India - Art

Subrata Biswas - Untitled Vitrified Terracotta H 27.75 x W 14 x D 11 inches ( Delivered ) Style : The motive of a child in its most basic form appears quite repeatedly in the works ...

Suhas Roy - Radha Mixed Media on Paper 8 x 11 inches, 2008 ( Framed & Delivered ) Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on P...

Jogen Chowdhury Untitled Pen & Ink on Paper 7 x 5 inches 2024 ( Unframed & Delivered ) Modern Indian artist Jogen Chowdhury executed Still life drawing in Ink, pastel. Always a po...

This exquisite sculpture by artist Mahesh Sharma captures the elegance of a seated hound in a vibrant, modern style. Crafted from aluminium casting and hand-painted with acrylic colo...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 28" x 42" unframed (71cm x 107cm) 2022 Edition 1/10 *Should you wish the photographs to be printed...

Mahesh Sharma’s Nar-Nari series explores the dynamic relationship between male and female energies through an abstract, contemporary lens. Crafted with cut handmade paper pasted onto...

Mahesh Sharma’s Nar-Nari series explores the dynamic relationship between male and female energies through an abstract, contemporary lens. Crafted with cut handmade paper pasted onto...

Designed by Mahesh sharma Year: 2022 Material: Metal, Resin, acrylic color, Indian bangles Artist uses mix of techniques to create a beautiful piece of art with blend of Indian handc...

Designed by Mahesh sharma Year: 2022 Material: Metal, Resin, acrylic color, Indian bangles Artist uses mix of techniques to create a beautiful piece of art with blend of Indian handc...

From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi. Art 1821 is selling the last 14, different works, of th...

42"×36" Oil on Canvas Artwork is done by smearing colors on the canvas using a knife to give the artwork a deeply textured rough raw unfinished look. Painting depicts the time...

42"×36" Oil on Canvas Artwork is done by smearing colors on the canvas using a knife to give the artwork a deeply textured rough raw unfinished look. Painting depicts the time...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36" *please note this artwork can be printed at any size so long as the ratio rema...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 64" x 42.7", Edition 1/8, 2022 *please note this artwork can be printed at any size so l...

Abstract- 105 Oil On Canvas Size- 84"x36" (210x90cm) This is done in the medium of painting oil on Canvas Its colour coating is done in an exuberant manner There are many such ...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 44 x 65" unframed (112cm x 165cm) 2022 Edition 1/8 *Should you wish the photograph to be ...

Aditya Dicky Singh, Untitled, Photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2017 Edition 1/8 Dicky Singh's images have enthralled many and...

Aditya Dicky Singh Untitled " Photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2017 Edition 1/10 *Should you...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 36" x 53" unframed (92cm x 135cm) 2017 Edition 1/10 *Should you wish the photograph to be...

Mahesh Sharma’s Nar-Nari series explores the dynamic relationship between male and female energies through an abstract, contemporary lens. Crafted with cut handmade paper pasted onto...

Abstract-132 Original abstract painting Size- 48"x36" o o o o It was painted with Artist Acrylic colours. The sides are painted too. I always offer exclusive my original pain...

Artwork is done by smearing colors on the canvas using a knife to give the artwork a deeply textured rough raw unfinished look. Painting captures the metallic feel of the Drill ma...

Artwork is done by smearing colors on the canvas using a knife to give the artwork a deeply textured rough raw unfinished look. Artwork depicts the beauty of nature the Berries. ...

Artwork portrays the timeless beauty of the wooden table , cupboard, books , candle stands, glasses, carpet and the interiors. Colors are smeared on the canvas using a knife to create a deeply textured rough raw unfinished look. Painting is varnished using Winsor &Newton matte finish varnish. The sides of the canvas are also painted to give it a three dimensional quality. Artwork will be shipped in a plastic tube...

Unveil a one-of-a-kind creation by artist Mahesh Sharma: a hand-painted zebra-striped chair crafted from solid wood with acrylic finishes. This contemporary masterpiece, featuring a ...

Add a burst of energy to your space with this 25 x 25 inch abstract painting on wood. Featuring dynamic red, orange, and yellow hues with textured brushstrokes, this original artwork...

Artwork is done by smearing colors on the canvas using a knife to give the artwork a deeply textured rough raw unfinished look. Painting captures the metallic feel of the Motor,scal...

Colors are smeared on the canvas using a knife to create a deeply textured rough raw unfinished look. Artwork portrays the love for a good Read. It captures the timeless simplicity...

Artwork is done by smearing colors on the canvas using a knife to create a deeply textured rough raw unfinished look. Painting depicts the timeless beauty of the Coat, hat,leather...

The way this artwork took shape, slowly and gradually, made me take an insight into it. Everything was quiet and calm then, all my thoughts in sync, when I felt a sense of belonging...

Elevate your modern living room with this stunning abstract blue hand-painted side table, expertly crafted by multidisciplinary artist Mahesh Sharma. Featuring vibrant blues, textur...

This mesmerizing artwork, Nar and Nari, by renowned Indian multidisciplinary artist Mahesh Sharma, beautifully explores the interconnection between male and female energies. The comp...

I have smeared colors on my canvas using a knife to give the artwork a deeply textured rough raw unfinished look. Painting tries to capture the timeless beauty of The Piano. The...

Suhas Roy Radha Soft Pastel & Acrylic on Paper 14 x 18 inches 35.6 x 45.7 cm 2004 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel ...

Abstract-121 Original abstract painting Size- 48"x36" o o o o It was painted with Artist Acrylic colours. The sides are painted too. I always offer exclusive my original pain...

I have tried to capture the timeless simplicity of the Cycle. Artwork is done by smearing colors on the canvas using a combination of brush and knife to create a deeply textured ro...

Rabin Mondal King Acrylic on Paper 22 x 15 inches 55.8 x 38.1 cm 2018 ( Unframed & Delivered ) Mondal was a clear observant of the various migrant workers who lived along his h...

KG Subramanyan Untitled (Goat), Water colour on Paper 6 x 8 inches 15.2 x 20.3 cm 1999 Inclusive of shipment without frame. Style : K G Subramanyan was one of the leading artists...

Rabin Mondal - Face 14 x 10 Inches Acrylic on Paper 2018 Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They c...

Jogen Chowdhury Untitled Charcoal & Dry Pastel on Brown Paper Pasted on Board 10 x 8 inches 2021 Style : He has immense contribution in inspiring young artists of India. Jogen Cho...

Ganesh Haloi - Untitled Pen & Ink on Paper 7.5 x 5.2 inches, 2018 ( Unframed & Delivered ) Born : In 1936 Ganesh Haloi born in Jamalpur, Mymensingh, now in Bangladesh. Education : ...

Suhas Roy - Untitled Charcoal on Paper, 12 x 16 inches, 2014 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Suhas Roy - Untitled Charcoal on Paper, 11 x 16 inches, 2014 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Suhas Roy - Untitled Charcoal on Paper, 10 x 12 inches, 2014 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Suhas Roy - Untitled Charcoal on Paper, 10 x 13 inches, 2007 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Rabin Mondal - Untitled ; Ink on Paper 15 x 22 inches (unframed size) 1993 ( Unframed & Delivered ) Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They came from far to work and earn their livelihood. He would observe them and was deeply moved by the labour and low rung working class who carried all the heavy load oriented work. He would paint the men and the women , some distressed , some gloomy but with a force that would uplift them to be the heros of the society. Surprisingly Mondal was never depressed himself although he painted people in hard labour and poverty . Style : Mondal`s works are mainly figurative. He paints in bold strokes and creates tableaux, whose themes are universal. The faces of his figures stare at you out of the canvas, strange and pensive, but also strong and defiant. Not yet beaten, surviving by sheer force of spirit. He mostly uses dense pigments in blacks and reds, with only occasional moss green and turquoise colors seeping through. About the Artist & his works : Born : Rabin Mondal (1929 – 2019) was born in Howrah, Kolkata. Education : 1959 : Completed his Art Appreciation Course, Ashutosh Museum, Kolkata University, Kolkata. 1956-58 : Attended Evening Classes, Indian College of Art and Draughtmanship, Kolkata. 1952 : Bachelor of Commerce, Vidyasagar College, Kolkata University, Kolkata. Art Career : The industrial belt of Howrah, with its inherent tendency towards violence, anguish and suffering influenced him deeply, and found its way into his works. So did ugly street battles fought by political parties. Mondal discovered that his artistic temperament was out of keeping with the hostile environment and situation. Besides a debilitating knee injury in his childhood created a sense of isolation in the artist, which also finds expression in his canvas. He says what saved him from sheer madness was his talent in art. In 1949, he joined the Vidyasagar College of Art in Kolkata. At that time, a festival of French artists was being held in the city. It exposed him to the works of French modernist artists. Prior to this, he had no exposure to the international art world. He was only familiar with different schools of Indian art, particularly the Bengal school. As a young painter, Mondal was attracted by Jamini Roy`s folk style and Rabindranath Tagore`s disquieting paintings and drawings. But the show by French artists was virtually a turning point in his artistic career. "This was like opening a window to an astounding, astonishing, unsuspected world," he says. This encounter with avant-garde Western art helped him to later incorporate elements from it in his own work. Art Works : Mondal worked out of his Howrah studio, churning out a series of "kings" and "queens" painted with oil on canvas. These are perhaps Mondal’s best known works, depicting tragic looking figures, seemingly suffering from paranoia and fear, yet ironically termed kings and queens. Some of the highlights of this series were the works Man Acting as King, King Being Appeased, King Making Confession, and King and his Assassin. Mondal also produced a series of "deities", which sometimes seem to merge thematically with his "queens". The artist’s deities are generally depicted with radiate crowns, whereas his kings and queens are not. Other favorite subjects of the artist were the brothel and the harem, which he depicted in canvases such as Event in Red Light Area and Orgy. For someone who hates all forms of pretentiousness, he has done a series of painting on queens and empresses. "Though they belong to the past, queens live in virtual isolation, and I feel sorry for them," he says. "It is this isolation that makes the queen, for me, a fascinating subject." One of the criticisms leveled against him is that his works are not pleasing to the eye. To which he replies, "Painting is for communication and not for decoration." Solo Exhibitions : Rabin has had several solo exhibitions:
 From 1961 - 1973, 1976, 1987, 1993 and 1999 he exhibited solo at various places in Kolkata. In 1974, 1977, 1982, 1983, 1987 and 1991 he showcased solo in several place in New Delhi. From 1978 - 1980 and in 1984 he had solo exhibitions at Birla Academy of Art and Culture in Kolkata. In 1980 he had a solo show at Max Mueller Bhavan, Mumbai. In 1989 and 1990 he exhibited solo in Mumbai. In 1993 he had a solo show at Jehangir Art Gallery, Mumbai. In 2014 - 2015 and 2016 he exhibited 'Kingdom of Exile: A Retrospective' at Delhi Art Gallery, Mumbai and at DAG Modern, New York. Group Exhibitions : He has participated in several group exhibitions:
 In 1955, 1969, 1970 - 1972, 1975, 1976, 1978, 1983, 1988, 1995, 1998 - 2002 and 2010 he participated in various group exhibitions in Kolkata. From 1963 - 1965, 1971, 1973, 1980 - 1982 and 1985 he exhibited in group shows at Lalit Kala Akademi in New Delhi. In 1964, 1969, 1994 and 1996 he took part in group exhibitions at All India Fine Arts and Crafts Society (AIFACS) and LTG Gallery in New Delhi. In 1968 and 1972 he participated in group exhibitions at Kala Bhavan, Santiniketan. In 1972, 1974, 1976, 1978 - 1980 and 1983 he took part in several group shows at Jehangir Art Gallery, Mumbai. From 1975, 1979, 1988, 1989, 1992, 1998, 2001, 2002, 2009 and 2010 he participated in multiple group shows in New Delhi, Mumbai, Kolkata, Bangladesh and Bangalore. In 1975 he took part in the 3rd Triennale in New Delhi. In 1984 he participated in the Tokyo Biennale, Japan. From 2003 - 2005, 2010 and 2011 he took aprt in Manifestations I - VI’ at...

Tushar Kanti Das Roy - Bioscope H 23 x W 14 x D 14 inches Bronze Sculpture About the Artist & his work : Born : 1968. Education : He has completed his education from I.C.Art & Craft...

"The Holy Cow" is a contemporary work of art by Indian artist, Binay Sinha. This work depicts a cow split with a head on either side. One side is focused whil...

Somnath Hore - Untitled Pen & Ink on Paper, 7 x 5 inches ; dated 07-10-86 Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped kindly con...

Partha Shaw - Untitled - Acrylic on Paper. 20 x 30 inches This work will be shipped flat without frame. Style : Shaw works mainly with landscapes, but handles them in a very cont...

Kamal Mitra - Untitled - 70 x 50 inches (unframed size) Mixed Media Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelors (Painting) at the ...

Prasanta Sahu - The Empathatic Viewer Seragraph on Paper 20 x 14 inches, 2009 ( Unframed & Delivered ) Prasanta’s inventiveness in his works lies as much in the selection and juxta...

Prakash Karmakar – Beach Series, 16 x 23 inches (unframed size) Mixed Media on Paper, 2004 ( Unframed & Delivered ) Karmakar is best known for his landscapes and nudes, whi...

Atul Bose - Royal Academy Series-4 Conte on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaki...

Rahim Mirza - Untitled Acrylic on Canvas, 18 x 18 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaki...

Rahim Mirza - Untitled Acrylic on Canvas, 18 x 18 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...