Illinois - Folk Art

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn...

This Late Period to Ptolemaic Period Egyptian carved wood ear, once part of a mummy mask, stands as a poignant testament to ancient Egyptian customs and beliefs. Dating back over 250...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of found steel is reworked, pr...

This enchanting mid-20th century American Folk Art chess board is a true testament to naive and outsider craftsmanship and creativity. Hand-crafted with meticulous care, the board fe...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, found steel objects are welded together to ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, found steel objects are welded together to ...

An exceptional set of twenty-one stone arrowheads, discovered in Wisconsin's Waukesha County and framed within a 19th-century faux grain painted shadowbox, these arrowheads not only ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of found steel is reworked and...

This charming antique box dates to the late 19th century and is a Victorian-era travel kit with sewing and grooming tools, also known as an etui or nécessaire. The compact travel cas...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

Early 20th century hand-stitched southern quilt top from SE United States most likely North Carolina. It has a “Double Wedding Ring” quilt pattern set on a lime green background w...

17.5” x 18.5” x. .1” Charming vintage hand stitched small quilt depicting a house in red, peach, green blue, and ivory from the mid 1900s. The quilt is beautifully mounted and is...

Painted Ajay Golf Bag & Four Painted Golf Clubs signed by Artist, Rokoko This repurposed Ajay golf bag and five clubs have been completely decorated with abstract and figural drawin...

Simple and beautiful handwoven African table runner or wall hanging art depicting a series of huts and lions. The item can be used as a table runner or hung as a primitive wall art....

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of found steel is reworked whi...

This exquisite 1920s American copper weathervane, found in Connecticut, features a captivating depiction of a Patchen horse with a sulky and rider, emblematic of the era's folk art t...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 05, 2021 found industrial objects 4.50h x 10.75w x 10.75d in 11.43h x 27.30w x 27.30d cm JR0299 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs, Leigh Yawkey Woodson Art Museum, Wausau, WI 2001 Anything with a Drawer - Award Recipient, Mesa Arts Center, Mesa, AZ 2001 23rd Annual Contemporary Crafts - Award Recipient, Mesa Arts Center, Mesa, AZ 2000 New Talent in Craft, Wustum Museum of Fine Art, Racine, Wisconsin 2000 Who Knows Where or When, Wustum Museum of Fine Art, Racine, Wisconsin 1999 The End is Near! Artists look at the 20th Century, Wustum Museum of Fine Art, Racine, WI Selected collections Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. Racine Art Museum, Racine, Wisconsin Mesa Contemporary Arts, Mesa, Arizona The Museum of Arts and Design, New York, New York John Michael Kohler Art Center, Sheboygan, Wisconsin Kohler Company, Kohler, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Society for Contemporary Craft, Pittsburgh, Pennsylvania Arkansas Arts Center, Little Rock, Arkansas Carnegie Museum of Art, Pittsburgh, Pennsylvania Indiana State Museum and Historic Sites, Indianapolis, Indiana The Chipstone Foundation, Fox Point, Wisconsin Museum of Wisconsin Art, West Bend, Wisconsin Publications “Selected Artists of Door County” Stonehill Publishing, 2016 “Galvanized Chest” Door County Living Magazine, Autumn 2012 “100 Artists of the Midwest” Schiffer Books, 2012 “Piecework” American Craft Magazine, February 2012 “Hiding Places, Memory in the Arts” John Michael Kohler Arts Center, June 2011 “Second Lives, Remixing the Ordinary” Museum of Arts and Design, NY, August 2008 “Studio Furniture” Renwick Gallery, Smithsonian American Art Museum, DC, May 2008 “Discoveries by Designers” Architectural Digest, December 2005 “Contemporary Metal Furniture” Metalsmith Magazine, Winter 2003 “Studio Case Furniture: The Inside Story” American Craft Magazine, October 2002 “Contemporary Studio Case Furniture: The Inside Story” Elvehjem Museum of Art, 2002 “Chicago Style...

Collection of (3) Native American Folk Art Children's Toy Canoes most likely made between the 1940's and 1950's. Two of the Folk Art Children's Canoes were made from Birchbark, while...

This 20th-century American Folk Art masterpiece is a life-size Canada goose that captures the essence of rural creativity and cultural heritage. Its outstretched wings, crafted from ...

This 19th-century American folk art game board is a quintessential example of the ingenuity and aesthetic appeal found in traditional American crafts. Composed of alternating walnut ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has welded together various metal pieces to...

American full bodied patinated copper stork directional weathervane. Sitting a top a contemporary iron stand. Believed to be of the 19th century.

This petite ceramic jar is believed to be a later example of Neolithic Chinese redware pottery of the Yangshao culture. Although its exact age is unknown, the jar was likely created ...

This remarkable 19th-century American Folk Art vessel, expertly carved from a natural burl to resemble a horse's hoof, is a quintessential example of Folk Art's imaginative and uncon...

This ceramic representation of the Virgin Mary and Child Jesus is a beautiful example of mid-century modern European studio pottery. Handcrafted by a skilled artisan, this piece embo...

A vintage American hand hooked rug in a geometric pattern handcrafted in the 4th quarter of the 1800s in the New England Area of the United States. The design of each block gives t...

Torcida by Elena Rakochy , Glazed Stoneware Composed of Rounded, Flat and Hexagonal shaped elements juxtaposed with some twisted portions for a dynamic contrast. Artist Bio and State...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. Thes...

This ceramic cross, handcrafted by studio pottery artists in mid-century Europe, presents a stylized figurative scene within its bounds, evoking the rich tradition of religious art r...

Ancient Roman Carnelian Intaglio. An intaglio is defined as a small Gemstone, generally semi-precious, that has been carved with images or inscriptions only on the face. This style of carving is the opposite of the cameo technique. The engraving of gemstones was a major luxury art form in the ancient world and an important one in some later periods. This particular Intaglio is Carnelian and dates from the second century AD and shows the head of a figure in profile. It is in very nice original condition and would be ideal for making into a ring. The word Intaglio comes from the Italian word intagliare, meaning “to engrave” or “cut into.” Intaglio describes the process in which an image is engraved into a stone, creating an image in the negative. When a stone carved in this way is pressed into hot wax...

This captivating mid-century modern ceramic cross is a fine example of the era's innovative approach to traditional religious symbolism. Crafted by European studio artists, the cross...

This ceramic crucifix is a profound representation of mid-century modern European studio artistry. Handcrafted with precision and care, it reflects the era's characteristic blend of ...

This handcrafted ceramic cross is a vibrant exemplar of mid-century modern design, infused with the characteristic playfulness and colorfulness of the ...

20th century hand-stitched and quilted American Amish Crib Quilt in a "Bars” pattern from Lancaster County, Pennsylvania. The quilt has a very fine hand stitching with primary colors of purple, medium blue, green, and black. The quilt has a brown back and a hanging pocket for display on the wall. The Amish community in Pennsylvania hand craft the quilts for their own use using the material that they had on hand. It is a beautiful example of an upcycling and reuse of material that has utilitarian functions but is also a representation of the art and culture that is woven into it. Dimensions: 28” x 34” Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good Amish Crib Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts, Bars Quilts, 19th Century Quilts, Amish American Art, Antique Amish American Quilts, Vintage Raising Barn Quilt, Vintage Log...

Vintage American hand hooked rug in a wonderful depiction of birds in a tree nest. The rug has a delightful design and colors including brown, khaki, blue, and lavender. Looking cl...

Vintage American hand hooked rug in a wonderful depiction of a standing squirrel and looking out design. The rug has a delightful design and colors including Khaki background and design colors of lavender red, green, yellow and white. We are intrigued with the novelty and the imagination of the maker in creating such a wonderful and rare design in great colors that would make this piece a wonderful wall art. Please note the companion item to this is SKU 2040, which is depiction of a two birds in a tree nest created by the same artist. The hooked rugs from the late 19th and early 20th centuries are made with recycled old material, often used clothing that had been cut into narrow stripes. The foundation of hooked rugs is generally burlap material which the maker uses the stenciling technique to transfer the pattern into the surface. Once the design has been transferred to burlap, it would then be filled with the recycled material stripes and more recently yarn using the hooking technique. Because of the delicacy in the material and construction of vintage hand hooked rugs, they should be used with care. The use of special design and the brilliant colors makes this truly an artistic piece wonderful to be used as a wall art or displayed on a table. Antique Hooked Rugs are a combination of Folk Art Creativity and Simplicity. When it comes to true simplicity and artistic creativity Antique Hooked Rugs have some of the best representations. Dimensions: 14” x 28” Date of Manufacture: Mid 20th Century Place of Origin: United States Material: Wool and cotton on a burlap foundation Condition: Wear consistent with age and use Hooked Rug with Squirrel, American Hooked Rugs, Animal Hooked...

Covered with an extraordinary black crusted patina, this wooden Liberian mask was hand-crafted in the style of the Bassa ethnic group. Bassa communities have a number of rich masking...

Vintage American hand hooked rug in a wonderful depiction of a rooster proudly standing and crowing in green, brown, wheat colors. The rug has a delightful design and colors in a gr...

Early 20th Century hand hooked rug in a wonderful depiction of a pair of lovebirds on a tree branch. The rug has a delightful design and colors including black, ivory, lavender pin...

19th century hand-stitched and quilted American Amish Crib Quilt in a” Diamond in a Square” pattern from Lancaster County, Pennsylvania. The quilt has a very fine hand stitching with primary colors of ivory, pink, burgundy, and navy blue. The Amish community in Pennsylvania hand craft the quilts for their own use using the material that they had on hand. It is a beautiful example of an upcycling and reuse of material that has utilitarian functions but is also a representation of the art and culture that is woven into it. Dimensions: 32” x 32” Date of Manufacture: 4th Quarter of the 1800s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good Amish Crib Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 06, 2021 found industrial objects 4.25h x 9.50w x 9.50d in 10.79h x 24.13w x 24.13d cm JR0300 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Celebrate the whimsical charm of American Folk Art with this hand-carved pine sculpture resembling a baguette, a delightful fusion of creativity and playfulness. Crafted with meticul...

This modernist European Studio Pottery ceramic wall cross is characterized by its slender form and glossy red finish, adorned with an embossed circles pattern that spans the entire c...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure No. 245 repurposed painted steel 6.50h x 8w x 3d in 16.51h x 20.32w x 7.62d cm JR0333 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Vintage Hand-Woven South American textile panel in banded stripes pattern with brilliant stripes in colors of Blue, red, green, black, orange and magenta. The textile has an extremely fine weave and a very high quality handspun wool that was hand dyed with natural vegetable dyes. It would be an ideal piece as wall art. Dimensions: 34" x 44" Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: South America Material: Very fine wool fiber with natural vegetable dyes Condition: Good Mexican Handwoven Textiles, Vintage Mexican Textiles...

This midcentury ceramic wall cross, created in a European Pottery Studio, features an uncomplicated design. The Christ silhouette relief on the cross is hand-painted, showcasing a gl...

Northern white pine carved model of a New England double masted fishing catch with cotton sails. An engraving of a fish adorns one side of the hull. American, early 20th century.

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 07, 2021 found industrial objects 3.25h x 8.25w x 8.25d in 8.26h x 20.95w x 20.95d cm JR0301 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

This ceremonial African mask is linked to the Salampasu people of the Bantu ethnic group located primarily in the Democratic Republic of Congo. Salampasu masks...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 05, 2021 found industrial objects 4.50h x 10.75w x 10.75d in 11.43h x 27.30w x 27.30d cm JR0299 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Originally an expression used by British Army Intelligence during WWII, then adopted as a motto by U.S. Army personnel, this mid-20th century sign hand-painted with a mock Latin insc...

19th century hand-stitched and quilted American Amish Quilt in a” Diamond in a Square Trip Around the World” pattern from Lancaster County, Pennsylvania. The quilt has a very fine hand stitching The Amish community in Pennsylvania hand craft the quilts for their own use using the material that they had on hand. It is a beautiful example of an upcycling and reuse of material that has utilitarian functions but is also a representation of the art and culture that is woven into it. Dimensions: 73” x 73” Date of Manufacture: 4th Quarter of the 1800s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good Amish Trip Around the World Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

This 16-inch modernist studio pottery wall crucifix, meticulously crafted in Europe, showcases a unique design. It features a wall cross with chartreuse and brown moss-like texture, ...

This ceramic wall decoration, a product of modernist Studio Pottery in Europe, portrays an architectural red devil holding a pitchfork amidst flames. The piece is characterized by vi...

To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars and the ...

Small ceramic wall cross handmade in Europe. Woven relief in glossy glazed terracotta color. Discreet, delicate and earthy. As you explore our cross collection, you will encounter d...

Beautiful vintage hand-stitched “pieced” silk quilt from Uzbekistan in Central Asia from the mid 1900s. The silk fabric pieces are cut in geometric form and some of them have the design on them. The vibrant colors are red, green, yellow, blue, brown, and black. The quilt resembles the design of the American "Crazy Quilts". The silk quilt would be an ideal piece as a table cover or wall art. The quilt was hand stitched of individual silk pieces in each frame. It is truly a labor of love and dedication. The hand stitched quilts from the 19th and the early 20th centuries have become extremely collectable. One reason is the delicate nature of such items. Because it is so delicate, it would be a wonderful piece to use as a wall art tapestry. Dimensions: 39” x 73” Date of Manufacture: 3rd Quarter of the 1900s Place of Origin: Uzbekistan, Central Asia Material: Silk, Cotton Condition: Good Uzbek Quilts, Vintage Uzbek Silk Quilts, American Applique Quilts, Vintage Pennsylvania Quilts, Antique Applique Quilts...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. Thes...