France - Ceramics

Abastract ceramic vase by french artist. Perfect original conditions. Signed under the base. Circa 1970-1980. Unique piece.  

A stoneware vase with red glaze decoration by John Bailey to La Borne. Perfect original conditions. Circa 1980-1990. Signed at the base. Unique piece.

Stoneware zoomorphic vase by Georges Martin. Artist signature on one side. Circa 1970-1980. Unique piece. H : 11.4’ x 2.9’ x 9.8’ inches.

Stoneware sculpture entitled " Corps ascendant " . Unique piece. 2023. Artist monogram under the base. This piece can be put indoor or outdoor.

Stoneware sculpture by Georges Martin. Artist signature on the base. Circa 1970-1980. Unique piece. H : 7.7 x 13.9 x 2.7 inches.

Brown glazed stoneware sculpture by Simone Couderc. Artist signature under the base. Circa 1990-2000. H : 9.2’ x 12.9’ x 4.3’ inches.

Pierre Digan, circa 1960 Elegant black and brown stoneware ceramic tureen or decorative box Original perfect condition Signed at the base Measures: Height 22cm, large ...

Accolay vase, circa 1960 the color is pink / brown.

Vallauris R. Leduc Poulbot with Guitare on tiles, circa 1970, France The theme of the "poulbot" was frequently declined by Raymonde Leduc with many variants. The name "poulbot" des...

Large studio glazed earthenware vase. Quality american mid century modern work. Outstanding glaze.

Rare decorative earthenware dish by renowned Californian artist Phillip Herschel Paradise. Hand-painted decor, circa 1955. Signed. Phil Paradise wa...

Stoneware ovoid vase with abstract decoration by Georges Martin. Artist signature on one side. Circa 1970-1980. Unique piece. H : 13.9’ x 4.3’ x 9.2’ inches.

Square stoneware pot with abstract decoration by Georges Martin. Artist monogram under the base. Circa 1970-1980. H : 10.4’ x 10.4’ x 8.7’ inches.

A ceramic cup by André Rozay ( 1913-1991) to La Borne. Perfect original conditions. Signed under the base " Rozay". Circa 1946. Unique piece.

Wall sculpture entitled « Tressage tubulaire » in grey, brown and black stoneware by Anne Barrès. Circa 1970-1980. Unique piece. H : 22.04’ x 22.9’ x 1.6’ inches. Approximate dim...

Wall sculpture entitled « Tressage » brown glazed stoneware and rope by Anne Barrès. circa 1970-1980. Unique piece. H : 31.5’ x 19.7’ x 2.7’ inches. Approximate dimensions.

Blue glazed stoneware vase by Brigitte Pénicaud. Artist signature under the base. Circa 2015. H : 11.8 x 11.8 inches.

Stoneware vase by Georges Martin with geometrical decoration. Artist monogram on the base. Circa 1970-1980. Unique piece. H : 23.6 x 6.1 x 7.5 inches.

Ceramic Mask, Accolay, France, 1960s Accolay was a pottery center in France, north of Burgundy, founded amongst others, by 4 students of Alexandre Kostanda. Active between 1945 and 1...

Ceramic Mask, Accolay, France, 1960s Accolay was a pottery center in France, north of Burgundy, founded amongst others, by 4 students of Alexandre Kostanda. Active between 1945 and 1...

Earthenware sculpture vase by Georges Martin. Artist monogram on the base. Unique piece. Circa 1980- 1990. H : 18.9 x 8.7 x 15.7 inches.

Stoneware lamp with geometric decoration by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 26.4 x 14.2 x 7.1 inches (ceramic only). Sold with a European electrical...

A zoomorphic ceramic-sculpture- vase by Guerin. Signed under the base. Circa 1950-1960.  

A ceramic vase with white glaze decoration attributed to Pol Chambost. No signed. Perfect original conditions. France, 1930.

Green ceramic vide de poche by Chambost

Stoneware dish glazed by the Bangholm workshop in the 1960s. One side is glazed, the other is left unglazed, with beautiful material effects. Note a very small chip, see detail photo...

A set of three Moroccan ceramic pieces dating from the mid-20th century, consisting of two octagonal dishes and a trinket tray. Each piece is adorned with hand-painted enamel featur...

Woodfired ceramic vase by Eric Astoul. Artist monogram under the base. Circa 1990. H : 15.7’ x 7.5’ x 6.7’ inches.

A ceramic vase by Lucien Arnaud with glaze decoration. Signed under the base " Lucien Arnaud ". Circa 1920.  

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

Glazed stoneware dish with floral decoration produced by the Søholm workshop in Denmark in the 1960s/70s. Located on the famous island of Bornholm off the coast of Denmark, which has...

A ceramic vase with white glaze decoration by Michel Levêque, Potter of La Borne. Perfect original conditions. Signed " M. Levêque" under the base. Circa 1970.

Important glazed stoneware sculpture entitled « Flétrie »by Anne Barrès. Circa 2010. Unique piece. Can be displayed both indoors and outdoors. H : 17.7’ x 19.7’ x 19.7’ inches (c...

Black bear paw by Georges Jouve, signed, 1960's

Glazed stoneware sculpture entitled « L’éffondrée bleue » by Anne Barrès. circa 2010. Unique piece. H : 22.4’ x 25.6’ x 27.5’ inches. Approximates dimensions.

Pitcher by Pol Chambost Not signed Model : 1038 In white satin. Elegant line for this sculpture pitcher.

Stoneware and steel screen by Anne Barrès. circa 2000. Unique piece. Can be displayed both indoors and outdoors. H : 31.9’ x 32.3’ x 2.9’ inches (ceramic only). H : 37.40’ x 34.6...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2006. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

Ceramic Mask, Accolay, France, 1960s Accolay was a pottery center in France, north of Burgundy, founded amongst others, by 4 students of Alexandre Kostanda. Active between 1945 and 1...

A ceramic dish with glaze decoration. Perfect original conditions. 1936. Signed and dated under the base "Guillaume 1936".  

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

Ceramic Mask, Accolay, France, 1960s Accolay was a pottery center in France, north of Burgundy, founded amongst others, by 4 students of Alexandre Kostanda. Active between 1945 and 1...

A ceramic dish with an abstract glazes decoration by Robert Deblander. Perfect original conditions. Signed under the base. Circa 1965-1970.

Yellow glazed stoneware vase by Brigitte Pénicaud. Artist signature under the base. Circa 2015. H : 11.8 x 8.7 inches.

A ceramic vase with black glaze by Michel Lanos. Perfect original conditions. circa 1980-1990.

Beautiful German ceramic birds set up under an antique glass dome.

Stoneware vase with geometric decoration by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 10.6 x 6.3 x 3.9 inches Unique piece.

Ceramic Mask, Accolay, France, 1960s Accolay was a pottery center in France, north of Burgundy, founded amongst others, by 4 students of Alexandre Kostanda. Active between 1945 and ...

A Ceramic Panel by Simone Picault Vallauris France 1970s Wife of famous artist Robert Picault. Report : minor chip on the edge and behind.

Sculptural Pitcher by André Aleth Masson. Beautiful Black Satin Ceramic. Signed by the " Triskèle " and 3 Masson "

Stoneware vase with glaze decoration by Pat & Joe Rowland. Artist monogram under the base. Circa 1970. H : 9’ x 9.8’ x 1.6’ inches.

Small ceramic vase by Ruelland, signed

Pierre Digan. Pair of stoneware ceramic pitchers. Original perfect condition. Black and brown stoneware ceramic colors. Realised in la Borne circa 1970. Measures: Num...

An African Ceramic Mask by Marino Le Vaucour. Vallauris, France 1960s Signed. Size the mask : Height : 32cm Large : 14cm Size the pedestal : Height : 51cm Large : 21 X 19cm The p...

Vide-poche by Roger Capron, black ceramic, signed

Pierre Digan Extra large ceramic pitcher signed at the base Height : 40 cm Large : 30 cm Original perfect condition Light grey ceramic glaze decoration Original 20th m...

Stoneware ceramic table lamp Realised in La Borne, famous French ceramic place. Excellent original conditions Electricity is new Dimensions: 21 x 16 x 18cm With electri...

Benoist Favre Realised circa 1970 in la Borne Original brown ceramic pitcher Handmade production Original perfect condition Signed at the ...