plaque made by the street artist KAI. It is a unique prototype made aside the original edition of 20. Comes with its origi...

Artist: Brian Calvin Title: Shared Space Size: 14 Inches Dia (35.6 cm Dia.) Medium: Ceramic Edition: of 100 Year: 2021 Notes: Numbered on Bottom. Artwork is in excellent c...

The sculpture is patinated bronze with naturally occurring amethyst crystals. The cementitious pedestal base is unique and hand made in the artists studio under the watchful eyes of the artist and is hand finished. The artist is James Edward Lomax who is English in his early 30’s who is internationally recognized for his prodigious talent and individuality He studied art in Cornwall in the Southwest of England, where he specialized in sculpture. His prodigious talent was soon recognized, and he developed his own unique and exquisite approach to sculpting. He is currently based in Bali, Indonesia where he continues to experiment with different natural materials creating mystical sculptures for his many international collectors. He has exhibited at the Royal Horticultural Show in London for many years and is permanently represented at The Englishman Fine Art...

In the Greek mythology, Pegasus was a handsome white winged horse. He was in charge by Zeus to bring thunderstorms and lightenings upon the Olympus Mount, known to be the Home of the Gods. In more recent times, Pigasus turned into a 145 pounds domestic pig, nominated for President in the 1960's by the Youth International Party the Yippies. This movement became popular for their stands against war and political establishment. Patrick Schumacher was inspired by this symbolic animal as a memorial of the Peace and Love era. Born in 1953, Patrick Schumacher is a German contemporary sculptor based in Nice, France. Classically trained in the foundation of Art in Strasbourg, France, he specialises in restoring art antiquities. As a result of his training, Schumacher acquired an extensive range of technical knowledge which he applies to a broad spectrum of materials. Finding inspiration in cultural origins combined with his interests in both classical and Asiatic art...

Vinyl and Aluminum Sculptor William King is widely renowned for his signature flattened and stilt-legged figures, gesturing dramatically. Humorous and rife with social commentary, h...

MATT SMITH (BRITISH) Study in Green with Pearls, 2021 Black Parian, Found Ceramic, Freshwater Pearls 29 x 14 x 14 cm 11 1/2 x 5 1/2 x 5 1/2 in. (MS206) £ 4,000.00 UK-born Matt Smit...

Signed on base. This was exhibited at the Goldscheider Pavilion at the 1925 Paris Exhibition Marble base has loss to right edge and very small lose to center edge. , Bronze is in ve...

The smallest version of Jim Rennert's iconic Think Big sculpture. Here a 2-inch high Think Big looks up dreaming of greater things. American, b. 1958 Jim Rennert was born in 1958, ...

"I am woman, hear me roar In numbers too big to ignore And I know too much to go back an' pretend 'Cause I've heard it all before And I've been down there on the floor No one's ever gonna keep me down again Oh yes, I am wise But it's wisdom born of pain Yes, I've paid the price But look how much I gained If I have to, I can do anything I am strong I am invincible I am woman You can bend but never break me 'Cause it only serves to make me More determined to achieve my final goal And I come back even stronger Not a novice any longer 'Cause you've deepened the conviction in my soul" Helen Reddy...

Arabesques Horse is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This white Horse sculpture with blue "arabesques...

Ruth Bloch was born in Israel in 1951 to artist parents. Her father was a musician, while her mother worked in ceramics, Ruth's family were members of a Kibbutz called Alonim, a plac...

Bronze sculptor, Shray, is one of the few working artists today who employs the rare Subtractionist technique. Like Michaelangelo, who released the human form in stone, Shray unveils...

Edition 1/8 Medium: Natural bronze sculpture on a marble base. Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is stylis...

Cast in bronze in 1968 in an edition of 8. Wood base. Incised 'Lobo' with edition and foundry. From the edition of 8. Sculpture size not including base 5.25 x 6.25 x 4 inches. Artw...

Rhinoceros adorned with a zebra skin - Rhinozebros is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This sculpture represents a rhinoceros adorned with a zebra skin. "Through my artistic work, I try to highlight the possible parallels between animals and human beings, at the crossroads of humor and mockery." P. Schumacher Enlargements or reductions - Edition of 8 Equipped with a portfolio of internationally renowned artists, Gauchet Fine Art...

Trailblazing revolutionary female illustrator/art director Bea Paul creates a three-dimensional mixed media assemblage of cut-out photos, fabric, and cut paper. It depicts two jumpi...

Ruth Bloch was born in Israel in 1951 to artist parents. Her father was a musician, while her mother worked in ceramics, Ruth's family were members of a Kibbutz called Alonim, a plac...

Bronze

Kim Seungwoo is a contemporary Korean sculptor, lives in Seoul, South Korea. Seungwoo is famous for his sculptures made from coins and buttons. He creates hyper-realistic, life-size sculptures of human figures and spinning objects. The Artist uses coins to build complex, surprisingly detailed, three-dimensional sculptures. Each sculpture consists of as few as hundreds of thousands of coins, up into the thousands. Assembled in flowing, swirling patterns, the coins make up Kim's sculptured human...

Sculpture of two boys displaying a sizeable catch. Edition of 50

Mixed media sculpture

Edition of 12 + APs

In celebration of the Year of the Rabbit, Hunt Slonem’s iconic muse is revisited in timeless powder-coated aluminum. Each edition is signed, numbered, and comes with a certificate of...

Ruth Bloch was born in Israel in 1951 to artist parents. Her father was a musician, while her mother worked in ceramics, Ruth's family were members of a Kibbutz called Alonim, a plac...

Edition 2/9

Vinyl and Aluminum Sculptor William King is widely renowned for his signature flattened and stilt-legged figures, gesturing dramatically. Humorous and rife with social commentary, h...

Eran Shakine Chair 2014 Bronze Sculpture He was born in 1962 in Israel to a French father and Hungarian mother. He has lived in Paris, London and for seven years in New York City, wh...

Abundance and Chaos by Hanneke Beaumont Beaumont's sculptures are realized in terracotta, bronze and cast iron, and she is known for sculpting figura...

Edition of 9 + APs

Edition of 9

MATT SMITH (BRITISH) Study in Green, 2021 Black Parian, Found Ceramic 32 x 21 x 11 cm 12 1/2 x 8 1/4 x 4 1/4 in. (MS200) UK-born Matt Smith is well known for his site-specific work ...

MATT SMITH (BRITISH) Study in Burgundy, 2021 Black Parian, Found Ceramic, Black Freshwater Pearls 32 x 16 x 14 cm 12 1/2 x 6 1/4 x 5 1/2 in. (MS...

MATT SMITH Ken (Spout with pearls), 2021 Black Parian, Freshwater pearls 16 x 12 x 6 cm 6 1/4 x 4 3/4 x 2 1/4 in.

Hyun Ae Kang (South Korea, 1965) combines traditional Korean painting with Western abstract imagery using natural materials to create innovate mixed-media works that are rich in both...

Edition of 9 Fortnight - a two week period, created during the Covid pandemic

American, b. 1958 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten trying years of working in business, Rennert was inspired to ex...

Sculpture by the Spanish artist AMANCIO GONZALEZ Artist well known for his large format works on the street. Iron and bronze. 7 copies AMANCIO Gonzalez ( Leon 1965 ) Amancio Gonzále...

Hunt Slonem’s Caeruleus VI (2024) is a mesmerizing blown glass sculpture measuring 11.5 x 6 x 4 inches, showcasing a radiant, holographic bunny rendered in glossy, translucent glass....

Hunt Slonem’s Temis (2022) is a striking ceramic sculpture measuring 14 x 8 x 9 inches, presented in a sleek, glossy black finish that accentuates its elegant form. This limited-edit...

Hunt Slonem’s Cecilia (2021) is an exquisite blown glass sculpture measuring 16 x 7.5 x 9 inches, showcasing a delicate, translucent bunny crafted in vibrant green glass with mesmeri...

Hunt Slonem’s Rian (2021) is a wonderfully mesmerizing blown glass sculpture measuring 17 x 8 x 9 inches, featuring a delicate, light blue bunny crafted with translucent, holographic...

A remarkable example of Boaz Vaadia's distinctive approach to contemporary figurative sculpture, using bronze and bluestone to create a layered, stratified effect reminiscent of natu...

Artist/Designer: Barry Flanagan (Irish-Welsh, 1941-2009) Marking(s); notes: signed; from the edition of 8 plus 3 artist casts; 2005 Materials: bronze, steel (base) Dimensions: 95.5"h...

When people first view Marlene Rose, they often feel certain aliveness inherent in the work itself. Her goal as an artist is to inject life into whatever she makes. In simple terms, ...

When people first view Marlene Rose, they often feel certain aliveness inherent in the work itself. Her goal as an artist is to inject life into whatever she makes. In simple terms, ...

When people first view Marlene Rose, they often feel certain aliveness inherent in the work itself. Her goal as an artist is to inject life into whatever she makes. In simple terms, ...

When people first view Marlene Rose, they often feel certain aliveness inherent in the work itself. Her goal as an artist is to inject life into whatever she makes. In simple terms, ...