Hong Kong - Figurative Paintings

In Pollenator No. 2, Kurt Herrmann expands his exploration of color and form in a radiant geometric abstraction. Executed in acrylic on a square canvas, the painting balances crisp p...

Oil paint, pastel and charcoal on paper Signed and dated by the artist lower left

Oil on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...

Introducing "Golden Days 01" - a geometric abstract painting on round canvas inspired by the luxurious gold gilding of Chinoiserie tableware. Embrace the essence of summer with delicate leaf patterns and heart shapes intricately woven into the design. Radiating beauty at 20cm in diameter and 1.5cm in depth, this piece is crafted with acrylics on round canvas, exuding elegance and charm. As Jenny Uglow once said, "We might think we are nurturing our garden, but of course it’s our garden that is really nurturing us." Reflect on the splendour of summer, with blooming gardens and nature's golden touch encapsulated in this artwork. Experience the allure of metallique acrylic paint, infusing this piece with a soft luster that captivates the eye. Dive into the world of "Golden Days 01" and let the beauty of nature's embrace inspire you. Golden Days 01 (2022) is signed on the back and includes my Certificate of Authenticity . Art © 2019-2025 Fuen Chin...

"Signaling Her Intentions" (2022) by Reen Axtell is an original handmade mixed media painting that depicts a woman on a horse with an abstract geometric background. About the artist...

In Upweller, Kurt Herrmann orchestrates a striking interplay of color, form, and movement in a vivid geometric abstraction. Executed in acrylic on a square canvas, the painting is de...

An original painting in oil by British artist Charlie Mackesy - Mackesy's clever work and style here, provide us with a sample of his talent when he creates in the medium of oil pain...

Introducing "Golden Days 02" - a geometric abstract painting on round canvas inspired by the luxurious gold gilding of Chinoiserie tableware. Embrace the essence of summer with delicate leaf patterns and heart shapes intricately woven into the design. Radiating beauty at 20cm in diameter and 1.5cm in depth, this piece is crafted with acrylics on round canvas, exuding elegance and charm. As Jenny Uglow once said, "We might think we are nurturing our garden, but of course it’s our garden that is really nurturing us." Reflect on the splendour of summer, with blooming gardens and nature's golden touch encapsulated in this artwork. Experience the allure of metallique acrylic paint, infusing this piece with a soft luster that captivates the eye. Dive into the world of "Golden Days 02" and let the beauty of nature's embrace inspire you. Golden Days 02 (2022) is signed on the back and includes my Certificate of Authenticity . Art © 2019-2025 Fuen Chin...

Oil paint, pastel and charcoal on paper Signed and dated lower left by the artist

"Hat Trick" (2022) by Reen Axtell is an original handmade mixed media painting that depicts a child riding a sheep, juxtaposed over an abstract blue and yellow background. About the...

A superbly clever, très French and highly decorative abstracted painting by Bernard "Becool" Coolen which tells a story: it is in fact a stylised representation of of the Champs Ely...

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...