Geneva - Nude Prints
to
29
199
1,313
1,186
2
185
14
149
25
24
1
Overall Height
to
Overall Width
to
99
76
16
1
176
135
110
75
45
45
41
37
28
10
7
6
5
5
4
3
3
3
2
2
199
2
15
23
5
33
84
20
15
64
34
18
16
14
112
76
10
2
Item Ships From: Geneva
Jean Gabriel Domergue - Women's Love - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue
Dimensions: 33 x 25 cm
1924
Edition of 100
This artwork is part of the famous portfolio The Afternoon of a Faun.
Unsigned and unnumbered as ...
Category
1920s Impressionist Geneva - Nude Prints
Materials
Lithograph
The Human Comedy - Lithograph
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
after Pablo Picasso - The Human Comedy - Lithograph
Signed and dated in the plate
Dimensions: 32 x 24 cm
This artwork is a lithograph in colors on wove paper after a drawing by Pablo...
Category
1950s Modern Geneva - Nude Prints
Materials
Lithograph
Jean Gabriel Domergue - Women's Love - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue
Dimensions: 33 x 25 cm
1924
Edition of 100
This artwork is part of the famous portfolio The Afternoon of a Faun.
Unsigned and unnumbered as ...
Category
1920s Impressionist Geneva - Nude Prints
Materials
Lithograph
Jean Gabriel Domergue - Happiness - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue
Dimensions: 33 x 25 cm
1924
Edition of 100
This artwork is part of the famous portfolio The Afternoon of a F...
Category
1920s Impressionist Geneva - Nude Prints
Materials
Lithograph
André Derain - Ovid's Heroides - Original Etching
By André Derain
Located in Collonge Bellerive, Geneve, CH
André Derain - Ovid's Heroides
Original Etching
Edition of 134
Dimensions: 32 x 25 cm
Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938...
Category
1930s Modern Geneva - Nude Prints
Materials
Etching
Leonor Fini - Sadness - Original Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Sadness - Original Lithograph
The Flowers of Evil
1964
Conditions: excellent
Edition: 500
Dimensions: 46 x 34 cm
Editions: Le Cercle du Livre Précieux, Paris
Unsigned...
Category
1960s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Pleasure - Original Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Pleasure - Original Lithograph
The Flowers of Evil
1964
Conditions: excellent
Edition: 500
Dimensions: 46 x 34 cm
Editions: Le Cercle du Livre Précieux, Paris
Unsigne...
Category
1960s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Playful Cat - Original Handsigned Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Playful Cat - Original Handsigned Lithograph
Les Elus de la Nuit
1986
Conditions: excellent
Handsigned and Numbered
Edition: 230
Dimensions: 38 x 28 cm
Editions: Trinc...
Category
1980s Modern Geneva - Nude Prints
Materials
Lithograph
Jean Gabriel Domergue - Woman - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue
Dimensions: 33 x 25 cm
1924
Edition of 100
This artwork is part of the famous portfolio The Afternoon of a F...
Category
1920s Impressionist Geneva - Nude Prints
Materials
Lithograph
Jean Cocteau - Europe's Agriculture - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Europe's Agriculture
Signed in the stone/printed signature
Dimensions: 33 x 46 cm
Luxury impression from the portfolio published by Sciaky....
Category
1960s Cubist Geneva - Nude Prints
Materials
Lithograph
Jean Cocteau - White Book - Original Handcolored Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau
White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal.
Original Handcolored Lithograp...
Category
1930s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Portraits - Original Handsigned Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Portraits - Original Handsigned Lithograph
Les Elus de la Nuit
1986
Conditions: excellent
Handsigned and Numbered
Edition: 230
Dimensions: 38 x 28 cm
Editions: Trinckv...
Category
1980s Modern Geneva - Nude Prints
Materials
Lithograph
André Derain - Ovid's Heroides - Original Etching
By André Derain
Located in Collonge Bellerive, Geneve, CH
André Derain - Ovid's Heroides
Original Etching
Edition of 134
Dimensions: 32 x 25 cm
Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938...
Category
1930s Modern Geneva - Nude Prints
Materials
Etching
Leonor Fini - Dancing - Original Handsigned Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Dancing - Original Handsigned Lithograph
Les Elus de la Nuit
1986
Conditions: excellent
Handsigned and Numbered
Edition: 230
Dimensions: 38 x 28 cm
Editions: Trinckvel...
Category
1980s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Heavy Cat - Original Handsigned Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Heavy Cat - Original Handsigned Lithograph
Les Elus de la Nuit
1986
Conditions: excellent
Handsigned and Numbered
Edition: 230
Dimensions: 38 x 28 cm
Editions: Trinckv...
Category
1980s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Playing - Original Handsigned Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Playing - Original Handsigned Lithograph
Les Elus de la Nuit
1986
Conditions: excellent
Handsigned and Numbered
Edition: 230
Dimensions: 38 x 28 cm
Editions: Trinckvel...
Category
1980s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Disagreement - Original Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Disagreement - Original Lithograph
The Flowers of Evil
1964
Conditions: excellent
Edition: 500
Dimensions: 46 x 34 cm
Editions: Le Cercle du Livre Précieux, Paris
Uns...
Category
1960s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Fearless - Original Handsigned Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Fearless - Original Handsigned Lithograph
Les Elus de la Nuit
1986
Conditions: excellent
Handsigned and Numbered
Edition: 230
Dimensions: 38 x 28 cm
Editions: Trinckve...
Category
1980s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Thinking - Original Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Thinking - Original Lithograph
The Flowers of Evil
1964
Conditions: excellent
Edition: 500
Dimensions: 46 x 34 cm
Editions: Le Cercle du Livre Précieux, Paris
Unsigne...
Category
1960s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Walking Dead - Original Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Walking Dead - Original Lithograph
The Flowers of Evil
1964
Conditions: excellent
Edition: 500
Dimensions: 46 x 34 cm
Editions: Le Cercle ...
Category
1960s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Flower Crown - Original Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Flower Crown - Original Lithograph
The Flowers of Evil
1964
Conditions: excellent
Edition: 500
Dimensions: 46 x 34 cm
Editions: Le Cercle ...
Category
1960s Modern Geneva - Nude Prints
Materials
Lithograph
Salvador Dali - Women - Original Etching
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Women - Original Etching
Embossed signature
From the edition of 731
Dimensions: 38,5 x 28,5 cm
1969
References : Field 69-1 / Michler & Lopsinger 305
Category
1960s Surrealist Geneva - Nude Prints
Materials
Etching
Alfons Mucha - Original Lithograph - Christmas Baby Party
By Alphonse Mucha
Located in Collonge Bellerive, Geneve, CH
Title: Decorative Documents
Author: Alfons Mucha.
Publisher: Paris: Librairie Centrale des Beaux-Arts, 13 Rue Lafayette. Emile Levy publisher. Published ...
Category
Early 1900s Art Nouveau Geneva - Nude Prints
Materials
Lithograph
The Human Comedy - Lithograph
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
After Pablo Picasso
The Human Comedy - Lithograph after an original drawing, as published in the journal "Verve"
Printed signature and date
Dimensions: 32...
Category
1950s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - The Cane - Original Handsigned Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - The Cane - Original Handsigned Lithograph
Les Elus de la Nuit
1986
Conditions: excellent
Handsigned and Numbered
Edition: 230
Dimensions: 38 x 2...
Category
1980s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Friends - Original Handsigned Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Friends - Original Handsigned Lithograph
Les Elus de la Nuit
1986
Conditions: excellent
Handsigned and Numbered
Edition: 230
Dimensions: 38 x 28 cm
Editions: Trinckvel...
Category
1980s Modern Geneva - Nude Prints
Materials
Lithograph
Domergue - Naked - Original Signed Lithograph
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean-Gabriel Domergue
Title: Naked
Signed
Dimensions: 40 x 31 cm
1956
Edition of 197
This artwork is part of the famous portfolio "La Parisienne"
Jean-Gabrie...
Category
1950s Impressionist Geneva - Nude Prints
Materials
Lithograph
Jean Cocteau - Under the Fire Coat - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau - Under the Fire Coat - Original Lithograph
Signed "Jean" in the plate and dated 1954 in the plate.
Joseph Forêt Editions
Dimensions: 41 x 33 cm...
Category
1950s Surrealist Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Rejection - Original Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Rejection - Original Lithograph
The Flowers of Evil
1964
Conditions: excellent
Edition: 500
Dimensions: 46 x 34 cm
Editions: Le Cercle du Livre Précieux, Paris
Unsign...
Category
1960s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Sitting - Original Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Sitting - Original Lithograph
The Flowers of Evil
1964
Conditions: excellent
Edition: 500
Dimensions: 46 x 34 cm
Editions: Le Cercle du Livre Précieux, Paris
Unsigned...
Category
1960s Modern Geneva - Nude Prints
Materials
Lithograph
Leonor Fini - Young Beauty - Original Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Young Beauty - Original Lithograph
The Flowers of Evil
1964
Conditions: excellent
Edition: 500
Dimensions: 46 x 34 cm
Editions: Le Cercle du Livre Précieux, Paris
Uns...
Category
1960s Modern Geneva - Nude Prints
Materials
Lithograph
Jean Cocteau (after) - Carmen - Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Lithograph after a drawing by Jean Cocteau
Title: Carmen
1971
Dimensions: 38 x 28 cm
Lithograph made for the portfolio "Gitans et Corridas" published by Société de Diffusion Artistique
Category
1960s Modern Geneva - Nude Prints
Materials
Lithograph
Jean Cocteau - White Book - Original Handcolored Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau
White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal.
Original Handcolored Lithograp...
Category
1930s Modern Geneva - Nude Prints
Materials
Lithograph
Salvador Dali - Bicephale - Original Etching on Silk
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Bicephale - from "Les Amours de Cassandre"
Original Etching
From the suite on Silk made for editions 9 to 34
Dimensions: 38,5 x...
Category
1960s Surrealist Geneva - Nude Prints
Materials
Etching
Leonor Fini - Red-Haired Girl - Original Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Red-Haired Girl - Original Lithograph
The Flowers of Evil
1964
Conditions: excellent
Edition: 500
Dimensions: 46 x 34 cm
Editions: Le Cercle du Livre Précieux, Paris
...
Category
1960s Modern Geneva - Nude Prints
Materials
Lithograph
Salvador Dali - Baubo (Woman Riding a Sow), from Faust - Original Etching
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Baubo (Woman Riding a Sow), from Faust
Embossed signature (from the standard book edition of 731)
Dimensions: 38,5 x 28,5 cm
1969
References : Field 69-1 B / Michler ...
Category
1960s Surrealist Geneva - Nude Prints
Materials
Etching
Jean Cocteau - White Book - Original Handcolored Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau
White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal.
Original Handcolored Lithograp...
Category
1930s Modern Geneva - Nude Prints
Materials
Lithograph
Marc Chagall - The Bible - Adam and Eve - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograh depicting an instant of the Bible.
Technique: Original lithograph in colours (Mourlot no. 234)
On the reverse: another black and white original litho...
Category
1960s Modern Geneva - Nude Prints
Materials
Lithograph
Marc Chagall - The Bible - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (...
Category
1950s Modern Geneva - Nude Prints
Materials
Lithograph
Jacques Villon - Nude - Original Etching
By Jacques Villon
Located in Collonge Bellerive, Geneve, CH
Jacques Villon - Nude - Original Etching
1947
Signed in pencil and numbered
Dimensions : 55.6 x 39.5 cm
Category
1940s Modern Geneva - Nude Prints
Materials
Etching
Marc Chagall - The Bible - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Édit...
Category
1950s Modern Geneva - Nude Prints
Materials
Lithograph
Marc Chagall - Woman Angel - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Édit...
Category
1950s Modern Geneva - Nude Prints
Materials
Lithograph
Pablo Picasso (after) Helene Chez Archimede - Wood Engraving
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
Pablo Picasso (after)
Helene Chez Archimede
Medium: engraved on wood by Georges Aubert
Dimensions: 44 x 33 cm
Portfolio: Helen Chez Archimede
Year: 1955
Edition: 240 (Here it is on...
Category
1950s Cubist Geneva - Nude Prints
Materials
Engraving, Woodcut
Jean Gabriel Domergue - Women - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue
Dimensions: 33 x 25 cm
1924
Edition of 100
This artwork is part of the famous portfolio The Afternoon of a F...
Category
1920s Impressionist Geneva - Nude Prints
Materials
Lithograph
Salvador Dali - Old Faust - Original Etching
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Old Faust - from "Faust"
Original Etching
Embossed signature
From the edition of 731
Dimensions: 38,5 x 28,5 cm
1969
References : Field 69-1 / Michler & Lopsinger 305
Category
1960s Surrealist Geneva - Nude Prints
Materials
Etching
Marc Chagall - The Bible - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Éditions de la Revue Verve, Tériade, Paris
Printed by: Atelier Mourlot, Paris
Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good.
Flight
After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research.
Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion.
With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way.
Haunted Harbors
Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky.
But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...
Category
1950s Modern Geneva - Nude Prints
Materials
Lithograph
Marc Chagall - The Bible - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Édit...
Category
1950s Modern Geneva - Nude Prints
Materials
Lithograph
Jacques Villon - Sleeping Nude - Original Etching
By Jacques Villon
Located in Collonge Bellerive, Geneve, CH
Jacques Villon - Sleeping Nude - Original Etching
Circa 1950
Signed in pencil
Edition of 45.
Dimensions : 32.7 x 25 cm
Category
1950s Modern Geneva - Nude Prints
Materials
Etching
Pablo Picasso (after) Helene Chez Archimede - Wood Engraving
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
Pablo Picasso (after)
Helene Chez Archimede
Medium: engraved on wood by Georges Aubert
Dimensions: 44 x 33 cm
Portfolio: Helen Chez Archimede
Year: 1955
Edition: 240 (Here it is on...
Category
1950s Cubist Geneva - Nude Prints
Materials
Engraving, Woodcut
André Minaux - Original Handsigned Lithograph - Ecole de Paris
By Andre Minaux
Located in Collonge Bellerive, Geneve, CH
André Minaux
Original Handsigned Lithograph
Dimensions: 76 x 54 cm
Edition: HC XXI/XXX
HandSigned and Numbered
Ecole de Paris au seuil de la mutation d...
Category
1970s Modern Geneva - Nude Prints
Materials
Lithograph
Jean Gabriel Domergue - Lying Naked - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue
Dimensions: 33 x 25 cm
1924
Edition of 100
This artwork is part of the famous portfolio The Afternoon of a Faun.
Jean-Gabriel Domergue
Jea...
Category
1920s Impressionist Geneva - Nude Prints
Materials
Lithograph
Salvador Dali - Kneeling Knight - Original Etching
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Kneeling Knight - Original Etching
Stamp Signed
Dimensions: 38,5 x 28,5 cm
1969
References : Field 69-1 / Michler & Lopsinger 305
Category
1960s Surrealist Geneva - Nude Prints
Materials
Etching
André Derain - Ovid's Heroides - Original Etching
By André Derain
Located in Collonge Bellerive, Geneve, CH
André Derain - Ovid's Heroides
Original Etching
Edition of 134
Dimensions: 32 x 25 cm
Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938
Andre Derain was born in 1880 in Chatou, an artist colony outside Paris. In 1898, he enrolled in the Academie Carriere in Paris where he met Matisse. He attended art school and in 1900, set up a studio with Maurice deVlaminck. After his military service from 1900-1904, Derain exhibited his work at the Salon des Independants and then at the Salon d'Automne with Matisse, Vlaminck and others, thus creating the movement of Fauvism.He worked with Henri Matisse in 1905 at Collioure, and participated in the 1905 Salon d’Automne with Matisse, Vlaminck, and Braque, the exhibition in which this group was labeled as Fauves, or Wild Beasts. Along with Vlaminck, Derain was one of the first artists to collect the tribal art of Africa which was influential to many of the artists of the early 20th century.
In 1906, Derain met Picasso and his dealer, who purchased Derain's entire studio, creating newfound financial success. During this time, he was hired for the illustrations for works by Guillaume Apollinaire and Andre Breton. After World War I, his friend's Cubism movement affected his art, along with influence from Classicism and African Art.
Derain stayed in Paris during most of the Occupation, where he was esteemed by the Nazis because of his artistic integrity. Hitler's Foreign Minister commissioned him to paint a family portrait, but he politely refused. His popularity began to decline after the war because of disagreement over new artistic movements. He later lost most of his eyesight due to illness, which may have been the reason he was hit by a truck in 1954, dying from shock at the age of 74.
Derain’s Fauve paintings are typically bright with intense color. Influenced by the work of Cézanne as well as the early Cubist paintings of Picasso and Braque’s, Derain’s style changed and by 1912, the paintings became more traditional and structured. For the remainder of his career, he continued to investigate different compositional methods including the perspective of Cézanne and the pointillism of Seurat. He also designed ballet sets and made a number of sculptures.
At the turn of the century, Andre Derain exhibited at the radical Fauve Salon d’Automne (1905) and was one of the founding members of the Fauvist movement together with his life-long friends Matisse and Vlaminck. The works he produced in this period, often under the guidance of Matisse, have been counted among the masterpieces of Fauvism.
From around 1918, Derain turned his back on the avant-garde and had begun to explore some of the more traditional genres of Western art, including landscapes. His main source of inspiration once the Fauves group had dispersed was found in the Louvre, where he admired the early Renaissance works in particular. Talking of his frequent visits there, he once said, ‘That seemed to me then, the true, pure absolute painting.’ His work evolved through many styles and, most significantly, turned back to the past, particularly after 1922 when Lenin had publicly pronounced his disdain for abstract art.
Derain built up an immense and fascinating collection of paintings, sculpture and objets d’art throughout his life which aided his experimentation and was reflected in his work between 1930 and 1945. During these years, his painting technique displayed the most avenues of invention, using a repertoire of primitivist motifs. His eclectic collection was constantly changing. In 1930 he sold his African collection in exchange for bronzes of antiquity and the Renaissance which indicated a real change of interest in the objects, as did his later pursuit of Greek ceramic painting and his enthusiasm for grand cycles of literary and antique themes...
Category
1930s Modern Geneva - Nude Prints
Materials
Etching
Jean Cocteau - Duality - Original Handcolored Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau
White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal.
Original Handcolored Lithograph...
Category
1930s Modern Geneva - Nude Prints
Materials
Lithograph
Marc Chagall - The Bible - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Éditions de la Revue Verve, Tériade, Paris
Printed by: Atelier Mourlot, Paris
Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good.
Flight
After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research.
Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion.
With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way.
Haunted Harbors
Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky.
But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...
Category
1950s Modern Geneva - Nude Prints
Materials
Lithograph
Domergue - Naked - Original Signed Lithograph
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean-Gabriel Domergue
Title: Naked
Signed
Dimensions: 40 x 31 cm
1956
Edition of 197
This artwork is part of the famous portfolio "La Parisienne"
Category
1950s Impressionist Geneva - Nude Prints
Materials
Lithograph
Hans Bellmer - Woman - HandSigned Etching
By Hans Bellmer
Located in Collonge Bellerive, Geneve, CH
Hans BELLMER
Woman
Original Etching
Hand-Signed
Edition: 108 / 150
Dimensions: 51 x 38 cm
Circa 1970
Hans Bellmer was born in Kattowitz in 1902. At his father's insistence, he worked in a steel factory and a coal mine after finishing the examinations qualifying for university admittance. Nevertheless, Bellmer managed to do some art work and exhibit it in Poland in 1922/23. The work led to his arrest.
While studying engineering at Berlin Polytechnic, Hans Bellmer met John Heartfield, Rudolf Schlichter and George Grosz. In 1924 Bellmer dropped out of engineering, worked as a book printer and then as an illustrator for Malik Verlag.
That winter Bellmer took his first trip to Paris. After his marriage in 1927, Hans Bellmer worked as a commercial artist, attended lectures at the Bauhaus in the early 1930s and travelled to Italy and Tunisia. He refused to continue working as a sign of resistance to Fascism in 1933. To show his repudiation of Fascism and the aesthetic it propagated, Hans Bellmer began to construct girlish three-dimensional dolls, which he photographed in erotic poses. Some of these works were published by Bellmer at his own expense in 1934, others appeared in the Surrealist journal "Le Minotaure", ensuring Bellmer important ranking among Paris Surrealists...
Category
1970s Surrealist Geneva - Nude Prints
Materials
Etching
Jean Gabriel Domergue - Women's Love - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue
Dimensions: 33 x 25 cm
1924
Edition of 100
This artwork is part of the famous portfolio The Afternoon of a Faun.
Jean-Gabriel Domergue
Jea...
Category
1920s Impressionist Geneva - Nude Prints
Materials
Lithograph
Recently Viewed
View AllMore Ways To Browse
School Of Fontainebleau
Pont Aven
Aluminum Horse
Dutch Navy
Edward With Jack
Courbet Oil
Victorian Oil Paintings Of Dogs
Vermont Mountain Paintings
Elizabeth Taylor Andy Warhol
David Tan
Kaws Record Art
Retro Velvet Paintings
Orange Tree Sculpture
Tranquil Waters
Tree Skirt
Lobster And Painting
Horse Wagon
Outdoor Wall Hanging Sculpture