London Abstract Sculptures

Francesco Raimondi, Lucky Horn, 2020 glazed earthenware, platinum and gold, hand painted, unique piece Measures: Approximate 100cm x 25 cm A cornicello It...

This delicately carved marble is a characteristic style of work of Mathurin Moreau, a leading French sculptor who specialised in the representation of nymphs and female allegories. T...

Two large porcelain figurine of Nathan the Wise originally designed by Adolf Ferdinand Walter Jahn. Long bearded man standing on a square base wearing blue robe, and matching long dr...

The Ziggurat series (of four) are smaller scale investigations into colour, planes and form. Each Ziggurat as a unique, one-off sculpture, completely handmade and finished by Russell...

"Composizione 40100 #08" (Sarabanda), 2019, glazed earthenware, measures: H 38 x 40 x 40cm Andrea Salvatori (Italy, 1975) is an internationally renowned visual artist working with the ceramic medium to realize often ironic and witty sculptures, sometimes involving a diverse selection of found objects, such as Murano glass vases, Meissen Porcelain miniatures or Ginori period ceramics sourced in flea markets around Europe. Salvatori’s works often begin with these items and proceed by the addition of elements masterfully created by the artist, generating an unexpected semantic shift. The result is unique, encompassing pop culture and kitsch aesthetics: a witty and effective way to turn reality upside-down and at the same time a powerful combination of exquisite craftsmanship and genuine irony. Andrea Salvatori was born on 3 of March 1975 in Faenza (Ra), Italy; he has graduated at the Istituto d’arte for Ceramic in Faenza in 1995, and he then graduated with a Degree in Sculpture at the Accademia di Belle Arti of Bologna in 2000. During his studies, Andrea learned the secrets of ceramics from the creative duo Bertozzi & Casoni having worked as an apprentice in their studio for many years at the same way as during Renaissance artists learned their practice with their Masters. Since 1997 he had several individual and collective exhibitions. In 2009 he won the first prize at the 56th edition of the prestigious Premio Faenza, the International Contest of Contemporary Art Ceramics, for which he classified second in the prior edition. In 2011 he classified second at the Sidney Myer Fund Australian Ceramic...

A large, biomorphic plaster sculpture with a burnished finish that sits as a solid piece with a dynamic slanted axis. It was previously owned by Sir Terence Conran (1931 – 2020). Con...

Created from solid cast glass, Heike Brachlow’s intriguing sculpture Halycon is based on a concept called D-form, a three-dimensional form created by jo...

Nan Nan Liu's sterling silver sculpture reflects her creative interest in natural forms and energies. In this profoundly dynamic and Kinetic example of her...

"Michelangelo prèt-a-porter " -Testone - Unique piece, 2017 glazed earthenware A Ring Thing collection A small chair, a miniature moon, a Philipp Stark's squeezer or the anatomic...

Set of three small abstract white rock sculpture are hand sculpted in ceramic. The sculptures resemble white cliffs on the British coast line. They are c...

Spectacular and sumptuous sculpture by Caroline Cheng, 2016. Unique piece comprising thousands of handmade cobalt-blue porcelain butterflies sewn onto fabric backing, punctuated by ...

A vintage oriental spinach jade sculpture, carved in a beautiful unique shape with a scroll design making it a stunning rare and unusual decorative item.

Freyja Dorren, Watering Hole, 2023, glazed earthenware- 50cm Height X 35cm Width Unique piece. Freyja Dorren, born and raised in Edinburgh and now based in London, is a recent graduate at the Royal College of Art Ceramics & Glass MA which follows a Degree in Textiles at Central Saint Martins. Freyja has always been influenced by the life of cities, exploring the marriage of old historical aspects of architecture with new and modern developments into our ever-growing cities. Her interest in architecture stems from taking walks through the city of London, discovering old classical buildings, brutalist creations and high-tech features all within a short distance walk from each other. This led her to create work that is a nod to the past and the present, with a graphic style and finish, combining the undiscerning elements of a city. Each piece she has created is influenced by interior detailing, deriving from places such as the V&A Museum and other historic landmarks within London. Freyja's textile print background enables her to transform the tactile surface to create a unique interwoven surface, giving a current relevance to the object, bringing a contemporary twist to each landmark detail, magnifying repetition, and significance of history when we design. The starting point of this sculptural vase is Victorian architectural...

Bill Culbert (New Zealand, 1935-2019), 'Cubic Projections', 1968. Exhibited by the Lisson Gallery, a plastic ball with pinholes all-over, radiating lights, this example from the original edition sold at the time of the exhibition. Measure: 60cm diameter Literature: David Mellor...

1970-1980 bronze sculpture by Philippe Berry, titled "L'Homme éléphant" ("The Elephant Man"). Details.  

Red Swarm was made by hand using the ancient technique of coiling with ropes of clay. I use stoneware clay which in this instance has then been decorated with liquid red porcelain a...

“Le Phénicien” Sculpture by Agnès Debizet, 2015 Urn sculpture made of stoneware and porcelain slip, hand-built and carved. Unique signed piece. Di...

Organic sculpture by Dominique Legros Material: hand polish stoneware Dimensions: H 15 x 29 x 29 cm Year: 2021 Dominique Legros has developed a ...

An Alberto Giacommetti inspired stoneware centrepiece hand made by a London based ceramic artist in collaboration with The Two Paths. This would work well as...

Natural Stripes Ziggurat boxes by Oeuffice Edition: 12 + 2AP 2012 Dimensions: 25 x 25 x 55 cm Materials: wood box, acrylic, solid stained wood The Natural Stripes edition is a...

Originally conceived as the internal organs of the artist’s robot sculptures, this series draws inspiration from mushrooms and psychedelics, considered by some anthropologists as the missing links between human and animal states, and the hope of civilisation. Charlotte Colbert...

« Console Aztèque » (2022) by Agnès Debizet Material: Stoneware, porcelain slip Dimension: H 90 x 135 x 30 cm Unique piece, dated and signed. Taking its inspiration from Latin America antique...