London Figurative Sculptures

An impressive mid 20th Century French pâte-de verre limited edition glass study designed by Louis Laubignat and produced by Daum. The figure of a seated lady with her legs crossed wi...

An attractive early 20th Century Art Deco cold painted silver bronze figure of a young energetic beauty in a stretched pose, raised on a decorative black and green onyx base and sign...

Lovely Lifesize Bronze of a Female Nude This Sculpture was Bought from a Residence in Scotland and was in their Garden for Many Years Lovely Patina

A superb antique Victorian Majolica Jardiniere on stand decorated in green blue and brown glazes on a navy blue ground,  Circa 1860 in dat...

This is a superb Vintage model of a Ferrari Hydroplane 1954, late 20th Century in date. Ferrari's cars are adored on all corners of the globe and are seen as the ultimate status sym...

An impressive early 20th Century Austrian bronze study of a standing turkey with very fine naturalistic cold painted colours and excellent hand finished surface detail. Signed with t...

An attractive early 20th Century Art Deco cold painted bronze figure of a young energetic beauty in a dancing pose, exhibiting excellent colour and very fine hand chased surface deta...

This is a beautiful pair of Derby figures called the "Garland Shepherds", made in about 1765. The pair is one of Derby's most famous figure pairs and it bears the catalogue number E2...

Ceramic Indian motif white elephant by Bruno Gambone (circa 1970s). This is an absolutely charming ceramic white elephant with an Indian-style blanket and headdress, large whimsical ...

This is an eye-catching Vintage Art Deco Revival bronze dancing girl dating from the mid 20th century. This beautiful piece is a 20th Century recast of a sculpture created by the famous Romanian sculptor Demetre Chiparus. Made by the classical lost wax, or 'cire perdue', method, the stautue stands on a black marble base. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 50 x Width 22 x Depth 16 & Weight 6 kg Dimensions in inches: Height 1 foot, 8 inches x Width 9 inches x Depth 6 inches & Weight 13.2 lbs Lost Wax Method sometimes called by the French name of cire perdue or the Latin, cera perduta is the process by which a bronze or brass is cast from an artists sculpture. In industrial uses, the modern process is called investment casting. An ancient practice, the process today varies from foundry to foundry, but the steps which are usually used in casting small bronze sculptures in a modern bronze foundry are generally quite standardised. Demetre H. Chiparus was born in Romania in 1886, attended school in Italy, then, shortly before World War I moved to Paris. He attended school at the Ecole des Beaux Arts under two talented sculptors Anonin Mercier and Jean Boucher, who provided him the opportunity to learn the trade. He later began to experiment with small bronze sculptures and produce small bronze works, exhibiting his small sculptures and, in 1914, was awarded an honorable mention at the Salon of the Societe des Artistes Francais. Many of Paris’ most affluent began to take notice of his work after World War One and the demand for his sculptures quickly increased. Chiparus was captivated by dancers, in particular influenced by Diaghiley’s Ballets Russes and Leon Bakst’s stage designs. A few of his famous sculptures were Starfish Dancer...

A beautiful Art Deco Revival sculpture of Diana the Huntress with Hounds, after Josef Lorenzl, dating from the 20th Century. The decorative sculpture of silvered cast-bronze features a naked Diana the Huntress, with bow and a pair of hunting dogs, standing on a sloping naturalistic base raised on a rectangular black marble plinth. This high-quality hot cast solid bronze was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method. This is a splendid bronze sculpture and it will no doubt become the centrepiece of your collection. Condition: In really excellent condition, please see photos for confirmation of condition. Dimensions in cm: Height 30 cm x Width 11 cm x Depth 18.5 cm Weight 3 kg Dimensions in inches: Height 1 foot x Width 4 inches x Depth 7 inches Weight 6.6 lbs Josef Lorenzl (1 September 1892 – 15 August 1950) was an Austrian sculptor and ceramicist of the Art Deco period. While at the Vienna Arsenal, Lorenzl produced many bronze and chryselephantine sculptures, and captivated by the female form he became famed for his shapely dancing girls with long, elegant legs and closed eyes. These pieces of his were signed "Enzl", "Lor", "R. Lor", "Renz" or "Renzl". Occasionally the name "Crejo" appears on his pieces, Crejo having been a painter and one of Lorenzl's friends, and who sometimes applied colour to the pieces. These joint works are sought-after items. The large majority of Lorenzl's figurines were attached to Brazilian green onyx plinths. Lorenzl's talents also extended to being a gifted ceramicist. He produced pieces for Goldscheider, working from a studio on company grounds. As with his chryselephantine pieces, his ceramic works were in great demand and became the embodiment of the Art Déco period. Famous amongst these is "The Butterfly Girl" after the famous dancer Niddy Impekoven...

This is a fabulous pair of figures of Liberty and Matrimony made by the Bow Porcelain factory between 1760 and 1764. These figures were a popular pair portraying marriage. The bow...

A pair of monumental limestone sphinxes of Pharaoh Nectanebo I, from the processional avenue of the Serapeum of Memphis, 30th Dynasty, circa 379 - 360 BC. The sphinxes of the Serapeum have captivated travellers since Roman times. However, despite their significance, they are conspicuously absent from the collections of most major museums. Indeed, their existence in private hands is so improbable, and their imitations so numerous, that the present sphinxes were assumed to be modern copies throughout their recent ownership history. Finally recognised and conserved after an extraordinary chance discovery at a garden furniture sale...

Khadim Diop, the Senegalese artist renowned for his bronze sculptures that adorn many private collections worldwide, has crafted two captivating and expressive pieces that showcase his mastery of the medium, a rare find in the market outside Africa! The first sculpture portrays a dynamic figure playing the Djembe drum...

An entrancing Art Deco cold painted gilt bronze figure of a naked beauty wearing an oversized coat loosely draped to show her attractive figure, the bronze with excellent colour and ...

A remarkably fine example of Archaic sculpture.  A figure of a discophoros, or discus bearer, standing with his right leg forward, gripping a discus in his right hand, the left arm raised with an open palm. Described with admiration in Münzen und Medaillen's 1961 auction, "The figure is a masterpiece and illustrates with rare vividness the essence of good Etruscan sculpture...

Enchanting early 20th Century Art Deco cold painted silver bronze figure of a standing woman holding her arms high above her in a stretched pose, exhibiting excellent colour and fin...

This is a superb vintage patinated bronze group of a hunter holding a fox over his hounds, dating from the late 20th Century. The bronze comprises a central Scottish hunter...

A beautiful patinated Art Nouveau bronze study of a young Art Nouveau beauty sat upon a wall wearing chains with excellent variegated rich brown patina and excellent hand chased surf...

A beautiful large Japanese Meiji Period patinated bronze study of an elephant with tigers, signed on the belly, Meiji period, 1868-1912, and late...

This is a wonderful antique French Grand Tour bronze model of the Vendome Column, circa 1880 in date. This splendid bronze features Napoleon I standing atop in his 'redingote' coat...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

This is a beautifully detailed antique Italian Grand Tour School bronze figural sculpture of Hermes, dating from Circa 1880. Mercury is cast after the original held at the Museo Naz...

This is a truly magnificent antique Victorian patinated bronze sculpture of the famous Greek God Apollo, modelled upon a shaped circular socle, inscribed monogram 'NF' and numbered 2...

A Lovely Late C19th Bronze Sculpture of a Female Nude European Lovely Original Marble Base

This is a large French bronze sculpture of Vercingetorix with his son by Emile Laporte (1858 - 1901), circa 1890 in date. The standing figure of Vercingetorix wearing a winged hel...

This is a very charming pair of porcelain figures of a stag and a doe, probably cast by Derby in about 1760 and decorated by Bloor Derby in 1820. The figures are a simple white porce...

Early 2000 "Pedone" (Pedestrian) a unique and very catching glass sculpture by Juan Ripolles executed in Berengo Studio glass Furnace in Murano Venice Italy. Blown glass fuchsia, yellow and dark gold. Juan Ripolles is a Spanish postwar and contemporary painter and glass artist born in 1932 His glass art works projects were mainly created at the Berengo furnace in Murano, exhibited through out the world in several private galleries and in the epical"Glass Stress" exhibition, started by the founder of Berengo Studio ,Adriano Berengo...

This is a truly stunning monumental life-size jardiniere depicting a pair of semi nude female figures wearing flowing skirts standing back to back holding an Etruscan urn. In timel...

Lovely antique hand painted porcelain man figurine, with blue and pink flowers and gold detail. This antique figurine is in very good co...

This is an elegant monumental Grand Tour bronze sculpture of Michelangelo's David, circa 1880 in date. The full-length portrait statue is of David, the 14ft marble statue depicts the Biblical hero David, represented as a standing male nude, David looks tense and ready for battle after he has made the decision to fight Goliath, but, before the battle has actually taken place. His brow is drawn, his neck tense, and the veins bulge out of his lowered right hand and holding his slingshot over his shoulder. This impressive scuplture is 107cm (3ft 6" ) tall and weighs over 36kgs (79lbs). This high quality hot cast solid bronze was produced using the traditional 'lost wax' process. The attention to detail of this sculpture is absolutely fantastic. Condition: In really excellent condition, please see photos for confirmation. Dimensions in cm: Height 107 x Width 41 x Depth 24.5 Weight 36.3 kg Dimensions in inches: Height 3 foot, 6 inches x Width 1 foot, 4 inches x Depth 10 inches Weight 80.0 lbs Michelangelo's David This astonishing Renaissance sculpture was created between 1501 and 1504. It is a 14ft marble statue depicting the Biblical hero David, represented as a standing male nude. Originally commissioned by the Opera del Duomo for the Cathedral of Florence, it was meant to be one of a series of large statues to be positioned in the niches of the cathedral’s tribunes, way up at about 80mt from the ground. Michelangelo was asked by the consuls of the Board to complete an unfinished project begun in 1464 by Agostino di Duccio and later carried on by Antonio Rossellino in 1475. Both sculptors had in the end rejected an enormous block of marble due to the presence of too many “taroli”, or imperfections, which may have threatened the stability of such a huge statue...

A minimalist ceramic sculpture of a female torso with flowing, abstracted curves and a mottled turquoise glaze; mounted on a black wooden base.

This is a superb antique Grand Tour patinated bronze figure of Narcissus, dating from the last quarter of the 19th Century. Narcissus was a hunter in Greek mythology and he was di...

A wonderful limited edition Art Deco bronze sculpture depicting a young woman in a striking colourful floor-length gown, adorned with two stylized birds' heads at the bodice and a fl...

Hollywood Regency vintage hand painted Nautilus ceramic planter, footed Bowl, bathroom accessory, centerpiece or nautical sculpture. Made in Japan in circa 1980. Signed. In very good...

Wonderful late 19th Century Art Nouveau French bronze figure of a seductively draped female figure representing, in allegorical form, Nature revealing her secrets to Science, a fitti...

A delightful Art Nouveau Bronze figure of a young beauty scantily dressed with only a shawl draped across her body in a striking pose. The surface of the bronze with rich golden/brow...

Nineteenth century Italian bronze model of Seated Hermes, stamped 'GIORGIO SOMMER FOUNDRY, NAPLES', set on marble plinth base. Dimensions: 44cm (17¼") High, 42cm (16½") Wide, Base 2...

A large bronze classical Roman figure of Mercury, after Giambologna (1529 1608), holding the caduceus & wearing his winged helmet, standing on one foot above the mask of Boreus, the ...

This is a large French Grand Tour bronze sculpture of Pan the Roman fertility God of the forest issued by the "Musee de Naple" , circa 1870 in date. The sculpture features Pan danc...

Mater Dolorosa Sculpture, Our Lady of Sorrows Sculpture, Religious Antique Sculpture, Church Antique Statue, Gothic Antique, Antique Mater Dolorosa, ...

This is a beautifully detailed antique Italian Grand Tour bronze sculpture of Hermes, dating from Circa 1880. Hermes is cast after the original held at the Museo Nazionale in Naples...

An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base. ADDITIONAL INFORMATION Height: 30 cm Width: 19 cm Depth: 12 cm Condition: excellent original condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 35 SKU: 8773 ABOUT Villanis Cendrillon Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...

An enigmatic late 19th Century bronze study of a seated female nude leaning on her knees, hiding her face, on integral naturalistic canted rectangular base, signed to one side DALOU above the cracked mirror (facing to the rear), the opposing side marked Susse Fres Edts the rear with Susse Freres pastille flanked by the letters H P and S. The title of this subject translates as 'The Truth Revealed' and refers to the young woman inconsolable having seen her true reflection in a mirror, which she has dropped and lies broken on the hard floor. ADDITIONAL INFORMATION Height: 14 cm Width: 12 cm Depth: 8 cm Condition: Excellent Original Condition Circa: 1890 Foundry: Susse Frères Paris Materials: Bronze SKU: 8790 ABOUT Aimé-Jules Dalou...

This is a finely cast brown patinated bronze Grand Tour sculpture of Napoleon Bonaparte, Mid 19th Century in date. It features Napoleon standing contrapposto in uniform wearing a...

An erotic Austrian cold painted bronze figure of an Egyptian sarcophagus opening to reveal a naked beauty with excellent colour and very fine hand finished detail, signed with the Be...

This is a truly magnificent antique Italian Grand Tour figural golden patinated bronze sculpture depicting a wounded gladiator known as "The Dying Gaul", and signed B Boschetti...

Grotesque theatrical mask of Maccus Late Hellenistic or Early Imperial period, circa 1st century B.C. – 1st century A.D., likely from Southern Italy. Terracotta with remains of pin...

Lovely Statue of a Bronze Pixie Very Quirky and a Real Addition to Any Garden Suitable for Either indoors or Out Lovely Patina

A captivating limited edition Art Deco bronze figure of an elegant beauty wearing a full length gown with a dramatic black and gold shawl draped across her arms with a large decorati...

Roman marble Fragment of a Right Foot with Sandal Circa 1st - 2nd Century A.D. An evocative Roman marble fragment, preserving the front portion of an over-lifesized sandalled foot. The toes, nails, and bridge of the foot have been sensitively carved. The outer sole of the sandal remains, with delicate, pointed straps joining between the first two toes in a diamond shape. This fragment once belonged to Danish sculptor Jens Adolf Jerichau...

Inspired by planet-like shapes and textures, the Cosmic collection plays with both metal properties and a selection of patina finishes. The Regolith Pendant...

Resin Erotic Sculpture of a Woman in Bondage Kneeling and Tied Hands In Antique White Finish

A captivating late 19th Century Art Nouveau hand carved marble figure of a young beauty seated on a rock with a look of deep contemplation on her face with excellent surface detail, ...

An exquisite early 20th Century French Art Deco gilt bronze figure of a young female dancer seated upon a shawl that she is lifting either side of her. The surface decorated with enamel painted ancient Egyptian design, exhibiting excellent colour and detail. Raised on a marble base and signed Cl.J.R.Colinet ADDITIONAL INFORMATION Height: 42 cm Width: 56 cm Depth: 21 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze & Marble Book Ref: Art Deco & Other Figures by Bryan Catley Page: 117 SKU: 9176 ABOUT Colinet Claire Jeanne Roberte Colinet (1880–1950) was French sculptor of Belgian birth who worked during the early-to-mid 20th century. The subject matter of her best known work was primarily Arab female dancers. The majority of her career output in sculpture can be classified as being of the Art Deco style. Colinet was a frequent exhibitor at the Salon des Artistes Francais and Salon des Independents art exhibitions in Paris. Her sculptures, most of which depicted beautifully figured, energized, and dramatic female forms, were exhibited posthumously at the Paris Salon for nearly 30 years. Early Life Colinet was born in Brussels, Belgium, in 1880. Little is known about her life other than the artwork she produced during a successful career that spanned more than 40 years. As a woman, she was in the minority in her chosen field of sculpture during the era in which she worked and lived. Career At an undetermined date – probably around 1910 – Colinet emigrated to Paris, France, where she studied sculpture under the watchful eye of Jef Lambeaux and exhibited for the first time at the Salon des Artistes Francais in 1913 and became a permanent member of the organization in 1929. From 1937 to 1940, she exhibited at the Salon des Independents in Paris and joined the Union of Women Painters and Sculptors. Colinet's work is primarily done in the Art Deco style, and her models included odalisques, exotic dancers, jugglers and artists of cabaret. A number of her female dancer pieces were influenced by a revival of the Orientalism movement which had been popular in Europe from about 1860 to 1880. Her preferred casting material was bronze; however, a number of her most distinguished sculptures are chryselephantine, being a combination of both bronze and ivory. Colinet's sculpture has become highly desirable to collectors and, increasingly, is selling for exorbitant sums. At a Christie's sale on 4 May 2007, her Ankara Dancer...

A fabulous Art Deco bronze figure of a beautiful woman wearing a loose fitted figure hugging dress and high heels holding a riding whip, with excellent colour and very fine hand finished detail, signed Bruno Zach ADDITIONAL INFORMATION Height: 45 cm Condition: Very fine Original Condition with slight signs of wear Circa: 1925 Materials: Cold Painted Bronze Book Ref: Art Deco Sculpture by Victor Arwas Page no. 224 SKU: 261 ABOUT Zach Whip Girl Zach Whip Girl – Bruno Zach (Austrian, 1891 – 1945) – Bruno Zach was a prolific creator of tall, athletic, independent women in bronze and ivory. He depicted both the healthy outdoor pursuits, and also the dream mistresses of the demi monde...

A Very Rare and Important Marble Relief of the ‘Resurrection of Christ’ Attributed to the Master of the Mascoli Altar Marble Venice, Italy Second half of the 15th Century SIZE: ...

Fabulous cold painted Austrian bronze study of an Arab man knelt on his oriental rug praying, with his walking stick laid beside him. With good rich brown and enamel colours and very...

An almost 4.5ft tall Plaster Fidelity Statue from the English Regency/ Victorian period. Good form and scale with some Historic restoration over the years, however as seen in the ima...

'Beyond the Horizon III' is a unique handblown and sculpted glass artwork by the British artist, Louis Thompson. In the artist's own words: "Beyond the Horizon, where the known and...