Illinois - Folk Art

A rare set of early 20th century cast lead French Naval battleship training models used by servicemen in identifying ships from the air. We had a custom steel plate made for display ...

This early 20th-century American cast brass boot scrape takes the delightful form of a Dachshund, blending functionality with charm. Cast with remarkable detail, the dog’s long, low ...

This ceremonial African mask is linked to the Salampasu people of the Bantu ethnic group located primarily in the Democratic Republic of Congo. Salampasu masks...

1950’s enamel and glass TV sign. It has new transformer and new wiring. There will be Additional fee for shipping crate.

This intriguing head fragment was once attached to a bust or full effigy figurine crafted in 400 A.D. Mesoamerica. Earthenware figurines were made in great abundance throughout Teotihuacan's history. After 250 A.D. objects made from clay increased dramatically in Teotihuacan, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events within the city of Teotihuacan and other parts of Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate headdress, a thick beaded necklace...

Carved and painted dimensional lettering adorned to a large painted plank to advertise a service station/car repair garage. 145.5" W x 25" H

This early 20th-century Yoruba Ọ̀sanyìn staff, meticulously crafted from wrought iron, features a prominent central bird surrounded by several stylized avian figures, symbolizing spi...

This vintage Asian batik fabric painting is a captivating example of traditional textile artistry. Hand-painted on indigo blue fabric, the piece features a dynamic arrangement of tri...

Early 20th century hand-stitched southern quilt top from SE United States most likely North Carolina. It has a “Double Wedding Ring” quilt pattern set on a lime green background with the ring designs in hand embroidered ivory and green colors with hand embroidered border in dark green. Please note that this is a "quilt top". To be finished and complete as a quilt, it needs to have the batting and the backing applied which we can do as part of our “custom finishing service” per request. Dimensions: 89” x 97” Date of Manufacture: 1st Quarter of the 1900s Place of Origin: Southern United States Material: Cotton Condition: Good African American Quilts, Southern Quilts, Gee’s Bend Quilts, Alabama Quilts, 19th Century Quilts, African American Art, Antique African American Quilts, Vintage Raising Barn Quilt, Vintage Log...

This sign was manufactured by Rawson & Evans sometime during the late 1800s and early 1900s. Rawson & Evans was best known for glue chipped glass signs and gold leaf signs. This sign...

This early 20th century cabinet is brightly painted in the Sino-Tibetan style with lush florals and botanical scrollwork. Brushed by hand in an upbeat palette of golden yellow, red-o...

This one-of-a-kind Austrian hiking staff has been handcrafted from solid oak. Oak is a relatively lightweight yet sturdy material, which lends itself perf...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

circa 1900 Miniature Model of Black Forest Bear Bench. "Black Forest" is a term to describe elaborate, realistic wood carvings from an area in ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has welded together various metal pieces to...

A striking 20th century Amazonian Shipibo pot hand-built from clay, decorated with wide red and orange lines, and glazed with the sap of a tree. Members of...

Vintage U.S. WWII Era Boeing PT-17 Stearman Wood Propeller Decorate your living room, restaurant, hotel or lounge space with this exquisite memorabilia. This wooden propeller is fro...

While shield and spear were central to African combat, this iron example was most likely made to serve as a piece of trade currency. Many pre-colonization African currencies were modeled after objects of inherent value, resulting in sculptural combinations of function and beauty. This large iron spear dates to the early 20th century and is attributed to the Kuba people of the Democratic Republic of the Congo. Secured to a narrow handle of iron and wood, the flattened blade has an elegant, sloping silhouette, subtly textured with raised lines and a rusted, antique patina. Forged as a broadleaf spear, the weapon contrasts a violent potential with images of peaceful branches swaying in the wind. We've set this unusual Kuba spear...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, found steel objects are welded together to ...

Awesome American pine original paint Child's Cupboard finished in a stunning Georgian Blue with glass knobs. The back board on top of the piece can be removed upon request-- without ...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure #168 found steel with natural rust patina and paint 6h x 4.50w x 2.50d in 15.24h x 11.43w x 6.35d cm Jim Rose b. 1966 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery...

A mischievous 20th century American folk art rooster sculpture with a wonderful disposition, and beautiful rusted finish. Perfect indoors or out!

This is a cool geometric adorned stainless steel scrap metal box made by a polish immigrant folk artist Stanley Szwarc in 1999

Inspired by the natural world, Nupe ceramicists fired this water vessel in the shape of a gourd. The vessel's varied surface textures and colors come from its functional design. The ...

A 1960s oil on canvas painting by French artist Pierre Coquet. This textured abstract features fluid, geometric motifs in burnt orange with brown accents. Signed ‘P. Coquet’ bottom r...

This wooden headdress was created by the Yoruba People of western Nigeria, and was worn during a masquerade known as egungun. A widespread Yoruba ritual, egungun performances honor a...

This unique vintage Navajo rug bag, crafted circa the mid-1900s, is a beautifully repurposed piece made from an original Native American Navajo area rug. Featuring a classic diamond ...

Jim Rose Standing found industrial objects 41h x 10w x 10d in 104.14h x 25.40w x 25.40d cm JR0355 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs, Leigh Yawkey Woodson Art Museum, Wausau, WI 2001 Anything with a Drawer - Award Recipient, Mesa Arts Center, Mesa, AZ 2001 23rd Annual Contemporary Crafts - Award Recipient, Mesa Arts Center, Mesa, AZ 2000 New Talent in Craft, Wustum Museum of Fine Art, Racine, Wisconsin 2000 Who Knows Where or When, Wustum Museum of Fine Art, Racine, Wisconsin 1999 The End is Near! Artists look at the 20th Century, Wustum Museum of Fine Art, Racine, WI Selected collections Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. Racine Art Museum, Racine, Wisconsin Mesa Contemporary Arts, Mesa, Arizona The Museum of Arts and Design, New York, New York John Michael Kohler Art Center, Sheboygan, Wisconsin Kohler Company, Kohler, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Society for Contemporary Craft, Pittsburgh, Pennsylvania Arkansas Arts Center, Little Rock, Arkansas Carnegie Museum of Art, Pittsburgh, Pennsylvania Indiana State Museum and Historic Sites, Indianapolis, Indiana The Chipstone Foundation, Fox Point, Wisconsin Museum of Wisconsin Art, West Bend, Wisconsin Publications “Selected Artists of Door County” Stonehill Publishing, 2016 “Galvanized Chest” Door County Living Magazine, Autumn 2012 “100 Artists of the Midwest” Schiffer Books, 2012 “Piecework” American Craft Magazine, February 2012 “Hiding Places, Memory in the Arts” John Michael Kohler Arts Center, June 2011 “Second Lives, Remixing the Ordinary” Museum of Arts and Design, NY, August 2008 “Studio Furniture” Renwick Gallery, Smithsonian American Art Museum, DC, May 2008 “Discoveries by Designers” Architectural Digest, December 2005 “Contemporary Metal Furniture” Metalsmith Magazine, Winter 2003 “Studio Case Furniture: The Inside Story” American Craft Magazine, October 2002 “Contemporary Studio Case Furniture: The Inside Story” Elvehjem Museum of Art, 2002 “Chicago Style...

This standing female figure was crafted in 400-100 BC from the ancient Chupicuaro region of Mexico. The ceramic works of the Chupicuaro people are distinguished by their slanted, cof...

This 20th-century chair, hand-carved from a single piece of wood by the Naga people of India, is a remarkable blend of primitive charm and modern spirit. The Naga people, known for t...

1930’s enamel and neon sign Milwaukee’s Choicest Braumeister Beer Sign. New transformer and new wiring. Please note that it will be additional fee for shipping crate.

Experience the charm and ingenuity of traditional American craftsmanship with this stunning Pennsylvania Dutch pieced quilt, hand-sewn in the late 1800s. Featuring the classic “Parad...

Detailed and eye catching outsider art "found" wood sculpture. Constructed from floor moldings and cut paper geometric appliques. Unsigned.

Step back in time with this breathtaking 19th-century American appliqué quilt, lovingly hand-stitched in the late 1800s in the southern United States. Featuring the timeless “Southern Tulip” pattern, this heirloom piece showcases vibrant maroon and orange tulip blossoms with graceful green stems and leaves, all set against a warm ivory background. A striking diamond border in green and maroon elegantly frames a grid of cream squares, each adorned with its own tulip motif. Every element of this quilt was meticulously hand-pieced and stitched with extraordinary attention to detail, reflecting the dedication and artistry of its maker. A true labor of love, this antique quilt is more than just a textile—it’s a piece of American history. Highly collectible and increasingly rare, its delicate beauty makes it ideal not only as a cherished keepsake but also as a stunning tapestry-style wall art piece. Whether displayed or preserved, this quilt is a celebration of craftsmanship, heritage, and timeless Southern charm. Dimensions: 80” x 94” Date of Manufacture: 4th Quarter of the 1800s Place of Origin: Southern, United States Material: Cotton, Applique Condition: Good The Persian Knot, SKU: 2284 American Southern Quilts, Southern Tulip Applique Quilts, American Applique Quilts, Vintage Pennsylvania Quilts, Antique Applique Quilts, Applique Quilts, Pennsylvania Applique Quilts, Vintage Raising Barn Quilt, Vintage Log...

This beautifully hand-crafted cotton quilt, created by the Amish community of Lancaster County, Pennsylvania, dates to the mid-1900s and features the timeless “Nine Patch” pattern—an enduring symbol of simplicity, harmony, and tradition in American quiltmaking. Composed of individually hand-cut and hand-stitched pieces in a rich palette of purples, blues, and earthy browns, the quilt exemplifies the quiet elegance of Amish design. The fine stitching throughout reflects a high level of skill and dedication, embodying the values of patience, precision, and practicality. Like many quilts of its kind, this piece was made using repurposed materials—textiles originally intended for everyday use—transformed through craftsmanship into an object of lasting beauty. It stands as a poignant example of upcycling long before the term existed, turning necessity into art and function into heritage. While photographs may not fully capture the depth and nuance of its colors, a video is provided for a more accurate representation. This quilt offers not only warmth and comfort but also a tangible connection to a unique cultural legacy—ideal for collectors, historians, or those with an eye for the understated artistry of American folk tradition. Dimensions: 67” x 80” Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good The Persian Knot, SKU: 2237 Amish Nine Patch...

It is easy to imagine someone, long ago, gathering a harvest from their garden or strolling to the market with this beautiful basket tucked under their arm. Hand-woven of young willo...

An Italian cherub, carved from linden wood wood. This graceful and exceptionally well-carved figure was likely part of an altar ensemble. The eyes and face are particularly well-form...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has taken heavy gauge wire and formed it into a simple dog and placed it upon a salvaged steel cylinder. These repurposed items combine to form this small simple sculpture that will sure to bring a smile to its owner. Jim Rose Objects No. 04 Found and Collected Objects 6.50h x 6w x 10.50d in 16.51h x 15.24w x 26.67d cm JR0291 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2023 Jim Rose CODA, Gallery Victor, Chicago, IL 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2023 Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2018 SOFA Chicago 2018, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor, Metropolitan Pavilion, New York, NY 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

A charming and authentic mid-20th century Amish crib quilt from Lancaster County, Pennsylvania, featuring the classic “One Patch” pattern. This beautifully hand-crafted piece is composed of hand-cut and hand-stitched cotton squares in a harmonious palette of blue and brown. With meticulous needlework and a minimalist design, the quilt reflects the Amish community’s values of simplicity, utility, and resourcefulness. Made using repurposed fabrics for personal household use, this quilt exemplifies sustainable craft and cultural heritage. A rare find in excellent vintage condition, it is perfect for collectors, nursery decor, or as a distinctive design accent in any interior. Dimensions: 32” x 40” Date of Manufacture: 3rd Quarter of the 1900s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good The Persian Knot Gallery, SKU: 2235 vintage Amish crib quilt, One Patch quilt, antique baby quilt, hand-stitched Amish quilt, Lancaster County quilt, mid century American quilt, blue and brown quilt, collectible vintage textiles, sustainable nursery decor, handmade patchwork quilt, Amish textile art, repurposed fabric quilt, American folk quilt, vintage quilt for interior design, heirloom Amish quilt, Amish One Star Quilt, American Amish Crib Quilts, Vintage Amish Quilts, Antique Amish Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

Hand-crafted from reclaimed wood, this artisanal koi sculpture is a traditional symbol of harmony and luck. For Buddhists, such a fish represents a freedom from all restraints. The f...

c. 1960s; Denoyer-Geppert Co. - Chicago, IL Vintage metal chart rack with four original four-color Denoyer-Geppert anatomy posters. Each is in remar...

An exceptional late 19th-century American Crazy Quilt, hand-pieced, hand-stitched, and hand-tied with remarkable artistry and attention to detail. Likely originating from Pennsylvania and discovered in the New England region, this textile masterpiece is composed of individually hand-cut fabric pieces arranged in an abstract, improvisational pattern—a hallmark of the Crazy Quilt tradition. The quilt is accented by vivid red star motifs, contrasted with a lively mix of blues, grays, and multicolor fabrics. Each seam is enhanced with herringbone embroidery, adding textural richness and craftsmanship. Finished on a soft flannel cotton backing, this quilt blends bold visual energy with cozy materiality. Traditionally used as decorative throws, Crazy Quilts are renowned for their artistic spontaneity and historical charm. This piece is ideal as wall art or as a standout accent in a curated interior. Dimensions: 67” x 84” Date of Manufacture: 4th Quarter of the 1800s Place of Origin: United States Material: Wool, Cotton Condition: Wear consistent with aged and use The Persian Knot Gallery, SKU: 2200 19th century crazy quilt, antique American crazy quilt, red star quilt, hand-tied crazy quilt, herringbone embroidery quilt, Pennsylvania crazy quilt, flannel-backed quilt, Victorian era quilt, colorful folk art textile, collectible antique quilt, hand-stitched crazy quilt, vintage abstract quilt, late 1800s textile, crazy quilt wall art, heirloom American quilt, decorative antique throw, American Crazy Quilts, Vintage Crazy Quilts, Pennsylvania Quilts, Amish Quilts, Vintage Raising Barn Quilt, Vintage Log...

Light masks like these represented the spirit of an ancestor and were used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong, e...

An exceptional mid-20th century Amish youth quilt from Lancaster County, Pennsylvania, hand-stitched in the traditional “Indian Hatchet” pattern. This vibrant and visually dynamic pa...

A striking and expressive example of American textile art, this early 20th-century Crazy Quilt features a vivid patchwork of hand-cut and hand-stitched cotton and flannel pieces in turquoise, pink, yellow, navy, red, and more. The irregular, abstract shapes are joined by intricate herringbone embroidery, giving the quilt visual rhythm and textural detail. Set on a soft flannel cotton backing, the quilt balances aesthetic richness with tactile warmth. Discovered in New England and likely crafted in Pennsylvania, this piece embodies the traditional Crazy Quilt form—created not for bedding but as decorative throws that doubled as a form of artistic expression. With its vibrant palette and artisanal construction, it is ideal for display as wall art or as a bold, historic accent in interior decor. Dimensions: 70” x 85” Date of Manufacture: 1st Quarter of the 1900s Place of Origin: United States Material: Wool, Cotton Condition: Good The Persian Knot Gallery, SKU: 2123 early 20th century crazy quilt, antique American quilt, hand-stitched crazy quilt, flannel-backed quilt, colorful patchwork quilt, turquoise pink quilt, vintage textile art, Pennsylvania crazy quilt, herringbone embroidery quilt, collectible folk art quilt, crazy quilt wall art, decorative antique quilt, American quilt history, handmade crazy quilt, heirloom patchwork textile, antique interior decor quilt, American Crazy Quilts, Vintage Crazy Quilts...

This beautifully hand-crafted Amish quilt, created in Lancaster County, Pennsylvania circa the mid-1900s, showcases the classic “Block and Star” pattern—an enduring design that reflects the harmony of geometry and tradition within Amish quiltmaking. The quilt features a soft, refined palette of lavender, gray, and pink, with each cotton piece meticulously hand-cut and hand-stitched. The exceptional workmanship and fine needlework speak to the quiet discipline and artistry passed down through generations within the Amish community. Crafted from repurposed household fabrics, this quilt embodies a spirit of resourcefulness, where everyday materials were transformed into objects of beauty and lasting significance. More than utilitarian, it is a cultural artifact—woven with meaning, memory, and the values of simplicity and sustainability. Now a highly collectible form of American folk art, this quilt’s delicate craftsmanship and visual appeal make it ideal for wall display, offering both historical depth and aesthetic grace. Please note: Some colors may appear distorted in photographs—please refer to the video for accurate color representation. Dimensions: 36” x 56” Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good The Persian Knot, SKU: 2240 Amish Block and Star Quilt, American Amish Block and Star Quilts, Block and Star Quilts, Vintage Amish Quilts, Antique Amish Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

This petite cone-shaped cap, known as laket, was created by an artisan of the Kuba peoples of the Democratic Republic of the Congo. The base is made of a simple woven raffia fabric, ...

Stamps, or sellos, such as this one were common during the pre-Columbian period in Mesoamerica and most popular during the Formative Period that spanned the years between 1200-800 B....

An outstanding example of early 20th-century American folk textile art, this Amish quilt from Lancaster County, Pennsylvania, is crafted in the traditional “Sunshine and Shadows” pattern. Composed of hand-cut and hand-stitched cotton squares in earthy tones of green and brown, this quilt reflects the Amish community’s dedication to functional craftsmanship and minimalist beauty. The fine, consistent hand stitching and carefully composed color gradations create a striking visual depth, highlighting the geometric precision of this beloved pattern. Made using repurposed materials, this quilt stands as a testament to sustainable artistry and cultural heritage. Whether used as a bed covering or displayed as a wall textile, it adds warmth, history, and authenticity to any space. Dimensions: 84” x 85” Date of Manufacture: 1st Quarter of the 1900s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good The Persian Knot, SKU: 2201 early 20th century Amish quilt, Sunshine and Shadows quilt, antique American quilt, green and brown quilt, hand-stitched patchwork quilt, Lancaster County quilt, vintage Amish textile, repurposed fabric quilt, sustainable folk art, handmade cotton quilt, collectible antique quilt, Amish craftsmanship, American textile heritage, heirloom patchwork quilt, quilt for interior decor, American Amish Quilts, Vintage Amish Quilts, Antique Amish Quilts, Amish Sunshine and Shadows Quilts, Amish Trip Around the World Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

Vintage porcelain base neon sign advertising Weather-Bird Shoes, a line of outdoor waterproof shoes manufactured by Peters, Division of International Shoe Co., St. Louis, MO. This p...

1950s "Prince Buddah" circus sideshow banner.

A vibrant and visually compelling example of early American textile art, this Crazy Quilt dates to the early 1900s and showcases the rich, expressive tradition of folk craftsmanship. Composed of individually hand-cut and hand-stitched cotton and flannel pieces in vivid hues—including turquoise, pink, yellow, navy, and red—this quilt is characterized by its abstract, improvisational layout. Decorative herringbone embroidery accentuates the seams, adding texture and sophistication. The quilt is backed with soft flannel cotton, enhancing both comfort and durability. Found in New England and likely made in Pennsylvania, it reflects the ingenuity of early American makers who repurposed textiles into functional yet highly decorative works of art. Originally intended as a decorative throw rather than a bed covering, this quilt is perfect for use as a wall hanging or accent textile in refined interiors. Dimensions: 68” x 86” Date of Manufacture: 1st Quarter of the 1900s Place of Origin: United States Material: Wool, Cotton Condition: Good The Persian Knot Gallery, SKU: 2122 early 20th century crazy quilt, antique crazy quilt, American folk art quilt, hand-stitched patchwork quilt, turquoise crazy quilt, flannel-backed quilt, vintage textile art, herringbone embroidery quilt, Pennsylvania antique quilt, colorful American quilt, collectible folk art textile, decorative crazy quilt, heirloom patchwork quilt, early American quilt, antique wall hanging quilt, vintage crazy quilt for decor, American Crazy Quilts, Vintage Crazy Quilts...

A delightful mid-20th-century American crib quilt featuring the timeless Lone Star pattern, entirely hand-stitched and quilted with meticulous care. This compact piece showcases vibrant shades of purple, green, blue, red, pink, and ivory arranged in a striking star motif, all set against a soft ivory background. Designed with practicality and presentation in mind, the quilt includes hand-sewn loops at the top edge, making it ideal for use as wall decor. This piece offers not only warmth and tradition but also a refined touch of Americana folk art, perfect for collectors and interior design installations. Dimensions: 35” x 35” Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: United States Material: Cotton Condition: Good Lone Star crib quilt, vintage baby quilt, hand-stitched quilt, Americana quilt wall art, mid-century patchwork quilt, purple green red quilt, antique crib quilt, hand-quilted Lone Star, collectible American quilt, vintage textile wall hanging, baby quilt with hanging loops, folk art quilt, traditional star pattern quilt, heirloom Americana textile, quilt for nursery decor, Pennsylvania Quilts...

An exquisite mid-20th century Amish quilt from Lancaster County, Pennsylvania, beautifully hand-stitched in the classic “Baby Blocks” pattern. This expertly crafted textile features soft hues of lavender, pale gray, and green, with each geometric block meticulously hand-cut and hand-pieced to create a three-dimensional illusion. Made from repurposed household fabrics and constructed entirely by hand, this quilt reflects the Amish commitment to both utility and artistry. The fine needlework and harmonious color palette make it a standout heirloom-quality piece ideal for display or use. Please note that some color variation may appear in photos; we recommend reviewing the accompanying video for a more accurate representation. Dimensions: 46” x 54” Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good The Persian Knot Gallery, SKU: 2242 vintage Amish quilt, Baby Blocks quilt, hand-stitched Amish cotton quilt, antique geometric quilt, mid century American quilt, Lancaster County quilt, lavender and gray quilt, handmade patchwork quilt, repurposed fabric textile, collectible Amish craftsmanship, vintage nursery decor, three-dimensional quilt design, sustainable vintage decor, heirloom American quilt, quilt for interior design, Amish Baby Blocks Quilt, American Amish Baby Blocks Quilts, Baby Blocks Quilts, Vintage Amish Quilts, Antique Amish Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

This abstract stone sculpture is a funerary marker of the Bura people of the Niger/Mali region. Little is known about the Bura civilization (c. 200 to 1000 AD), but it shares many of...

Exhibiting a rich patina and a beautifully irregular pattern of pitted wear, this petite redware olla vessel shows many telltale signs of Pre-Columbian pottery. The vessel has a glob...

This beautifully hand-crafted Amish quilt, made in Lancaster County, Pennsylvania circa the mid-1900s, features the classic “Churn Dash” pattern—a beloved motif in American quiltmaking, symbolizing home, work, and tradition. Rendered in a joyful palette of lavender, turquoise, and pink, the design strikes a harmonious balance between bold geometry and gentle color. Each fabric piece was carefully hand-cut and stitched with remarkable precision, showcasing the exceptional skill and dedication of its maker. True to Amish tradition, the quilt was constructed from materials readily available in the home—an inspired act of reuse that transformed everyday fabric into lasting art. The result is a quilt that speaks not only to function but to deep cultural values: simplicity, resourcefulness, and quiet beauty. The fine craftsmanship and striking visual appeal make this piece a desirable collector’s item and a stunning candidate for wall display. Please note: Some color distortion may occur in photos—refer to the video for the most accurate representation. Dimensions: 43” x 55” Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good The Persian Knot, SKU: 2239 Amish Churn Dash Quilt, American Amish Churn Dash Quilts, Churn Dash Quilts, Vintage Amish Churn Dash Quilts, Antique Amish Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

A remarkable example of American textile folk art, this late 19th-century Society Crazy Quilt is hand-pieced, hand-stitched, and richly embroidered. Constructed in a 7x7 block structure, each 11" x 11" square was created by a different individual—likely members of a sewing society or women’s group—making this quilt not only a masterwork of craftsmanship but a collaborative historical artifact. The vibrant color palette includes striking combinations of turquoise, pink, yellow, navy, and green, giving the quilt dynamic visual appeal. Elaborate herringbone embroidery connects each block, showcasing both unity and individuality in the design. Backed with cotton and discovered in New England, this piece was possibly crafted in Pennsylvania in the early 20th century. Crazy quilts like this were traditionally used as decorative throws and are now highly collectible for their artistic composition and cultural resonance. Ideal for wall display, it embodies both bold aesthetics and a profound communal legacy. Dimensions: 77” x 77” Date of Manufacture: 4th Quarter of the 1800s Place of Origin: United States Material: Wool, Cotton Condition: Good The Persian Knot Gallery, SKU: 2136 19th century crazy quilt, Society quilt, American folk art textile, antique embroidered quilt, turquoise crazy quilt, hand-stitched crazy quilt, vintage patchwork quilt, herringbone embroidery quilt, Pennsylvania textile art, late 1800s quilt, collaborative American quilt, heirloom crazy quilt, antique quilt wall art, colorful crazy quilt, vintage decorative throw, early 20th century quilt, American Crazy Quilts, Vintage Crazy Quilts...