Germany - Figurative Sculptures

Rosalie III is a tall, elegant bronze sculpture of a human figure. Nando Kallweit is a German sculptor working in bronze and oak. Kallweit carves the original piece from a piece ...

Antonio III is a tall, elegant bronze sculpture of a human figure. Nando Kallweit is a German sculptor working in bronze and oak. Kallweit carves the original piece from a piece ...

Albert-Ernest Carrier-Belleuse (1824 Anizy-le-Château - 1887 Sèvres), Reading Woman, around 1880. Polished bronze mounted on a cast base. 33 cm (total height) x 9 cm (length) x 9 cm ...

Artist: Emmanuel Okoro Dimensions (HxWxD): 83 × 26 × 20 cm Materials: Bronze Resin Sculpture with Green Patina Edition: 4 of 12 Signed on back Jezebel the Warrior Queen:- I am the...

Paul Ludwig Kowalczewski (1865 Mieltschin - 1910 Berlin), Field worker with rake, around 1900. Brown and brown-greenish patinated bronze with cast naturalistic plinth mounted on a wh...

"Ebb" is a new, large free-standing bronze sculpture, suitable both for the inside and outside. Edition 8, signed, numbered and dated on the bottom. The sculptress Susanne Kraisser...

A powerful presentation piece, this stunning bust of Jean Bécu - Comtesse du Barry is both beautiful and tragic. Executed in terracotta that has been...

Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Forest idyll, around 1915. Bronze, gold and golden brown patina, with cast plinth, mounted on a marble base (5 cm high), total height 36 cm, dimensions of the bronze: 31 cm (height) x 17 cm (length) x 12 cm (width). Weight 4,6 kg, signed on the plinth "R.[udolf] KAESBACH". - a few rubbed areas, overall in excellent condition for its age - Soulmate - The bronze sculpture depicts a young woman in an intimate exchange with a deer that accompanies her. The animal pauses to turn toward her, while the nude beauty slows her pace to look into the deer's eyes and tenderly caress it with her hand. The woman and the deer are in inner harmony. Even though her lips remain motionless, she speaks the language of the animal with which she is deeply connected. The golden patina, which contrasts with the more naturalistic coloring of the deer, gives the young woman the appearance of a saint, even if she cannot be identified as such. At the same time, she evokes memories of Diana, the goddess of the hunt, or a nymph. But she lacks the ferocity. In her innocent naivety, she is more like a vestal virgin, who is not at home in the solitude of the forest. And yet, the young beauty, moving unclothed in the heart of nature, looks like a priestess with her hair tied up and a carefully carried bowl on her way to a sacred grove. In order to open up the above-mentioned associations, Kaesbach deliberately designed the female figure in such a way that she cannot be identified as a specific person. He has created an allegory of natural femininity, characteristic of Art Nouveau, in which the deer is far more than a companion animal. It displays the same gracefulness as the young woman, and the inner resemblance between the two makes the deer appear as her other self. In animal terms, it embodies her inner being, which also gives the deer an allegorical character. About the artist Rudolf Kaesbach studied sculpture at the Hanau Academy and worked in a bronze foundry in Paris in 1900. In order to work as an independent artist, he opened a workshop in Düsseldorf, where he cast bronzes from models he designed. In 1902 he made his debut at the German National Art Exhibition in Düsseldorf. The following year Kaesbach went to the academy in Brussels. There he was inspired by contemporary Belgian sculpture, especially the work of Constantin Meunier. He moved to Berlin, where he opened a studio in the villa district of Grunewald and devoted himself to life-size marble sculptures and the design of bronzes. From 1911, he regularly presented his works at the major art exhibitions in Berlin, as well as in Düsseldorf and Malmö. Between 1936 and 1939, he also created models for the Rosenthal porcelain factory. From 1939 to 1944, Kaesbach was represented at the major German art exhibitions in Munich. GERMAN VERSION Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Waldidyll, um 1915. Gold und goldbraun patinierte Bronze mit gegossener Plinthe, auf einem Marmorsockel montiert (5 cm Höhe), Gesamthöhe 36 cm, Maße der Bronze: 31 cm (Höhe) x 17 cm (Länge) x 12 cm (Breite). Gewicht 4,6 kg, auf der Plinthe mit „R.[udolf] KAESBACH“ signiert. - vereinzele beriebene Stellen, insgesamt in einem altersgemäß ausgezeichneten Zustand - Seelenverwandtschaft - Die Bronzeplastik veranschaulicht eine junge Frau im innigen Austausch mit einem sie begleitenden Reh. Das Tier hält inne, um sich zu ihr hochzuwenden, während die nackte Schönheit ihren Schritt verlangsamt, um dem Reh ebenfalls in die Augen zu schauen und es zärtlich mit der Hand zu liebkosen. Die Frau und das Reh sind in einem inneren Gleichklang. Auch wenn ihre Lippen unbewegt bleiben, spricht sie die Sprache des Tieres, mit dem sie auf eine tief empfundene Weise verbunden ist. Die im Kontrast zur naturalistischeren Einfärbung des Rehs aufstrahlende goldfarbene Patina lässt die junge Frau wie eine Heilige erscheinen, auch wenn sich nicht als Heilige identifizierbar ist. Zugleich ruft sie Erinnerungen an die Jagdgöttin Diana oder eine Nymphe hervor. Dafür fehlt ihr allerdings die Wildheit. In ihrer unschuldigen Naivität gemahnt sie vielmehr an eine Vestalin, die freilich nicht in der Waldeinsamkeit zu Hause ist. Und doch wirkt die sich unbekleidet im Herzen der Natur bewegende junge Schönheit wie eine Priesterin, die sich mit hochgebundenem Haar und der vorsichtig getragenen Schale und dem Wege zu einem Heiligen Hain befindet. Um die gennannten Assoziationen zu eröffnen, hat Kaesbach die Frauenfigur bewusst so gestaltet, dass sie nicht als konkrete Person identifizierbar ist. Damit hat er eine für den Jugendstil charakteristische Allegorie natürlicher Weiblichkeit geschaffen, bei der das Reh weit mehr als ein Begleittier ist. Es weist dieselbe grazile Anmut wie die junge Frau auf und der innere Gleichklag der beiden lässt das Reh als ihr anderen Ich erscheinen. Es verkörpert – ins Animalische übertragen - ihr inneres Wesen, wodurch auch dem Reh ein allegorischer Charakter zukommt. zum Künstler Rudolf Kaesbach studierte an der Akademie Hanau Bildhauerei und war im Jahr 1900 in einer Pariser Bronzegießerei tätig. Um sich als eigenständiger Künstler betätigen zu können, eröffnete er in Düsseldorf eine Werkstatt, in der er Bronzen nach selbstentworfenen Modellen goss. 1902 debütierte er auf der Deutschen Nationalen Kunstaustellung in Düsseldorf. Im Folgejahr ging Kaesbach an die Akademie nach Brüssel. Dort wurde er von der zeitgenössischen belgischen Bildhauerei, insbesondere vom Werk Constantin Meuniers, inspiriert. Zurückgekehrt zog er nach Berlin, wo er im Villenviertel Grunewald ein Atelier eröffnete und sich neben dem Entwurf für Bronzen der lebensgroßen Marmorbildhauerei widmete. Ab 1911 präsentierte er seine Werke regelmäßig auf den Großen Berliner Kunstausstellungen, aber auch in Düsseldorf und Malmö. Zwischen 1936 und 1939 fertigte er zudem Modelle für die Porzellan-Manufaktur Rosenthal an. Von 1939 bis 1944 war...

"Summer Coolness" is a large free-standing bronze sculpture, suitable both for the inside and outside. Edition 8, signed, numbered and dated on the bottom. Comes with Certificate and...

Christian Thomsen (1860 Kolding - 1921 Copenhagen), Carving boy, design around 1915, execution 1966. model number 905. First choice. Porcelain with underglaze painting. 18.5 cm (heig...

"Girl Sitting XIV" is a bronze sculpture of a nude sitting female on a wooden block. Edition 18, signed, numbered and dated on the bottom. The wooden block can be hung on a wall (comes with the hinges to hang up on the wall). The sculptress Susanne Kraisser is to be considered as part of the great modern figurative tradition. She was born in 1977 in Rosenheim, Southern Germany. She studied both at the Academy of Fine Arts Nuremberg and the University of Arts in Bremen. She graduated with distinction in 2007 in Nuremberg and received her Diploma with distinction in 2008 in Bremen. She has won numerous awards and exhibits nationally as well as internationally. Artist Statement: For me, sculpture is particularly shape and material, volume and size, space, movement and statics. I focus on the ‘female body’, presenting it either as an intimate miniature or on a monumental scale – each time as a solitary figure. In terms of content, my work focuses on identifying and combining polarities, such as instability and strength, fragility and solidity, activity and passivity, movement and statics, balance and volume, and dependence and autarchy. I work predominantly with the materials bronze, aluminium and wood. The small miniatures are made from wax and are then cast in bronze as part of what is known as the wax smelting process. Large-scale pieces are similarly cast in aluminium or created directly out of wood. The various work processes and tools determine the appearance of the surface; for wax, it’s my hands, and for wood, it’s my chainsaw. Each material is a new challenge for me. My previous wood-sculpting studies involved respecting the material’s limits to create craft of solid quality in keeping with the material. But this is where the intense discussion and its limit become clear. I fight with the material, and a lot of things go wrong. It becomes my opponent, whose limits I test out and reset if necessary. Cautious movements requiring a lot of physical tension are maintained without losing their inner dynamics. Amidst the often harmonious external form is a harsh dissonance evidenced by the rough, fragmented design...

"Girl Sitting X" is a bronze sculpture of a nude sitting female on a wooden block. Edition 18, signed, numbered and dated on the bottom. The wooden block can be hung on a wall (come...

Irmgard Biernath (1905 Waldheim in Saxony - 1998 Mainz), Hommage à Kahnweiler, 1984. Terracotta relief, burnished red body, 43.5 x 38 cm, mounted on support plate, in wooden frame 57 x 49.5 cm, monogrammed "IB" at lower right. - Isolated patina losses, but overall good condition, frame slightly bumped. - The Appearance of Genius- This homage to Daniel-Henry Kahnweiler shows the gallerist and art theorist as Pablo Picasso portrayed him in his lithographic portrait of 1957. As an innovative Parisian gallery owner, Kahnweiler had exclusively represented Picasso since 1911, while Picasso had painted his famous portrait of Kahnweiler the previous year as a major work of Cubism. And it is Picasso who appears at the centre of Irmgard Biernath's image. Here, his face echoes the features of the self-portrait he painted in 1907 in the Prague National Gallery. His eyes are wide open as he gazes into the distance, surrounded by the works of his artistic vision that have already taken shape. On the right is the bronze "Man with Sheep...

Bronze sculpture of a horse carrying lady Godiva Limited Edition of 8

Bronze sculpture of a horse carrying lady Godiva Limited Edition of 8

"Unity" is a bronze sculpture of a sitting couple. Edition 18, signed, numbered and dated on the bottom. The fully bronze sculpture sits upright by itself and can easily be put, for...

Hand carved sculpture by artist Isabel Ritter. Beautiful encased female sculpture. Stunning on a plinth or a shelf. About the Gallery: Folly & Muse was established in 2015 in London...

Artist: Emmanuel Okoro Dimensions (HxWxD): 90 × 20 × 20 cm Materials: Bronze Resin Sculpture with Green Patina Edition: 5 of 12 Signed on back Jezebel the Warrior Queen:- I am the...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Artist: Emmanuel Okoro Dimensions (HxWxD): 37 × 33 × 20 cm Materials: Bronze Resin Sculpture Edition: 5 of 12 Signed on back Figurative sculpture of Angel / Man with wings Okoro pa...

LAURENT, Eugene, (French, 1832-1898): Diana the Huntress, bronze, 64 cm high, signed, resting on a black marble base, in an antique dress with her hunting dog. Patinated bronze....

Bust of a Lady, thought to be Elisabeth Petrowna, also known as Elisabeth of Russia Depicted before she was crowned Terracotta Bust Elizabeth Petrovna (Russian: Елизаве́та (29 Decem...

"Toro" is a unique bronze scultpure (2024) of Bulgarian mid career artist Günay Aliev. In this scultpure the artist depicts a forceful bull attacking. The bronze comes with a grani...

Carlotta is an elegant figurative bronze sculpture of the female form by German sculptor Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of her...

Eugène Laurent (1832-1898), The Beachcomber Inscribed "E. Laurent" on the base plate in the cast. H 63 cm Eugène Laurent studied at the École des Beaux-Arts in Paris and was awa...

Dorothea is an elegant figurative bronze sculpture by Nando Kallweit. An elongated, graceful seated female form. Modelled on modern postures but with a nod to the importance of herit...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Paul Dierkes (1907 Cloppenburg - 1968 Berlin), Vegetative Form. Mahogany, 1958. 142 x 16 x 10 cm (sculpture), 21 x 17.5 cm (base), monogrammed "PD" on the reverse. - Grown Art - ...

Bronze sculpture of a horse carrying a woman with a golden crown. About the Gallery: Folly and Muse was established in 2015 in London to find and collaborate with the most creative,...

Bronze sculpture of a horse carrying a gentleman with hat. Limited Edition of 8

Dubucand Alfred 1828-1894 Two Hunting Dogs, Bronze on a Marble Base The bronze with the monogram 'E.V.' and the number '2958' Two Hunting Dogs, Group Signed Alfred Dubucand, Fren...

A large-scale bronze high relief with a depiction of a young undressed woman and two old men. The scene takes place in an architectural setting inspired by antiquity, with a suggeste...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Paul III is a tall, elegant bronze sculpture of a human figure. Nando Kallweit is a German sculptor working in bronze and oak. Kallweit carves the original piece from a piece of ...

Beautiful late 19th-century bronze sculpture by Mathurin Moreau "YOUNG WOMAN ON A ROCK" BY MATHURIN MOREAU (1822-1912) Young girl with a broken jug, Bronze circa 1880/1890, France ...

Pagan Christian, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in. 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Evocator, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

"Girl with Mini Dress" is a small, free-standing bronze sculpture with a white dress from established sculptress Susanne Kraißer. Edition 18, signed, numbered and dated on the bottom...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Bronze, beautifully cast, patinated. Above a fluted round base, the figure of the Greek goddess of youth. Hébé is depicted here rising in a tight-fitting robe before an eagle, the sy...

Edward III is a tall, elegant bronze sculpture of a human figure. Nando Kallweit is a German sculptor working in bronze and oak. Kallweit carves the original piece from a piece o...

Untitled 06, 2016 Mixed media on metal sheet (Signed on reverse) 31 1/2 H × 70 9/10 W × 39 2/5 D in 80 H × 180 W × 100 D cm Zsolt Berszán’s work speaks of repulsion and fascination and at the same time speaks about shapes that lie on the border between hallucination and obsession wherein the identity and order were disrupted. Themes such as the double and the metamorphosis, otherwise put, themes of atrophied characters are all representations of the abject. Berszán’s creation is located at the fine border between the representation of identity and its dissolution thusly aiming to represent the non-symbolized. The dynamic separation and the transitional object...

Jules Moigniez (1835 Senlis - 1894 St-Martin-du-Tertre), Hunting dog on the prowl, around 1880. Dark patinated bronze with naturalistic terrain plinth, 16 cm (height) x 30 cm (length...

Ernest Rancoulet (1842-1918), Allegory of Progress, around 1890. Bronze-plated metal cast with cast terrain plinth mounted on a wooden base (6 cm high). 64.5 cm (total height) x 28 c...

Anton Büschelberger (1869 Eger - 1934 Dresden), Pointer, around 1930, made by the Karl Ens porcelain manufactory in Volkstedt (Thuringia), model number 2478, 6. Porcelain with underg...

Balance Figurative sculpture Materials: Bronze Resin Sculpture with green patina Edition: 2 of 12 Signed on back Okoro pares down to reveal the essence of a state of being, onen...

Bronze sculpture of a horse carrying a woman - The sculpture portrays the love and intimate harmony between horse and girl. About the Gallery: Folly and Muse was established in 2015...

JOAQUÍN ANGLÉS CAÑÉ (Tortosa, 1859 - Paris, 1911). Joaquin Anglès Cañé (born 1859 Tortosa - c. 1925) Idyll. Original title: Bronze, dark brown patinated. Sign. 'Idyll', a bronze sta...

Emile Louis Picault (1833-1915), 'Le Penseur', patinated bronze mounted on a marble base, H 30 - 33 cm (bronze - total) A fantastic quality Bronze of Emile Louis Picault Signed o...

"Girl Sitting XIII" is a bronze sculpture of a nude sitting female on a wooden block. Edition 18, signed, numbered and dated on the bottom. The wooden block can be hung on a wall (c...

"On the Water's Edge XIV" is a bronze sculpture of a nude sitting female on a wooden block. Edition 18, signed, numbered and dated on the bottom. The wooden block can be hung on a w...

Michaela Ahlmann, Standing boy with trumpet, made between 1970 and 1982, model number 1792, first choice. Porcelain with underglaze painting. 18.5 cm (height) x 8 cm (length) x 7 cm ...

Maurizion Cattelan Yes!, 2019 Medium: Light sculpture (Porcelain, LED lightbulb 230V) Dimensions: 17.8 x 12.7 x 9.5 cm Edition of 500: The work comes with a stamped certificate of au...

Hans Harders (1875 Mörel - 1955 Berlin), Boy playing the shawm, around 1930. Dark patinated bronze with round plinth on a black marble base (2 cm high), t...

"Pair III" is a bronze sculpture of a couple sitting on a wooden block. Edition 18, signed, numbered and dated on the bottom. The wooden block has a concrete aesthetic. Comes with t...

Christian Thomsen (1860 Kolding - 1921 Copenhagen), Milkmaid with stool and milk jug, designed around 1910, executed between 1975 and 1979. Model number 899. First choice. Porcelain ...

Karl-Heinz Deutsch (*1940 Karlsruhe), Helmet Head, around 2003. Polished and patinated bronze, 23.5 cm (height) x 25.5 cm (length) x 16 cm (depth), weight 4.9 kg. Monogrammed on the ...