India - Art

Asif Hussain - Banaras Ghats - 36 x 70 inches (unframed size) Acrylic on Canvas.

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi...

Prakash Karmakar - Beach series - 8 x 7.5 inches (unframed size) Mixed Media on paper , 2004 (Set of 5 works) Inclusive of shipment in a roll form. Style : Legendary master artist L...

MADHUR SEN Madhur Sen is the founder of Blue Turtle Studio based in New Delhi. She is a member of AIC IAC- International Academy of Ceramics; ICAA- Intern...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Untitled, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 1999 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed 'This work reminds me of my childhood and early youth, growing up in a village that was full of nature, surrounded by lush green. The towering Aravalli hills left a strong impression on me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Kapil Anant - Incredible India Acrylic & Ink on Canson Paper (Mixed Media) 8.3 x 11.8 inches ( Set of 28 works ) Inclusive of shipment in rolled form. Kapil Anant was born in 1998. ...

Asif Hussain - Banaras Ghats - 36 x 60 inches (unframed size) Acrylic on Canvas.

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaki...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Rahim Mirza - Untitled Acrylic on Canvas, 18 x 18 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaki...

Rahim Mirza - Untitled Acrylic on Canvas, 18 x 18 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaki...

Pintu Sikder - Nandi Brass & Wood, H 5.5 x W 11 x D 5.5 inches Very few seeds are germinated on the roadside. Fewer of them grow into trees defying all odds. Pintu Sikder is one suc...

Rahim Mirza - Untitled Acrylic on Canvas, 21 x 21 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Rahim Mirza - Untitled Acrylic on Canvas, 21 x 21 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaki...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper *please note this artwork can be made up to 99" x 44" - HUGE! It can also be printed at any ...

Rahim Mirza - Untitled Acrylic on Canvas, 21 x 21 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Manu Parekh Acrylic on Canvas Board, 36 x 30 inches, 2020 ( ALL IN DOOR DELIVERED ) A lovely Mixed Media work in black, white and red color by Modern Indian Artist Manu Parekh who was very strongly influenced by old masters of Indian art, Ram Kinkar Baij and Rabindranath Tagore...

Life is a daughter-mother co-project by Deeksha and Roma in an effort to re-create the light and energy that sustain are precious planet Earth! It is inspired by poet Rabindranath Tagore...

Asif Hussain - Banaras Ghats - 36 x 72 inches (unframed size) Acrylic on Canvas.

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 49.5" x 33" *please note this artwork can be printed at any size so long as the ratio re...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper *please note this artwork can be printed at any size to fit your project, so long as the rat...

Debabrata Basu - Untitled - 48 x 60 inches (unframed size) Acrylic on Canvas Style : Debabrata derives his style and theme by introspecting within himself. The fears of uncertainty,...

G REGHU G Reghu was born in Kerala and completed his art education in Sculpture, College of Fine Arts, Trivandrum, Kerala. He began with stone as a medium, and his sensibility gained direction after his contact with Elizabeth and Laurie Baker...

Fawad Tamakanat - Cityscape - 40 x 40 inches (unframed size) Acrylic on Canvas. Fawad Tamkanat, from Hyderabad participated with his slightly older works. One in which he is exploring the raging intrusion of technology in today's times. How digital images are influencing images, imagery and the traditional medium of painting. Portraying everyday activities like the work titled ‘Cafe House’ or exploring more serious concerns in his painting ‘Soldier’. Style : To say that Fawad Tamkanat`s work is narrative is a gross understatement. Throughout his career as an artist, he has strived to develop and then perfect a visual vocabulary that he can use to communicate with his viewers. And this language, that he uses to take on peoples` minds, has nothing to do with society, religion or politics, but, quite blatantly, is all about his own personal fixations. Fixations that include those with time, and one`s place in the general scheme of things. Fawad was born in Hyderabad in 1962, to a family that already had artistic inclinations running through its veins. His father was the famous Urdu poet, Shaz Tamkanat. Early in his career, Fawad was invited to participate in an installation workshop in Denmark where he also worked for a few months in the printmaking studios with renowned printmakers. He became very taken up with printmaking, and launched his professional exhibitions showing only monochromatic prints. Now Tamkanat experiments with several different media and surfaces, diversifying to include those like watercolours, acrylic, etching drypoint and tarpaulin in his oeuvre. Fawad has held twelve solo shows in India and abroad to his credit, and has participated in state, national and international exhibitions and group shows at major art centres. About the Artist & his work : Born : 1962 Education : Master of Fine Arts(Painting), S.N.S. Central University of Hyderabad Bachelor of Fine Arts (Painting), Jawaharlal Nehru Technological University(JNTU) College of Fine Arts, Hyderabad B.Com, Osmania University. Selected Solo Exhibitions : 2012-13 : Jamaat, Mumbai 2003 : Gallery Dengule Guard, Denmark 2001 : Kirsten Kjaer Museum, Denmark ; Lalit Kala Academy, New Delhi & Jehangir Art Gallery, Mumbai. 2000 : Gallery Pialeh Copenhagen, Denmark ; Tao Art Gallery, Mumbai & Shridharani Art Gallery, New Delhi 1999 : Bredsten, Denmark ; Copenhagen, Denmark ; Vingsted Centre Gallery, Denmark ; Cobra Gallery, Copenhagen, Denmark ; Graphic prints, New Delhi & Minaz Art gallery, Hyderabad 1996 : Vingsted Centre Gallery, Denmark ; Minaz Art gallery, Hyderabad & Hyderabad ICRISET Club 1995 : ABC Art Gallery, Varanasi 1993 : Gallery Escape, New Delhi Selected Group Exhibitions : 2009 : 'Entity', in association with Asian Academy of Film & Television at M.E.C. Art Gallery, New Delhi & Gallery Space, Hyderabad, Andhra Pradesh 2008 : 'Stellar Configuration', presented by Vinnyasa Premier Art Gallery, Chennai at Jehangir Art Gallery, Mumbai & 'Urban Landscapes', Galleria, New Delhi 2007 : 'First Person Narrative', Hasta Gallery, Hyderabad & 'Rising Of The Phoneix: A Tribute To Livelihood', Hasta Gallery, Hyderabad 2005 : ‘Collective Spaces 05 ‘,M.E.C. Art Gallery New Delhi. 2004 : Hvidovre Radhus, Hvidovre, Copenhagen, Denmark & Aaskov Kommune's Kunstforening, Aaskov, Jutland. 2003 : ‘Homage To Bhupen Khakhar’, M.E.C. Art Gallery New Delhi ; DHL World Wide Express Gallery, Denmark ; Kunstforening Detny Kastet Thisted, Denmark ; Teko Centre Gallery, Denmark ; Pakhuset Gallery, Denmark ; Esbjerg Museum (Musikhuset), Denmark ; Kunstbrenderiet, Vejle, Denmark & 'Crosscurrent' (Indian Danish Painters Meet), New Delhi, Hyderabad and Chennai 2002 : 'Moods' (Indian Danish painters), Denmark & 'Tradition to Modernity Fulda', Germany 2000 : 'Rooprekha’, Drawing Show, Hyderabad & 'Edge of the Century', New Delhi 1999, 2000 & 01 : Harmony Show, Mumbai 1999 : 'Four Indian Artists...

My depictions of water are about intellectual thought and spirituality. Rejuvenate III displays the beauty of the natural world around us, makes scientific observations in our enviro...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper, 64" x 42.7" *please note this artwork can be printed at any size so long as the ratio remain...

Camouflage IV voices her identity as empowered and independent. I want the spectator of my work to meander and marvel through the values and intensities, the fissures and overindulg...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper , 36" x 36" *please note this artwork can be printed at any size so long as the ratio rema...

Melting II is the gorgeousness of snow flaking into the twilight of Sunrise and Sunset; it is the final splash of color before winter dresses nature in wh...

"The story of a Forest" presents a biographical account of a forest in a series of six charcoal drawings. The story moves from the lush green forest in the first drawing to the dark...

Camouflage III dressed in kaleidoscopic colors shows multi dimensional all-inclusive diversity. Camouflage III argues for an interdependent self-identity that makes connections acros...

Camouflage II veiled in a masculine keffiyeh embodies empowerment, strength and confidence, and gazes directly at her gazer, disrupting the masculine gaze that is based on dualities.

Camouflage VI has been inspired by Klimt's living, breathing woman with a brooding air—rather than a serene, mythical being. As a female subject, she is a strong, expressive woman ca...

Camouflage VII employs her self-identity, suturing her gaze, so she challenges her viewer with her analysing look. Her gaze does not meet that of her viewer, she looks away, staring ...

Camouflage I's formless red layers may seem to divest her of any physical movement, the emotional expression adds to her potent strength of being rather than becoming, giving her add...

MANJOT KAUR Manjot Kaur’s drawings, paintings & time-based media attempt to decolonize both women's bodies & the sovereignty of ecology. Her works traverse speculative fiction...

In Trinetra XII, inspired Frida Kahlo's painting, Roots (1943), I immerse my corpus within Mother Earth, my cradle through life and death and regeneration of the Universe. I feel nos...

Melting I asks, "I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says, G...

Rekindle III symbolises regeneration in all its forms and colors. It is inspired by Van Gogh's quote: "Sometimes I long so much to do landscape, just as one would for a long walk to ...

Inspired by Frida Kahlo's painting, The Love Embrace of the Universe, the Earth (1949), Trinetra XIII (2021) embodies the rooted human who can grow tall...

Trinetra V is my exploratory visual storyline that demonstrates that in any milieu, small or large, it is respectful listening skills between community members that facilitate a just...

Kapil Anant - Incredible India Acrylic & Ink on Paper (Mixed Media) 21.5 x 29.5 inches (Set of 6 works) Inclusive of shipment in rolled form. Kapil Anant was born in 1998. Complet...

Trinetra VI in her blood-coral form, dives down to the bottom of the ocean to push back the putrid oil spills, the reeking sludge and the rotten waste generated by petrification and ...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 28" x 42" unframed (71cm x 107cm) 2022 Edition 1/10 *Should you wish the photographs to be printed...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36", 2022 *please note this artwork can be printed at any size so long as the rati...

Inspired by Frida Kahlo's painting, My Nurse and I (1937) and the Goddess Ganga, Syrian Mermaid-Goddess Atargatis and the Aztec-deity Chalchiuhtlicue in...

“With the excessive use of technology at their disposal, humans today have lost some vital connection with the other sentient beings and the environment at large.” - Ravi Chaurasiya. Ravi Chaurasiya was born in 1994 in New Delhi...

Trinetra XI demonstrates that if we protect the Earth's and women's wombs, if we do not extract fossil fuels and rare earths that cause planetary destruction, we might be able to pr...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36" *please note this artwork can be printed at any size so long as the ratio remai...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper *please note this artwork can be printed at any size so long as the ratio remains the same...

As she elevates Buddha’s peace-emanating lotus through the blue-green oceanic-waters and allies her blood-coral corpus within the multifarious species of her setting, now in a state ...

Compelling set of 5 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 5 works come from a series of 25 works, Edition 4/7. The full Edition is available on our 1stDibs store. Editions 1 and 2 have already sold, Edition 2 has been purchased by a Museum Collection in Belgium. Loved by private clients and Interior designers alike, Sonal has exhibited at International art fairs and exhibited with leading Galleries. Vachik, Edition 4/7, Etching on Archival paper, dated 2022, signed and titled under each piece in pencil 17" x 70" (depending on hanging layout), without framing, comprising 5 etchings. Sheet size 17" x 14", image size 13" x 10" 2022 Signed, Editioned, dated and titled in pencil Provenance: From the artist's studio. Sonal is a storyteller. Her primary medium of choice is printmaking, exquisite etchings whose protagonists jump off the page to tell their stories. Like all good narratives that lucidly roll from one tale to the other the artist works in series. Be it her Kissa Goi or her new Vachik stories, each work comprises of many parts, all fitting together as one large work, or, equally as pleasing, as individual works that may or may not speak to each other in any combination of pattern. Sonal lives and works in Lucknow, in India, the City famous for its tradition of Ghazal poetry. In past times the poems were displayed in Diwan's (illustrated books) a calligrapher and artist would be commissioned to illustrate the poems. Sonal references these traditions and we can see traces of this in her contemporary images. Ghazal's delight and employ elements of playfulness, anecdote and surprise. They take their audience on a bitter-sweet journey and Sonal invites us to do the same. The artist explains that in the evenings the women gather on the roof terraces of her town to tell the tales that are passed down. These are stories that primarily revolve around the woman and their everyday role in a patriarchal society. These tales become mixed with the contemporary, both local and global events that effect the lives of the women. At first glance there is an anecdotal quality to the visual narratives but look a little longer and you will be rewarded by layer upon layer of meaning. Through the clever use of text and images of objects which may at first appear to be dislocated, each part of the image pulls together the narrative, expanding it into many different levels. In Sonal's own words, This work is very close to my heart, a lot of emotions are attached to this work. Some such feelings that awakened for the first time and they were priceless. I have lived that time, felt it very closely, whatever happened to me at that time, I have tried my best to make it work. Kajal has a very important role, when there are children and grandmothers complete it, it is said that by applying Kajal in the eyes of the children, the eyes become bigger. Which we call Nazarota which is a small iron vessel. Kashmiri shawls...

Amit Kalla - Transending Forms - 36 x 60 inches (unframed size) Acrylic on Canvas, 2020 ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represe...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 64" x 42.7", Edition 1/8, 2022 *please note this artwork can be printed at any size so l...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 64" x 42.7" *please note this artwork can be printed at any size so long as the ratio r...