France - Prints and Multiples

Explosion De La Mine is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice". Monogrammed in the plate. Very good condition. Ref. Delteil 1358

Revue is a Lithograph realized by Auguste Raffet in 1837. Signed on the plate. Good condition

White Finger Ball  is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Unsigned, and not numbered, this...

This circa 1910 original advertising poster promotes the H. Vigneron sewing machines, a brand sold at 70, Boulevard de Sébastopol, Paris. Designed in a distinctive early 20th-century...

This circa 1915 French wartime propaganda poster is a striking example of World War I-era rationing efforts, emphasizing collective sacrifice and equitable distribution. Designed under the direction of the Comité de Prévoyance et d’Économies, this poster encouraged the French population to ration essential goods, particularly sugar, during the war. At the heart of the artwork is a symbolic sugar loaf, partially cut by a saber, visually reinforcing the message of dividing resources fairly. The text reads: "Avec la carte, nous en aurons peu – mais nous en aurons tous." ("With the ration card, we will have little – but we will all have some.") This message aimed to instill a sense of national solidarity and compliance with rationing policies. The lower inscription, "Casse aujourd’hui ton sucre en deux pour en avoir demain?" ("Break your sugar in half today to have some tomorrow?"), serves as a direct appeal to personal responsibility in wartime resource management. The bold yet simple color scheme (blue, red, black, and beige) gives the poster a striking visual identity, making it both an effective propaganda piece and a historically significant artifact. This rare wartime poster is a powerful reminder of civilian resilience and the role of public cooperation in wartime economies. Due to its historical importance and striking design, it remains highly collectible, particularly among WWI memorabilia...

Erwin Bechtold - Margenes 6 Technique: etching on Guarro paper Signed and numbered 2/75 1977 Size of the work : 56 cm x 76 cm Size of the image : 49.5 cm x 68.5 cm Perfect conditio...

It is thanks to the chemist Paul Baudecroux that we owe the famous lipstick, "Rouge baiser", the lipstick that resists kissing, born in the roaring twentie...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Joan MIRÓ - Maravillas con variaciones Acrósticas en el jardin de Miro 5 Original lithograph, signed in the plate Year: 1975 Edition of 1500 copies on Guarro paper. Dimensions of th...

The lithograph Double visage de jeune fille aux 6 fleurs (1991) by Walasse Ting is part of the album Love, published by Yves Rivière in Paris in 1991. This exquisite work exemplifies...

Vasarely - Kinetics 4 Silkscreen printing Vasarely Foundation numbered 14/50 Circa 1965 76x85 1300€

The 1939 original planisphere poster by Lucien Boucher, titled “Nova et Vetera”, is an exquisite work commissioned by Air France, blending art and cartography to celebrate both the past and future of air travel. Boucher, known for his iconic map designs, produced this piece at the onset of World War II, a period where air travel was rapidly evolving, and Air France was positioning itself as a leader in global aviation. “Nova et Vetera”, which translates from Latin to "New and Old," captures the transition between the old world of sea-bound exploration and the new age of air travel. This juxtaposition is represented in the map’s composition, featuring routes that stretch across continents, symbolizing the vast reach of Air France’s network. It highlights both traditional and modern elements of travel, emphasizing the airline’s innovation while still grounding it in the historical spirit of exploration. Lucien Boucher was a master of integrating artistry with geography, and this poster exemplifies his style. The planisphere is both decorative and informative, showcasing the globe and marking the flight paths that connected Europe, Africa, the Americas, Asia, and beyond. With intricate details and imaginative design, Boucher captures the global vision of Air France, reflecting its ambition to connect the world. The poster is as much a celebration of human ingenuity as it is a technical map. Embellished with celestial motifs and decorative flourishes, the world appears almost mythological, linking the stars, air routes, and geography into one seamless image. The sky above the globe is often depicted with constellations, representing the heavens as both a guiding force for navigation and a romantic backdrop for aviation. During the late 1930s, Air France was expanding rapidly, building a global network that stretched from Europe to the farthest reaches of the world. This poster reflects the airline’s dominance and aspirations at the time, as well as its pride in the progress of aviation. It also subtly evokes a sense of nostalgia for earlier eras of exploration, blending these two worlds of discovery into a unified visual narrative. Boucher’s work often walked the line between fantasy and realism. While the map accurately displays the airline’s routes, the decorative elements elevate the poster to a work of art, inspiring viewers with the grandeur and excitement of global travel. The historical references in the title, "Nova et Vetera," suggest that the pioneering spirit of the past—whether by sea or land—is being continued in the modern age through aviation. By 1939, the world was on the brink of World War II, and the geopolitical landscape was rapidly changing. This poster, with its optimistic tone, served as a reminder of the connectivity and innovation that air travel brought to the world, even in uncertain times. Air France, in commissioning this work, sought to solidify its image as a forward-thinking and globally minded airline, contributing to the modern era of transportation. Today, Lucien Boucher’s “Nova et Vetera” poster is not only a masterpiece of aviation art but also a historical document that reflects the ambitions and challenges of the late 1930s. It stands as a testament to the golden age of aviation, when air travel was transforming the world and shrinking distances between nations. The poster is cherished by collectors of vintage airline memorabilia...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

Untitled is an artwork realized by Johnny Friedlaender , 1970s. Etching on wove paper. Signed and numbered. Edition of 135 copies.

This original 1967 Soviet propaganda poster captures the unwavering spirit of Soviet resilience and unity. Featuring a soldier wrapped in a winter uniform, holding a rifle, and a young woman in a red headscarf, the artwork symbolizes the strength and sacrifice of both the Soviet military and its dedicated civilian workforce. Their expressions are solemn yet determined, reflecting a shared commitment to the ideals of the Soviet state. Rendered in a striking, graphic style, the poster employs a limited yet powerful palette of red, black, and beige. The bold red accents emphasize Soviet patriotism, drawing attention to key elements such as the soldier’s star-adorned cap and the young woman’s scarf, which represents the Komsomol youth movement. The rough, expressive linework adds intensity to the composition, reinforcing the themes of struggle and perseverance. The text, wrapping around the image in bold red letters, translates to: "We will never be forgotten because, shaping the future of the entire planet, we embody the word ‘Human.’" This message aligns with the Soviet ideology of collective progress, where individuals contribute to the greater good of humanity through their labor and dedication. The poster not only honors past sacrifices but also looks ahead, reinforcing the idea that Soviet citizens were shaping history. During the late 1960s, Soviet propaganda art...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Jean Francois MILLET (after) The Angelus, 1873 Original Etching Engraved by Martinez under the supervision of PUVIS DE CHAVANNES Printed signature in the ...

Tempête à Nice is a photolithograph realized in 1993 after Henri Matisse. Signed on the plate On Milano handmade paper. Very good conditions.

François-Xavier Lalanne (1927-2008) The Mermaids (les Néréides), 2005 Techniques : aquatint and soft varnish on paper, hand signed in pencil by François ...

François-Xavier Lalanne (1927-2008) Sirens (women-headed birds in greek mythology), 2005 Techniques : aquatint and soft varnish on paper, hand signed in pencil by François Xavier L...

The original exhibition poster by Kandinsky, titled "Aquarelles et Dessins," showcased the artist's mastery of watercolors and drawings at the esteemed Galerie Berggruen in 1972. Was...

Henri de Toulouse-Lautrec 🇫🇷 (1864-1901) is the image of the revival and decadence that blows on the Belle Époque. Painter of the nightlife of Montmartre, but also of the promiscu...

Marc Chagall (1887-1985) The Circus : The Dream of the Bride, 1967 Original lithograph (Mourlot Workshop) On Arches vellum 42 x 32 cm (c. 17 x 13 in) REFERENCE : Catalog raisonn...

Etching and aquatint, 1987 Handsigned by the artist in pencil and numbered 16/99 Publisher : Atelier Lacourière-Frélaut (Paris) Printer : Atelier Lacourière-Frélaut (Paris) Catalog :...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

This original 1942 propaganda poster, designed by Rowland Hilder, was commissioned during World War II to encourage the British public to invest in National Savings Certificates as a...

Joan MIRO (after) Constellations : People with Stars Lithograph Unsigned Edited by Cahiers d'art in 1949 On vellum 24.5 x 32 cm (c. 10 x 13 inch) Excellent condition

The circa 1920 color print "Bergers dans la Montagne" by the renowned French artist Henri Rivière exemplifies the artist's mastery in capturing the natural world and rural life throu...

Nude is a modern artwork realized by Andrè Derain in Early 20th century. Lithograph on simili-Japan paper. Realized for "Les Travaux et les Jeux" by Vincent Muselli. Published by J...

This original 1945 poster, Patrie – Journal des Combattants Français, was published by the French Ministry of War as a stark reminder of the atrocities committed under the Nazi regim...

Provocative serigraphy by Death NYC. The possibility to buy a street artist still affordable whose coast takes off. Edition: limited to 100 copies. Artist's proof Signed and numbe...

Pierre Soulages (1919-2022) Walnut Stain (Antagonisms), 1960 Lithograph (Mourlot workshop) Stone-set by Charles Sorlier under Soulages' supervision Signed in pencil Numbered / 150 c...

Lithograph, 1974 Handsigned by the artist in pencil and numbered 35/100 Publisher : Galerie Börjeson (Malmö) Printer : La Poligrafa, S.A. (Barcelone) Catalog : [Maeght 938 p. 75 ; Cr...

The Pond is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 57/95.

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

HERMANN-PAUL (1864-1940) Maternity: Hug After a Mistake, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of t...

Paul BAUDIER (1881-1962) The Old Tree, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagier...

Maurice ROLLET (1902-1960) Peaceful Cruise on the Canal, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of t...

Paul Cezanne Still life, Fruits and wine, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. 16.5 x 21 in) ...

Paul Cezanne Trees and houses, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) INFORMATION...

Marcel GROMAIRE (1892-1971) Nude Model, 1965 Original lithograph (Mourlot workshop) Printed signature in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) INFORMATION : Lithograph...

Pablo Picasso (after) Cubist Still Life with a Guitar, 1926 Lithograph and stencil (Atelier Ducros et Colas) Printed signature in the plate Dated in the plate 1920 Limited to 750 un...

Portrait of Earl Russell is an artwork realized by William Holl (1807-1871), from a Photograph by Mayall. Lithograph, printed in 1872 by Milliam Mackenzie, London. Good condition.

Forellenweiher is a wonderful black and white etching and drypoint on wide rod cream paper realized by Franz von Stuck in 1890-1891. Hand signed in gr...

Marie LAURENCIN Rider and dancer, 1949 Color etching Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11in) INFORMATION : Created by Laurencin and engraved by Lo...

The original Soviet propaganda poster by T. Lyashchuk, titled "Gloire au peuple soviétique pionnier de l'espace ! Socialisme et communisme c'est le port spatiale fiable d'où l'humanité prend d'assaut et dirigera les étendues de l'univers," stands as a monumental tribute to the Soviet Union's achievements in space exploration. This poster exemplifies the use of visual art and propaganda to not only celebrate scientific milestones but also to reinforce ideological principles. The poster prominently features the declaration "Gloire au peuple soviétique pionnier de l'espace !" ("Glory to the Soviet people, pioneers of space!"), which highlights the pride and nationalism associated with the Soviet space program. The phrase "Socialisme et communisme c'est le port spatiale fiable d'où l'humanité prend d'assaut et dirigera les étendues de l'univers" ("Socialism and communism is the reliable spaceport from which humanity launches and will conquer the expanses of the universe") further underscores the belief that these political systems were fundamental to the Soviet Union’s success in space. T. Lyashchuk, the artist behind this poster, uses bold imagery and striking colors, typical of Soviet propaganda art...

Bernard BUFFET (1928-1999) Circus : Jojo The Clown, 1967 Original Lithograph (Mourlot workshop) Printed signature in the plate On Vidalon vellum 31 x 24 cm (c. 12.2 x 9.44 in) REFERENCE : Catalog of Bernard Buffet lithograph...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

Le Croix is a modern artwork realized by Enrico Veggetti in Early 20th century  Etching on paper Hand-signed Good conditions.

Portrait of Crown Prince of Prussia is an artwork realized by William Holl (1807-1871). Lithograph, printed in 1872 by Milliam Mackenzie, London. Good condition.

Urbain HUCHET Paris : Alexandre III Bridge, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 15 x 18 cm (c. 6 x 7 in) Excellen...

The three dancers is a woodcut print realized by Raphaël Maurice (1884 - 1972) in 1920s Hand-signed and numbered, edition of 160 prints. Good conditions.

The 1984 Winter Olympics in Sarajevo, Yugoslavia, marked a momentous occasion in Olympic history, and one of the most iconic pieces of memorabilia from this event is Andy Warhol’s striking official poster. Known for his revolutionary pop art style, Warhol was among several renowned artists commissioned to create promotional artwork for the XIV Olympic Winter Games. Warhol’s silkscreen-inspired poster captures the intensity and movement of a speed skater in full stride. Using bold neon outlines, a vibrant red body suit, and dynamic geometric background elements, the composition conveys a sense of urgency and athleticism. The contrasting colors—deep black, electric green, yellow, and blue—amplify the subject’s momentum, making the skater appear almost weightless against the abstract backdrop. While Warhol is best known for his depictions of celebrities and consumer goods, this Olympic commission demonstrated his versatility as an artist. His ability to distill movement and expression into a minimalist yet powerful composition makes this piece stand out among other Olympic posters. This official 1984 Sarajevo Winter Olympics poster is highly sought after by collectors and Olympic memorabilia enthusiasts alike. As one of Warhol’s few sports-related works, it embodies both his unmistakable artistic style and the spirit of global athletic competition. Warhol’s Sarajevo Olympics...

Lithograph titled "Charmeuse" by James Hardy Jr (1832-1889)., late 19th century. Numbered 135/350. Copyright by Galerie Lutetia, Notre-Dame-des-Victoires, Paris.

This original 1977 lithograph by the celebrated British illustrator Ronald Searle, titled Paris et la Monnaie, is a rare and highly collectible piece. Numbered 18 out of a limited ed...

This original 1964 poster for the Grands Prix de France at Linas-Montlhéry, designed by the renowned artist Beligond, captures the thrilling essence of mid...

François-Xavier Lalanne (1927-2008) Actéon, 2005 Techniques : aquatint and soft varnish on paper, hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions ...