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Item Ships From: London
Hugh Casson Trinity College Oxford signed limited edition print c. 1980
By Hugh Casson
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1980s Impressionist London - Landscape Prints
Materials
Color
The Queen's College, Oxford lithograph by Hugh Casson
By Hugh Casson
Located in London, GB
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Hugh Casson (1910 - 1999)
The Queen's College, Oxford
Lithograph
30 x 24 cm
Casson's view of Queen's, with students heading out to the High Street.
Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture...
Category
1980s Modern London - Landscape Prints
Materials
Lithograph
Exeter College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Exeter College...
Category
1670s Realist London - Landscape Prints
Materials
Engraving
Trinity College, Oxford etching by Richard Beer Modern British Art
By Richard Beer
Located in London, GB
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Category
1980s Realist London - Landscape Prints
Materials
Etching
Oriel College, Oxford etching by Richard Beer 1980s
By Richard Beer
Located in London, GB
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Category
1980s Realist London - Landscape Prints
Materials
Etching
Crimson Hour - Colourful, Bright, Atmospheric, Tree, Nature, Digital Art
Located in London, GB
Mark was born in Yorkshire and studied photography at Wolverhampton Polytechnic before moving to London in 1991. He initially worked as a photographer before focusing more on illustr...
Category
2010s Contemporary London - Landscape Prints
Materials
Metal
Walter Hoyle Jesus College Cambridge linocut print Modern British Art
By Walter Hoyle
Located in London, GB
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Walter Hoyle (1922 – 2000)
Jesus College Cambridge...
Category
1960s Modern London - Landscape Prints
Materials
Linocut
John Piper: 'Nursery Frieze II' lithograph
By John Piper
Located in London, GB
To see our other Modern British Art (including many other John Piper prints), scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a m...
Category
1970s Modern London - Landscape Prints
Materials
Lithograph
Christ Church, Oxford 18th century engraving by John Dadley after Edward Dayes
Located in London, GB
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Category
1790s London - Landscape Prints
Materials
Engraving
Wadham College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Wadham College, Oxford (1675)
Engraving
32 x 41 cm
Loggan's view of Wadham from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman...
Category
1670s Realist London - Landscape Prints
Materials
Engraving
Christ Church, Oxford lithograph by Hugh Casson
By Hugh Casson
Located in London, GB
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Hugh Casson (1910 - 1999)
Christ Church, Oxford
Lithograph
30 x 24 cm
Casson's view of a busy Christ Church.
Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture...
Category
1980s Modern London - Landscape Prints
Materials
Lithograph
Hugh Casson Oriel College, Oxford limited edition print
By Hugh Casson
Located in London, GB
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Hugh Casson
Oriel College...
Category
1990s Modern London - Landscape Prints
Materials
Color, Lithograph
Worcester College, Oxford lithograph by Richard Beer
By Richard Beer
Located in London, GB
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Richard Beer (1928 - 2017)
Worcester College...
Category
20th Century London - Landscape Prints
Materials
Etching, Aquatint
Oriel College, Oxford lithograph by William Nicholson
Located in London, GB
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Category
Early 1900s London - Landscape Prints
Materials
Lithograph
Oxford 1675 engraving by David Loggan Prospectus Oxoniae Orientalis
By David Loggan
Located in London, GB
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Category
1670s Realist London - Landscape Prints
Materials
Engraving
University College, Oxford lithograph by William Nicholson
Located in London, GB
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Category
Early 1900s London - Landscape Prints
Materials
Lithograph
Cambridge University 18th century engraving by Jan Kip after Whitehand
Located in London, GB
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Category
18th Century Realist London - Landscape Prints
Materials
Engraving
Florence Ponte Vecchio etching by Valerie Thornton
Located in London, GB
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Valerie Thornton (1931 - 1991)
Ponte Vecchio, Florence (1972)
Etching and aquatint
33 x 20 cm
Numbered 1/60 lower left, titled below, and signed and dated lower right, all in pencil.
Here, Thornton muses on the dramatic differences in tone and texture between the water of the River Arno, the smooth paleness of the Ponte Vecchio, and the dark terracotta of the city's roofs. Her work is deeply concerned with material, and many of her etchings focus on eroded stone, emotive landscapes, and weathered architecture.
Valerie Thornton was a British etcher and printmaker. She was born in London, but was evacuated to Canada with her two brothers during World War II. She returned to London in 1944 and studied at the Byam Shaw School of Art in 1949. From 1950 to 1953 Thornton studied under P.F. Millard at the Regent Street Polytechnic, then spent eight months at Atelier 17 in Paris. In the early 1960s, she moved to New York and worked at Pratt Graphic Art Center. In 1955, she succeeded Howard Hodgkin as assistant art teacher at Charterhouse School and in 1965 she became a founding member of the Print Makers Council. In 1970 she became a Fellow of the Royal Society of Painters-Etchers and Engravers.
Thornton was a member of The Regent Street Group (a group of nine artists who studied together at the Regent Street Polytechnic in the early 1950s). The group also included Susan Horsfield, Renate Meyer, Michael...
Category
1970s Abstract London - Landscape Prints
Materials
Etching, Aquatint
Adrian Collaert Martin de Vos 17th Century engraving Jesus Heals the Paralytic
By Adriaen Collaert
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Adriaen Collaert (c. 1560-1618) after Maerten de Vos...
Category
17th Century Realist London - Landscape Prints
Materials
Engraving
Magdalen Tower and Bridge, Oxford etching by Richard Beer
By Richard Beer
Located in London, GB
To see our other views of the Colleges of the Univeristy of Oxford and the Unviersity of Cambridge, or Modern British Art, scroll down to "More from this Seller" and below it click o...
Category
1960s Modern London - Landscape Prints
Materials
Etching, Aquatint
View from Queen's College, Oxford Almanac 1972 lithograph after John Piper
By John Piper CH
Located in London, GB
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Category
20th Century London - Landscape Prints
Materials
Lithograph
Hugh Casson St Edmund Hall, Oxford signed limited edition print
By Hugh Casson
Located in London, GB
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Hugh Casson
St Edmund Hall...
Category
1990s Modern London - Landscape Prints
Materials
Color, Lithograph
Bodleian Library, University of Oxford 20th century etching by Valerie Thornton
Located in London, GB
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Valerie Thornton (1931-1991)
Bodleian Quadrangle, Oxford (1983)
Etching
24 x 35 cm
Numbered 13/75 lower left, titled below, and signed and dated lower right, all in pencil.
A very good example of Thornton's recognisable and unusual etching style. Her work is deeply concerned with material, and many of her etchings focus on eroded stone, emotive landscapes, and weathered architecture. Here, Thornton draws out the exceptional texture of the Bodleian Library's local stone.
Valerie Thornton was a British etcher and printmaker. She was born in London, but was evacuated to Canada with her two brothers during World War II. She returned to London in 1944 and studied at the Byam Shaw School of Art in 1949. From 1950 to 1953 Thornton studied under P.F. Millard at the Regent Street Polytechnic, then spent eight months at Atelier 17 in Paris. In the early 1960s, she moved to New York and worked at Pratt Graphic Art Center. In 1955, she succeeded Howard Hodgkin as assistant art teacher at Charterhouse School and in 1965 she became a founding member of the Print Makers Council. In 1970 she became a Fellow of the Royal Society of Painters-Etchers and Engravers.
Thornton was a member of The Regent Street Group (a group of nine artists who studied together at the Regent Street Polytechnic in the early 1950s). The group also included Susan Horsfield, Renate Meyer, Michael Lewis...
Category
1980s Abstract London - Landscape Prints
Materials
Etching
David Loggan All Souls College, Oxford Engraving 1675
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
All Souls College...
Category
1670s Realist London - Landscape Prints
Materials
Engraving
Andrew Ingamells (b.1956), Jesus College Cambridge engraving after David Loggan
By Andrew Ingamells
Located in London, GB
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Andrew Ingamells
Jesus College, Cambridge
Etching and aquatint
58 x 84 cm
Signed in pencil and numbered from the edition of 150.
Inspired by David Loggan’s celebrated engraving of the College in 1680, this view of Jesus College was the first of Ingamells’ series of views of Oxford and Cambridge. It took six months to complete and has long-since sold out from the publisher.
The Master and Fellows of the College own both the original drawing, which the engraving is based upon, and the copper etching plate...
Category
21st Century and Contemporary Realist London - Landscape Prints
Materials
Etching, Aquatint
Radcliffe Camera, University of Oxford lithograph by William Nicholson
Located in London, GB
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Category
Early 1900s London - Landscape Prints
Materials
Lithograph
Zephyr At Night - Limited Edition Signed
By Irie Wata
Located in London, GB
Zephyr At Night - Oversize Limited Edition Signed
Edition size 100 only
40x30" inches / 101 x 76 cm paper size
by Irie Wata
Surrealist artist
surr...
Category
2010s Surrealist London - Landscape Prints
Materials
Archival Pigment
1804 Etching St George's Chapel Windsor Castle Architectural Prince Harry Meghan
By Frederick Nash
Located in London, GB
From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Frederick Nash (1782-1856) Drawn and etched
Engraved by F C Lewis
Arches and Columns
London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804
55x39cm
Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category
Early 1800s Realist London - Landscape Prints
Materials
Engraving, Etching
Map of Northumberland by Joan Blaeu
By Joan (Johannes) Blaeu
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....
Category
1660s London - Landscape Prints
Materials
Engraving
Christ Church, Oxford 1675 hand-coloured engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist London - Landscape Prints
Materials
Engraving
Whitehaven, Cumbria engraving by Elizabeth Byrne after Joseph Farington RA
Located in London, GB
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Elizabeth Byrne (1777 - 1849) after Joseph Farington RA (1747 - 1821)
North View of Whitehaven, Cumbria
Hand-coloured engraving
27.5 x 56.5 cm
A view of the cliffs and port of Whitehaven in Cumbria.
Joseph Farington RA was an 18th-century English landscape painter and diarist. He drew a north and south view of Whitehaven, which were engraved by Elizabeth Byrne in the early 19th century. Byrne was a London-born etcher and landscape painter, who was taught by her father, the etcher William Byrne...
Category
1810s Realist London - Landscape Prints
Materials
Engraving
1804 St George's Chapel Windsor Castle print
By Frederick Nash
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Meghan Markle; to see some ...
Category
Early 1800s Realist London - Landscape Prints
Materials
Etching, Aquatint
Hugh Casson Pembroke College Oxford signed limited edition print c. 1980
By Hugh Casson
Located in London, GB
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Sir Hugh Casson (1910-1999)
Pembroke College Oxford...
Category
1980s Impressionist London - Landscape Prints
Materials
Color
Jesus College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1690s Realist London - Landscape Prints
Materials
Engraving
Clare College, Cambridge 1690 aerial view engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1690s Realist London - Landscape Prints
Materials
Engraving
The Radcliffe Camera from All Souls College, Oxford etching by Henry Walker
Located in London, GB
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Category
Early 20th Century London - Landscape Prints
Materials
Etching
Christ Church, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist London - Landscape Prints
Materials
Engraving
Hugh Casson: Magdalene College, Cambridge, First Court limited edition print
By Hugh Casson
Located in London, GB
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Category
1990s Modern London - Landscape Prints
Materials
Color
The Hertfordshire Hunt fox hunting print by Lionel Edwards
By Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Lionel Ed...
Category
1920s London - Landscape Prints
Materials
Lithograph
Rugby School linocut print by Walter Hoyle
By Walter Hoyle
Located in London, GB
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Walter Hoyle (1922 - 2000)
Rugby School
Linocut
62 x 46 cm
Signed, titled, and inscribed A/P in pencil. Possibly unique.
Hoyle's view of Rugby School. The school's architecture is depicted in shades of blue and grey, with an orange patch of sun in the cloudy sky above. A green lawn peeks out from between the buildings, which lean gently away from one another.
Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country.
Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...
Category
1960s Modern London - Landscape Prints
Materials
Linocut
Theodoor Galle Martin de Vos 17th Century engraving Jesus Raises Lazarus
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Adriaen Collaert (c. 1560-1618) after Maerten de Vos (1532 - 1603)
30. Iesus voce magna clamauit; Lazare, veni foras. Et statim proijt qui fuerat mortuus. Iohn. 11.
From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676)
17.5x22cm
Framed
The Raising of Lazarus...
Category
17th Century Realist London - Landscape Prints
Materials
Engraving
Christ Church Meadows, Oxford lithograph by Edwin La Dell
By Edwin La Dell
Located in London, GB
To see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...
Category
1950s Impressionist London - Landscape Prints
Materials
Lithograph
Oberammergau, Germany 1960 original vintage Passion Play poster
Located in London, GB
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Jeux de la Passion Oberammergau 1960
Original vintage poster
100 x 63 cm
Printed in Germany.
This magnificent poster advertises the Passion Play (an outdoor play...
Category
1960s London - Landscape Prints
Materials
Lithograph
Walter Hoyle Gate of Honour Caius linocut print
By Walter Hoyle
Located in London, GB
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Walter Hoyle (1922 – 2000)
Gate of Honour, Caius College Cambridge (1965-6)
Linocut
56x43cm
Full sheet size 96x68cm
Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists of whom in the post war era probably Bawden and Kenneth Rowntree are the most famous. Diverse in style, they created figurative work – in stark contrast to the abstract work of the St Ives artists at the opposite end of the country. (If he had not died whilst on active service as a war artist, off Iceland in an air-sea rescue, Eric Ravilious would have had this accolade.) The Fry Art Gallery in Saffron Walden was established to celebrate the works of the Great Bardfield group.
Hoyle taught at St Martin’s School of Art from 1951-60, Central School of Arts and Crafts from 1960-64, and Cambridge School of Art from 1964...
Category
1960s Modern London - Landscape Prints
Materials
Linocut
Lady Margaret Hall, Oxford screenprint by Brendan Neiland
By Brendan Neiland
Located in London, GB
Brendan Neiland (b. 1941) R.A. (Expelled)
Lady Margaret Hall
Screenprint
46 x 27 cm
Signed, titled, and numbered 42/175 in pencil.
A screenprint ...
Category
Late 20th Century Abstract London - Landscape Prints
Materials
Screen
All Souls College, Oxford, William Nicholson lithograph 1905 Stafford Gallery
By William Nicholson
Located in London, GB
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William Nicholson (1872-1949)
All Souls College, Oxford
Signed, and numbered 98, published by Stafford Gallery with blindstamp
Lithograph
35x28cm
Probably best known through his graphic works, as a book designer and illustrator, Nicholson was greatly encouraged in his landscapes by Whistler from about 1900. In 1902-03 he produced a series of watercolour, chalk and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh – father of Evelyn Waugh...
Category
Early 1900s Realist London - Landscape Prints
Materials
Lithograph
Adrian Collaert Martin de Vos 17th Century Engraving Annunciation of Our Lady
By Adriaen Collaert
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
17th Century Realist London - Landscape Prints
Materials
Engraving
Map of Oxfordshire by Joan Blaeu with college crests
By Joan (Johannes) Blaeu
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....
Category
1660s London - Landscape Prints
Materials
Engraving
Hugh Casson Magdalen College and Bridge Oxford limited edition print
By Hugh Casson
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1990s Modern London - Landscape Prints
Materials
Color
Adrian Collaert Martin de Vos 17th Century engraving Christ Cleansing the Temple
By Adriaen Collaert
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
17th Century Realist London - Landscape Prints
Materials
Engraving
Bindon Abbey, Dorset engraving after Samuel and Nathaniel Buck
By Samuel & Nathaniel Buck
Located in London, GB
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after Samuel Buck (1696 - 1779) and Nathaniel Buck (active 1724 - 1759)
The South View of Bindon Abbey, in the County of Dorset (1733)
Engraving
20 x 37 cm
An engraved view of Bindon Abbey, a Cistercian monastery on the River Frome in Dorset. The monastery was founded in 1149 by William de Glastonia on the site since known as Little Bindon near Bindon Hill. In 1172 the monastery moved to a site near Wool, and was supported by the house of Plantagenet. The abbey was scheduled for Dissolution in 1536, and finally dissolved in 1539. Only ruins remain.
Samuel and Nathaniel Buck...
Category
1730s London - Landscape Prints
Materials
Engraving
Map of Northumberland by Joannem Janssonium 17th century
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....
Category
1640s London - Landscape Prints
Materials
Engraving
Winchester Palace, Southwark, London engraving after Samuel and Nathaniel Buck
By Samuel & Nathaniel Buck
Located in London, GB
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after Samuel Buck (1696 - 1779) and Nathaniel Buck (active 1724 - 1759)
The East View of Winchester Palace (1733)
Engraving
20 x 37 cm
An engraved view of Winchester Palace, a bishop's palace built in the 12th century. It served as the London townhouse of the Bishops of Winchester and remained in use until around 1700, when it was divided up into tenements and warehouses. The building was largely destroyed by fire in 1814.
Samuel and Nathaniel Buck...
Category
1730s London - Landscape Prints
Materials
Engraving
Waterloo Station 1993 poster by Brendan Neiland signed "to Bob Reid"
By Brendan Neiland
Located in London, GB
Brendan Neiland (born 1941) R.A. (Expelled)
Waterloo International (1993)
Lithographic poster
101 x 60 cm
Signed 'Brendan Neiland', numbered I/XII, and inscribed 'To Bob Reid' (Reid...
Category
1990s Modern London - Landscape Prints
Materials
Screen
Trinity College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Trinity College, Cambridge (1690)
Engraving
80 x 50 cm
Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1690s Realist London - Landscape Prints
Materials
Engraving
St Peter's College, Oxford lithograph by Paul Hogarth
Located in London, GB
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Paul Hogarth
St Peter's College, Oxford (1982)
Lithograph
33 x 46 cm
A lithograph of St Peter's, from a line and wash...
Category
20th Century London - Landscape Prints
Materials
Lithograph
The Oxford Almanack 1744, engraving by Joseph Skelton after G Vertue
Located in London, GB
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Category
1740s London - Landscape Prints
Materials
Engraving
Cambridge map 17th century engraving after John Speed
By John Speed
Located in London, GB
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Pieter van den Keere (1571 - circa 1646) after John Speed (1551 or 1552 - 1629)
Map of Cambridgeshire
Engraving
8 x 12 cm
A beautifully coloured map of Cambridgeshire, with an antique description of the county to the reverse. The map, along with many others, was published in Speed's atlas, 'The Theatre of the Empire of Great Britaine', first published in 1611. This particular miniature edition of the 'Theatre' was published in miniature by George Humble in 1627, entitled 'England Wales Scotland and Ireland Described and Abridged With ye Historic Relation of things worthy memory from a farr larger Voulume. Done by John Speed.’ Speed's original map was likely engraved for this edition by Peter van den Keere. van den Keere's maps soon came to be known as "Miniature Speeds".
John Speed was an English cartographer, chronologer and historian. The son of a citizen and Merchant Taylor in London, he rose from his family occupation to accept the task of drawing together and revising the histories, topographies and maps of the Kingdoms of Great Britain as an exposition of the union of their monarchies in the person of King James I and VI. He accomplished this with remarkable success, with the support and assistance of the leading antiquarian scholars of his generation. He drew upon and improved the shire maps of Christopher Saxton, John Norden and others, being the first to incorporate the hundred-boundaries into them, and he was the surveyor and originator of many of the town or city plans inset within them. His work helped to define early modern concepts of British national identity. His Biblical genealogies were also formally associated with the first edition of the King James Bible...
Category
1620s London - Landscape Prints
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century Healing Peter's Mother-in-law
By Adriaen Collaert
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
17th Century Realist London - Landscape Prints
Materials
Engraving
David Loggan King's College Cambridge Chapel engraving 1690 Colegii Regalis
By David Loggan
Located in London, GB
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Category
1670s Realist London - Landscape Prints
Materials
Engraving
