Italy - Ceramics

Maiolica pitcher Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 8.66 x 8.66 x 4.33 in (22 x 22 x 11 ...

Exceptional umbrella stand Pucci Umbertide ceramic, 1950, Italy.

Painted ceramic sculpture depicting a Pomeranian dog. England circa 1950.

Ronzan baby tiger ceramic, 1950, Italy.

Iconic ceramic centerpiece by M.G.A, Italy 1970 circa. Hand painted light blue ceramic centerpiece decorated with small beautiful polar white bears.

N 1Vaso Portavaso Richard Ginori Gio Ponti

Assortment of 4 dishes with braided rim Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: 14 x 10 in (35.5 x 25.5 cm); 12.2 x 8.39 in (31 x 21.3 cm); 10.4 x 9.65 in (26.5 x 24.5 cm); 10.8 x 9.61 in (27.5 x 24.4 cm). Weight: 4.4 lb (1.998 kg) State of conservation: some chips due to use on the edges and on the parts in relief. The four different dishes have a foot with a low lip from which extends a wide, flat, slanted rim resembling a basket weave. The small handles are painted green: they resemble wickerwork in the two oval dishes and take the form of a sinuous branch in the round ones. The third fire decoration is inspired by the naturalistic floral botanical patterns on the ceramics produced by the Hannong family in Strasbourg. Here the pattern is defined by the rapidity and subtlety of the brushstrokes and the result is particularly tasteful, characterized by compositional intelligence and pictorial expertise. A main corolla, either a wild or garden rose, is set slightly off center in each well. From this extends a thin stem holding a small secondary bud and there are small field florets dotting the composition to lend volume to the delicate bunch of flowers. On the brim, small polychrome flowers add color to the weave, accompanied by lanceolate leaves of a very intense green. There exist few and very rare examples for comparison with this morphology: a round plate - entirely consistent with those in question - has been dated to around 1775 (S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, tav. 200). Two other dishes with a basket rim, but with parallel striped brim decoration, were exhibited in the 1995 exhibition on Lodi ceramics; the attribution to the Lombard town near Milan is therefore almost exclusively derived from the decoration called "alla rosa contornata" or "alla vecchia Lodi" and constitutes one of the most popular decorations during the eighteenth century. (M. L. Gelmini, in Maioliche lodigiane del '700 (cat. mostra Lodi), Milano 1995, pp. 31 p. 162-163 nn. 181-182). This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their Maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the Maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Monumental ceramic wall plate with a chicken Signed A.R.

Large painted Art Nouveau bronze vase from the early 1900s, fine Italian manufacture. The vase has a round base with four thick, sinuous feet, reminiscent of those on old stoves...

Memphis Milano painted ceramic vase, Hsing by Ettore Sottsass, blu star-shaped. Memphis Group, an Italian design and architecture collective founded by Ettore Sottsass, active betwee...

Giovanni Gariboldi.

Decorative plate in fireclay, entirely handmade in Italy. The incredibly material finish has been left natural to highlight the beauty and uniqueness of this clay. The whiteness of its color is reminiscent of something ancient, consumed by the sea and the wind, the same sensation you have to the touch. A timeless object that can be used as a centerpiece or hung on the wall. Dimensions : D 52 cm, H 6 cm The sculptural plate draws inspiration from one of the most characteristic products of luster ceramics of the Italian sixteenth century: the "coppe abborchiate" which were embellished with 24Kt gold and ruby to obtain unique and incomparable reflections. Today Gabriele Mengoni artist, sculptor, expert ceramist, fascinated by this rediscovered technique, experiments with new forms and modern...

This dark blue lacquered ceramic vase ascribable to Guido Andlovitz, produced by Lavenia, Italy, 1970s. It is a vintage piece, therefore it might show slight traces of use, but it c...

Sick cup Pasquale Rubati Manufacture Milan, Circa 1770 - 1780 Maiolica decorated in polychrome “a piccolo fuoco” (third fire) It measures: h 2.36 x 7.4 x 7.87 (h 6 x 19 x 20 cm) ...

Enrico Mazzolani female figure, Italy, 1930s.

S.C.Richard S.Cristoforo.Umbrella holder vase ceramic 1920 Italy.

This exclusive ceramic plate is handmade and hand-painted in Italy following the original Renaissance painting technique, unchanged over time, which we observe to the letter: it is d...

Cloud tea cups These two sublime teacups of Japanese inspiration are extraordinarily handcrafted accordingly to the Raku technique, which makes each piece a one-of-a-kind object o...

Small oval tray Felice Clerici Manufactory 1745-1780 Milan, Circa 1770-1780 Maiolica polychrome. Dimensions: 10.82 x 8.66 in (27.5 x 22 cm); weight 0.4...

A splendid jar by Bruno Gambone. Signed Gambone Italy.

handpainted coral ceramic plates Made in italy, ceramic A piece of italian craftsmanship on your table

Lenci elephant couple ceramic, 1950, Italy.

A rare example of an early Azucena Homeware design piece. Reference : Domus No. 313 Dic. 1955 p. 4

Polychrome ceramics produced by a Vietri or San Marino manufactory. Good conditions. Thank you

Maiolica flower pot “a mezzaluna” decorated with trompe l’oeil Pasquale Rubati Factory Milan, circa 1770 Measures: each 4.7 in (cm 12) x 5 in (c...

Couple Porta Vasi Ceramic - Austria 1940 -

Made in Italy, 1964. This is a set of hand-crafted lacquered earthenware plates signed by De Simone. It is a vintage set, therefore the plates might show slight traces of use, but ...

Postmodern Yellow Conic vase Italy 1980s ceramic in Memphis Milan style. 27 cm diam x 20 cm H Conditions: excellent, two barely visible small chips.

Crocefix Ronzan ceramic, 1950, Italy.

Gio ‘ Ponti “Style “ Potiche Ceramic 1950 Italy.

Three spheres made in Sicily, in the small town of Caltagirone, world famous for handcrafted ceramics. They are especially made for our store and are unique pieces. Diameter of the m...

N.tre. S.Richard S.Cristoforo umbrella stand/vase 1920 ceramic, Italy.

Add a touch of charm to your table with our hand-made ceramic plates from our Daisy collection, crafted in Italy with meticulous attention to detail. Available in white, green, and p...

Maiolica flower pot “a mezzaluna” decorated with garlands of flowers Pasquale Rubati Factory Milan, circa 1770 Measures: 4.7 in x 5 in x 8.8 in ...

Made in Italy, 1950s. This wonderful and high-quality piece is made by Zulimo Aretini and is hand painted with blue animals figure and golden lines. I...

Big Ceramic Tray - Marine Themed Ceramic - Collectible Handpainted Ceramic A handcrafted ceramic plate featuring a rich, dark green petroleum glaze, complemented by iridescent bubb...

Italian modern beige and white Ceramic poodle sculpture by Ronzan, 1970s. Sculpture in the shape of a poodle dog in white and beige ceramic. Produced and signed by Ronzan in 1970s. G...

Piatto in oro di Arrigo Finzi. Etichetta adesiva del gioielliere. Buone condizioni. Grazie

Defined by unadorned sophistication, this exquisite ceramic bowl is brimming with contemporary allure delving into the most authentic nature of forms and materials. The cylindrical s...

Elegant and expressive, this stylized ceramic bowl-shaped vase flaunts a two-tone finish enriching its design with earthy tones, warm brown on the outside and yellow inside, the latter visible through the wide top opening. Perfect in a modern, neutral-toned interior where it will add a subtle pop of color, this low-profiled vase...

Recovered from the roof of an ancient masseria ( farmhouse ) outside Matera - Basilicata, these series of pieces have been treated to recover their insulation properties first, and t...

Centerpiece light blue maiolica shell Ferniani factory, early period: 1693-1776 Faenza, 1700 circa 5.5 in x 14.72 in x 13.77 in (14 cm x 37.4 cm X cm 35) lb 4.40 (kg 2) State of con...

Service of five ceramics in the style of Dante Baldelli Rometti Production Thank you

Blue and grey rocket-shaped ceramic bottle / decanter France 1940s / 1950s Measures: 30 cm H 12 cm Diameter. Conditions: good consistent with age and use, small defects a...

Italian artisanal vases in glazed earthware with a relief decoration. Name of the manufacturer imprinted under the base: "La bottega". Excellent vintage c...

Umbrella stand model C300 by Antonia Campi for S.C.I. Laveno. Rare bicolor version of this sculptural piece.

Lenci vase holder centerpiece ceramic, 1931-1932, Italy.

Fire-glazed ceramic marine animal sculpture, signed on the back with initials, 1960s.

Wonderful hand painted ceramic centerpiece made at the beginning of 900, of Chinese manufacture. The centerpiece has a circular shape and is totally made of red and white ceramic totally hand painted. It is composed by a central body useful as object holder, cookies or candies holder...

For more than 30 years this artist has revolutionized the way of thinking about stone. Their artisan techniques are the result of careful research and deep knowledge of the subject: ...

For more than 30 years this artist has revolutionized the way of thinking about stone. Their artisan techniques are the result of careful research and deep knowledge of the subject: ...

Komerobi, in Japanese, means: " the sunlight that passes through the leaves of the trees ". This cup by its extremely clean design is a reminder of the zen essentiality and the use of the cup for its most sacred purpose during ceremonies. Featuring a wooden wick, that enables the flame to expand itself also horizontally and with a sound reminding the crackle of the fire. Citrus top notes mixed with Ginger, Almond, and Spices heart notes give this fragrance an irresistible appeal. A black burnt Raku band and its raku crackle...

This wonderful collection encourages to participate in the process of combining small pleasures into a significant whole by regarding details as both minute and essential. Our artist...

Made in Italy, 1980s. This catchall is made in ceramic and features hand painted parts. It might show slight traces of use since it's vintage, but it can be considered as in excelle...

The vase in question can be called a "polyvase" because of the presence of several slits with different shapes and mouths. The vase is characterized by a particular organic and animated form, accentuated even more by the finish of different polychrome glazes in shades of blue, white and blue which seem to have been poured over...

Made in Italy, 1950s. This sinuous, dynamic and elegant centerpiece is made in lacquered ceramic that is varnished with iridescent colors. It is a vintage piece, therefore it might s...

Fringe Chawan wide vase Stunningly made and decorated by hand, this chawan bowl will make a gorgeous centerpiece for a sophisticated dining table during a special occasion. Fashio...

Green as the gardens that give the name to this collection This handmade and hand painted plate reproduces the rattan plates used for picnic and outdoor...