Italy - Ceramics

Pair of huge Italian-made ceramic vases from the 1960s, made of red and gold polychrome ceramic, with relief motifs, perforated at the top and bottom for the positioning of glazing b...

This polychrome ceramic vase is a marvelous production by Claudio Pulli, one of the greatest Sardinian artists of the 20th century. The vase was produced for I.S.O.L.A. and is mad...

Elevate your dessert presentation with this Set of 2 Ceramic Ikat Dessert Plates, made in Italy. Made from 100% ceramic and featuring a distinctive ikat-inspired design, these plates...

set of 4 Tiles from the series "Zanuso 31" , consists of 4 elements decorated with orange decal on glossy white glaze forming a sun. In 1968, CEDIT introduced to the world of cerami...

Bring the beauty of the garden to your home with our hand-painted radicchio-style plate in a pink hue. Perfect for tableware or as striking wall decor, this plate adds a touch of natural elegance and artistic charm to any space. Whether adorning your dining table or displayed as a decorative piece, it captures the essence of nature with timeless sophistication. 100% Ceramic Handmade and Hand-Painted in Italy...

Bring the beauty of the garden to your home with our hand-painted radicchio-style plate in a pink hue. Perfect for tableware or as striking wall decor, this plate adds a touch of nat...

Beautiful set of two colorful pieces ceramic vases or vessels with typical pattern from the midcentury, approximate 1950-1960. Made in Northern Italy by Valceresio Ceramic near Cere...

Enhance your summer entertaining with the elegant Ceramic Saint Jacques Plates. Expertly handcrafted and beautifully hand-painted in Italy, these plates feature distinctive scalloped...

Enhance your summer entertaining with the elegant Ceramic Saint Jacques Plates. Expertly handcrafted and beautifully hand-painted in Italy, these plates feature distinctive scalloped...

Functional design and sublime technique merge in this spectacular bowl, handcrafted of ceramic following the Japanese technique of naked Raku firing. This u...

A ceramic liquor set designed and manufactured in the Thirties by Rometti Umbertide, it'is in good conditions overall with normal signs of use and age, it's signed on the bottom Rome...

very rare original glazed ceramic tile "Alphard grigio," designed by Ettore Sottsass for Cedit Ceramiche d'italia in the 1990s, included in the project "The Milan Style," whose initi...

Incenso set An extraordinary addition to a contemporary decor for a stunning visual allure, this set of two incense holders features a raw, porous shape deftly handcrafted following the Japanese technique of naked Raku ceramic firing...

Komerobi, in Japanese, means: " the sunlight that passes through the leaves of the trees ". This cup by its extremely clean design is a reminder of the zen essentiality and the use of the cup for its most sacred purpose during ceremonies. Featuring a wooden wick, that enables the flame to expand itself also horizontally and with a sound reminding the crackle of the fire. Citrus top notes mixed with Ginger, Almond, and Spices heart notes give this fragrance an irresistible appeal. A black burnt Raku band and its raku crackle...

Björn Wiinblad Face Vase for Rosenthal Studio Linie 1970s

Rare set of six decorated and gilded ceramic plates designed by Piero Fornasetti. This collection was specially created by the Fornasetti Atelier...

Italian midcentury large ornamental plate centerpiece from the 1970s. A typical pictorial graphics of the 1970s.

“La Canzone” polychrome ceramic tile, designed by Giò Ponti for Richard Ginori - San Cristoforo, Milan 1930s. This tile is a tangible ode to an age when the world was captivated by ...

In the past, this pair of beautiful ceramics carafes, was utilized in a Pharmacy to contain erbs and spices infusions. The carafes shows all signs of the time, but they remain a pai...

Elevate your table with The Sultan's Garden plate, a harmonious blend of artistry and elegance. The hand-painted border frames a delicate floral design, created with a hand-applied d...

These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. The piggy bank, a means that has always been used to remind us of the importance of savi...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Depicting a beautiful female in pa...

Large white ceramic apothecary-herbalist jar with cobalt blue decorations, to contain Thistle in a neoclassical style. The handle of the lid is in the shape of an acorn, on the sides...

Italy, 1950s. Made in airbrushed ceramic. They are vintage pieces, therefore they might show slight traces of use, but they can be considered as in excellent original condition and ...

Riccardo Gatti Italian important vase in glazed ceramic "a lustro". Faenza dating from the mid 1930s. Original label on the base Every item of our Gallery, upon request, is accompan...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of y...

Italian Riccardo Gatti faenza "Antelope” sculpture Animalier glazed “lustre” ceramic Signed under the base 1950s.  Every item of our Gallery, upon reques...

Antique 'rose medallion' also called 'famille rose' porcelain vase of very large proportions. Made in Canton, circa 1880 The Rose Medallion pattern was especially popular from 1830...

Decorative painted ceramic bowl with glazed finish. The outer surface features a relief pattern of stylized shells or flowers, with a texture reminiscent of organic or natural decora...

Andrea D'Arienzo ceramic vase, Vietri, Italy 1950s.

Tile with a matte white background glaze with a stylized silkscreen decoration of vases and cornucopias from which water comes out, in pink and light blue colors. Drawing by Gio Pon...

This elegant centerpiece in white clay features a base in dark grey supporting a conic body made of concentric steps that are finished in red on the outside and in vivid matte green ...

The Bibi vase is part of the Australe collection It is made with a clay slab, that means, by folding a clay slab around a disc- shaped base thus to create the structure, which is the...

Bring rustic charm and countryside warmth to your table with the Barn Collection Hand-Painted Ceramic Dinner Plate Set. This enchanting set features four distinctively designed dinne...

Set of 4 small jars with lid for pharmacy-herbalist's shop in white ceramic with cobalt blue inscriptions, to contain Juniper, Willow, Gentian, Brown seaweed of neoclassical taste wi...

Set of five large apothecary-herbalist jars in white ceramic with cobalt blue decorations, to contain Mallow, Lobelia, Vervain, Rue, Burdock of neoclassical taste. The handle of the ...

Set of five large apothecary-herbalist jars in white ceramic with cobalt blue writing, to contain Dioica, Nettle (Urtica Dioica), Aromatic Calamus (Acorus calamus), Raspberry (Rubus ...

very rare composition of three ceramic tiles of 1970s Cedit Italia production, designed by jean Pierre Garrault and henri Delord, on a white background with geometric patterns in ora...

Lenci Madonna che prega ceramic, 1930, Italy.

Wonderful and unique wood & vinegar ceramic set with tray in a vibrant purple and orange color combination. This delightful set was produced by Ceramiche Franco Pozzi in Italy during...

Beautiful large ornamental centerpiece dish in ceramic by Giovanni De Pascalis contemporary sculptor painter, 1973.

Purple ceramic cachepot Perfect condiction.

Add a touch of charm to your table with our hand-made ceramic plates from our Daisy collection, crafted in Italy with meticulous attention to detail. Available in white, green, and p...

Amazing midcentury blue glazed terracotta ceramic vase. This fantastic item was designed by Aldo Londi for Bitossi in Rimini, Italy, during the late 1950s or early 1960s. This mag...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of y...

Made in Italy, 1950s. This piece is made in hand-painted ceramic and is signed by Ronzani. It is a vintage piece, therefore it might show slight traces of use, but it can be consid...

Add a touch of charm to your table with our hand-made ceramic plates from our Daisy collection, crafted in Italy with meticulous attention to detail. Available in white, green, and p...

Italian Mid-Century Art Pottery Bird Sculpture Box by Aldo Londi for Bitossi

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of y...

Beautiful and large round midcentury ashtray in blue glazed ceramic (Rimini Blu). This amazing piece was designed by Aldo Londi and produced by Bitossi in Italy during 1960s. Thi...

This vase represents the beginning of a new design era for De Lucchi beyond Memphis. This new beginning is best illustrated by inadvertedly abandoning all the critical features of wh...

Striking in its simplicity, this one-of-a-kind bowl will exude sophistication and modern flair into a modern-styled home. Taking on a conical form with jagged outer rim, the bowl's p...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of your smartphone by 15/20 decibels! European Design Patent filed n. 005778529 Materials Handmade in 100% Italian ceramic and non-toxic glazes, i.e. free of lead and other substances harmful to the health of workers (as required by EU regulations). METHOD OF USE Just insert your smartphone in the appropriate space and start your favorite music to hear it clear and loud at home, outdoors or wherever you want! It has a hole for passing the power cable. ECO-SUSTAINABLE PRODUCTION The production method is characterized by an ethical and eco-sustainable approach. Ceramics of controlled origin, non-toxic glazes and photovoltaic panels are used to guarantee the functioning of the electric ovens...

Pottery exotic women sculpture.

The sicilian salt container has beeen hand-crafted in the small town of Patti, it is adorned with intricate hand-painted designs in earthy tones, predominantly green and brown, which are characteristic of traditional Sicilian pottery...

Set of 3 vintage Gucci porcelain plates in the motif of poker cards / Made in Italy Original stamp on the base Diameter: 8.5 inches, height 1 inch set of 3 available in stock in Ital...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

A Memphis Milano black and blue ceramic tea pot designed by Marco Zanini for Bitossi in perfect conditions. The tea pot by Marco Zanini is a stunning piece of functional art. It embo...