Illinois - Folk Art

To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars and the ...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure No. 245 repurposed painted steel 6.50h x 8w x 3d in 16.51h x 20.32w x 7.62d cm JR0333 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 05, 2021 found industrial objects 4.50h x 10.75w x 10.75d in 11.43h x 27.30w x 27.30d cm JR0299 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 07, 2021 found industrial objects 3.25h x 8.25w x 8.25d in 8.26h x 20.95w x 20.95d cm JR0301 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

This hand carved 20th century wooden staff, was crafted in the style of the Tabwa people located along the southwestern shores of Lake Tanganyika. The handle is finely decorated with...

World-renowned for high-quality lost wax casting, the city of Benin in West Africa has been a leading producer of fine cast brass and bronze sculptures since as early as the 16th cen...

Divided into contrasting tones, this ceremonial African mask is linked to the Salampasu people of the Bantu ethnic group located primarily in the Democratic Republic of Congo. Salampasu masks...

This beautiful American Applique Quilt was hand stitched in the late 1800s in Pennsylvania in the United States. The American Applique Quilt is in “Floral” pattern with red and pink flowers with green stems and leaves on a white field. The quilt was hand stitched of individual pieces in each frame. It is truly a labor of love and dedication. The hand stitched quilts from the 19th and the early 20th centuries have become extremely collectable. Because it is so delicate and so beautiful, it would be a wonderful piece to use as a wall art tapestry. Dimensions: 71” x 72” Date of Manufacture: Late 1800s Place of Origin: Pennsylvania, United States Material: Cotton, Applique Condition: Excellent American Applique Quilts, Vintage Pennsylvania Quilts, Antique Applique Quilts, Applique Quilts, Pennsylvania Applique Quilts, Vintage Raising Barn Quilt...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. Thes...

Decades ago, we purchased a hand-carved wood Sheep Sign that was hanging outside the front of a Woolen Store in Leek, England. For as long as I ...

Embark on a journey through color and creativity with this 20th-century American Folk Art sculpture, a whimsical homage to the Chicago Imagist style, e...

This colorfully painted and expertly carved mask was once used in one of the oldest Guatemalan dance performances, the Baile del Patzcar. Still practiced today, this dance evolved fr...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has taken heavy gauge wire and formed it into a simple dog and placed it upon a salvaged steel cylinder. These repurposed items combine to form this small simple sculpture that will sure to bring a smile to its owner. Jim Rose Objects No. 04 Found and Collected Objects 6.50h x 6w x 10.50d in 16.51h x 15.24w x 26.67d cm JR0291 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2023 Jim Rose CODA, Gallery Victor, Chicago, IL 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2023 Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2018 SOFA Chicago 2018, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor, Metropolitan Pavilion, New York, NY 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

This intriguing head fragment was once attached to a bust or full effigy figurine crafted in 400 A.D. Mesoamerica. Earthenware figurines were made in great abundance throughout Teotihuacan's history. After 250 A.D. objects made from clay increased dramatically in Teotihuacan, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events within the city of Teotihuacan and other parts of Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate coiffure or headdress and ear spools...

Transport yourself to the late 19th century with this exquisite American appliqué textile, a testament to traditional craftsmanship. At its heart, a ...

Light masks like these represented the spirit of an ancestor and were used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong, e...

This 19th-century hand-held wood press is carved with a large mold used for shaping festive mooncakes. Packed with lotus root, red bean, or other regional fillings, mooncakes are a d...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

This beautiful American Applique Quilt was hand stitched in the early part of the 20th century. The American Applique Quilt is in a “Basket” pattern with the basket in brown color and the flowers in yellow, pink, and ivory on an ivory background. The quilt was hand stitched of individual pieces in each frame. It has four columns with each column having five baskets. It is truly a labor of love and dedication. The hand stitched quilts from the 19th and the early 20th centuries have become extremely collectable. Because it is so delicate and so beautiful, it would be a wonderful piece to use as a wall art tapestry. The quilt was recently professionally hand washed and it is pristine clean and smells wonderful and ready to be used. Dimensions: 74” x 87” Date of Manufacture: Early 1900s Place of Origin: United States Material: Cotton, Applique Condition: Wear consistent with age and use American Applique Quilts, Vintage Pennsylvania Quilts, Antique Applique Quilts, Applique Quilts, Pennsylvania Applique Quilts, Vintage Raising Barn Quilt, Vintage Log Cabin Quilt, Americana, American Folk Art, Antique American Textiles...

1920’s Felix The Cat Wooden and Leather Toy This 1920s Felix the Cat toy is a collectible vintage toy featuring the iconic character Felix the Cat. These t...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

With one of the highest rates of twin births in the world, Yoruba cultures place special social and religious significance on twins, referred to as "emi alagbara" or "powerful spirit...

This intriguing head fragment was once attached to a bust or full effigy figurine crafted in 400 A.D. Mesoamerica. Earthenware figurines were made in great abundance throughout Teotihuacan's history. After 250 A.D. objects made from clay increased dramatically in Teotihuacan, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events within the city of Teotihuacan and other parts of Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate headdress, a thick beaded necklace...

During their five hundred year history in the Southern Congo, the Basuku tribe developed a series of intricate rituals built around their skilled mask makers. This particular example was most likely carved in the likeness of a deceased chieftain. The artisan intentionally pronounced the eyes, cheeks, and chin to provide a terrifying test for young men as they underwent their rites for manhood. The Basuku's spiritual expressions inspired early 20th century western painters...

Vintage American hand hooked rug in a stripe pattern handcrafted in the 2nd quarter of the 1900s. The hand hooked rug is in a multicolor block pattern in various brilliant colors. The hooked rugs from the late 19th and early 20th centuries are made with recycled old material, often used clothing that had been cut into narrow stripes. The foundation of hooked rugs is generally burlap material which the maker uses the stenciling technique to transfer the pattern into the surface. Once the design has been transferred to burlap, it would then be filled with the recycled material stripes and more recently yarn using the hooking technique. Because of the delicacy in the material and construction of vintage hand hooked rugs...

Stamps, or sellos, such as this one were common during the pre-Columbian period in Mesoamerica and most popular during the Formative Period that spanned the years between 1200-800 B....

Artisans from the Luba tribe were renowned for the organic flow of their carving style. This example clearly shows the smooth transition from aspect to aspect, maintaining a singular...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has welded together various washers, nuts, ...

19th Century hand hooked rug in a free form design, We are intrigued with the novelty and the imagination of the maker in creating such a wonderful and rare design in earth tone colors. The hooked rugs from the late 19th and early 20th centuries are made with recycled old material, often used clothing that had been cut into narrow stripes. The foundation of hooked rugs is generally burlap material which the maker uses the stenciling technique to transfer the pattern into the surface. Once the design has been transferred to burlap, it would then be filled with the recycled material stripes and more recently yarn using the hooking technique. Because of the delicacy in the material and construction of vintage hand hooked rugs...

Known for his steel furniture, Jim Rose was an avid collector and scoured salvage yards for unique, interesting items. Here he has paired various repurposed finds together to create...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here, a beautifully rusted tobacco box, a steel egg...

An American Civil War era African American Southern quilt circa the 1860-1870s from Alabama or Georgia in the American deep south.  The quilt is hand stitched from wool and homespun blankets.   The design consists of squares of diagonally stitched pieces of clothing material in navy blue, brown, red and gray pieces.  The material is probably clothing from the American Civil War era that has been repurposed into this beautiful folk art creation by African Americans in the deep south.   The backing of the quilt is made of red and gray stripe textile.   19th century African American Southern Quilts have become very collectable and extremely desirable.  From the collection of an attorney who has been practicing Civil Rights Law in the deep south states including Alabama and Georgia, with the interest of the African American Civil War era folk art creations. Dimensions: 63” x 73” Date of Manufacture: 3rd Quarter of the 1800s Place of Origin: Alabama, United States Material: Cotton, wool Condition: Good African American Quilts...

Three Kuso Currency pieces known as Boloko are from the Democratic Republic of the Congo. They are made from forged iron and were used as currency in commerce. Today, they are sculp...

Vintage American hand hooked rug in a stripe pattern handcrafted in the 1st quarter of the 1900s. The hooked rugs from the late 19th and early 20th centuries are made with recycled old material, often used clothing that had been cut into narrow stripes. The foundation of hooked rugs is generally burlap material which the maker uses the stenciling technique to transfer the pattern into the surface. Once the design has been transferred to burlap, it would then be filled with the recycled material stripes and more recently yarn using the hooking technique. Because of the delicacy in the material and construction of vintage hand hooked rugs...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has welded together various washers and cyl...

The figurative sculptures of the Baule peoples of Cote d'Ivoire are recognizable by their strong, gently curving forms and serene composure. This figure of a woman was carved to repr...

This late 19th century hand-held wood press is carved with a large mold used for shaping festive mooncakes. Packed with lotus root, red bean, or other regional fillings, mooncakes ar...

Sometimes called a "Bura bell" due to its shape, this sculptural terra cotta object was part of the Bura tribe's burial ritual. Buried with its flared mouth facing down, this cylindrical storage...

To ward off evil and exert positive influences on the spirit world, the Baule people engage in a daylong masquerade known as the Goli. A sequence of four masks are donned during the ...

This late 19th century hand-held wood press is carved with a large mold used for shaping festive mooncakes. Packed with lotus root, red bean, or other regional fillings, mooncakes ar...

Buried with their flared mouths facing down, these cylindrical storage vessels protected the deceased's possessions as they transitioned to the afterl...

Sometimes called a "Bura bell" due to its shape, this sculptural terra cotta object was part of the Bura tribe's burial ritual. Buried with its flared mouth facing down, this cylindrical storage...

This is a cool geometric adorned stainless steel scrap metal box made by a polish immigrant folk artist Stanley Szwarc in 1999

This late 19th century hand-held wood press is carved with a large mold used for shaping festive mooncakes. Packed with lotus root, red bean, or other regional fillings, mooncakes ar...

This late 19th century hand-held wood press is carved with a large mold used for shaping festive mooncakes. Packed with lotus root, red bean, or other regional fillings, mooncakes ar...

This extraordinary 20th century Emberá-Wounaan basket is a testament to the remarkable craftsmanship of the indigenous Emberá-Wounaan people of Panama a...

This late 19th century hand-held wood press is carved with a large mold used for shaping festive mooncakes. Packed with lotus root, red bean, or other regional fillings, mooncakes ar...

This standing female figure was crafted in 400-100 BC from the ancient Chupicuaro region of Mexico. The ceramic works of the Chupicuaro people are distinguished by their slanted, cof...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork...

This standing effigy was crafted in 500 A.D. - 1000 A.D. Mesoamerica using the gray clay paste that characterizes La Tolita-Tumaco ceramics of early Colombia-Ecuador. The art of La Tolita-Tumaco civilization is considered one of the most developed of the pre-Columbian period as metalwork and ceramics were the most popular form of cultural expression. The ceramic creations of this culture were often based on the human figure to create portraits of people and realistic daily scenes of life cycles and the human condition. This figure appears to be wearing a loincloth and is adorned with a beaded necklace and an elaborate coiffure or headdress. There are holes lining each ear indicating the potential use of ear spools...

This intriguing redware figure was crafted in 400 A.D. from the ancient Teotihuacan region of Mexico. Earthenware figurines were made in great abundance throughout Teotihuacan's history. After 250 A.D. objects made from clay increased dramatically, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events within the city of Teotihuacan and other parts of Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate headdress, a thick beaded necklace...

This beautiful American Applique Quilt was hand stitched in the late 1800s in Pennsylvania in the United States. The American Applique Quilt is in a “Hearts and Tulips” pattern with pink hearts with green tulips on an ivory background. The quilt was hand stitched of individual pieces in each frame and has tight quitting including “Princess Feather. It is truly a labor of love, dedication and fine craftsmanship. The hand stitched quilts from the 19th and the early 20th centuries have become extremely collectable. Because it is so delicate and so beautiful, it would be a wonderful piece to use as a wall art tapestry. Dimensions: 75” x 79” Date of Manufacture: Late 1800s Place of Origin: Pennsylvania, United States Material: Cotton, Applique Condition: Good Hearts and Tulips Quilts, American Applique Quilts, Vintage Pennsylvania Quilts, Antique Applique Quilts, Applique Quilts, Pennsylvania Applique Quilts, Vintage Raising Barn Quilt, Vintage Log Cabin Quilt, Americana, American Folk Art, Antique American Textiles...

A rare imported commodity, glass beads have been a symbol of wealth and importance in south African cultures for centuries, and were exclusively distributed by the region's oba (king). As beads become gradually more accessible throughout the 19th century, they began to displace the organic materials used in traditional art and attire. This colorful example of African beadwork...

The Kitties are here, looking for a young lady to watch over each night. Decorated with walnuts, this amazing Antique Victorian Bed was made usin...

The Yoruba people reserve the use of glass beads for royalty, priests and priestesses, as well as embellishing ritual and ceremonial objects. Though only kings are allowed to use bea...

This standing effigy figure was crafted in 300 BC from the ancient Chupicuaro region of Mexico and was likely used as a ritual or burial offering. The ceramic works of the Chupicuaro...

Original Cafe Bistro sign. Fantastic looking with incredible paint and patina. Great condition.

Handmade architectural birdhouse by Jason Sargenti, hand-signed dated, USA 2020. "As the cultural epicenter of my region (NYC) hemorrhage its moneyed p...