London - Photography

Singspiel, Stallion Portrait 2001 by John Reardon 76 x 51 cm Edition of 5 only Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Mu...

'Carlton Hotel' by Slim Aarons The entrance to the Carlton Hotel, Cannes, France, 1958. A couple dressed elegantly in all white tennis outfits with rackets in hand, wander past the...

Cannes, France, 1975 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Availab...

'Ramunės no. 2' London, United Kingdom 2022 Limited edition of 20. Photograph printed on heavyweight fine art paper. COA Included.

Paris Scooter from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 60 x 40 inches / 150 x 101 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

Chris Smith (b.1937) Ali Versus The Beatles 1964 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. / 50 x 92 in. signed and numbered printed later This work...

Liza Minnelli, 1974 (Terry O'Neill - Black and White Photography) Posthumous Edition Silver Gelatin Print 16x20: £2,100 20x24: £2,700 30x40: £4,800 48x72: £12,000 Edition of 50 + ...

Mark of Esteem, ‘Silhouette’, 2001 by John Reardon This Print is part of the Hermès Collection of Contemporary Photographs since November 2023 A few mor...

Obsidian Desert, 2023 Limited edition of 20 Printed on Hahnemühle Photo Rag Baryta 308 gsm fine art paper, 'Obsidian Desert' combines the rugged majesty of Monument Valley with the...

Massachusetts Mist A heron in his chosen hunting spot on a misty New England summer morning in Marion, Massachusetts USA. by Stuart Möller Born in Kabul, part German and Anglo-In...

Gelatin Silver Print Paper size: 10 x 8 inches Framed size: 26.5 x 22.5 inches Dated 'Apr 29 1982' on the reverse Provenance: Private collection, New York This work originates from the Estate of Andy Warhol, and thence, the Andy Warhol Foundation for the Visual Arts. This work comes with a certificate of provenance and an entry into the Catalogue Raisonne held by the Warhol Foundation.

Tina Turner On Stage - Limited Edition Mick Rock Estate Print Tina Turner on stage in London, 1974 (photo Mick Rock). All prints are numbered by the Estate. Edition size varies...

Catherine Wilke 1980 Catherine Wilke joins the topless sunbathers on the island of Capri. 40 x 30" inches / 101 x 76 cm paper size. Estate Stamped Collection Edition to 150 Phot...

Merle Oberon, 1930s - Cecil Beaton (Portrait Photography) Inscribed 'Merle Oberon' and stamped with Sotheby's Cecil Beaton studio ink stamp on reverse Sil...

This 2006 fine art print features a nude shot of a beautiful dancer smoking, on a black background that gives a magnificent contrast to her bright pink headdress. The photograph is f...

Silver gelatin print (printed 2004), signed, dated and numbered (verso), edition '15/25', 34cm x 23cm (image size), (50cm x 38cm framed). (N.B. although this is an edition of 25, onl...

Oliver Reed – Broome Hall, England, 1975 The legendary British actor and hell-raiser began his film career in the late 1950s. In 1968 he played the role of Bill Sikes in the aware-winning musical Oliver!, directed by his uncle Carol Reed. Shamelessly outspoken, he once explained, ‘I do not live in the world of sobriety’. He died during the filming of Gladiator in 2000 – having drunk three bottles of rum – leaving director Ridley Scott the multi-million pound...

Rooting explores the quiet persistence of life as climbing plants stretch and anchor themselves against a textured wall. The fine tendrils of the roots, illuminated by soft light, cr...

Duffy - Pirelli Ice Cream Girl - banned - signed limited edition BANNED OUTTAKE - ICE CREAM ON BREASTS - PIRELLI 1973 Image size 18x12" signed Archival Pigment print limited edition size of 12 only On the 27th of October 1972 for the first time in Pirelli Calendar history, this image was banned. It was deemed too risqué even for a publication such as this. Derek Forsyth and Allen Jones were summoned to Pirelli’s head office in Chester square to explain themselves. The chairman of the company deemed the image too perverse and it was never published. Duffy was one of the few photographers who was commissioned for three Pirelli calendars. His first two calendars were in 1965 and 1973 and his last shoot for Pirelli was also in 1973 for the Cinturato truck tyre calendar. Duffy worked with the pop artist Allen Jones and the airbrush artist Philip Castle. The airbrushing techniques used producing this calendar were incorporated on the David Bowie Aladdin Sane album cover in 1973. More About Duffy : AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’ HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’ ‘A man who thrived on risks and challenges, who lived to create.’ In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography he abruptly shut his studio, attempted to burn all of his negatives and moved into commercials. Despite repeated requests to return to still photography, give interviews or discuss his career, he became reclusive and his remaining negatives would have stayed in boxes under the stairs had it not been for the persistence of his eldest son, Chris. Chris realised that Duffy’s name was slowly slipping into obscurity and regularly tried to persuade him to do something with his remaining archive. It wasn’t until 2006 when Duffy was diagnosed with the degenerative lung disease Pulmonary Fibrosis that he finally gave Chris the green light to start putting the archive together. The process was a labour of love for the first few years. Organising, scanning and databasing his negatives took many hours whilst Chris was running his own photographic studio. In 2009 the opportunity to exhibit at Chris Beetles Gallery in Mayfair London (now Beetles & Huxley) gave Duffy the platform for his first ever exhibition which was hailed with great critical acclaim. The exhibition ignited an incredible interest in his work and there were regular queues to see the show. During the process of putting the exhibition together, the BBC commissioned a documentary on Duffy’s life and work which aired in 2010. Chris then started on the first monograph but sadly Duffy was never to see this and passed away on 31st May 2010. Since 2010 Duffy’s work has been exhibited in numerous museums and galleries around the world. In 2012 the Victoria and Albert Museum requested use of the original Aladdin Sane record cover ‘dye transfer’ print for their British Design 1948-2012 cultural exhibition. In 2013 the V&A approached the archive for use of the newly released ‘Eyes Open’ version as the lead image for the ‘David Bowie is’ exhibition. This exhibition has achieved record breaking numbers in several venues and has been seen by over 1.5 million visitors. Duffy’s name has now become recognised by an international audience and is now firmly back on the map. In 2014 Duffy’s second book was released – Duffy Bowie: Five Sessions which covers his work with David Bowie. Written by Chris Duffy and Kevin Cann the book explores the chemistry and creation of these five iconic sets of images illustrated with interviews from people who were directly involved. The book is also available in French and Italian. The archive is made up of negatives and contact sheets that have been retrieved from numerous UK and international publications; Vogue, French Elle, Glamour, The Sunday Times, The Telegraph to name but a few in addition to work held by independent archives. The process of exhibiting Duffy’s work continues and the future holds several more book projects illuminating Duffy’s eclectic and influential work. ice cream pirelli calendar girls sex sexy erotic erotica nudes boobs...

'Red boat' Printed on archival paper with museum-grade precision, this limited edition work balances mystery and simplicity. A photograph is carefully placed in a secure cardboard ...

USA, New Orleans, Louisiana, 1947 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed l...

Arts Festival (1964) Limited Estate Stamped (Photo By Slim Aarons) The Palm Beach Arts Festival Procession, Florida, 1964. Additional Inform...

Fine art photography. With frame

Rabari Shepherd, Rajasthan, India, 2009 - Steve McCurry (Colour Photography) Signed and affixed with photographer's edition label and numbered on reverse Digital c-type print 20 x 24 inches, edition of 30 30 x 40 inches, edition of 15 40 x 60 inches, edition of 10 Steve McCurry (born 1950) is best known for his evocative colour photographs that document both human struggles and joy. Having travelled the globe for over thirty years, McCurry has photographed warzones, burning oil fields, refugee camps, ship breaking yards and monsoons all over the world. A member of Magnum Photos...

Central Park is part of a group of prints based on a visit to New York City, Because I live and work in quiet isolation and often don't meet anyone apa...

'Flight Mexico, 2025 Artist Biography: Ugne is a Lithuanian fine art photographer based in London. Her work explores the intricate systems and subtle beauty of nature, finding ins...

'Red night' 2023 Photograph made in Joshua Tree National Park. From Limited edition of 20. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both front and back with ...

Twiggy with Flowers, 1966 (Terry O'Neill - Black and White Photography) Silver Gelatin Print 16x20: £2,100 20x24: £2,700 30x40: £4,800 48x72: £12,000 Edition of 50 and 10 APs per ...

Cape Cross, 2009 by John Reardon Archival Pigment Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece is part of (after) Whistlejacket - Contemporar...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Nancy Cunard, 1924 - Cecil Beaton (Portrait Photography) Inscribed with title and stamped with photographer's copyright ink stamp on reverse Silver gelatin print, printed later 9 3/8...

'A Nice Spot For Lunch' by Slim Aarons A group enjoy a picnic at a rocky coastline in Bermuda, 1957. (Photo by Slim Aarons) A brand new archiv...

Paper size 35 x 24”, Image size 25 x 20" Limited Edition of 10 Working on a freelance basis for The Sun, Koppel was despatched to Regent Street's Tower Records in 1987 to photograph...

Dark Flora #5 - May Foxgloves, 2020 Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8 Foraged from Sussex Wealden woodland in early summer, it includes Foxgloves, beech, heather and star moss surrounding a woodland bird’s nest. Foxglove’s sometimes used to be called dead man’s bells due to every part of the plant being poisonous... Inspired by Victorian era taxidermy dioramas...

A Beachside Meal In Capri 1959 Holidaymakers enjoy a meal at a beachside restaurant in Capri, Italy, 1959. by Toni Frissell 12x16 inches / 30x 41 cm paper size Archival pigment ...

The Beatles at Abbey Road Studios, March 30th 1967 during the recording of Sgt Pepper's Lonely Hearts Club Band, take a lunch break. Later that day they after recording they made the...

David Koppel served his photographic apprenticeship in the rough-and-tumble world of the Fleet Street paparazzi in 1980’s London when his skills captured the very essence of the Me Decade that gave birth to the celebrity culture of today. Koppel’s classic photographs of Frank Sinatra, Marlon Brando, Jack Nicholson, the Rolling Stones, David Bowie, Paul McCartney, Eric Clapton & the Royal Family appeared in every major newspaper and magazine and marked him out as that rarity amongst press photographers: the artist with a camera. Building on the reputation gained through the photographs for the book Still Waters, his black-and-white portraits of ordinary people now rank among the many famous names in his portfolio. Koppel also went one better and in 2002 bought the St Giles St Gallery , bringing the best of local and international contemporary art and photography to Norwich, including the works of Sir Peter Blake, Terry O’Neill, David Bailey, Maggie Hambling, Storm Thorgersson, Tim Woolcock...

Only Elvis by B A T I K signed limited edition print pop art print of the infamous mock arrest mugshot of Elvis Presley. Archival pigment print paper size 20x16 inches / 51 x ...

Rare Sally Soames portrait silver gelatin print of Muhammed Ali. Soames signed very few of these prints and after death left her library to a media organisation with instructions that no more prints should be produced. She rarely had selling shows during her lifetime and rarely signed prints...

'Jumbo rocks California #2' 2023 Limited edition of 20 Photograph shot using mid-century large format film camera Linhof. Printed on archival Hahnemühle Photo Rag Baryta paper. Si...

Iconic and rare limited edition print direct from the negative, signed lower right hand margin and stamped with photographers own blind stamp. This is Number 1/25. Paper size 25 x 17...

New World Order by BATIK Satirical pop art artwork featuring Vladimir Putin, VP J.D. Vance, Donald Trump and Elon Musk in WW2 war rooms. BATIK is a London based fine artist and im...

Duke Ellington at rehearsals with cigarette in mouth. Frank Herrmann is widely regarded as one of the outstanding photojournalists of the latter part of the twentieth century, with ...

Marilyn Monroe, New York City, 1954 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed...

'Spider Lily’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühl...

Before digital when cameras used only film, a roll of 36 would be processed to produce a strip of negatives. The long roll of negatives was then cut into strips of six, usually with ...

Baba Beaton and Prince Galitzine, 1927 - Cecil Beaton (Portrait Photography) Signed in pencil on mount Inscribed with 'Baba Prince Galitzine' in unknown hand, stamped with photograph...

Vogue Dive 1944 A Vogue fashion shoot featuring a model jumping on a diving board wearing a bright 1940's yellow floral bikini, Florida USA 1944 by Toni Frissell 40 x 30" inches...

'Black bloom’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühl...

#396, 2016 Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame) Image size: 40.6 x 30.5 cm Framed: 58 x 49 cm Unique Series: The Self Representation of Light Signed and dated in pen on verso © Michael Jackson The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting. After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms. "I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...

'Hotel Du Cap-Eden-Roc' by Slim Aarons ESTATE EDITION - numbered and emboss stamped on front. (edition size 150 only) Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, ...

Frank Herrmann is widely regarded as one of the outstanding photojournalists of the latter part of the twentieth century, with an illustrious thirty year career at The Sunday Times. ...

'Peony No.2’ Photographed in London, United Kingdom 2023. Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to withstan...

Elvis Adoration (1956) (Photo By Phillip Harrington) May 27, 1956 Elvis Presley hugging a group of fans backstage after a performance at the University of Dayton Fieldhouse. Additional Information: Unframed Paper Size: 12x16'' Printed Later Paper: Archival Pigment About the Image: Elvis Aaron Presley, also known simply as Elvis, was an American singer, musician and actor. He is regarded as one of the most significant cultural icons of the 20th century and is often referred to as the "King of Rock and Roll" or simply "the King". NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin, and Ralph Steiner. Harrington studied under Clarence White, Jr., who described Harrington as being among the school’s best students. Elvis, Elvis Presley, Elvis Presley2, LEADING MEN, Phillip Harrington Retro Vintage Color...

Boy In Mid-Flight, Jodhpur, India, 2007 - Steve McCurry (Colour Photography) Signed and affixed with photographer's edition label and numbered on reverse Digital c-type print 20 x...

Waterlogged is a limited-edition photograph by contemporary artist Luca Marziale, from the Extra series. This photograph is sold unframed as a print only. It is available in 2 dime...

“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings.... It symbolises trust, honour, strength, wisdom, power, and freedom” Naturally shed feathers, none of them were dyed, all natural colours. Birds’ feathers included in this artwork: Blue Jay Pheasant Woodcock Blue Mallard Homing Pigeon Teal Duck Partridge Han Mallard Magpie Red Kite Blue & Gold Maccaw Red and Green Maccaw Peacock Guinea Fowl Parrot Leopard Spotted Argus Pheasant Lady Amherst Pheasant Ringneck Pheasant Golden Reeves Pheasant Tragopan Pheasant Oriental Bay Owl Scarlet Ibis Feathers, 2022 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 100 x 100 cm / Framed: 102 x 102 cm/ 40 x 40 inches approx. Edition of 5 + 2AP About the Artist George McLeod...

Golf In Hong Kong 1959 A group play golf on a coastl golf course, Hong Kong, 1959. by Toni Frissell 16 x 20" inches / 41 x 51 cm paper size Archival pigment print unframed (fr...