Hudson - More Asian Art, Objects and Furniture

A Chinese Longquan Celadon Lotus Bowl, Ming Dynasty Diameter: 16.7 cm Height: 5.5 cm Provenance: The Collection of Dr. John Yu AC Dr. Yu was the Foundi...

Old Japanese porcelain lidded incense burner in the original box The lid with the lion, two pierced handles on each side, and four feet at the four corners to stand. This is an old...

This stunning Meiji period vase is a wonderful example of the quality of craftsmanship during the late 19th century Japanese Meiji period. The Meiji era was famed for being the perio...

Burmese (Myanmar) Lacquerware has a long tradition dating back to the 13th century. Lacquer in Burma is called “Thitsi” meaning the sap of a Thitsi Tree (Melanhorrea Usitata). Typica...

Stunning contemporary Japanese Ko-Imari style porcelain koro or incense burner or jewelry box, hand painted on a beautifully shaped round body in cobalt blue, red and green and gener...

Burmese (Myanmar) Lacquerware has a long tradition dating back to the 13th century. Lacquer in Burma is called “Thitsi” meaning the sap of a Thitsi Tree (Melanhorrea Usitata). Typica...

A pair of Edo period black and gold lacquer Samurai helmet boxes (Hakko Bako), each of ribbed cylindrical form with a lid, a black lacquer interior,...

A tri-pod ceramic incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji to the start of Taisho period (1890-1910s). A fine example of the artist's work belonging to the late part of his underglaze paint phase (started around 1887 until his death), the surface of the koro was painted in beautiful shades of blue to depict a continuous landscape not unlike a traditional ink and watercolor hand scroll. The rise and fall mountains recede and fade into the horizon and are dotted with groves of pines. The sky is painted with a beautiful subtle shade of pink, suggesting a time of sunrise or sunset. The koro is fitted with an ensuite reticulated sterling silver hoya (incense cover), pierced with swirling cloud and marked with "pure silver' in Kanji. The base is signed in underglaze blue "Makuzu Kozan Sei" within a double ring. The piece is beautifully potted in form and the decoration was done with expertise using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking landscape known as "Mountain and Water" with sense of dimensions and gradient, the poetic effects normally conveyed only by sumi ink staining on paper. The piece comes with an unsigned tomobako (wood storage box) of a recent age. Also known as Miyagawa Kozan (1842–1916), Makuzu Kozan was one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

We have an aesthetic sense peculiar to Japanese people. And we introduce the unique items that only we can do, the route of purchasing in Japan, the experience value so far, and the way that no one can imitate. Japanese antique black chest "staircase chest...

This Japanese Satsuma incense burner is a decorative work of art from the Meiji period, distinguished by its exquisite craftsmanship and intrica...

An elegant and refined Japanese lacquer koro, incense burner, in the form of a chaire, tea caddy, Edo Perio, mid 19th century, Japan. The barrel shaped koro formed as a traditional ...

CHONGZHENG 1628-1644 From our Chinese collection, we are delighted to offer this rare example Chinese Ko-Sometsuke Wucai Porcelain Plate. The plate potted in porcelain ceramic of ci...