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Jim Rose Barn House Structure, Welded Steel Sculpture Made with Salvaged Steel

About the Item

Structure No. 246 (2022) represents a late and quietly eloquent strand of Jim Rose’s legacy, one rooted in attentiveness to process and the expressive potential of remnants. Made from repurposed painted steel scraps generated during the construction of his quilt cabinets, the piece reflects Rose’s conviction that no material was incidental and that meaning could emerge from what remained after the primary work was complete. The small sculpture reads as a compact architectural form—part house, part fragment—its pitched top and planar sides evoking shelter, containment, and structure without literal narrative. The original painted surfaces, including the vivid blue plane at the top, are left intact, bearing the scars of weather, labor, and prior use. Rose did not repaint or embellish these surfaces; instead, he composed them, allowing the material’s history to assert itself as content. These Structure works became an additional mode of expression for Rose, distinct from yet inseparable from his furniture practice. Where the quilt cabinets articulate rhythm and pattern at a domestic scale, the structures condense those same concerns into intimate, sculptural objects that hover between furniture, architecture, and abstraction. Within Rose’s broader body of work, Structure No. 246 stands as both summation and affirmation. Created near the end of his career, it reflects an artist fully confident in his values: economy of means, respect for material, and faith in quiet forms. It underscores his enduring contribution—demonstrating that thoughtful making extends beyond finished furniture into the very fragments left behind, and that legacy can be found as much in process as in product. Jim Rose Structure No. 246, 2022 repurposed painted steel 6.25h x 7w x 2.50d in 15.88h x 17.78w x 6.35d cm JR0334 Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs, Leigh Yawkey Woodson Art Museum, Wausau, WI 2001 Anything with a Drawer - Award Recipient, Mesa Arts Center, Mesa, AZ 2001 23rd Annual Contemporary Crafts - Award Recipient, Mesa Arts Center, Mesa, AZ 2000 New Talent in Craft, Wustum Museum of Fine Art, Racine, Wisconsin 2000 Who Knows Where or When, Wustum Museum of Fine Art, Racine, Wisconsin 1999 The End is Near! Artists look at the 20th Century, Wustum Museum of Fine Art, Racine, WI Selected Collections: Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. Racine Art Museum, Racine, Wisconsin Mesa Contemporary Arts, Mesa, Arizona The Museum of Arts and Design, New York, New York John Michael Kohler Art Center, Sheboygan, Wisconsin Kohler Company, Kohler, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Society for Contemporary Craft, Pittsburgh, Pennsylvania Arkansas Arts Center, Little Rock, Arkansas Carnegie Museum of Art, Pittsburgh, Pennsylvania Indiana State Museum and Historic Sites, Indianapolis, Indiana The Chipstone Foundation, Fox Point, Wisconsin Museum of Wisconsin Art, West Bend, Wisconsin Publications: “Selected Artists of Door County” Stonehill Publishing, 2016 “Galvanized Chest” Door County Living Magazine, Autumn 2012 “100 Artists of the Midwest” Schiffer Books, 2012 “Piecework” American Craft Magazine, February 2012 “Hiding Places, Memory in the Arts” John Michael Kohler Arts Center, June 2011 “Second Lives, Remixing the Ordinary” Museum of Arts and Design, NY, August 2008 “Studio Furniture” Renwick Gallery, Smithsonian American Art Museum, DC, May 2008 “Discoveries by Designers” Architectural Digest, December 2005 “Contemporary Metal Furniture” Metalsmith Magazine, Winter 2003 “Studio Case Furniture: The Inside Story” American Craft Magazine, October 2002 “Contemporary Studio Case Furniture: The Inside Story” Elvehjem Museum of Art, 2002 “Chicago Style” House and Garden Magazine, June 2001 “Portfolio” American Craft Magazine, December 2000 “Selected Artists of Door County”.

Creator:
Jim Rose (Artist)
Dimensions:
Height: 6.25 in (15.88 cm)Width: 7 in (17.78 cm)Depth: 3.75 in (9.53 cm)
Style:
Folk Art (In the Style Of)
Materials and Techniques:
Steel,Welded
Place of Origin:
United States
Period:
2010-
Date of Manufacture:
2022
Production Type:
New & Custom(One of a Kind)
Estimated Production Time:
Available Now
Condition:
Seller Location:
Chicago, IL
Reference Number:
Seller: JR03341stDibs: LU4511137109682

Shop All Jim Rose

Jim Rose

Bringing lively newness to weathered and worn found materials, artist and furniture designer Jim Rose mined scrap heaps and junkyards for the metal he used in his furniture, collages and decorative objects. He kept his eyes open for the ideal scraps of aged steel that could be bent and shaped into a base, frame or surface of his next piece, hand-picking off-colored bits to serve as inlays and accents.

Rose was long associated with the American Studio Craft movement, and many of his one-of-a-kind works can typically be characterized as a venturesome fusion of folk art and modernist design. Each piece, crafted by hand and with fastidious care in his Wisconsin studio, is representative of his work ethic and boundless imagination.

Born in Indiana, Rose studied briefly at Bard College in New York City and earned his BFA in sculpture from the School of the Art Institute of Chicago in 1988. A couple of years earlier, he established his design studio, along with his wife Suzanne — an award-winning photographer — as his partner. During the 1990s, Rose and Suzanne traveled the American Northeast, where he became enamored with Shaker furniture.

When Rose returned home, he read every piece of literature he could about the history of the Shakers. The name derives from the popular moniker for an all-but-vanished American religious sect, whose members crafted honest, modest household furniture and objects as part of their belief in purposeful living and simplicity in all things. Rose incorporated Shaker methods into the production of his own designs. Rather than utilize the unpretentious hardwoods that the Shakers preferred, however, Rose worked with discarded materials, fashioning tables, case pieces and decorative objects from repurposed steel and other metals.

In the late 1990s, Rose began to include multi-colored metal into his works — adapting methods used by colonial quiltmakers. His furnishings began to take on a mosaic look, bringing a substantial amount of visual appeal and new charm to each of his distinctive creations. Rose also produced a body of work that drew on Ming dynasty designs.

With numerous showings at Sculpture Objects & Functional Art Fair in New York City and Chicago, Rose made a name for himself throughout the late 1990s and early 2000s. He had solo and group exhibitions throughout his career, including in Palm Beach, Florida, and Mesa, Arizona — as well as at many other galleries in New York and Chicago. Rose’s work is held in the collections of the Smithsonian American Art Museum, Mesa Contemporary Arts, Racine Art Museum and other institutions.

On 1stDibs, find a collection of vintage Jim Rose storage cabinets, tables, and decorative objects.