Hudson - Figurative Paintings

A Wrestler, His Girlfriend, and Their Dog Academic style figurative oil painting of a young man and woman with their dog in the gym locker room by Mark Beard 68 x 32 inches oil on canvas mounted on Masonite 75 x 39 inches framed This painting represents a segment of a large mural the artist was commissioned to paint for Abercrombie & Fitch's flagship stores. This painting was featured in the Manhattan's towering mural which stretched several floors. Beard worked on the commission in his NYC studio and completed the work in 2005. Painted in a style that evokes the portraits of John Singer Sargent, Mark Beard is a contemporary living artist who paints under the pseudonym, Bruce Sargeant, an English painter who worked during the 1920's and 30's. The contemporary figurative painting, made in a modern Academic style, features a young male athlete wearing a wrestling singlet...

1970's landscape painting on canvas of a view in Medellin, Colombia Calming atmospheric yellow, blue, and green palette Made in 1979 by Bill Sullivan oil on canvas, unframed 24 x 40 inches signed, lower right This modern landscape painting was made by Hudson Valley based artist, Bill Sullivan, in 1979. Interested in the style of the Hudson River School painters such as Frederic Church and Thomas Cole, Sullivan sought to adapt traditional landscapes with a modern lens. During the 1970's and 80's, Sullivan traveled in the footsteps of Frederic Church, capturing the same scenes the late artist made famous 100 years prior. Here Sullivan paints a picturesque scene overlooking a mountain range in Medellin, Colombia. Titled 'Pablo's View', Sullivan perhaps envisioned Pablo Escobar...

30 x 24 x 1 inches oil on canvas Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are utilized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

Oil on canvas 44 x 55 x 2 inches Contemporary white artist made floater frame This listing is available from Carrie Haddad Gallery, based in Hudson, NY. Golden color fills the canva...

18 x 24 x 1 inches oil on canvas Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are uti-lized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

Early Morning St. AM 1987 (Impressionist Figurative City Scene by William Clutz) Impressionist Painting of A Man Crossing a Street in Manhattan in the Early Morning Sunlight Colorful Painted by William Clutz in 1987 50" X 40" x 2", oil on canvas This figurative oil on canvas was painted in 1987 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. Clutz discovers the extraordinary in the ordinary, simply by studying how the sunlight bounces and reflects off the human form. In New York in the early 50's and 60's,, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

Modern impressionist style figurative painting of a family in a colorful park landscape “Park Spring” painted by William Clutz in 1996 60 x 50 inches in a natural wood floater frame Wire backing, signed lower right This figurative oil on canvas painting was made in 1996 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. In this piece, Clutz captures a joyful moment of a mother and father walking in a sunlit park landscape with their young child. Bright sunlight radiates through lush fall foliage and fills the scene with a soft orange light. With broad, expressionistic brushstrokes, he discovers the extraordinary in the ordinary, by emphasizing the effects of sunlight on the human form. The painting is in excellent condition and is framed in a natural wood floater frame. More about the artist: In New York in the early 50's and 60's, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

Colorful urban street scene of Brooklyn Bridge, NYC City Landscape Painting by William Clutz "Roebling's Dream, The Great East River Bridge", 1990 oil on canvas 40 x 70 inches, 41 3/...

Portrait painting of LGBTQ icon, Barbara Gittings Entitled: "Barbara Gittings (Mother)" Painted by Carl Grauer in 2019 Oil and gold leaf on board 20 x 32 inches, 20 x 16 inches when closed Can rest on a surface or can be hung with two d-rings that are installed on the back This painting was made by Poughkeepsie, NY based artist, Carl Grauer, in 2019. It is part of the artist's latest series, The Lavender Temple of Their Most Fabulous, painted in tribute to the 50th anniversary of the Stonewall Rebellion. Here the artist depicts LGBTQ activist, Barbara Gittings, on a gold leaf triptych frame resembling a Catholic altarpiece. Gittings is further sanctified with a glowing gold leaf halo while holding a copy of "The Ladder". Scenes of homosexual rights protests are featured on the left and right side of the folding triptych. When closed, the painting measures 20 x 16 inches and depicts two female symbols on the front. The piece can be shown unfolded either resting on a surface or by hanging it with the two d-rings that are installed on the back. About Barbara Gittings: Barbara Gittings was a LGBTQ+ activist whose contributions had a significant impact on LGBTQ+ acceptance and rights in the United States. Born in Vienna, Austria in 1932 while her father served as a U.S. diplomat, she was the organizer of the New York chapter of the Daughter of Bilitis (DOB), the first US national lesbian organization and served as editor of the DOB magazine, The Ladder, from 1963-1966. In the 1960s, Gittings co-organized picket lines to raise awareness about the ban on employment of gay people by the U.S. government, the country’s largest employer at the time. She also was part of the movement to persuade the American Psychiatric Association to remove homosexuality from the Diagnostic and Statistical Manual of Mental Disorders, which they stopped listing as a mental disorder in 1973. Her childhood experiences of finding very little literature or information about being gay inspired her to have a lifelong involvement with libraries, especially the American Library Association (ALA), to promote positive LGBTQ+ literature in libraries. She passed away in Kennett Square, Pennsylvania in 2007 and has awards from the ALA and Gay & Lesbian Alliance Against Defamation (GLAAD) named after her. “Equal treatment — no more, no less — is what we want! And compassion— which many homosexuals gladly swallow because they think it represents an improvement in attitudes toward them — is not equal treatment.” – Barbara Gittings More about the series: In tribute to the 50th Anniversary of the Stonewall Rebellion, Poughkeepsie based artist Carl Grauer debuts The Lavender Temple of Their Most Fabulous, a new series depicting notable figures of the LGBTQ+ movement. Portraits of gay rights advocates, such as Harvey Milk...

Study For Cole Porter Paintings (Oil Painting of City Skyline w/ Sailboat) by Bill Sullivan 12 x 20 inches oil on canvas, framed with thin blonde ...

Naive style still life painting of fruit and a figurine on a maroon background Oil on canvas 9 x 12 inches unframed Signed lower left This modern, abstracted naive style still life...

Colorful faux-naive style figurative painting on canvas of two figures abroad a boat in blue waters 'Prom Night on the Deck', painted by self taught artist...

oil paint on panel 12 x 12 inches This contemporary cityscape oil painting is painted on wood panel in a realistic style. The scene is of a Brooklyn skyline where old water towers...

oil on wood panel 7 x 8 x 2 inches This listing is available from Carrie Haddad Gallery, based in Hudson, NY. David Konigbserg offers a small still life painting of an olive oil cruet...

Large, photo-realist painting on canvas featuring a fire engine red and white industrial crane against a bright sky blue background 69 x 48 x 2 inches oil on canvas, thin wood stripping signed verso, "Joseph E. Richards" Hangs with wire installed on the back Excellent condition, ready to hang as is This precisely detailed photo-realist painting was made by Joseph E. Richards in 1992. The artist painted this piece when he was 71 years old during a long career of painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, industrial cranes. With a photo-realist approach to the subject, Richards was able to capture detailed changes in light and shadow, shape and form. The red and white crane, painted with extreme detail and focus, vividly contrasts against a bright blue sky. Areas of brown rust, attesting to the machine's power and longevity, are captured with immaculate precision. Since the painting has a very smooth surface, one could easily confuse this painting with a photograph. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with pre-installed wire. The artist's signature is located on the back of the canvas. About the artist: Joseph Richards...

Vertical photo-realist painting on canvas of pale pink ball with steel colored hook on a bright sky blue background 72 x 36 x 1.5 inches oil on canvas, thin wood stripping signed "Richards" on bottom right corner in yellow paint wire is installed on the back for easy hanging This precisely detailed photo-realist painting was made by Joseph E. Richards in 1981. The artist painted this piece when he was 60 years old during a successful career painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, close up views of industrial equipment against a vivid blue sky. With a photo-realist approach to the subject, Richard was able to capture detailed changes in light and shadow, shape and form. The pale pink colored ball and steel colored hook, down to each screw and bolt, is completed with extreme focus and precision. One could easily confuse this painting with a photograph since it was completed with a very smooth application of paint, with no texture built upon the surface. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with wire installed on the back.The artist's signature is located on the front and back of the canvas. About the artist: Joseph Richards’ precisely painted canvases of giant cranes, cargo booms, propellers and train engines are fueled with a fascination like that of a six-year old boy. Working directly from photographs, Richards unites light and color together as one element, evident in the reflective surfaces of steel. The otherwise mundane signs of corrosive wear are magnified; rust stains glow on the canvas and yellow painted pulleys radiate like beacons against a bright, blue sky. Richards finds beauty in their dramatic color, resilient texture, definitive form and functionality. Richards paints sections of these objects in grand scale, with canvases up to 6 feet long and eye-popping color, calling attention to their massive proportions and exceptional strength. Richards had solo exhibits in New York City, Scottsdale AZ, and Washington DC, and his work is found in private and corporate collections here and abroad, e.g., the Tucson Museum of Fine Arts, Mobil Oil, Lankenau Hospital in Philadelphia, and E. Jean Belloni in Geneva, Switzerland. Resume: Born in 1921 in Des Moines, Iowa, Joseph Richards left for Chicago after high school to pursue a career in art. After serving in the U.S. Navy from 1942 – 1945, he went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia. He eventually settled with his wife, Betty, in New York City. In 1969, longtime dealer Ivan Karp opened The OK Harris Gallery on West Broadway in Manhattan’s SoHo. Karp was at the forefront of the Photorealism movement, showing artists such as Duane Hanson and Manny Farber...

Oil on canvas 44 x 55 x 2 inches Contemporary white artist made floater frame This listing is available from Carrie Haddad Gallery, based in Hudson, NY. A lush shade of dark raspber...

20 x 16 x 1.5 inches oil on canvas Painted with the exactness of a still life photograph, this hard edge realist painting by artist Frank DiPetiro of Lotus leaves and buds about to bloom glows with green luminescence against a pale gray background. Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are uti-lized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

38" X 36 1/2" acrylic on cotton This colorful portrait of a young male has vivid and bold black and multicolored outlines that define the sitter's face. The black border drips into...

Oil on board 19 x 19 inches in dark brown wood frame 18 x 18 inches unframed This modern, abstracted naive style oil painting was made by Poughkeepsie, NY based artist Darshan Russe...

31 x 61 x 1 inches oil on canvas, framed with thin black wood stripping This is a contemporary landscape painting of Guadalupe Hill, a 3,317-metre (10,883 ft) high hill...

27" X 23 1/2" acrylic on cotton This colorful portrait of a young woman with red hair, wearing a necklace, has vivid and bold black outlines that drip and define the sitter's face....

37" X 32" acrylic on cotton This colorful portrait of a young woman with auburn hair has vivid and bold black outlines that drip and define the sitter's face. She sits in front of a...

Blue (Sepia Toned Figurative Oil Painting of Boys on Bikes with Blue Ball) Contemporary figurative painting based on a 1960's photograph, plays deeply on feelings of nostalgia and identity. oil on wood panel 20 x 20 x 2 inches Carl Grauer’s 'Blue' plays with the tension between memories, the “return to home”, and the actual experienced past through the renderings of the family unit. Inspired by images on found slides or old family photos, Grauer provokes mixed responses of delight and sadness, reminding us that unlike space, time cannot be returned. Grauer paints 'Blue' in black and white, sepia tones, and blue oil paint on wood to capture the nostalgia of a vintage 1950's photograph. Two young children ride bicycles in a charming landscape while one child holds a big blue ball. The blue ball beautifully contrasts with the sepia toned landscape. The brushstrokes are smooth, with little texture built upon the surface. About the work: Recollections, a series that plays with the tension between memories, the “return to home”, and the actual experienced past, is an idea that I explore through the renderings of the family unit. Nostalgia comes from the Greek word nostos, meaning “to return to home” and algos, meaning “pain”. Before the rise of pathological anatomy and bacteriology made it less credible, medically; nostalgia was considered a “disorder of the imagination. Through time, nostalgia’s meaning became a more generalized reaction to the sad fact that, unlike space, time cannot be returned. I initially began with source imagery of found slides and photos of people I find at flea markets, second hand stores or from my own family’s collection. I take the source imagery and change elements to signify specific moments that could be seen as memories that are remembered or forgotten. I aim to represent nostalgic scenes that may relay a tension, sorrow or humor that could be constructed memories or actual experienced events. The exact narrative may be forgotten or unknown, but the complex projection of an idealized story that I find intriguing may serve to reflect a feeling or memory for another person. CV 1975 Born in Wilson, Kansas, USA EDUCATION 1998 Bachelor of Arts – University of Kansas 2000 Mastor of Fine Arts – University of Michigan 2015 Portrait and Figure Painting – London Atelier of Representational Art EXHIBITIONS 2016 "Petit: A Group Exhibition of Smaller Sized Art...

figurative portrait painting, acrylic on copper, mounted on panel 24 x 24 inches This contemporary, monochromatic blue portrait painting on a young man was painted by Hudson Valley ...

I am Human Watercolor, ink on paper 49"x42" framed Keith Carrington Keith Carrington’s experiences have led him to express his talents through the fluid a...

digital c-print, edition of 10 prices quoted are for unframed prints Newbold Bohemia (born 1965, Evansville, Indiana) archival digital C-Print, 20 x 30 inches unframed Photog...

Spring Field (Vertical Color Field Landscape Painting in Pink and Green) 30 x 24 x 2 inches, oil on birch panel Tracy Helgeson plays on the idea...

Two Olive Trees (Color Field Painting of a Rural Landscape by Tracy Helgeson) 10 x 10 x 2 inches, oil on birch panel Tracy Helgeson plays on the idea of color field painting with rur...

Figurative painting of male nude torso on a blood orange background "Anatomy Lesson No. 67, Study", painted by Hudson Valley artist, Robert Goldstrom in...

Kathy Osborn paints highly detailed, interior scenes, inspired by imagery from the Post-War era of the 1950s and 60s. Osborn’s multi-step process begins with a meticulous arrangement...

Modern abstracted figurative painting of a man walking in a beige suit “Tan Suit IV” painted by William Clutz in 1987 30 x 20 inches in a natural wood floater...

37 x 84 inches oil on canvas, unframed (thin wood stripping only) Contemporary landscape oil painting of the beach in Cape Cod, Massachusetts. Deep blue tidal pools form in the for...