Illinois - Sculptures and Carvings

An incredible and rare set of 19th century French stone carver's wooden mallet and six iron chisels, mounted on a custom steel stand. Found in Roen, Nor...

A 20th century American Folk Art hand-carved and painted wood stop sign mounted on a custom steel stand.

Terra cotta ram head panel.

Rare terra cotta mask from a temple.

Fantastic carved statue of saint with original paint.

This is an extraordinary full-size terra cotta copy of “La Baignuese" (The Bathing Venus) after the original by Christophe-Gabriel Allegrain (French, 1710-1795). This copy is remarka...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork is a fertility doll...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork is a ceremonial doll...

A stoic yet charming early 20th century Folk Art carved wood deer sculpture, nearly life size, with a wonderful dry weathered finish, and mounted on a custom steel mount. Perfect dis...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork is a fertility doll...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork is a ceremonial doll...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure #168 found steel with natural rust patina and paint 6h x 4.50w x 2.50d in 15.24h x 11.43w x 6.35d cm Jim Rose b. 1966 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork is a ceremonial doll...

An integral part of traditional Chinese home life, ancestor worship before a domestic altar often featured painted ancestral portraits or tabletop ancestor figure...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork...

Dated to the 19th century, this flat wooden panel is curiously etched with geometric patterns, simple leaf motifs, and a triangle-work border. Its original use remains unknown - perh...

1900s hand carved scotsman tobacco store panel.

A wonderful and charming early 20th century American bush plane model constructed with painted canvas stretched over a wooden skeleton, and mounted on a custom steel mount.

Dated to the 19th century, this flat wooden panel is curiously etched with geometric patterns and dense triangle-work. Its original use remains unknown, perhaps it was a divination t...

The Maya peoples of Guatemala created incredible works of art through columnar woodworking and stone shaping. The base carvings on this column emulate ferns and other low-lying folia...

A whimsical early 20th century American Folk Art purple Martin pine birdhouse with two levels, eight entrances, and a wonderfully shingled roof and weath...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn...

In an exclusive collaboration with pagoda red, Chicago artist the bms. adds a contemporary twist to our collection of one-of-a-kind African art objects. Guided by its geometric line work, the bms. uses...

The Luba people of Zaire believed that ancestors visited them through dreams. This belief led to elaborately worked headrests, known as "seats of dreams." Such headrests were used to...

A wildly sculptural sphere made from oak splints used for making baskets. Acquired from a woman who made baskets, the splints have been woven into a sphere, possibly for storage purp...

Pende diviners interpreted messages from the spirit realm to determine which of their ancestors would provide aid in return for sacrifices. This figure would have been carved for the recipient of such favors. The down-turned gaze and gently placed hands offer a feeling of security and companionship, representing benevolent intentions towards the gift giver...

When this powerful figure is engaged at Baga ceremonies, it directs the movements of the dancer handling it. Held in one’s hands or worn on the head, the figure becomes one with the ...

Nearly six feet tall, this one-of-a-kind sculpture is created from carved wood and vibrant multicolored lacquer. Bright reds, blues, greens, yellow, orange and black. Signed "J.A. Bi...

Hand puppets, like this one from China’s Zhejiang region, have been a popular form of entertainment for centuries. In the late 19th early-20th century this tiny robed gentleman proba...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 05, 2021 found industrial objects 4.50h x 10.75w x 10.75d in 11.43h x 27.30w x 27.30d cm JR0299 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs, Leigh Yawkey Woodson Art Museum, Wausau, WI 2001 Anything with a Drawer - Award Recipient, Mesa Arts Center, Mesa, AZ 2001 23rd Annual Contemporary Crafts - Award Recipient, Mesa Arts Center, Mesa, AZ 2000 New Talent in Craft, Wustum Museum of Fine Art, Racine, Wisconsin 2000 Who Knows Where or When, Wustum Museum of Fine Art, Racine, Wisconsin 1999 The End is Near! Artists look at the 20th Century, Wustum Museum of Fine Art, Racine, WI Selected collections Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. Racine Art Museum, Racine, Wisconsin Mesa Contemporary Arts, Mesa, Arizona The Museum of Arts and Design, New York, New York John Michael Kohler Art Center, Sheboygan, Wisconsin Kohler Company, Kohler, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Society for Contemporary Craft, Pittsburgh, Pennsylvania Arkansas Arts Center, Little Rock, Arkansas Carnegie Museum of Art, Pittsburgh, Pennsylvania Indiana State Museum and Historic Sites, Indianapolis, Indiana The Chipstone Foundation, Fox Point, Wisconsin Museum of Wisconsin Art, West Bend, Wisconsin Publications “Selected Artists of Door County” Stonehill Publishing, 2016 “Galvanized Chest” Door County Living Magazine, Autumn 2012 “100 Artists of the Midwest” Schiffer Books, 2012 “Piecework” American Craft Magazine, February 2012 “Hiding Places, Memory in the Arts” John Michael Kohler Arts Center, June 2011 “Second Lives, Remixing the Ordinary” Museum of Arts and Design, NY, August 2008 “Studio Furniture” Renwick Gallery, Smithsonian American Art Museum, DC, May 2008 “Discoveries by Designers” Architectural Digest, December 2005 “Contemporary Metal Furniture” Metalsmith Magazine, Winter 2003 “Studio Case Furniture: The Inside Story” American Craft Magazine, October 2002 “Contemporary Studio Case Furniture: The Inside Story” Elvehjem Museum of Art, 2002 “Chicago Style...

This late-20th century brass bell is simple in construction but mighty in use. With a resounding ding, this petite bell is a perfect addition to any tabletop landscape.