Italy - Ceramics

This pair of 1960s turquoise glazed ceramic Chinese Pho Dogs (also known as Foo Dogs or Fu Lions) are decorative guardian figures that reflect traditional Chinese symbolism and craft...

Stelo Wake Candle Holders Turquoise and crackle' effect are the main colors of these candle holders but the black and burnt effect is present on both the outside of the pieces and...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of y...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of your smartphone by 15/20 decibels! European Design Patent filed n. 005778529 Materials Handmade in 100% Italian ceramic and non-toxic glazes, i.e. free of lead and other substances harmful to the health of workers (as required by EU regulations). METHOD OF USE Just insert your smartphone in the appropriate space and start your favorite music to hear it clear and loud at home, outdoors or wherever you want! It has a hole for passing the power cable. ECO-SUSTAINABLE PRODUCTION The production method is characterized by an ethical and eco-sustainable approach. Ceramics of controlled origin, non-toxic glazes and photovoltaic panels are used to guarantee the functioning of the electric ovens...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of your smartphone by 15/20 decibels! European Design Patent filed n. 005778529 Materials Handmade in 100% Italian ceramic and non-toxic glazes, i.e. free of lead and other substances harmful to the health of workers (as required by EU regulations). Method Of Use Just insert your smartphone in the appropriate space and start your favorite music to hear it clear and loud at home, outdoors or wherever you want! It has a hole for passing the power cable. Eco-Sustainable Production The production method is characterized by an ethical and eco-sustainable approach. Ceramics of controlled origin, non-toxic glazes and photovoltaic panels are used to guarantee the functioning of the electric ovens...

Our artisan's pieces are a dream come true, as in Disney's Alice in Wonderland. Ceramic tea service are completely hand-crafted and painted with ...

Stelo Flow Candle Holders Captivating hues of bold visual impact make these two candle holders one-off pieces of unprecedented artistic charm. A stunning Raku crakle' effect on th...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of your smartphone by 15/20 decibels! European Design Patent filed n. 005778529 Materials Handmade in 100% Italian ceramic and non-toxic glazes, i.e. free of lead and other substances harmful to the health of workers (as required by EU regulations). METHOD OF USE Just insert your smartphone in the appropriate space and start your favorite music to hear it clear and loud at home, outdoors or wherever you want! It has a hole for passing the power cable. ECO-SUSTAINABLE PRODUCTION The production method is characterized by an ethical and eco-sustainable approach. Ceramics of controlled origin, non-toxic glazes and photovoltaic panels are used to guarantee the functioning of the electric ovens...

For more than 30 years this artist has revolutionized the way of thinking about stone. Their artisan techniques are the result of careful research and deep knowledge of the subject: ...

Gio Ponti Ceramic Cigarette Box for Richard Ginori Italy 1930s The box was later ( 1940s ) repainted in light green with flower blossoms.

Moss Bowl A visually impressive yet soft play of shades describes the mesmerizing flair of this spectacular bowl, marked by a natural white color enriched...

Fioriera di Angelo Mangiarotti per Fratelli Brambilla. Elegante fioriera realizzata in ceramica smaltata con esterno nero ed interno bianco. Divisibile in due pezzi. Realizzata ne...

Painted ceramic sculpture depicting an English Setter dog in a sitting position. England circa 1950.

Angelo Mangiarotti Rare Three piece vase for Fratelli Brambilla, Italy 1970s Ref: Domus July 1970.

Pair of maiolica tureens Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). a – 8.66 x 11.02 x 7.48 in (22 x 28 x 19...

Made in Venice, Italy, 1950s. This is a ceramic plate pyriform glazed by Otello Rosa for San Polo, Venezia, depicting two cats. This panel is vintage, therefore it might show slight...

Centerpiece cachepot in decorated ceramic. Mangani Firenze Origin Italy Period 1960s Brand MANGANI Firenze Model Centerpiece cachepot Material Ceramic, metal ...

Studio hand made tray from Italy. It has a rectangular shape with rounded corners and a bevelled edge. The base is a lushious gold and it has been hand painted entirely with exotic f...

Cinnamon is one of the teapots from the "The Indian Memory" collection designed by Ettore Sottsass in 1987 and now re-edited by Alessio Sarri. All the pieces in the collection are s...

Italian contemporary "Canopo" serie ceramic vase designed and produced by Amaaro. This vase is directly inspired by the Egyptian canopic jars; i...

China, 20th century. Yellow background porcelain with dragon decorations Height cm 55.

Spectacular Nanni Valentini large wall plate for Ceramica Arcore Signed CA.

Fornasetti.

Piero Fornasetti set of eight Monkeys ceramic coasters, From the "Ne sont tous chevaliers qui sur cheval montent" series Italy 1950s Original box.

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Very good Vintage condition with normal trace of age and use for this red and gray ceramic coffee set with the original tray. Signed by MAS and prod...

Set of 5 decorative plates designed by Gio Ponti for Ceramica Franco Pozzi. Fair condition: visible signs of wear, discolorations and some chipping. A restoration is recommended. Label maker...

A rare plate painted by Aligi Sassu. Signed and dated

1950s gorgeous white, blue and gold tea set/coffee set in Bavaria Porcelain. Made in Germany. The items are in excellent condition. - 1 Coffee...

A beautiful pumpkin shaped bowl with lid crowned by a brass handle by Ceramiche Batignani from the 1950's. This handmade bowl is in perfect condition.

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Orig...

Ivanhoè Gambini Pair of Futurism wall masks, Italy 1940s.  

Beautiful Italian vase mid-century, modern green and brown Glazed ceramic amphora, 1960s. Brown and green glazed ceramic amphora. This vase is from 1960 period and is conserved very ...

Monumental Vittoria Mazzotti, Albisola iridescent vase. Signed V. Mazzotti, Albisola.

Incredibly stunning large Art Deco woman figure signed by Cia Manna, Torino, Italy, 1950s. Semi nude form of a young woman. It is made in painted and glazed ...

Two maiolica pharmacy flasks Milan, Felice Clerici Manufacture, 1770-1780 They each measure 9.44 in (24 cm) in height x 6.10 in (15.5 cm) in diameter l...

Monumental Italian 1940s Gold on Green Painted Terracotta Vase

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Black ceramic vase with Japanese decoration painted and enameled in relief, this vintage product was made between 1960 and 1965 by Ruscha Keramik...

Stylized cat sculpture in polychrome ceramic firm. San Polo Venezia.

Richard Manz Pair of Ceramic Bowls, Denmark 1970s Signed Richard Manz / Made in Denmark

Basilico is one of the teapots from the "The Indian Memory" collection designed by Ettore Sottsass in 1987 and now re-edited by Alessio Sarri. All the pieces in the collection are s...

Goccia incenso holder L Named after the Italian word for "drop" which recalls its delightful shape, this sculptural incense holder is distinguished by a gorgeous pattern elegantly breaking into its clean lines. Handcrafted following the Japanese naked Raku...

Lapislazzuli is one of the teapots from the "The Indian Memory" collection designed by Ettore Sottsass in 1987 and now re-edited by Alessio Sarri. All the pieces in the collection a...

Beautiful Pair of Handcrafted Lady Figurines by Aldo Londi for Bitossi, 1970s This exquisite pair of handcrafted lady figurines, designed by Aldo Londi for Bitossi in the 1970s, sho...

Polychrome hand-decorated porcelain teapot, milk jug and sugar bowl with refined depictions of birds, flowers, and bucolic Japanese landscapes....

A metallic effect cover the body of this tall candle holder ranging from shades of copper green and turquoise to red oxyde iron while the top features ...

A unique piece of art totally handpainted in Italy by crafted artisand the tropical mood metts the Ottomans world.

Made in Italy by Giovanni Bertoncello for Schiavon, 1970s. It is made in brown glazed ceramic. It is a vintage piece, therefore it might show slight traces of use, but it can be cons...

Earth 3 cups This set of three cups in matte, black ceramic deftly handcrafted on the lathe makes for an exclusive addition to modern tableware collections, accenting them with a ...

A coffee pot and two cups with saucers Antonio Ferretti Manufacture Lodi, Circa 1765-1770 Maiolica polychrome decorated “a piccolo fuoco” (third fire). They measure: coffee pot: 9....

The Ceramiche Batignani company was born in Tuscany in 1907 from the artistic and creative skills of Gastone Batignani, the founder. He started the c...

Metropolis sculptures represent civilization at different stages, starting from contained elements of smaller dimensions getting taller. The cracklè exalt the geometric shapes of these candle holders, result of the Japanese Firing...

Made in Italy, 1950s. They are in in lacquered ceramic. These could be by Antonia Campi or Gio Ponti. These are vintage pieces, therefore they might show slight traces of use, but t...

Artist Amedeo Fiorese yellow sprayed ceramic flower vase sculpture, Italy 1970s.   

Goldsheider “Levrieri” Ceramic 1950 Italy

Metropolis sculptures represent civilization at different stages, starting from contained elements of smaller dimensions getting taller. The cracklè exalt the geometric shapes of these candle holders, result of the Japanese Firing...

Made in Italy, 1950s. This wonderful piece is made with 25 white glazed ceramic amphoras. It is a vintage piece, therefore it might show slight traces of use, but it can be consider...

Made in Italy by Giovanni Bertoncello, 1970s. It is made in brown and orange hand-glazed ceramic. This vase is signed on the bottom. It is a vintage piece, therefore it might show s...